Illustration Board Paintings

This is an original painting on canvas featuring a girls ballerina tutu in soft shades of green, mauve and touches of pink. The painting comes to life with soft, flowing brushstrokes...

This is an original painting on canvas featuring a child's white ballerina tutu with soft shades of mauve, pink and green in the background. The painting comes to life with soft, flo...

Oil on illustration board

This Oldsmobile Cutlass advertisement from 1977 depicts a complex figural composition integrated with a car and a homey landscape. Beyond its status as a historical document of an Ol...

Oil & acrylic on illustration board

Fitzpatrick & Kaufmann team up for another high performance art work. It combines a pre-photorealistic painting of a 1965 Pontiac by Fitzpatrick with a highly stylized modernist...

Political Cartoon of Ford and Kissinger, Magazine Cover Illustration for magazine. Most likely a cover Newsweek, Time Magazine or The Atlantic Magazine Signed lower right Work is ...

PRETTY IN PINK 3 - This original artwork on board combines delicate detail with expressive brushwork. The piece offers a soft, feminine aesthetic, featuring a pink dress with an acce...

NIGHTIE NIGHT 1 - In this original artwork, focus is placed on the blending of delicate detail and expressive brush work. A subtle tone on tone texture is built up in the background ...

The present work is the cover of The Complete Book of Oriental Cooking by Myra Waldo (Bantam, 1960). Female illustrator Lillian Chestney paints a cornucopia of nourishing edibles in ...

High-impact Art Deco Illustration of a WWII Sea Plane, viewed with today's eyes, is sleek, stunning, and campy Kitsch. The work is in surprisingly good to excellent condition for its...

Who said painting isn't a team sport? Two artists of different styles collaborate to achieve a seamlessly unified picture. Arthur M. Fitzpatrick's photorealism of the car joins Van ...

The old west depicted in a graphic and dramatic manner. Paperback Novel Cover Painting Original Art (Avon, 1963). Work has a matted image area of 12.5" ...

Romance Love Triangle on Fishing Boat his artwork appeared on pages 22-23 of the December 1957 issue of Playboy Magazine, illustrating the fiction story by Budd Schulberg titled "Bar...

Bold Face. A low, wide-angle portrait of the Dodge Charger's front grille, combined with the car's impactful scheme, conveys power, style, and muscular masculinity. This is not a typ...

Even on a rainy day, life can't be better when there is a 1969 Pontiac Bonneville in the picture. The present Arthur "Art" Fitzpatrick & Van Kaufman collaborative automobile ad p...

Playboy Female Illustrator Shaleen Pedersen paints a surreal landscape stuffed with a plethora of faceless people, devoid of eyes, mouths, or noses. Yet, they are fully dressed in t...

Mid-century Artist Victory Kalin was too good an artist for his paperback assignments. He was as much a virtuoso graphic designer as an illustrator. The present work exemplifies his ...

In 1962, the fine art and museum worlds were absorbed by the later stages of Abstract Expressionism, the introduction of Hard Edge Abstraction, and the rise of Pop Art. Realism was ...

Signed lower left. Alice Rose Provensen and Martin Provensen were an American couple who illustrated more than 40 children's books together, 19 of which they also wrote and edited. According to Alice, "we were a true collaboration. Martin and I really were one artist. The Provensens were a runner-up for the 1982 Caldecott Medal as illustrators of A Visit to William Blake's Inn by Nancy Willard (who won the companion Newbery Medal). Two years later they won the Caldecott for The Glorious Flight, the story of aviator Louis...

The present work is a factory illustration for the GM subsidiary Corvette, which features a classic blue C1 Corvette with distinctive dual headlights introduced in 1958. Design Deta...

From the Glynn and Suzanne Crain Collection, unsigned

This poster-like mid-century illustration of Little Miss Sunbeam in her Brownie uniform depicts her in a patriotic three-finger salute against an American Flag. It's by the celebrat...

Original cover for Collier's magazine, published December 21, 1901 The image features a woman sitting on a bench next to a dog and holding a book. Artwork Dimensions: 20" x 14" Fra...

O MARA'S MUNICIPAL TAVERN - Saturday Evening Post Illustration Supreme technical skill allows the artist to realistically capture an...

Beautiful Godzilla-like monster illustration from 1961. Wenzel was a prolific Disney Artist for decades. The work is beautifully matted and framed and looks better in person. Sign...

This work is remarkable for its intense dramatic lighting effects and wide-angle composition. Very few artists conceived and executed with acutely dramatic light in the arc of art hi...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Lorraine Fox was a pioneering female Illustrator/artist who championed a unique style immediately identified as hers. This work, in two parts, was most likely for a newsstand woman's...

Original Illustration Art for General Electric Calendar, Tags on verso Deftly rendered in a post-impressionist style . Signed lower right Simple period wood frame - work could benefit from a new frame. Terpning has done movie posters for Doctor Zhivago, Cleopatra, Gone with the Wind and Guns of Navarone...

The present masterpiece is a one-of-a-kind work that embodies the quintessential archetype of a glamorous woman typical of the 50s. With a simple palette of red and flesh colors, artist Coby Whitmore defines the noir portrait. Be cautious, the seductive Femme Fatale Kim Novak...

Men Who Plan Beyond Tomorrow” Advertising campaign for The world’s incredible technological inventions that we take for granted today ….. Provenance: Edgar Bronfman Sr. former C...

Medium: Oil on Illustration Board Signature: Signed Lower Left

Modernist execution with flat color and silhouetted shapes. Joe Kaufman, writer, illustrator. Recipient Art Directors Club medal, 1948, New York Academy of Sciences Children's Scienc...

Cherry Dancer Girl Juggling Cherries is more than charming. It's both sweet and tart as one visually consumes it. Signed lower right. Work is framed under glass Marcel Vertes Fren...

