Masonite Paintings

Price includes $400 cost of framing. Oil on canvas mounted to Masonite Signed in red, u.r. This work is offered by ClampArt in New York City.

Board Size: 24 x 30 in. Frame Size: 31 x 37 in. Signed, bottom Left: "F. Lamothe" In this oil and wax on Masonite painting, Haitian artist Fritz ...

IAN HORNAK (1944–2002) Title: Les Fleurs à la Manière de Redon #7: Anemones (Flowers in the Style of Redon #7: Anemones) Date: 1998 Medium: Oil on Masonite Dimensions: 16 x 1...

Created in the mid 1970s by California artist Raymond Howell (1927–2002), “Chinese Dim Sum Feast,” depicts diners being served in a Chinese restaurant, ...

Signed verso, 'Kim Harris' for Kimberly Ann Harris (American, 1952-2022), titled, 'Red Canoe' and dated 2004. A substantial oil painting showing a view of a moody and atmospheric se...

Signed lower left "Canete" for Robert Canete (American, born 1948), and painted circa 1990. This Carmel artist first studied with Vincent Rascon in the 1960s and, later, with Dwigh...

This is an abstract acrylic painting on masonite board evoking a dancing figure in a landscape, perhaps wearing a Japanese kimono. signed "Jomac" lower right, also signed, titled, an...

Harry McCormick 10th Avenue, Meatpacking District, New York Signed lower right Oil on masonite 23 7/8 x 15 inches Renowned for his exquisite depiction of light and shadow, Harry Mc...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait with many ...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Andrene Kauffman (American, 1905-1993) Alter Ego. Surrealist circus or zoo scene with flying animals on an abstract color saturated background. Oil on masonite. Hand signed ANKAU lower left. Dimensions: 24 x 30”. Frame 25 ½ x 31 ½”. There is a address label verso from Louise Dunn Yochim She was a well-known artist from Chicago in her time. Louise Yochim was born Luba Dichne in Zhitomir, Russia in 1909. She immigrated to Chicago, along with her parents and four siblings in 1924. Yochim studied at the European Gymnasium and at the Art Institute of Chicago, receiving her Master’s Degree and Doctorate (1962) in Education from the University of Chicago. She was married to notable Chicago artist Maurice Yochim. Yochim exhibited at the Art Institute of Chicago, the Renaissance Society of the University of Chicago, Chicago, IL, the Union League Club, Chicago, IL, the University Club of Chicago, the Cleveland Museum of Art, among others, becoming one of the leading women artists in Chicago. Yochim published three books, the most notable being “Role and Impact: The Chicago Society of Artists”, included in the Illinois Women Artists Project. Camille Andrene Kauffman (1905 – 1993) was an American painter and educator who created a mural for the post office mural project in Ida Grove, Iowa. She completed twenty-five colorful murals and seven sculptures throughout Chicago, as part of the art projects for the New Deal's Section of Painting and Sculpture. Later, she completed seventeen ceramic murals for the 3rd Unitarian Church, which was designated as a Chicago Landmark in 1960. In addition to her artwork and exhibitions, Kaufman taught art for forty-one years at various universities in Chicago, Rockford, Illinois, and Valparaiso, Indiana. Her work bears the influence of Surrealism and Cubism. Camille Andrene Kauffmann was born on April 19, 1905, in Chicago, Cook County, Illinois, to Charlotte Camille (née Henriksen) and George Francis Kauffman Kauffman came from an artistic family. Her father was a dress designer and her paternal grandfather, Francis Xavier Kauffman designed furniture. Her brother G. Francis would become a cartoonist and illustrator. She attended Austin Community Academy High School of Chicago before entering the Art Institute of Chicago, graduating in 1926 and winning the John Quincy Adams Fellowship from the Institute for a year of continued study abroad. In 1927, Kauffman went to Paris, where she studied with Andre Lhote and traveled throughout Europe, before returning in 1928 to take up a teaching post at Valparaiso University. Kauffman was hired as a professor of Painting and drawing at the Art Institute of Chicago upon her return and simultaneously worked instructing art at Valparaiso University. Both assignments were part time and in 1933, when she was approached by the Works Progress Administration (WPA), she joined the federal program. During her time with the WPA, Kauffman produced over 50 easel paintings, 25 murals and 7 sculpture projects earning $24.50 per week. Some of her first works for the WPA were murals painted for the Brookfield Zoo, which was under construction at the time. Between 1936 and 1940, Kauffman painted four murals for the cafeteria of the Emil G. Hirsch Metropolitan High School including Amusement Park, Circus, Rodeo, and Stock Show The murals were painted over with house paint, but the outlines of the canvases are visible on the walls and might be able to be restored In 1937, Kauffman painted Incidents in the Life of Luther Burbank for the Luther Burbank School. The following year, she completed a second mural at the school, Circus. The murals at Burbank were still extant in 2001. The playground houses at Oak Park, Illinois, contain Kaufman's bas relief sculptures depicting fairy tales. These included a cast stone relief based on Thumbelina by Hans Christian Andersen, at the Watts Playground on Hayes Avenue at Division Street; a stone sculpture titled The Cutting of the Cake based on Lewis Carroll's Through the Looking Glass, for the Lincoln Playground at Kenilworth Avenue and Fillmore Street; and a cast stone work Captain Flint based on Robert Louis Stevenson's character at the Pyott Playground on Lake Street at Taylor Avenue. She painted murals at the Cook County Children's Hospital, but they were destroyed when the building was demolished, Kauffman created two bas reliefs for the Lincoln Elementary School in Evanston, Illinois. Children in Fruit Tree and Monkeys are intricate wood carvings with three-dimensional style. In addition, she completed commissions at the Washington School in Evanston and the Lowell School in Oak Park, as well as a mural for the Forest Park Public Library. In 1940, Kauffman won the federal commission to paint Preparation for the First County Fair in Ida Grove–1872 for the post office mural in Ida Grove, Iowa. Many great Chicago artists worked for the WPA including Rainey Bennett...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

