Linen Paintings

Contemporary surreal figurative oil painting featuring the faces of four men floating in the lower register of a black space Bay Area artist Michael Pauker (American, b.1957). Unsign...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

Provenance Acquired by the gallery directly from the artist Signed "Alexey Steel" on lower left UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5"

Looking for a perfect gift for your loved ones or a small treat for yourself? Consider these beautifully crafted, one-of-a-kind acrylic paintings with a textured finish. Each canvas...

Ulrich Gleiter's (EUR based) "Before Spring in Ravières" is an original, handmade oil painting on linen, depicting a serene creek in late winter, outside of Ravières. This piece meas...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

In her work, artist Christina Gschwantner combines contrasting art movements such as Art Informel and Minimal Art. She succeeds in depicting and...

LOOK FOR FREE SHIPPING AT CHECKOUT. Evening Solace Landscape, 12" x 24" Oil Texas Landscape Champagne Gold Frame Framed size of Evening Solace is 20" x 32 " Evening Solace is ...

This artwork will be shipped rolled in a dent-resistant tube. Robert Niesse is a contemporary German abstract artist, renowned for his ""Abstract Informal"" paintings that masterful...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Sonata," an original floral painting by Minna George, is an e...

Abstract textured acrylic painting on canvas 80x80x2 cm (31,4 x 31,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

This framed 34.25" x 51.25" work is an oil on linen painting done by Robert Bonaparte in 1980. The composition features a warm, yellow background that varies in intensity and texture...

DO DAISIES FLICK? ( ¿Parpadean las margaritas? ), Oil on linen by Chico Montilla. Measurements in centimeters (H) 100 x (W) 81 x (D) 2 cm. / In inches 39.37 x 31.89 x 0.79 " Expres...

Ulrich Gleiter's (EUR based) "By the Armançon River" is an original, handmade oil painting on linen, depicting the serene Armançon River mid-summer in Burgundy, France . This piece m...

Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full-time profession as a contemporary still life ...

James Van Fossan's "Sky 46" is an original, handmade oil and golf leaf painting that depicts a skyscape of orange and grey hues as sunlight plays across the clouds textured surface.

Denied Warhol Silver Liz Painting on linen by Charles Lutz Silkscreen and acrylic with silver enamel on canvas with the artist's Denied stamp of the Andy Warhol Art...

La Piscine de mon Rêve Swimming Pool of my Dream Landscape Tempera Painting on Linen Canvas In Stock Paul Delmée (Brussels, 1944) received his education at the Academie des Beaux Art...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Apple Pie Bakery in the Cumbrian Town of Ambleside in the Lake District, England, by Contemporary British Urban Landscape Artist, Angela Wakefield Art measures 16 x 16 inches Frame...

"During a battle reenactment At the Daniel Lady Farm in Gettysburg, I helped carry a soldier from the field to the hospital. This painting depicts that soldier as his leg is amputated. Clara Barton...

An oil painting of a cloud filled sky at sunset. The foreground is set along a sandy beach, white sand meeting dunes, tire tracks in the sand lead our eye to a pair of figures, seate...

Jug and Still Life in Purple with Apples by Alvin R. Raffel 1928 Oil on Linen of An Urn with a bowl and apples in a Purple background by Alvin R. Raffel (American, 1905-1987.) Linen ...

"Ritual is an original oil painting on linen measuring 30" high x 24" wide x 1.25" deep by Ekaterina Popova, founder of Create Magazine. She uses vibrant, saturated pigments in her serene and inviting candlelit bath scene...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

A unique, abstracted figurative oil painting on stretched Belgian linen canvas, ready to hang. Framing options available on request.

This large scale oil painting on Belgian linen canvas depicts our perceived inner feelings of the people and situations we encounter through the use of bold shapes and colours. The c...

Sunny lilacs painting is a beautiful home decor, purple flowers of blooming tree will fill your home with a wonderful aroma and give you only a good mood. This painting is one of the...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

This painting is part of a new series I began in the fall of 2025 titled Contemplation and Introspection. In this series I am exploring the profound relationship between nature and t...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

Ulrich Gleiter's (EUR based) "Stormy Day Northern Lakes" is an original, handmade oil painting on linen, depicting a vast lakeside in the Finnish foothills. This piece measures 23.60...

Jordan Wolfson's (US based) "Still Life with Flowers VI" is an oil painting that depicts a vase of fresh sunflowers and red roses in a glass jar. Jordan Wolfson returned to the Uni...

Beautiful portrait of a young woman in the manner of Peter Paul Rubens. Oil on oval canvas measuring 12 7/8 x 16 inches. Unsigned. Canvas was originally painted for rectangular for...

Wonderful vintage oil painting of Sierra Mountains in Fall by Max Higgins (American, 20th Century), circa 1940s. Signed lower left. Condition: Professionally cleaned; minor craquelur...

Katherine Borkowski-Byrne’s “Out of Order” is a colorful abstract expressionist oil painting 38 x 60 x 1.5 inches on canvas with thick and thin spontaneous brushwork, drips and splas...

