Digital Paintings

Moments of Joy 2, Painting Art Hand Textured Giclee on Canvas 45x45" Pink Blue State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ed...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a tend...

Discover Art You Love. Start and build your art collection. Investment Opportunity - Unique - Original - Signed Astronomy & Space Collection SPECIFICATIONS: - Artist-grade canvas. ...

Art Edition (No. 1–100), with the numbered and signed print The Caged Bird’s Song (Voyeur), 2024, by Chris Ofili. Art print, Giclée on 340gsm Hahnemühle Rag Metallic paper with deckl...

Thermodynamic Expansion Gray Painting Art Hand Textured Giclee on Canvas 45x45" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ...

Red Blue Painting Art Hand Textured Giclee on Canvas 45x45" Color Flow 3 State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edition...

Warm toned modern cubist abstract still life enhanced giclee painting by Houston, TX artist David Adickes. The work features yellow and red flowers in an abstracted face shaped vase. Signed by the artist in the front upper right corner. Currently hung in a beautiful gold frame. Dimensions Without Frame: H 23.5 in. x W 17.5 in. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures, from the Virtuoso in downtown Houston...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

'Poppy on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Print...

'Dahlia on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Prin...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed This is an ori...

One Queen (4) By Agent X [2020] original and hand signed by the artist Digitally produced painting on canvas Image size: H:106 cm x W:72 cm Complete Size of Unframed Work: H:106 cm ...

Blue Gold Bunch Rustic Flowers Painting Hand Textured Giclee on Canvas 45x45" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ed...

Colorful Painting Art Hand Textured Giclee on Canvas 45x45"Freedom of expression State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ...

Green Bunch Rustic Flowers Painting Hand Textured Giclee on Canvas 45x45" Teal State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ed...

Teal Rustic Flowers Painting Art Hand Textured Giclee on Canvas 45x45" August State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edi...

Pink Yellow Painting Art Hand Textured Giclee on Canvas 45x45" Light on Life State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edit...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Outgoing Tide, Signed Contemporary Neutral Abstract Digital Painting 24" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This square format digital...

Image Sz: 14"H x 18 1/4"W Frame Sz: 18 1/2"H x 22 3/4"W Classic color giclee of Saratoga Racecourse c1962 by Robert Roche Giclee

Hojat Amani, is a multi-disciplinary artist involved in photography, painting, and calligraphy. Raised in a traditional family, Amani was familiarised with traditional art, and began...

An overly exaggerated nude figure is the subject of Oliver Hazard Benson's drawing entitled "TnT". Upon closer look, the artist's fine hand is evident in the amazing detail in the f...

Digital art printed on canvas, unique artwork ''Akihabara is one of those area in which you will go back several times, I almost pass by there once a day when I am in town. Those bo...

Limited Edition Giclee on Canvas, 24/150 29.75 x 23.25 in. Unframed Signed by Artist, comes with Certificate of Authenticity Good/Fair Condition-piece shows signs of wear due to age...

Sweet Melody Floral Red Painting Hand Embellished Giclee on Canvas 60W X 40H Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich t...

Under the Illusion, Original Signed Contemporary Blue Abstract Digital Painting 32" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This abstract digital painting by artist Denise Dundon...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

Souvenir 49 (2013) by César Delgado is a striking example of the artist’s exploration of abstraction and materiality. Executed in digital print and resin on Dibond, this work belongs...

Divided Lands, Signed Contemporary Blue Abstract Color Field Digital Painting 30" x 30" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artis...

Giclee on canvas. Hand signed and numbered on front by the artist. Edition of 95. Canvas size 36 x 24 inches. Custom framed as pictured. Artwork is in excellent condition. Certi...