Medium: Tempera and Collage on Illustration Board Signature: Unsigned

Medium: Oil on Illustration Board Signature: Unsigned This piece was produced as the cover art for the box containing a die-cut color lithograph manger set...

Title Page Art. Art Seiden was a children's book illustrator in New York City. Seiden was a member of The Society of Illustrators, Signed in Title

Italian Illustrator Gianni Benvenuti depicts a sword battle in a post-cubist/expressionist style. Without regard for proper perspective, the picture is as representative as it is abs...

Arabian Nights, Sea Monster - The Thousand and One Nights Gustaf Tenggren - Attributed - unsigned, unframed. Good condition with very sl...

Commercial illustration depicting happy California framers for California Prunes. The work is rendered in a charming and highly stylized manner. Unfr...

A high-impact graphic of a whimsical Lion sporting a bowler hat is depicted for a cover for Holiday Magazine, April 1958. The issue was about England, and the editors finally ran a ...

This Mid-Century illustration/painting is rendered in a Neo-Classical style and showcases young lovers in a morning embrace. The man is holding a small bouquet as the woman leans int...

Trailblazing Gay Female illustrator of the Golden Age, Ida Waugh, paints a powerful narrative of a young woman coming to the aid of another who, due to an accident, is lying prostrate in an unpaved road. The reason why the work is in black and white is because this was assignment art for a book or magazine and color printing was not yet available for mass publications Signed lower left. Framed under glass, Ida Waugh (October 24, 1846 – January 25, 1919) was an American illustrator of children's literature who often collaborated with her lifelong companion, Amy Ella Blanchard. Personal life Ida Waugh was born in Philadelphia, Pennsylvania on October 24, 1846, the daughter of painter Samuel B. Waugh and his first wife, Sarah Mendenhall, therefore she was half-sister of painter Frederick Judd Waugh. Her step-mother was Mary Eliza Young Waugh, a miniaturist. She attended Académie Julian and Académie Delécluse in Paris, studying with Georges Callot, Paul-Louis Delance, and Jean-Joseph Benjamin-Constant.In 1868 she attended the first "Ladies Life Class" at Pennsylvania Academy of the Fine Arts; in the same class there were Emily Sartain and Catherine Ann Drinker. Career Ida Waugh collaborated with her partner Amy Ella Blanchard in publishing children's books, Waugh as illustrator and Blanchard as writer. Waugh also published books on her own Other than a children's book illustrator, Waugh was an award-winning painter. In 1869 she exhibited at the Pennsylvania Academy of the Fine Arts two works, "The Bargain" and a portrait bust of Carl Gaertner. Her self-portrait and another painting, "Little Cosette" (1870), are in the permanent collection of the Woodmere Art Museum, Philadelphia, both donated by Mrs. John S. Haug in 1961.They were part of the exhibition "Women and Biography" in 2014, including: Elizabeth Shippen Green, Violet Oakley, Edith Emerson, Anne Minich, Catherine Mulligan, Mitzi Melnicoff, Alice Kent Stoddard, Aubrey Levinthal, Martha Armstrong...

Original illustration was done by Renna for the novel "Journey to the Center of the Earth" by Jules Verne, published in 1963. What makes this work special is how brilliantly the subj...

Medium: Gouache on Illustration Board Signature: Signed Lower Right March 28, 1953 Magazine Cover of The New Yorker

Medium: Acrylic on Illustration Board Signature: Unsigned

Original holiday greeting card illustration of a Christmas Tree in a Weathered Niche against a backdrop of a starry night sky Medium: Egg Tempera on Illustration Board Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Signed lower right. Inscribed on the reverse 'My first color illustration, Nov. 1954.' Work is unframed, Film Noir in paint

Medium: Oil on Illustration Board Dimensions: 30.00" x 40.00" Signature: Signed Lower Right

Signature: Signed Verso with His Jamaica Plain, MA Address Probably a magazine illustration. In gold stick frame, with integral grey spandrel, glazed.

Date: 1917 Medium: Gouache on Illustration Board Dimensions: 13.00" x 20.75" Signature: Signed

Date: 1996 Medium: Mixed Media on Illustration Board Dimensions: 28.50" x 18.75" Signature: Signed and Dated Lower Right Wraparound cover for the barbarian fantasy novel Iron Dawn by Matthew Woodring Stover. Birdsong, Keith: A self-taught artist, Oklahoma native Keith Birdsong became the primary Star Trek artist for licensed products and books for over a decade. He has painted covers for Star Trek novels, the Shadowrun RPG (a cyberpunk themed role playing game), and Young Reader books for Scholastic Books and other publishers. His work has appeared in films, on collectible plates, and even U.S. postage stamps. He transformed the collectible plate industry while employed by The Hamilton Collection...

Date: 1908 Medium: Gouache on Three Illustration Boards Dimensions: 2.50" x 32.50"; Two at 12.50" x 9.75", Overall 12" x 53" Signature: Each Signed or Monogrammed Large group of cup...

The cop admires the car while the viewer admires the drawing of the car. The enduring legacy of Ben Denison may not be that he was an early cartoonist for Playboy, but for his style...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) of Composer and Musician Tony Mottola, `Mr. Big`, author of the `Danger` chord for the 1950 NBC-TV show of the same name. A famous musical signature where a single repeated note is interrupted by a dramatic chord or sting, the device was named after the series which first utilized it as its theme, the CBS-TV suspense anthology, `Danger` (1950-55). It was one of the directors for `Danger` - Yul...

Site Size: 20 x 15 inches Framed Size: 28.5 x 24 inches Donald Spaulding's artistic talents were recognized early. Encouraged by his high school teachers to pursue formal art traini...