From the 1920s onwards, American modernist painter and illustrator Anne Estelle Rice (1877-1959) focused on painting warm, rich still lifes like this one, done in vibrant, Post-Impre...

Oil on masonite Signed and dated, l.r. This painting is offered by ClampArt, located in New York City. About the artist: Konrad Cramer grew up in Wurtzburg, Germany, and attended the Karlsruhe Academy. He was a member of Der Blaue Reiter...

"Waterfall in the Forest" is an original acrylic painting on masonite by David Barnett, signed on the verso. The work breaks down the image of the title to its most basic colors and ...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Signed and dated lower right. Lohman studied at John Herron Art Institute, and Cranbrook and Yale for graduate work. Assisted Carl Milles at Cranbrook Academy before becoming Direct...

The Island Woman (La Mujer Isla) Artist signed and titled. Enrique Chavarría (1927-1998) was a Mexican painter and neo-surrealist, whose fantastic imagery carries forward the work of the Mexican Surrealists. He created hundreds of easel-sized oil paintings on masonite and numerous smaller works. For four decades his principal patron was Bryna Prensky, an American gallery owner from Florida who moved to Mexico City in 1954. She bought most of Chavarría’s known works for her gallery and her own collection. Prensky said she often found Chavarría in his pajamas at mid-day. He read widely and painted dreamlike images that reflect his wide-ranging scholarly interests. Much of his work is thought to have been inspired by poetry, especially the writings of André Breton, Paul Éluard, Arthur Rimbaud, and Paul Valéry; by the classic surrealism of Salvador Dalí; and by the paintings of Mexican neo-surrealist artists Remedios Varo...

Wig City by Clyde Singer New York City scene of a woman stopping to look in the window of Wig City in 1969. American life is captured in this Clyde Singer painting, where he depi...

Oil and acrylic paint on a three-dimensional wooden construction.

Artist Commentary: This painting of a Cape Cod house is made of 468 little paper squares that I pasted on the canvas. The window, flowers, and bushes were then added with oil paint. My friends and family say that gluing together hundreds of little squares together is slightly obsessional, but I think it actually demonstrates great patience! I love to lose myself into creating and pasting these repeating patterns. Then, I disrupt them with a disconnected and more loose painting on top. But as a whole, both parts are in fact united and harmonious, as they belong to the same Cape Cod house. This is how I feel about myself: one person with two very different cultures. From the outside, they can look quite disconnected, but they actually are not. In fact, I find that I unite both cultures by painting them. What about you? Do you feel like you are made of disconnecting parts? And what do you do to unite them? Words that describe this piece: window, flower, Cape Cod, Massachusetts, flower boxes, shrubs, greens, garden Artist Biography: Life is basically a huge collection of moments. Sometimes you have no idea how everything will end up tying together - Marion Buricatu...