Inspired by his own exploration of the outdoors and a strong desire for continued environmental preservation, Straus' large-scale paintings take an Original approach to the depiction...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Introducing "Abstract Cubist Portrait - HFC 12" - Limited Edition Textured Canvas Print Experience the fusion of abstract brilliance with "Abstract Cubist Portrait - HFC 12," a capt...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand painted with acrylic, 3D painting, ink, acrylic gels, texturing mediums, and varnishes over-painting. This body of work focuses on a combination of texture, color, and composition. Each piece is manipulated with a unique surface finish of textures. Irena Orlov’s artwork begins spontaneously and gives expression to personal creativity and insight. Each piece is unique in design. SPECIFICATIONS: - Fine art canvas - Professionally hand stretched over 1 ½" deep wood stretched bars. - Gallery wrapped in sustainable FSC certified wood. - Wire Installed. The edges are painted so there is no need for additional framing. The artwork is ready for display. Artist Irena Orlov. Signed. Certificate for authenticity. About an Artist: Irena Orlov is a Los Angeles-based contemporary multidisciplinary visual artist whose work uses a combination of both traditional and new media. In a blending of traditional and new media, Irena Orlov developed special techniques which continue to give her art a unique look and aesthetic. While the majority of her works are done with mixed media, she also creates with acrylic, oil, pastel, watercolors and pencil. Much of her art has been implemented in renowned hotels, wellness and corporate settings across the world. Exhibitions and Collections: 2021 Resorts World Las Vegas 2021 Robert Kidd Gallery, Birmingham, MI 2020-2021 ACA ART Comes Alive 2020, Cincinnati 2020-2021 Artsy “Digital Winter Exhibition 2020 – 2021”, Art Screen TV 2020 GALLERIA IL COLLEZIONISTA - ROMA, CHRISTMAS ART EDITION 2020 Robert Kidd Gallery, Birmingham, MI 2020 Shibuya Station Exhibition Tokyo III, 2020 2019 Art Comes Alive, ACA 2019, Cincinnati, Ohio 2019 Blink Art Artist Showcase, Cincinnati, Ohio 2019 WhyNotArt, Pasadena, CA 2019 Salal Credit Union, Cafe, Washington 2019 Parcus Gallery, Berlin, Germany 2019 Voyager, Royal Caribbean Cruise Line, Artworks installed: Spa, Staterooms, Suites, Lounge 2019 Apartment Building, Stairwell, Wilson Mountain view CALIFORNIA 2019 Oasis, Royal Caribbean Cruise Line, Artworks installed : Bed Spa Staterooms 2019 Leasing Office, Lake Meadow, Chicago Illinois 2019 Freedom Spa Staterooms, Royal Caribbean Cruise Line, Miami 2019 Freedom of the Seas Royal Caribbean Cruise Line 2019 Parallax Art Fair Kensington, London, UK 2019 4th Annual Jockeys & Juleps Derby Party Fine Art Auction, Southern Reins 2019 Parallax Art Fair Chelsea, London, UK 2018 Red Dot Miami, R.E and Perseus Gallery, Spectrum Miami 2018 2018 Parcus Gallery, Berlin, Germany 2018 21st Beijing Art Expo, China 2018 Museum MIIT, Modern and Contemporary Art, Turin, Italy 2018 The Vatican's Chancellery Palace, Italy, 1st International Itinerary Art Biennale 2018 "Between Dream and Reality” 2018 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2018 Artexpo New York 2018 2018 Royal Caribbean Cruise Line 2018 Renaissance Asheville Hotel 2018 Renaissance Newport Beach Hotel, Reception 2018 UC Davis, Student Housing, California 2018 LA Mart, TEMPS on 2, Los Angeles 2018 European Intercultural Activity, The Museum of Art and Science, Milan 2017 The Art Festival at The Papal Palace of Castel Gandolfo (di Castel Gandolfo -Musei Vaticani) 2017 The International Exhibition at the Art Italian Institute, Prague 2017 Marriott SFO, San Francisco, CA 2017 Stars of Art 2017, Galleria Sant'Andrea, Parma, Italy 2017 Stars of Art 2017, Galleria Farini Concept, Bologna, Italy 2017 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2016 Ritz-Carlton Osaka, Tokyo, Corporate Collection 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 “Contemporaries at Uffizi”, Florence: Palazzo Ximenes Panciatichi. Italy 2016 Arttour International. Spectrum Miami 2016 2016 Biennale "Palma d'Oro per l’Arte 2016" Monte Carlo 2016 Galleria Borghese, "Historical Prize for Contemporary Artists", Rome, Italy 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 Dwell on Design, Los Angeles Convention Center 2016 Tokyo International Art Fair 2016 Saatchi Art, Girlcrest Event/ Lloydcrest Estate, Beverly Hills 2016 "Woman's Art World" Museum of Marrakech, Casablanca, Morocco 2015 Awarded the International Art Award David of Bernini, Grand Gala, Italy Monumental Theatre “G.Paisiello” by International Education of Art and Human Rights Italia in Arte nel Mondo 2015 Awarded the Special Prize for Human Rights, Anne Frank Italy Monumental Theatre “G. Paisiello” by International Education of Art and Human Rights Italia in Artenel Mondo 2015 Hotel Monaco, Washington DC 2015 " Snap To Grid" Los Angeles Center for Digital Art 2015 Stanford University, Student Housing, Stanford, California 2015 1st International Noto Award - Unesco Heritage, "Convitto Ragusa" Museum - Noto, Sicily 2015 Premio Oscar dell...

In this piece, I sought to capture the serene dance between sky and sea, interspersed with the graceful ballet of a sailboat. Infused with the essence of expressionism and the delica...

In this piece, I've sought to capture the ethereal glow of twilight embracing the iconic architecture. The playful dance of light and shadow melds realism with a hint of impressionis...

Spanish contemporary artist Cesar Delgado (b. Madrid, Spain) is known for his meticulous and imaginative approach to abstraction, often described as a scientific exploration of form ...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

In creating this giclée print, I embraced the tranquility of a winter landscape, where the stark serenity of snow-clad trees whispers of nature's quiet moments. A touch of warmth sur...

In this piece, I sought to capture the vibrancy and tranquility of nature, merging the wild with the serene. The crimson poppies dance in the breeze, a sea of passion and life, while...

Celebrating the Academy with this Limited Oscar Art Series by Mauro Oliveira. Limited edition of 30 museum quality giclee prints on CANVAS, signed and numbered by the artist. A "C...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Patrick Hughes (born 20 October 1939) is a British artist working in London. He is the creator of "reverspective", an optical illusion on a 3-dimensional surface where the parts of t...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

I Know I'm Paranoid by The Connor Brothers

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Maybe It's Not About A Happy Ending by The Connor Brothers Giclée, Screen Print, Acrylic, Oil and Hand Applied Varnish on Paper

In this piece, I've encapsulated the serene interplay of nature's symphony and the tranquil sights of the countryside. Notice how the storks atop the hay bales serve as conductors of...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

I poured my heart into creating this giclee print, a vivid dance of color and light that celebrates the serene beauty of nature. Inspired by the interplay of expressionism and impres...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

In creating this piece, I poured my soul into the vibrant dance of colors and emotions, crafting a vision inspired by the grace and mystery of the figure. The red speaks of passion a...

Modern abstract figurative portrait print by Houston, TX artist David Adickes. The work features a central bearded male figure dressed in a tie set against a background of falling le...

'Dahlia on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Prin...

'Poppy on Ink #2' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Pr...

'Chrysantemum on ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...