Egg Tempera Paintings

The School of Stoics brings the viewer into an airy evening discussion at an agora overlooking the Aegean Sea. Amidst the silent water and grained marble, a group of stoics debate logic, reason, and nature. Agreement and disagreement prevail in the noble gestures of their bodies. Soon you see an individual's gaze directed towards you, raising their hand, calling you to join the conversation. Technical: 53” x 39”. Tempera on panel with 24k gold water-gilded frame. Painting and frame produced by artists Justas and Vilius Varpucanskis. This piece utilizes the "rules of craftsmanship" as outlined in Cenino Cennini's Il Libro dell'Arte. 21st century contemporary artwork that employs techniques, philosophy, and visual language of the Italian High Renaissance...

Fred Wessel's "Orange Lily - Purple Vase" is a stunning egg tempera painting on gold leaf. Created in 2022, this piece features a beautiful single orange lily, fully bloomed, in a de...

"Lotos u. Papyrus IV" (2015) by Susanne Zuehlke (b. 1962) is a gentle and harmonious painting that draws inspiration from the natural world. The canvas features soft, earthy tones of...

"The Champ" is an egg tempera painting of Teofimo Lopez who is also known as The Takeover after winning four belts in his last fight. He is ranked # 1 in his weight class. The painting by E. Melinda Morrison...

Fred Wessel's "Brugmansia Datura (Big Pink)" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2024, this piece features a bloomed stem of Brugmansia D...

"Mandarin" (2022) by Susanne Zuehlke (b. 1962) is a warm and inviting painting that evokes the richness and vitality of its namesake fruit. The canvas is dominated by a vibrant orang...

Douglas Safranek's Touch of Green calls back to 17th century Dutch still lifes. Filled with humor and complexity, Safranek's rather const...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

"Sea Shore" (2024) by Susanne Zuehlke (b. 1962) is a tranquil and evocative painting that captures the essence of a coastal landscape. The canvas features a harmonious blend of blues...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

Konstantinos Papamichalopoulos was born in Athens, Greece in 1975. He studied painting and printmaking at the Athens School of Fine Arts, where he also received a postgraduate degree...

"Alles kann nichts muß" (2017), by Susanne Zuehlke (b. 1962), translates to "Everything can, nothing must." The piece embodies a spirit of freedom and spontaneity. The painting is do...

Egg tempera on canvas, Molding frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German ...

Red abstract sunset painting that incorporates impressionist and pointillism techniques by artist Michael Frary. Signed by the artist. Artist...

The paiting is Framed inside a White Wood frame, "Crossing the Line" (2014) by Susanne Zuehlke (b. 1962) is a bold and dynamic composition that explores the concept of boundaries and...

An original egg tempera and gold leaf on board by American female conceptual contemporary artist Rosemary Lyons. What makes an artist a failure? While strolling through the Metropolitan I was viewing the wing piece of a more extensive altar and observed words etched into the golden grounds. This had a profound resonance with me because of my fascination and utilization of words in all of my work. Next I visited the Cloisters and stood transfixed in front of Robert Campion’s “Annunciation” Of particular interest was the lovely white lily that indicates Mary’s purity. On this same sojourn I witnessed the line out the door and around the block of people waiting to get into a contemporary artist’s retrospective. Is that success? My response began with one painting of lilies...

"Meerblick," meaning "Sea View," by Susanne Zuehlke (b. 1962), is a tranquil and reflective work that embodies the spirit of the ocean. The canvas is filled with varying shades of bl...

Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein air landscape painting, Vadnais finds an interesting ...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Jürgen Reichert - Maler Freischaffender Künstler, Farbflächenmalerei, lebt und arbeitet in Berlin. o.T. 2015 Eitempera auf Leinwand 120 x 120 cm Jürg...

"Spring Time" (2024) by Susanne Zuehlke (b. 1962) is a delicate and uplifting painting that celebrates the renewal and growth associated with the season. The canvas is composed of so...

The Three Emperors is a triptych, which Papamichalopoulos has created a Byōbu-ē folding screen. Each panel measures 150x40 cm / 59 x 16 inches. The piece is created using ink, egg-...

"Into the Blue I and II" (2024) by Susanne Zuehlke (b. 1962) is a captivating diptych that immerses the viewer in the depths of the color blue. The two canvases feature varying shade...

