Gouache Paintings

Judd Mercer's (US based) "020 - Plein Air-Elk Meadow, CO" is a gouache painting depicting a peaceful landscape with a snowy mountain in the background. Artist bio/statement Judd Mer...

Original gouache and watercolor on cardboard. Hand signed lower right by Rolph Scarlett. Artwork size 4.12 x 6.37 inches. Frame size 14.12 x 16.37 inches. Artwork is in excellen...

Gouache, also known in the French form gouache, is a type of tempera color made heavier and more opaque by the addition of a white pigment mixed with gum arabic. The result is precis...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Boucles d'oreilles en corail (Coral Earrings) Signed “Erté” (lower right) Inscribed “n°3544 / Boucles d'oreilles en corail et tub...

Title Pair Paris Notre Dame Cathedral River Seine Figures Watercolour Gouache Key Details Artist: Henri Miloch (1898–1979) Medium: Watercolour with gouache on artist’s paper Size: Ea...

Judd Mercer's (US based) "097 - Plein Air-Lakewood, CO" is a gouache painting depicting a mountainous landscape with a few snow covered mountains in the background. Artist bio/stat...

Posed Man on Beach by Louise Alix, French 1950's Impressionist gouache on board painting: 6.5 x 9.75 inches provenance: from a large private collection ...

French late 20th century watercolour and gouache study for the series 'Alexander and His Army' by Stephane Lovighi-Bourgogne. Presented in plain wood frame. A strong and forceful de...

In Blue Coral Bouquets, Romina Milano reimagines botanical forms with a subtle coral resemblance, merging plant life and marine structures into a luminous contemporary composition. L...

6090 Flower people expressionist gouache painting Setin a custom brass frame Image size 29x20.5

Work on paper Gilded wood frame with glass pane 79 x 60 x 2,5 cm

Silver Leaf Flower Bracelet Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper stuck on thin card overall d...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature This original work features an Abstract Expressionist design, hand-pain...

Original Chinese Export School gouache.

In this contemporary abstract painting in gouache and acrylic on paper, clean and precise, carefully ordered thick horizontal stripes in shades of peach, light blue, dark navy, and a...

Works on Paper, watercolor, gouache, and pencil on paper Robert L. B. Tobin Foundation San Antonio, Texas initialed in cartouche bottom center

A female figure in red sits beside a pink and black butterfly, surrounded by brightly colored flowers in red and bright pink and a black urn next to a tree with green leaves in the c...

One of the sketches for Shrovetide made in gouache in 2001. The chosen technique is grisaille and tonal analysis of rhythms and spots of people and costumes in the composition and or...

Bold Geometric Forms gouache on artist paper, unframed painting: 23 x 16 inches Provenance: private collection, France Condition: very good condition For more any more information ...

Telephone Exchange, Cover of The Saturday Evening Post Magazine, April 7, 1962 Constantin Alajalov was the court artist to the Czar of Russia at the time of the Russian Revolution, barely escaping with his life before coming to America and getting a job illustrating for New Yorker magazine. He quickly adapted to the American way of life, and his cartoon-like drawings made his admiring public laugh at themselves. His many covers for The Saturday Evening Post were amusing, unique and highly collectible. “The Telephone Exchange,” painted for the cover of The Saturday Evening Post on April 7, 1962, shows two young ladies chatting while a surprised telephone operator listens intently to learn the local...

From the estate of Jerry Opper & Ruth Friedman Opper Backside c. 1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Antique American Impressionist/Luminist watercolor and gouache painting by Lucien Whiting Powell (1846–1930), of a Virginian wooded landscape, circa 1890. The very fine painting by P...

Moody Abstract Urban Landscape watercolor/gouache painting on artist paper painting: 12.75 x 9.75 inches provenance: private collection, England condition: very good and sound condit...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a muted palette and large, textured brush strokes. The painting itself is 13" x 22" and it measures 21.25" x 29.25" x 1" framed. It is signed by the artist in the lower right-hand corner of the painting, and is framed in a black frame with an acid-free mat. Wired and ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Joanne Freeman Squares and Strokes (Viridian_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem243) My paintings and drawings incorporate elements found in ar...

Signed lower left, 'Byron' for Byron Randall (American, 1918-1999), dated 1947 and titled, 'Aus'. A dramatic, Post-Impressionist view of the Western Australian port of Fremantle wit...

Work on paper Golden wooden frame with glass pane 57 x 79.5 x 4.5 cm

This captivating artwork features a vivid still life composition dominated by a potted plant with lush, broad leaves, prominently positioned in the foreground. The plant's leaves exh...

Medium: Gouache on Board Signature: Signed Lower Right Sight Size 23.00" x 19.50;" Framed 32.00" x 28.00"

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1965. Condition is goo...

Red, Green and White Gemstone ring Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed overall pape...

Joseph Kardonne (1911-1985). Dancers, 1978. Gouache, watercolor and ink on paper, sheet measures 12 x 14.25 inches; 12 1/2 x 17 5/8 inches mounted on cardboard. Signed, dated and t...

Original Post-War Airline Illustration by C. Villars (France, 20th Century) — Gouache on Arches Velin Paper. This rare, original Post-war illustration drawing was hand-painted with g...

Gloria Dudfield Sitting with Green 1960's Gouach on paper 11"x17.5" unframed. Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her work in the San Fr...

Summer still life

Glass of wine 65x50 cm

It Doesn't Have to be Perfect by a.muse suggests that striving for perfection is not always the goal. Transcending the limitations of perfection, personal expression resides in the ...

Kerry Smith Michael Jackson - Off The Wall Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1645 *B...

1950s Portrait in Gouache by Belgian Artist Max Moreau (1902–1992) A beautifully executed mid-century portrait depicting a young girl with gentle features and a serene expression, ev...

