Gouache Paintings

Signed lower right, 'Jean Remy' (French, born 1893), titled, 'Paris' and painted circa 1955. A large and dynamic, Post-Impressionist cityscape showing a view of a picturesque Parisi...

Title: Abstract Still Life with Books Papers and Apples French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 27.75 x 19.5 inches (height x...

4061 Modern beach scene on artist board Image size 7.75x9.5"

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

In this contemporary landscape painting on paper, luminous green ferns line the forest floor in this rich, highly detailed Virginia landscape set in springtime. The many shades of ve...

Title: Mid Century French Abstract Expressionist Ink Landscape Medium: Black ink and wash on paper, unframed French, circa 1950's Size: 19.75 inche...

Title: Provence Landscape Possibly Luynes Watercolour Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Gouache and felt pen on paper, unframed Size (H x W): 19.75 x 25.5 inc...

This vibrant diptych celebrates the intricate beauty of coral reefs through layered abstraction and pastel hues. Branch-like forms in soft pinks, blues, and earthy browns intertwine ...

Turtle, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

"Skipper's Orders" is a beautiful original impressionist lakeside scene, depicting a family rigging a boat in the afternoon, on the lakeshore under the shade of an Oak tree. Judd Me...

6143 Antique interior painting of an artist studio works on artist board Set in a period walnut frame image size 19.5x13.5"

Fabulous illustration depicts a costume for Broadway production. Gouache on illustration board, image measures 10.5 x 16.5 inches; 15 x 22 inches framed. Excellent condition in ori...

August Frederick Biehle (1885-1979) Berlin Heights Looking toward Lake Erie, 1929 Gouache on paper Signed and dated lower right 18 x 23 inches 23.25 x 29 inches, framed A versatile ...

Title: Chateauneuf de Grasse Provence Landscape Watercolour Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 19.75 x 25.75 inche...

This charming gouache on paper painting, from the early 19th century, presents a detailed view of Trajan’s Column in Rome, a historically significant landmark dating back to ancient ...

Signed and dated lower left

Indian illuminated Gouache Miniature Painting , attr. to Pahari School ( 18th century) , titled "Birth of Krishna and other miraculous events" Folio from a Bhagavata Purana series. ...

“First Tracks at Courchevel, French Alps” Marius Chambon (French, 1876-1962) Gouache on paper Signed lower right. 16 1/2 x 10 1/2 (24 x 18 frame) inches Capturing the moment in the...

'Portrait of Boy in a Chair', gouache on art paper, by Raymond Debiève (circa 1960s). Here the artist paints a young boy, very probably his son, Vincent, sitting in a chair posing fo...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner...

Title: French Rooftop Cityscape With Chimneys Modernist Watercolor Gouache Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on card, unframed Size (H x W): 4.75 x...

“Shoreline Shade” is a plein air painting by Judd Mercer, created on location in Long Beach, California, USA. The piece captures a sunlit shoreline with tree shadows cast across the ...

Untitled (Surrealist rendering of Pyramids at Giza with alligator) watecolor and gouache on paper, 1960 Unsigned Beni Kosh estate stamp No. 717 verso, unsigned. (see photo) Condition: Minor condition issues minor folds Not objectionable Image/Sheet size: 18 1/4 x 24 inches Provenance: Estate of the Artist Bingham Vance, Shaker Heights...

Sea Sponges and Algae is a luminous painting that celebrates the delicate beauty of marine life through a vibrant palette of pastels and soft organic forms. Inspired by the rhythmic ...

#5-3064 Native American Portraits gouache/watercolor /india ink on board, male portrait, displayed in a black/wood frame, signed lower left by A.Jarret. Image size 14 H x 21.75 W

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Pair of early 20th Century French watercolours of a Mediterranean garden. The paintings are signed bottom right, Songa, and are presented under a hand coloured custom mount in a plain wood frame under glass. A pair of charming representations of a garden in spring and early summer. The first shows a line of majestic Cyprus trees...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Title: Grapes Wine Bottles Long Serving Platter and Jug Golden Drapery Modernist Piece Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.75 x 25.75 inches (h...

Title: Mid Century French Geometric Abstract in Black White and Navy Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

'Café de la Place', gouache on paper, by Raymond Debiève (circa 1970s). A solitary stroller in a small French town crosses the street in front of a café al...