Sir William Blake Richmond KCB, RA, PPRBSA 1842 - 1921 The Shepherd Egg tempera on wooden panel, signed with initials bottom left Image size: 8 ¼ x 5 ½ inches Period gilt oak frame A newly discovered work by the artist. Sir William Blake Richmond KCB, RA, PPRBSA was an English portrait painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London. He was the son of the portraitist George Richmond RA and studied at the Royal Academy Schools in the early 1860s. Influenced by his father and by Sir John Everett Millais, he is best known for his mosaic decorations below the dome and in the apse of St Paul's Cathedral in London. His father, George Richmond, was one of 'the Ancients' who were a group of artists who formed around the visionary artist and poet William Blake. Samuel Palmer was an other of the ancients and a close friend of the family. Our painting could have been inspired by George Richmond’s engraving 'The Shepherd', 1827, but in our panel the shepherd is turned round facing away, and is playing a flute instead of resting on a staff. But the sheep and other elements are there. It is also suggestive of Welby Sherman's engraving after Samuel Palmer of the same name and date, but here the shepherd is sitting but like ours turned away. William Blake's is an altogether happier image given the figure is playing to his sheep. Our painting is playing with some of the same ideas and feels like the same sort of period, and the ‘fresco’ like chalk ground is interesting, as is the pen and ink finishing on the tempera. All three are strongly influenced by Blake's illustrations to Thornton's 'Virgil'. The shepherd and his flock are clearly based on Thenot and his sheep in the Frontispiece to Thornton. Blake Richmond wrote:"If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of my father's contemporaries, Calvert, Blake and others, whose shadows are substance still to me" [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling op. cit p. 28]. Richmond was given private art lessons by John Ruskin before attending the Royal Academy for three years. After that he spent a number of years in Italy, where an encounter with a shepherd called Beppino, 'a splendid speciman of a Sabine Shepherd', could also have gave him the inspiration for the painting we show here. Richmond recalls how he met Beppino on the hillside, and was invited to share the shade of the shepherd's capanna, a wooden hut. 'What a place! In an instant of time I was back into the age of kings, and I knew Romulus had lived and am sure that he lived in a hut exactly like this one'. That night Richmond dined at Beppino's hut 'on roast kid, hard bread dipped in Roman wine, goat's cream and white ricotta'. The shepherd had such an impression on Richmond that he sought him out on a return visit to Italy some years later, but was saddened to hear that Beppino 'had joined his fore-fathers in the shades'. He was moved to write the following, which perfectly expresses the mood of this painting and his tribute to a fleeting companion: 'Little events of this kind unite past times with present, create and emphasis continuity of human instincts, which seem to defy time and make travel so intensely interesting and invigorating to a citizen of this world. One need not go to the palace, far otherwise, or to cities and towns to discover the kernal of enduring civilisations. One finds it, if one wills to do so, in the backbone of the world, an ancient peasantry who have watched and still watch the progress of the stars'. Richmond was influential in the early stages of the Arts and Crafts Movement in his selection of bold colours and materials for the mosaics in St. Paul's Cathedral and in his collaboration with James Powell and Sons...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

The Stone still life Sicily landscape, painted by the outstanding Italian figurative painter Marzio Tamer, is mounted into a contemporary gold leaves ...

While walking in Jackson Square in New Orleans, you can't help but hear the trumpets and trombones of the Jackson Street band that spends their time entertaining the tourists and loc...

Another Day by E. Melinda Morrison is 24 x 30 is egg tempera on an ACM panel. Framed in a black 3-1/2" gilded frame. ACM (Aluminum Composite Material) panels have several advantag...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses o...

About the Item We purchased a large amount paintings by this artist and A. Matallana the spouse and other images upon request.

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall pa...

Archangel Saint Michael after an icon from Constantinople of the 14th Century. Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with application of gold leaf Dimens...

"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...

Original Holiday Greeting Card Illustration featuring a snowy scene filled with horse-drawn sleighs at Christmastime Medium: Egg Tempera on Gesso Board Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John...

Original holiday greeting card illustration of a Christmas Tree in a Weathered Niche against a backdrop of a starry night sky Medium: Egg Tempera on Illustration Board Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein air landscape painting, Vadnais finds an interesting ...

Colin Fraser's remarkable tempera still-lifes and landscapes have a luminosity that seems to irradiate from them. It’s an effect that conjures a remembering of the timeless moment or...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Waterline Fine Art, Austin, TX is pleased to present the following work: Egg emulsion on fiberglass. Signed and dated upper left and verso; titled verso. 49 x 48 in. 49.75 x 49 in. (framed) Custom framed in hickory. Provenance Albright-Knox Art Gallery, Buffalo, NY Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper. In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon...

"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

In Colin Hunt’s new paintings, myriad tiny rocks, grains of sand, and strands of rockweed form a coastal beach, while lush forests pierce a crystalline sky. Elsewhere, palpable mists...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

Colin Fraser is a contemporary Scottish painter, who is recognized for his intricate still lifes, interiors, and landscapes. He was born in Glasgow, Scotland in 1957 and received tra...

Music and Strawberries Egg Tempera Realism American Artist Reflection Framed by realist painter Mark Thompson is 7 x 11 inches. Notice the reflections in the marbles and other o...

The Virgin of Tijvin (after a Russian icon in the style of the 18th Century). Egg tempera and gold leaf on gesso over wood. Measurements in centimeters: 45 x 36.5 x 3 cm / In inch...

Looking at a painting by Colin Hunt is like watching someone pass through a hole in our consciousness. As the landscape refracts through the sitter’s absence and fills that emptiness...

‘Teppiche' Acrylic and Eggtempera on Canvas, 115 x 85 cm, 2016 Fides Becker The leading theme of the artist’s interventions is the staging of temporality, transience, and change. ...

Vanderbilt Sleigh, Original holiday greeting card Christmas illustration featuring a couple carrying holiday gifts in a horse-drawn sleigh Medium: Egg Tempera on Illustration Board Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Initialed lower right, 'M. W.' for Margaret Wentworth (American, 1914-1999) and dated 1959. Exhibited: Feingarten Galleries, Carmel, California, 1960, and titled on label, verso, 'Ro...

Pears, Grapes and Crystal Egg Tempera, Realism It is painted in egg tempera which goes back centuries in the art world. Notice the reflections in the painting. It appears to be 3...

Surreal Anthony Martin landscape painting of a Lonely Mirror in a Field in egg tempura. The bright and airy field contrasts with the dark, bulky mirror to give the painting an uneasy...

Colin Fraser's remarkable tempera still-life and landscapes have a luminosity that seems to irradiate from them. It’s an effect that conjures a remembering of the timeless moment or ...

Strawberries , Marbles and Cream Egg Tempera, Realism 9.5 " x 7.5" It is painted in egg tempera which goes back centuries in the art world. Notice the reflections in the painting. ...

A Professor of painting at Southern Methodist University in Dallas since 1984, Barnaby Fitzgerald spent his childhood in Italy before receiving a Magistero degree in printmaking at t...

Once The Master - Mid Century Figurative Landscape "Once the Master" a portrait of a Zuni Master Potter in contrast with the emergent modernism around him. He is beneath an adobe an...

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...