Gouache Paintings

artwork is 11 1/2 x 9 inches, Professionally matted in an 8ply museum mat and backing and comes in an archival sleeve. Ready for framing or for presentation. All archival materials u...

Gouache on paper by Rolph Scarlett c. 1950s. The piece is signed "Scarlett" on the front in two places. The piece is in perfect condition. Unframed it measures 10.75 x 13.5.

Cubist style mixed media contemporary portrait of a Middle Eastern woman. The work has fabric glued to the paper to represent her clothing. The work is signed by the artist in the bo...

Le Quang Ha Frame: 29.5 x 25 x 1 Picture: 24.5 x 20 Gouache on paper Picture is in excellent condition Frame has minor ware

Interior of a church meeting room :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Ye...

WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....

Abstract landscape blue toned gouache painting on paper depicting a seascape with a white lighthouse and a red barn, possibly in New England. Signed by artist at bottom right. Matted...

John Button View: Arcade, 1975 Gouache on Paper (Framed with prestigious Fischbach and Kornblee Gallery Labels) 20 1/2 × 24 1/2 inches Signed and dated on the front This is a unique painting Frame included: held in the original 1970s artist's period frame with prestigious labels This 1970s John Button gouache bears labels from renowned Jill Kornblee as well as Fischbach Galleries...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Hilary Hennes (née Hilary Miller) (1919-1993) 'Cat Sleeping...

interior of a darkening room- shadows, light, color :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang...

Signed and dated in graphite pencil at the bottom right , annotated in graphite pencil on the reverse side 2019 / Renaud Allirand. Bright yellows, orange and red make for a unique ...

Unsigned as is usual References: Located at 136, rue du Faubourg Saint-Honoré, the Lizzie Derriey Design Studio was active from 1928-1994. This creative co-operative, which emp...

small gouache of lace lingerie :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ...

Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths from left to right, stacking...

Medium: Gouache on Board Signature: Signed Lower Left

Playful Garden II (Abstract painting) Mixed media - acrylic, oil pastels, gouache on raw linen This artwork will be shipped rolled in a dent-resistant tube. This method is especial...

Luckily I don't keep absinth at the studio. This gouache paining was done on a thick cardboard :: Painting :: Contemporary :: This piece comes with an official certificate of authent...

I did a book of grayscale drawings called Mise-en-scène several years back. Kind of a poor man's Fellini trip! I just need the whip and the hat! This new (yesterday) gouache paintin...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard e...

Louise Janin (1893–1997) Cosmogramme, 1953-1965 Ink wash and watercolor on thick paper Painting: 20 x 24 cm l 8 x 9 1/2 in. Frame: 33 x 38 cm l 13 x 15 in. Signed lower left Louise...

Paying attention to what's outside, beyond walls, fences and myths of the modern world, my painting process inspires me to become more aware, attuned and present. I get excited notic...

WATER AND LIGHT (THE THIEF) by Heather Hartman, made for her show "Kudzu Season," is one of a series of four paintings representing the four seasons relative to the Kudzu growth cycle. "Water and Light" is the spring-inspired painting of this seasonal series. During the spring, the kudzu plant begins to awaken from its winter dormancy. The predominantly light blue/sage green atmosphere of this painting gives way to the vibrant curve of a rainbow on the right-hand side of the painting. The leaves of a tree in the background give us the sense that plant life is beginning to flourish. The silhouette of a bare kudzu vine...

Few artists attempt paintings featuring the magic and elusive qualities of evening . And for good reason. It is exceptionally difficult to keep a painting alive and moving while main...

Compass Rose and Flower design. Sealed on the back with the design studio name and number 397 We offer a small number of these original illustration designs by this design studio ba...

Mixed media (acrylic, gouache,oil) on canvas Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is graduated from Hokkaido University of E...

4.4 (Abstract Expressionism painting) Gouache on paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the anim...

Squirm 10 (Abstract painting) Gouache on Fabriano paper. This work is exclusive to IdeelArt. Leon Phillips is a Canadian artist who experiments with ...

