Egg Tempera Paintings

Archangel Saint Michael after an icon from Constantinople of the 14th Century. Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with application of gold leaf Dimens...

Colin Fraser's remarkable tempera still-life and landscapes have a luminosity that seems to irradiate from them. It’s an effect that conjures a remembering of the timeless moment or mood they seem to captureColin Fraser was born in Glasgow in 1956, studied art in Brighton and currently lives and works in Sweden. Fraser is represented by Mira Godard Gallery...

Born in Hollywood and raised in the urban sprawls of Los Angeles, Julio’s artistic aesthetic was shaped early on by the platinum light and expansive concrete horizons of southern Cal...

LOOK FOR FREE SHIPPING AT CHECKOUT Rock Me is a 14 x 20 figurative oil painting by E. Melinda Morrison. It was painted in 2019. Rock Me shows the movement of the water rocking the ...

Christ Crucified (Christus Patiens) with God the Father, the Virgin and St. John In the manner of 14th century Tuscan painting Tempera on panel Height: 150 cm Width: 99 cm Perform...

Fred Wessel's "The Constellation Crater" is a stunning egg tempera painting on gold leaf. Created in 2015, this piece depicts a young woman, holding a crystal chalice and sitting upr...

Fred Wessel's "White Orchid" is a stunning egg tempera painting on gold leaf. Created in 2023, this piece features a blooming branch of white orchids, resting over a deep red backgro...

“Water is soft and supple, but also hard and inflexible.It flows or is still. It is silent and loud; it possesses every nature. Pure and clear, muddy and blind, wet and dry, salty an...

This remarkable late 16th-century fragment depicts Saint Magí, the patron saint of Tarragona, and Saint Mauro, a Benedictine monk. Produced in around 1580, on the cusp of the Anglo-S...

The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...

This remarkable late 16th-century fragment depicts Saint Madrona, the Patron Saint of Barcelona, Spain, holding a 15th-century carrack and the martyr’s palm frond. She stands before ...

This charming rural winter scene of ice skaters fully displays Norman Rockwell's America, but it was painted by female artist Charlotte Joan Sternberg. She combines the mid-century A...

Miles Cleveland Goodwin says, "I don’t like to do things I don’t know." Not unlike the spirit of Southern literature and Delta blues music, there is an autobiographical nature to his...

Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein air landscape painting, Vadnais finds an interesting ...

WPA Mural Study American Scene Social Realism Mid 20th Century Modern Workers Seymour Fogel (1911-1984) Mural Study, untitled 11 x 49 1/4 inches (sight) Tempera on board Provenance:...

Colin Fraser's remarkable tempera still-life and landscapes have a luminosity that seems to irradiate from them. It’s an effect that conjures a remembering of the timeless moment or ...

This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall painting as well as drawing. F...

Reflections Egg Tempera Realism Framed 8.5" x 12.5" Reflections Egg Tempera Realism Framed 8.5" x 12.5" is painted with egg tempera by realist painter Mark Thompson . Eg...

As the Days wash over Me‐ Egg Tempera ‐ Tempera Prepped Aluminum panel ‐ 12 x 24 is by E. Melinda Morrison who lives in Fort Worth Texas. Also posted are other paintings available b...

China Cup with Pitcher Egg Tempera Realism Strawberries Marbles Framed by realist painter Mark Thompson is 10.5" x 9.75" Notice the figure of the art...

A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...

Fred Wessel's "Giana (Fibonacci Revisted)" is a stunning egg tempera painting on gold leaf. Created in 2019, this piece depicts a young woman, looking inquisitively over her shoulder...

Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...

"Unter freiem Himmel" (2024) by Susanne Zuehlke (b. 1962) is a vibrant composition characterized by bold geometric shapes in vivid primary colors. The piece features dominant blocks ...

