Digital Paintings

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

Still Life Flower Painting Art Textured Giclee on Canvas 45x45" Dream Nature State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edit...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

36. FROM PIER ROAD, WHITBY The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Br...

Experience the captivating allure of "Human Cubist Portrait 3," a mesmerizing artwork that takes inspiration from the innovative and visionary style of Cubism. This vibrant and thoug...

Sophie Harden The Morning Parade Limited Edition Giclee Print Edition of 25 Size: H 32cm x W 86cm x D 0.3cm Sold Unframed Please note that in situ images are purely an indication of ...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas Innovative and Contemporary Original New Medi...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

The Inexplicable Movement Painting Art Hand Textured Giclee on Canvas 40Hx 60W" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

Rustic Purple Flower Painting Textured Giclee on Canvas 45x45" Purple Sensation State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited e...

Discover Art You Love. Start and build your art collection. Investment Opportunity - Unique - Original - Signed Astronomy & Space Collection SPECIFICATIONS: - Artist-grade canvas. ...

Sweet Melody Floral Red Painting Hand Embellished Giclee on Canvas 60W X 40H Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich t...

Majesty White Black Floral Painting Hand Embellished Giclee on Canvas 40H X 60W State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY REA...

Discover Art You Love. Start and build your art collection. Investment Opportunity - Unique - Original - Signed Astronomy & Space Collection Geometry MYSTERY MOON 22 Mixed Media Pa...

Crater Valley Farm and Crater Cottages 3 diptych Overall size cm : H100 x W100 Crater Valley Farm is a limited edition print by Anya Simmons, inspired by ...

Gina Parr Agbopura Limited Edition Photographic Print of 10 Image Size: 54.9 x 36.6 cm This is one work Sold Unframed Agbopura – 2 of 10 Limited Edition Photograph by Gina Parr from...

I Know I'm Paranoid by The Connor Brothers

This is a signed, Limited Edition Giclée print of the original painting by Harriet Hoult. The print is on a high grade, cold press rough textured, hand torn art paper. Harriet Hoult...

Empire State Building, Blue By Michael Wallner [2018] limited_edition Brushed aluminium Edition number 25 Image size: H:91 cm x W:68 cm Complete...

Any custom charges/taxes ARE INCLUDED in the final price agreed. limited edition print on paper hand signed certificate of authenticity

limited edition print on paper hand signed 25x35cm(40x50cm full size) Limited Edition, Hand Signed Certificate of Authenticity

I poured my soul into this piece, capturing the warmth of the sun and the serene beauty of nature. My brushstrokes evoke a sense of peace and invite the viewer to step into a tranqui...

Limited Edition Giclee on Canvas, 24/150 29.75 x 23.25 in. Unframed Signed by Artist, comes with Certificate of Authenticity Good/Fair Condition-piece shows signs of wear due to age...

An overly exaggerated nude figure is the subject of Oliver Hazard Benson's drawing entitled "TnT". Upon closer look, the artist's fine hand is evident in the amazing detail in the f...

Ashvin Harrison is a renowned Australian artist based on the Sunshine Coast, known internationally for his distinctive and self-taught techniques. His unique artistic approach blends...

Giclee print on archival cold press cotton rag, edition 9 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signag...

Introducing "Abstract Cubist Portrait - HFC 12" - Limited Edition Textured Canvas Print Experience the fusion of abstract brilliance with "Abstract Cubist Portrait - HFC 12," a capt...

Pink Yellow Painting Art Hand Textured Giclee on Canvas 45x45" Light on Life State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edit...

Pop Art Digital Figurative Painting Print - Time to go A man on his journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to refl...

Under the Illusion, Original Signed Contemporary Blue Abstract Digital Painting 32" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This abstract digital painting by artist Denise Dundon...

Outgoing Tide, Signed Contemporary Neutral Abstract Digital Painting 24" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This square format digital...

Giclee print on archival cold press cotton rag. Every print is uniquely hand embellished by the artist with gold acrylic paint. Edition 4 of 5. In this new series of paintings, Moor...

"Romance Peregrino" is a wildly colorful, abstract painting layered on top of a photographic print. The subject is a strong male acrobat standing upside down on his hands. This is a ...

Patrick Hughes (born 20 October 1939) is a British artist working in London. He is the creator of "reverspective", an optical illusion on a 3-dimensional surface where the parts of t...

Giclee on canvas. Hand signed and numbered on front by the artist. Edition of 95. Canvas size 36 x 24 inches. Custom framed as pictured. Artwork is in excellent condition. Certi...

Maybe It's Not About A Happy Ending by The Connor Brothers Giclée, Screen Print, Acrylic, Oil and Hand Applied Varnish on Paper

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Unknown Artist - Homage to Woman with Book by Picasso, Medium: Giclee and Acrylic on Canvas, Size: 24.5 x 20.25 in. (62.23 x 51.44 cm)

Inspired by his own exploration of the outdoors and a strong desire for continued environmental preservation, Straus' large-scale paintings take an Original approach to the depiction...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

Vivid Abstract Painting Art Hand Textured Giclee on Canvas 40Hx 60W" Unknown State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edit...

Danny Galieote Freedom From Fear, Ed. 1/10 Giclee on Archival Acid-Free Rag Paper 35” x 27” Image Unframed, 46 x 38" Framed "This series of works ar...

Christina Craemer is a Los Angeles-based artist who travels the world photographing water in its many forms, especially waterfalls. She combines countless images to create a striking...

limited edition print on paper hand signed certificate of authenticity

In creating this piece, I embraced the delicate dance between realism and expressionism, aiming to convey deep emotion. The soft interplay of light and shadow across the figure's for...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

Digital art on canvas, unique artwork Marco Santaniello is an Italian artist born in 1981 who lives & works in Cosenza, Calabria in Italy. He started his path doing Pop Portraits an...

Set of 2 artworks, 2024 by Rodrigo Etem From the Medium - Screen Time series Mixed Media (oil, giclee print) on canvas Marupá wood Framed Overall Frame size: 52 H x 83 W x 3 D cm. I...

Agent X has created a bright and brilliant mash-up of iconic Pop Art aesthetics and digital collage techniques. Agent X intercuts Pop art imagery with panels of poppy pattern, colour...

Dinner Meeting 3 - Midcentury Modern Limited Edition Textured Canvas Print Experience the timeless allure of "Dinner Meeting 3," a limited edition textured canvas print that capture...

Introducing the latest creation from Lebanese American artist Sally K, a mesmerizing series of embellished mixed media artworks that redefine the boundaries between art and beauty. S...

Limited Edition Giclée of 120 Hand Signed by Tom Russell

Introducing the latest creation from Lebanese American artist Sally K, a mesmerizing series of embellished mixed media artworks that redefine the boundaries between art and beauty. S...

Pop Art Digital Painting Portrait Print In his work, Ralf Schmidt combines elements of illustration, graphic design, and painting to create a distinctive, stylized realism with Pop ...

Digital art printed on canvas, unique artwork ''A glimpse stolen from a Traditional Flamenco bar in Seville, Spain'' Marco Santaniello is an Italian artist born in 1981 who lives &...

In this piece, I've sought to capture the ethereal glow of twilight embracing the iconic architecture. The playful dance of light and shadow melds realism with a hint of impressionis...