This original 1978 gouache on paper by celebrated artist Wolfgang Pogzeba (1936–1982) captures the dramatic beauty of Acoma Pueblo, New Mexico. The co...

Glassblowers WPA American Scene Mid- 20th Century Modern Figurative Workers. Dated and signed "32 Harry Gottlieb" lower right. Sight: 13 1/8" H x 18 1/4" W. Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born in Bucharest, Rumania. He emigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City; he became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. He was one of America's first Social Realist painters, influenced by that Robert Henri-led movement in New York City where Gottlieb settled in 1918. He was also a pioneer in screen printing, which he learned while working for the WPA. He married Eugenie Gershoy, and the couple joined the artist colony at Woodstock, New York. He lectured widely on art education. In 1923, Gottlieb settled in Woodstock, New York and in 1931, spent a a year abroad studying under a Guggenheim Fellowship. In 1935, he joined the Federal Art Project...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper and features a cool, muted palette and light texture. The painting itself is 13" x 22" and measures 21.25" x 29.25" x 1" framed. It is signed by the artist in the lower left-hand corner of the painting and is framed in a black frame with an acid-free mat. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

This is a multi-paneled painting of Heather Hartman's investigation into the light and landscape of Tennessee. earth tones are combined with violets to give space for the light, crea...

Test Pattern 5 (Grey study) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural res...

Rarely do you come across a work of art that is vastly different than just about anything you see. This work is undeniably brilliant and a sheer pleasure to behold. Alexander Leydenfrost...

Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1967. Signed and dated, lower right. 9 1/2 x 6 1/4 inches (image), 15 x 11 inches (sheet). In ex...

In Lilies 1, Elisabeth Condon captures the lush vitality of blossoms through her signature blend of ink and gouache. Broad washes of violet and black form a dramatic ground against w...

Amy Cheng’s Plan A is a vibrant mixed media work on paper that exemplifies her signature fusion of intricate patterning, kaleidoscopic geometry, and cultural hybridity. Drawing from ...

Southeast Asian School, Battle Scene Painting, Gouache on Linen, circa 1900, giltwood frame. Image: 24" H x 17.5" W; frame: 30" H x 23.75" W. ...

Ink #4 (Abstract painting) Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths ...

Mixed media (acrylic, gouache,oil) on canvas Put a canvas cloth on a wooden panel Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is gr...

Gouache on archival paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in t...

Squirm 2 (Abstract painting) Gouache on Fabriano paper. This work is exclusive to IdeelArt. Leon Phillips is a Canadian artist who experiments with t...

Decorative Chinese school painting. Fine detail and painted with rich colors. In a wonderful carved frame painted in pastel blue.

P1.13 (Abstract Painting) Gouache and collage on Japanese paper - Unframed This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

AGATA STOMMA She studied at the Academies of Fine Arts in Gda?sk and in Warsaw (1975-1981). After graduation she worked as an animator of animated films and made illustrations for bo...

Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to color and form stim...

P1.14 (Abstract Painting) Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers ...

Large Test Pattern 7 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses ...

P3.15 (Abstract Painting) Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

Beautiful original gouache paintings on Arches watercolour paper by Ellen Von Wiegand are float mounted and framed in white, all archival materials, and ready to hang. "Fitted Wings"...

Large Test Pattern 7 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses ...

Cadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration Antonio Petruccelli (1907 – 1994) Cadets Football Game New Yorker cover proposal, c. 1939 14 1/4 X 1...

Covers 13-Black D (Abstract Drawing) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tap...

Ink #4 (Abstract painting) Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths ...

P5.15 (Abstract Painting) Collage and gouache on Japanese papers. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangement...

Balancing act 2 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 2 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

P3.15 (Abstract Painting) Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

Beautiful original gouache paintings on Arches watercolour paper by Ellen Von Wiegand are framed in white, all archival materials, and ready to hang. "Under the Red Leaves" is a gorg...