Ryan Reynolds’ newest series of paintings features coastal Northern and Central California wooden piers that extend from the land into the sea, and it depicts the people of Trinidad ...

Woodland Tapestry, 1970s Vintage Forest Landscape by Mildred Nordman Beautiful vintage forest scene titled "Woodland Tapestry" by Mildred Nordman (Ame...

Hawaiian Symbolism Figurative & Landscape Oil painting of Mauna Uhane (Mountain Spirit) Symbolic and surreal landscape with a figure of spirit ascen...

Hawaiian Symbolism Figurative & Landscape Oil painting of Huakai Hui (Journey Together) Symbolic and surreal landscape of a female and male figure ascending stairway flanked by to...

Symbolic figurative abstract of wispy figures surrounding a heart by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

"Breathe Deep II" is a contemporary realist landscape oil painting of California cliffs painted en plein air. Blue-green waves roll in toward the foreground filled with sand-colored...

Juniper — luminous oil on linen. Dimensions are 66 x 83 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and California's B...

This powerful and vividly colored diptych by Malcolm Maloney Jagamarra (born 1955), a renowned Warlpiri artist, is an extraordinary example of contemporary Aboriginal art, drawing deeply from cultural knowledge, ancestral memory, and ecological stewardship. Depicting the sacred narrative of the creation of the Lander River system, the painting is both a visual masterpiece and a spiritual map, tracing a journey through geography, kinship, and Dreaming (Jukurrpa). At first glance, the canvas pulsates with energy. Vortices of concentric circles in rich ochres, reds, yellows, and blues dominate the composition, pulling the viewer into the spiraling flow of the Dreaming. These forms are not merely decorative; they carry deep cultural meaning. The blue line that winds through the center of both canvases is a stylized yet surprisingly geographical depiction of the Lander River, representing its twisting path through central Australia, from the artist’s home country of Willowra to Purtulu (Mount Theo), his mother’s land. Purtulu, meaning “backbone” in Warlpiri, forms not only a physical destination but a metaphorical axis that holds the painting together. This backbone is both personal and cosmic, representing the spine of the land, the structure of ancestral lore, and Jagamarra’s own familial inheritance. The work is grounded in the artist’s kinship obligations and responsibilities to country, with specific references to the roles of kirda (owners of the Dreaming) and kurdungulu (caretakers). In Warlpiri culture, this relational dynamic is foundational, it is the system by which land is cared for, stories are maintained, and ancestral laws are fulfilled. The Dreaming Goannas, positioned at each end of the canvases, are key ancestral figures. Their presence not only signals the sacred nature of this journey but also reflects the traditional Warlpiri iconography, note the “U” shapes, which are used to denote seated ancestors. The goanna is a totemic being, and its hunting patterns and ecological relationships are mirrored in human behavior. To maintain the health of the land and support the goanna population, it is necessary to burn the country regularly. Jagamarra references this practice with depictions of spinifex grass and hunting grounds, connecting mythological beings with tangible ecological practices, and blurring the line between story and science, belief and land management. The left canvas contains the Owl Dreaming, where an abstracted face of the owl can be discerned, haunting and watchful. The owl, a silent observer of the night, brings wisdom and a sense of foreboding. It is a powerful spirit presence in many Aboriginal traditions. Meanwhile, the right canvas turns to the Warna, or Snake Dreaming. The snake, winding and water-bound, is both creator and destroyer, and its movement echoes that of the river. The snake’s body, woven into a hypnotic spiral, is a symbolic representation of the waterways that give life and form to the central desert. This artwork is more than a painting, it is a teaching. It encodes knowledge about ecology, fire management, kinship roles, and sacred geography. It is both autobiographical and communal, a map of memory and belonging. Created within the living traditions of Warlpiri law, it speaks to the inseparable relationship between people and land in Aboriginal worldviews. Malcolm Maloney Jagamarra’s work is a powerful expression of this connection, his hand guided not only by brush but by heritage, ceremony, and Dreaming. Its journey from the Aboriginal Art Galleries of Australia in Melbourne to the Kelton Foundation in Santa Monica, and its exhibition at venues such as the Australian Consulate in Los Angeles and the Indigenous Wisdom and Healing Conference in Virginia Beach...

Annonciation is a warm glowing sky scape with evening clouds, that is timeless, modern and unique. Colors range from subtle red to glimmering green to grey in this painting that brid...