Signed lower right, 'Pisani' for Vittorio Pisani (Italian, born 1916) and dated 1975; additionally titled 'Pasta'. An elegantly framed and character-filled, study of a Maltese captu...

by Paul-Louis Bolot (French 1918-2003) signed & dated 1970 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Contemporary floral still life figurative gouache on paper painting by Polish artist Bozena Lesiak. Painting is in a small format. Bozena Lesiak's art embodies beauty of nature and i...

1920s Garden view, mixed medium on paper, influenced by the garden paintings of Vuillard from the same period. The work is indistinctly signed, as yet undeciphered, bottom right. Pre...

The Young Gardener by Carolyn Smith, British early 20th century signed watercolour painting on artist paper, unframed size: 10 x 7 inches double sided sketch verso of man leaning on ...

“Phenomena Rights of King", 1976. Gouache on Paper Framed: 43 ½ x 35 ½ inches Signed bottom center The Phenomena series is a celebrated body of abstract expressionist paintings and ...

“In the Thicket” is a plein air painting by Judd Mercer, created on location at the Denver Botanic Gardens in Denver, Colorado, USA. The piece depicts a vibrant garden scene with den...

Matthias Kohlmann Untitled Gestural Abstract Composition Medium: Gouache Year: 1988 Signed and dated by hand Edition: Unique Size: 13.7 × 9.4 inches COA provided Matthias Kohlmann (...

Kerry Smith David Bowie - Ziggy Stardust Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1643 *Black frame with a mirror-gloss...

In Yellow Coral Bouquets, botanical forms expand into luminous structures that recall coral formations and marine life. Rendered in vibrant yellows, reds, and warm earth tones, the s...

Emlen Pope Etting (1905-1993). Sodom & Gomorrah, ca. 1955. Gouache, watercolor and ink on paper. Sheet measures 11 x 15 inches. Framed measurement, 17 x 21 inches. Titled a...

'French Boy in Bloomers', gouache on art paper (circa 1960s-70s), by Raymond Debiève. A young boy emerges from a beach cabana wearing a bloomer bathing costume that was still in use ...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso. Stamped "Composition originale". Frame size 30.5 x 26.5 inches. Artwork is in e...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

August Frederick Biehle (1885-1979) Farm Landscape, Zoar, c. 1923 Gouache, litho crayon and graphite on paper Signed lower right 14 x 19 inches 17 x 23 inches, framed A versatile pa...

William Minshall Birchall was born in Cedar Rapids, Iowa, but immigrated with his family to London in 1891 and received his art education there. Though details on his schooling are ...

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Today's newly minted fine art stars are from the mid-century surrealism school and include Gertrude Abercrombie, Remedios Varo, and Leonora Carrington, who were mostly unknown five y...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Paul Jenkins American, 1923–2012 Paul Jenkins’s intuitive, chance-based painting techniques helped pioneer new approaches to Abstract Expressionism. Jenkins made his vibrant composi...

Title: Mid Century French Geometric Abstract Ink Drawing on Paper by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 25.75 (height) x 19.75 (width) inches Provenanc...

'Winter in Provence', gouache on art paper, by Raymond Debiève (circa 1970s). There is both beauty and melancholy in this delightfully charming artwork. The artist's naive style is at odds with the refinement, poise and sophistication of the painting. Perhaps the artist was making a statement as well with the broken wall...

Henry George Keller (American, 1869-1949) Ladies in a Church Yard Watercolor and gouache on paper Signed lower left with monogram 15 x 20 inches 25.5 x 20.25 inches, framed Keller, ...

My 80's Heart "Token 9" 2019, gouache, acrylic, graphite, panel, blue, orange, yellow

French Figures by Bernard Labbe (French mid 20th century) original gouache on card size: 10.5 x 13 inches condition: very good and ready to be enjoyed ...

Juanita Guccione (1904 - 1999) Study for Ladders, 1948 Gouache on paper 17 x 13 inches Signed lower left, dated, and inscribed “Study for Oil Painting...

Paris: Place de la Concorde looking towards Rue Royale by Henri Miloch (1898-1979) signed lower right and dated for 16th September 1948 watercolour and gouache painting on artist's paper, unframed Sheet:: 9.5 x 12.25 inches Very pretty painting by the highly regarded painter, Henri Miloch. It depicts Place de la Concorde with a cyclist making their way through the traffic. The artist was seated immediately by the fountain closest to Hotel de la Marine...