"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Sir William Blake Richmond KCB, RA, PPRBSA 1842 - 1921 The Shepherd Egg tempera on wooden panel, signed with initials bottom left Image size: 8 ¼ x 5 ½ inches Period gilt oak frame A newly discovered work by the artist. Sir William Blake Richmond KCB, RA, PPRBSA was an English portrait painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London. He was the son of the portraitist George Richmond RA and studied at the Royal Academy Schools in the early 1860s. Influenced by his father and by Sir John Everett Millais, he is best known for his mosaic decorations below the dome and in the apse of St Paul's Cathedral in London. His father, George Richmond, was one of 'the Ancients' who were a group of artists who formed around the visionary artist and poet William Blake. Samuel Palmer was an other of the ancients and a close friend of the family. Our painting could have been inspired by George Richmond’s engraving 'The Shepherd', 1827, but in our panel the shepherd is turned round facing away, and is playing a flute instead of resting on a staff. But the sheep and other elements are there. It is also suggestive of Welby Sherman's engraving after Samuel Palmer of the same name and date, but here the shepherd is sitting but like ours turned away. William Blake's is an altogether happier image given the figure is playing to his sheep. Our painting is playing with some of the same ideas and feels like the same sort of period, and the ‘fresco’ like chalk ground is interesting, as is the pen and ink finishing on the tempera. All three are strongly influenced by Blake's illustrations to Thornton's 'Virgil'. The shepherd and his flock are clearly based on Thenot and his sheep in the Frontispiece to Thornton. Blake Richmond wrote:"If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of my father's contemporaries, Calvert, Blake and others, whose shadows are substance still to me" [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling op. cit p. 28]. Richmond was given private art lessons by John Ruskin before attending the Royal Academy for three years. After that he spent a number of years in Italy, where an encounter with a shepherd called Beppino, 'a splendid speciman of a Sabine Shepherd', could also have gave him the inspiration for the painting we show here. Richmond recalls how he met Beppino on the hillside, and was invited to share the shade of the shepherd's capanna, a wooden hut. 'What a place! In an instant of time I was back into the age of kings, and I knew Romulus had lived and am sure that he lived in a hut exactly like this one'. That night Richmond dined at Beppino's hut 'on roast kid, hard bread dipped in Roman wine, goat's cream and white ricotta'. The shepherd had such an impression on Richmond that he sought him out on a return visit to Italy some years later, but was saddened to hear that Beppino 'had joined his fore-fathers in the shades'. He was moved to write the following, which perfectly expresses the mood of this painting and his tribute to a fleeting companion: 'Little events of this kind unite past times with present, create and emphasis continuity of human instincts, which seem to defy time and make travel so intensely interesting and invigorating to a citizen of this world. One need not go to the palace, far otherwise, or to cities and towns to discover the kernal of enduring civilisations. One finds it, if one wills to do so, in the backbone of the world, an ancient peasantry who have watched and still watch the progress of the stars'. Richmond was influential in the early stages of the Arts and Crafts Movement in his selection of bold colours and materials for the mosaics in St. Paul's Cathedral and in his collaboration with James Powell and Sons...

Beautiful painting by New York woman artist Altoon Sultan (b. 1948). Original Marlborough Gallery label New York on the verso with title “The Plaza.” Subject is a sunny plaza with c...

Colin Fraser is a contemporary Scottish painter, who is recognized for his intricate still lifes, interiors, and landscapes. He was born in Glasgow, Scotland in 1957 and received tra...

Fred Wessel's "West Hartford Canna" is a stunning egg tempera painting on gold leaf. Created in 2022, this piece features a beautiful single stem of an orange Canna Hybrida lily, among its large leaves and stem. Painted underneath is a Victorian stone...

Autumn Landscape, by 1958, tempera on Masonite, 24 x 36 inches, signed lower left, exhibited: 1) 133rd Annual Exhibition of the National Academy of Design, New York, NY, February 20 – March 16, 1958 (Henry Ward Ranger Purchase Prize); and 2) Henry Ward Ranger Centennial Exhibition, National Academy of Design, New York, NY, September 25 - October 12, 1958, #133 (see Levin, Meyer, Illustrative Paintings Gathered for Ranger Show at National Academy, St. Petersburg Times, October 13, 1958 (“There’s a warm, low-keyed picture of golden fields, with distant structures, called “Autumn Landscape,” by Robert Vickrey, whose magic realism is felt in so “regular” a subject.”), literature: 1) Watson, Ernest William, Composition in Landscape and Still Life, Watson-Guptill Publications, New York, 1959, pp. 24, 155 and 157 (illustrated); and 2) Vickrey, Robert and Cochrane, Diane, New Techniques in Egg Tempera, Watson-Guptill Publications, New York, 1973, p. 111 (illustrated); ex collection National Academy of Design Reflecting on his art, Robert Vickery...

'Tapetenzunge’ by Fides Becker Acrylic and Eggtempera on Canvas, 115 x 85 cm, 2017 Fides Becker The leading theme of the artist’s interventions is the staging of temporality, trans...