This painting of New York City's Chrysler Building captures a wide swath of Manhattan from an areal view. Using palette knife and brush Albert Vidal manages to combine realist painting with abstraction. Splashes of bright blue, red and green paint graffiti the surface in a Jackson Pollack like effect. The numbers at the bottom of the painting represent the artist's signature. This artwork is framed in a simple black wood float. Albert Vidal Life, 2015 oil on linen 52h x 52w in Albert Vidal is an aerial urban landscapes painter based in Barcelona, Spain. He has painted mostly landscapes from around the world for over 20 years and is inspired by artists such as Antonio Lopez Garcia and Anselm Kiefer. The artist thinks about his compositions in a three dimensional way with paint relief that creates dimension and body in the piece. The emptiness which represents a sea or wasteland keep the balance of the composition as well as the ensemble. The artificial space Vidal creates evolves over time and explores the difference between cities, urban planning, and their structures. INDIVIDUAL EXIBITIONS albert vidal February. Sala Parés, Barcelona. 2011 October. Gallery Sibman. Paris. 2010 April. Gallery Sibman. Paris. 2009 February. Sala Parés. Barcelona. 2007 June. Uniglavas Gallery. Tokyo. Japan. 2006 May. Sala Pares. Barcelona. 2005 October. Juan Amiano Gallery. Pamplona. 2003 October. Sala Parés. Barcelona. 2002 September - october. Galeria Juan Amiano. Pamplona. 2001 February-March. Sala Parés. Barcelona. 2000 March. Auditorio Municipal. Montcada i Reixac. Barcelona. 1999 January-February. Galeria Tuset. Barcelona. 1995 December. Sala Lola Anglada. Barcelona. 1993 April - May. Sala Albareda. Barcelona. 1991 December. Sala “ Ca N´Amatller”. Molins de Rei Cyty Council. Barcelona. COLLECTIVE EXIBITIONS 2010 40x40. Sala Parés. Barcelona. 2008 December. Sala Parés. Barcelona. 2008 Septembre. 50 years of “Premi Pintura Jove”. Sala Parés. Barcelona. 2008 April. La Cave. Geneve . Switzerland. 2008 March. “Urbe”. Jordi Barnadas Gallery. Barcelona. 2007 February. Nichido Gallery. 42 Showakai Exhibition. Tokyo. Japan. 2006 April. “NYC” , Ariel Sibony Gallery. Paris. 2005 November. Barnadas Gallery. Barcelona. 2004 Sala Parés. Barcelona. 2004 Sala Barnadas. Barcelona. 2002 July. Galeria Gaudi. River North Festival Absolut Vision. Chicago. US 2002 May. ARTEXPO. Sala Parés. Barcelona. 2001 December. Galeria Barnadas. Barcelona. 2001 September-October. Galeria Giart . Girona. 2001 July. Sala "Ca La Pruna" - Pals. Girona. 2000 February- April. Jeunes talents catalans, Maison de la Catalogne. Paris. 1999 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1999 September-November. Realisme a Catalunya. Centre d´Art Santa Mónica. Barcelona . 1999 May. ARTEXPO. Galeria Tuset. Barcelona. 1998 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1998 July-August. Estudi d´Art. Calella de...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflect again at the sublime landscape of the pas...

Charming and bright mid century California figurative landscape with a female figure walking down a verdant and inviting path by William Hiller (America...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

Joanne Freeman Cadmium 40, 2021 oil on linen 40 x 30 in. (freem173) This original oil painting on linen by Joanne Freeman features rich, red abstracted shapes on the linen background. "My drawings and paintings utilize geometry and are influenced by architecture and design. They were initially influenced by the symbols and signage found on the streets of New York. That early visual language emerged into a reductive formal language with roots in modernist aesthetics and ideology. My drawings are made with gouache on handmade Indian Khadi paper. The source for the work can be found in the geometry of the city and the effects of light and shadow. They also reference graphic popular culture, specifically the simple direct designs of midcentury media...

"We spend our first nine months comfortably submerged, following mother-rhythms, sleeping to the liquid sound of breathing and heartbeat. The sea of origin is forever in us. These paintings of Nassau, Western Ireland...

Vast, Front Range by Alyson Kinkade Abstract Landscape, a Colorado blue-sky day Oil on Linen 36x36" image gallery wrapped, black painted sides. ABOUT THE ARTIST: “What better subjec...

'Insalata' featuring tomatoes on a kitchen counter with olive oil in glass bottles, salt and a chalk board by artist Mimi Jensen, who uses bold colors to depict theatrically lit obje...

A vibrant and reflective floral from abstract expressionist artist, Darius Yektai. Yektai pours epoxy resin over his oil painting and then paints on top of the reflective resin furth...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5"

"The General" is a realist oil on linen painting. A portrait of a senior war offical, The General wears a dark grey military jacket and a white undershirt can be seen poking out at h...

The Hana-bi 4 — A luminous oil on linen painting inspired by Japanese Fireworks The word hanabi in Japanese translates to "fire flowers," with hana meaning flower and bi meaning fire. It is most commonly used for fireworks, which the Japanese often describe as beautiful blooming bursts in the sky. The composition becomes more than a floral painting - it is a meditation on the emotional resonance of color, where flowers themselves become like fire: alive, radiant, and fleeting. The metaphor of "beautiful fire flowers" perfectly captures both the intensity and delicacy of the subject, reminding us how a blossom can carry an emotional spark. The artist said, "It is metaphorically a work on emotional connection to color, w/ith the flower as the subject".. Dimensions are 50 x 50 inches. French American Frédéric...

Motion Capture #9 explores the conventional representation of females in Western figurative art yet contrasting it with the contemporary imagery of that subject via computer-based im...