Abstract Composition signed by Sally Vaughan (contemporary) gouache painting on card, unframed ( frame used in photos are for display purposes only. Not including in purchase.) meas...

Venice, Italy, mid century urban view 0f daily life in this iconic city by Henri Levasseur. The painting is signed and dated bottom right and titled bottom left. Presented in a fine ...

Gold Intricate Flower Ring Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed overall paper size: ...

This artwork depicts a serene winter landscape, masterfully capturing the tranquility and briskness of the season. Dominated by a prominent, leafless tree with intricate branches, th...

This striking 1930s American Modern painting by Boardman Robinson depicts a lively carnival scene centered around a display of theatrical masks. Executed as a figurative gouache pain...

"Male Portrait" by Jean Marc (French 1949-2019) gouache paint painting: 16 x 12.5 inches provenance: private collection, South of France Superb original painting by the widely exhi...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The French Landscape Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12...

GIFC Title: Die Year: 2017 Medium: Gouache on Paper Size: 11 x 8.5 inches Signed and dated by the artist COA provided

This artwork captures the serene beauty of a winter landscape with remarkable precision. The scene is dominated by a blanket of glistening snow, reflecting a spectrum of blues under ...

Charles Evans (1907-1992) Mediterranean Costal Town, 1932. Gouache and watercolor on paper. Sheet measures 8.5 x 10 inches; mounted in frame measuring 8.5 x 10 inches. Signed and dated lower left. Charles Evans was a modernist known for his abstract style of painting. He studied at New York's Art Students League and Parsons School of Design, and later in Paris with Fernand Lger at the Acadmie Moderne. In 1930, Evans and his wife spent a year living in what was Paul Cezanne's studio in Aix-en-Provence, France. The following year, Evans purchased the old silk mill in New Hope and became involved in the area's modernist movement, joining the Independents in 1932. By 1935, he began to work collaboratively with Louis Stone, whom he had met in 1929 while studying with Hans Hofman in Saint Tropez, and with Charles F. Ramsey, teaching art classes and working on the Cooperative Painting Project. Every week, the three were joined by the abstract painter, Lee Gatch, in discussions at Ledger's Inn in Lambertville. In 1948 Evans co-founded the New Hope Gazette with Walter M. Teller. The same year he created set designs for St. John Terrell's Lambertville Music Circus. He also designed sets for the Bucks County Playhouse and Philadelphia's Playhouse in the Park. He later served as Set Designer for the Fred Miller...

The Hilltop Village signed initials by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back gouache painting on artist paper, unframed measures: 8.25 high b...

A highly detailed India ink drawing with watercolor and Gouache. Each intricate circle and line is hand drawn to create a matrix within which the artist colors the scene to a fine realistic conclusion. Aladdin smiles at the Lantern that has given him his wishes, wealth and knowledge. Signed and dated "Ben Black 85" lower right. Image, 17"H x 27"L (portions of the work flow into the full mat length and width, which is: 20"H x 30"L). We have included a lower resolution image (#1) taken in subdued light to show the full range of colors we were unable to capture due to the extensive fine India ink designs throughout. Ben Black was born in Boston, he graduated from the Massachusetts College of Art 1947. He served in World War 2. He was an art director at one of Boston's leading advertising firms, later opened his own studio where his works were included in The New Yorker, Saturday Evening Post, Reader's Digest, establishing himself as a leading American Illustrator. He had many solo and group exhibitions throughout New England and his work is collected throughout the world. Originally known for his clowns, he created a limited edition series of plates for Royal Daulton as well as clown figurines...

Early Twentieth Century Aviation Vintage Aircraft Airplane Framed Gouache Paintings. Three paintings by the well known Artist and Illustrator Charles Thomas Howard they were each painted to be published as postcards, so these are the original artworks. They are in good clean condition with fresh and vibrant colours, I have framed them in handmade gold frames with a flecked cream mount. They can be purchased individually or as a set, they do look striking displayed as a group. This is the Miles Sultan aircraft. “Three Studies of Airplanes” Gouache, Signed and Framed. Charles Thomas Howard was born in Boston, Lincolnshire in 1865 and after he married in 1905 moved to London where he pursued his career as Painter and Illustrator. He did many works that were produced as postcards as these three all were. He worked for at least three publishers and was incredibly highly sought after. His work was diverse but he specialised in Aviation, Railways and Military subjects. His work is held in many Art Libraries including the Bridgeman and as postcards have been reprinted many times over the years and still resonate with todays audiences. He died at the age of 76 in West Sussex. These originals comprise of De Havilland Comet...

Contemporary floral still life figurative gouache on cardboard painting by Polish artist Bozena Lesiak. BOŻENA LESIAK (born in 1952) Studied at the faculty of painting at the Acade...

Thinking of Pompeii (Mixed Media Collage on Board in Tones of Red)), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 16 x...

This vibrant artwork vividly captures a bustling harbor scene with an array of colorful fishing boats gently bobbing on the reflective water. Each vessel, painted with meticulous det...

10 Maneras de Volar 10 is a gouache and charcoal on Amate paper by Latin American artist Carlos Luna. Executed in black, brown, deep blue, red and white, the work depicts a flying, p...

Contemporary floral still life figurative gouache on cardboard painting by Polish artist Bozena Lesiak. BOŻENA LESIAK (born in 1952) Studied at the faculty of painting at the Acade...

From the estate of Jerry Opper & Ruth Friedman Opper Black Floor c. 1940-1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Original French Artwork by Robert Ladou (French 1929-2014) original gouache painting on artist paper, unframed size: 13 x 15.5 inches condition: very good provenance: from the artis...

'Café de la Place', gouache on paper, by Raymond Debiève (circa 1970s). A solitary stroller in a small French town crosses the street in front of a café al...