Wonderful rustic landscape of ghost town Bodie, California titled, "The Old Trunk, Bodie" by Darwin Musselman (American, 1916-2010). Presented in a wooden frame. Egg tempera on Masonite, painted at his studio on Sequoia Drive in Fresno in 1972 (verified and authenticated by the son and estate, letter included). Signed "Darwin Musselman" lower right. Titled "The Old Trunk, Bodie" and signed "Darwin Musselman" on verso. Image size, 12"H x 24"W. Darwin B Musselman was born in Selma, California, in 1916 and began his art education at Fresno State College, from which he graduated in 1938. He then attended the Art Center School in Los Angeles, where he studied with the portrait artist, Stanley Reckless...

Few artists have mastered the use of pigments in the way that Sax Berlin has and his delicate touch with them imbues this painting with warmth and love. The dark inked lines surround...

Fred Wessel's "Dahlia Icon" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2021, this piece features a freshly bloomed stem of a white lily flower, ...

Fred Wessel's "Dahlia Icon" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2022, this piece features a freshly bloomed stem of an orange Dahlia flow...

Fred Wessel's "Iris (Revisted)" is a stunning egg tempera painting on gold leaf. Created in 2014, this piece depicts a young woman, looking inquisitively over her shoulder. The gold ...

Fred Wessel's "Pink Rose Icon" is a stunning egg tempera painting on gold leaf. Created in 2020, this piece features a beautiful single pink rose with a blooming bud, among its leave...

Born in Hollywood and raised in the urban sprawls of Los Angeles, Julio’s artistic aesthetic was shaped early on by the platinum light and expansive concrete horizons of southern Cal...

Konstantinos Papamichalopoulos was born in Athens, Greece in 1975. He studied painting and printmaking at the Athens School of Fine Arts, where he also received a postgraduate degree...

Fred Wessel's "Red Trillium" is a stunning egg tempera painting on gold leaf with garnet cabochons. Created in 2024, this piece features a fully bloomed flower of Trillium Erectum, a...

Fred Wessel's "Orange Lily - Purple Vase" is a stunning egg tempera painting on gold leaf. Created in 2022, this piece features a beautiful single orange lily, fully bloomed, in a de...

Fred Wessel's "The Constellation Sagittarius" is a stunning egg tempera painting on gold leaf. Created in 2018, this piece depicts a young woman, holding an arrow and looking in the ...

Fred Wessel's "Jack-In-The-Pulpit" is a stunning egg tempera painting on gold leaf. Created in 2023, this piece features two stems of Aresaema Triphyllum, resting in an ornate gold l...

Fred Wessel's "Modesty" is a stunning egg tempera painting on gold leaf. Created in 2016, this piece depicts a young woman in a simple patterned gown, looking down and embracing hers...

An original realist egg tempera painting by American artist Catherine Koenig created during her travels to Mexico. This work will be featured in the gallery's upcoming exhibition "Dr...

Scandinavian Family Portrait Artist 18th century 18th Century Scandinavian School Signature: Not signed Medium: Miniature Dimensions: Image size ...

Fred Wessel's "Four Lilies" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2024, this piece features the aforementioned lilies in full bloom, sprout...

Virgin of Tijvin, after a Russian icon of the 17th century. Egg tempera, gold leaf on gesso over a wooden board. Measurements in centimeters: 44 x 33 x 3 cm / In inches: 17.32 x 12.99 x 1.18 " Author: Oliver Samsinger...

Icono of Saint Nicolas in the style of Russian icons of the 18th century. Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...

Fred Wessel's "The Constellation Cancer" is a stunning egg tempera painting on gold leaf. Created in 2015, this piece depicts a young woman looking forward at the viewer mysteriously...

Fred Wessel's "White Orchid" is a stunning egg tempera painting on gold leaf. Created in 2023, this piece features a blooming branch of white orchids, resting over a deep red backgro...

Artist 17th Century French School Circa 1660 'Diana, Goddess of the Chase' Signature: not signed Medium: tempera on paper applied to oak panel Dimensions: image size 23.5 x 18.5 cm...

Fred Wessel's "Angel's Trumpet Icon" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2020, this piece features a freshly bloomed stem of a white ange...

Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad. Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...

Fred Wessel's "Striped Tulip" is a stunning egg tempera painting on gold leaf with garnet cabochons. Created in 2024, this piece features a freshly bloomed red and white striped tuli...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Fishing for Breakfast 8" x 10" Gouache on Illustrated Board Finished with Renaissance Wax Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: [ɡwaʃ]), body color,[a] or opaque watercolor is a wat...

Fred Wessel's "Brugmansia Datura (Big Pink)" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2024, this piece features a bloomed stem of Brugmansia D...

Fred Wessel's "Our Yellow Orchid" is a stunning egg tempera painting on gold leaf. Created in 2020, this piece features a beautiful branch of yellow Orchids, among its leaves, juxtap...