Sunil Padwal Untitled Acrylic on Masonite 16 x 24 inches (Framed & Delivered) In this Untitled work by Padwal, the blurred contours and earthy tones evoke a sense of introspection a...

Artist: Emil Rizek, Austrian (1901 - 1988) Title: Village Scene Year: circa 1950 Medium: Oil on Masonite, Signed l.r. Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

After John Russel Portrait of young girl, with seashell and bird. Oil on masonite. 25.25 x 29.5 framed, 19.75 x 24 unframed.

IAN HORNAK (1944–2002) Title: Light from the Past, 1st version Date: 1985 Medium: Acrylic on double layered Masonite Dimensions: 21.5 x 18 inches (54.61 x 45.72 cm) Conditi...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Literature: Marina Stern Paintings and Drawings, privately published (2015), p. 36 Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

A rare, very poetic figurative work by Eric Scholz, dating from the 1980s. Scholz was a Hungarian artist who trained at the Academy of Fine Arts in Budapest. He was awarded the pre...

Procession with elephant, expressionist style oil painting, signed and dated. George Russin was born in New York 1910-2010. He attended the High School of Music and Art to pursue bot...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Cubist Portrait), 1945, oil on masonite, signed and dated lower middle, 20 x 16 inches, remnant of exhibition label verso, perhaps exhibited at Murry's solo exhibition at the Los Angeles's Screen Cartoonists' Gallery, July , 1945, presented in its original frame Jerre Murry was a California modernist painter. Born in Columbia, Missouri, Murry studied at the Detroit Academy of Art and worked as an artist for the Detroit News and Detroit Free Press. Murry traveled to the Bahamas, where he was inspired to paint modernist scenes of island life and people. By the early 1930s, Murry had relocated to Los Angeles, where he caught the attention of Synchromist painter Stanton Macdonald Wright, State Supervisor for the Federal Art Project (FAP) in Southern California. MacDonald Wright enrolled Murry into the FAP. Murry’s Gauguin-influenced painting Sun Image was exhibited together with other FAP artists at the Los Angeles County Museum of Art in 1936, and Murry was also included in the FAP exhibit at the Paris Exposition in 1937. Stendahl Galleries in Los Angeles, the Chamber of Commerce Gallery in Santa Barbara, and at the Los Angeles County Museum of Art also showed Murry’s work during the 1930s. Murry created a murals for Los Angeles Water & Power Company, the Boise, Idaho Post Office, and Glendale Junior College. In 1939, Murry's work was exhibited at the Golden Gate International Exposition and the New York World's Fair. He also was included in the All California Exhibition at the Los Angeles County Museum of art that same year. He went on to exhibit in Los Angeles at the Foundation of Western Art's Trends in Southern California Art shows in 1940 and 1941, at Raymond and Raymond Gallery in Hollywood and USC’s Elizabeth Holmes...

Vintage Still Life Painting with Fruit and Porcelain Cup c.1970 Original oil on masonite under glass Masonite dimensions 7" wide x 5" hi...

oil on masonite panel

oil on masonite panel

framed 14.5 x 17. image 9.5 x 12 Signed verso Bruce Samuelson was born in Philadelphia and was educated at PAFA. He has taught painting and drawing at PAFA since 1973. Professor B...

Artist: Wally Ames, American (1942 - ) Title: The Old Sawmill at Westminster, Vermont Medium: Oil on Masonite, signed l.r. and verso Size: 20 x 24 inches

A colorful, blustery painting of sailing off the coast of Martha's Vineyard by famed Chicago Modern artist, Francis Chapin. Painted in the early 1950s, the painting depicts a vibran...

Artist: De Es Schwertberger (Dieter), Austrian (1942 - ) Title Stepping In Year: circa 1980 Medium: Oil on Masonite Size: 55 x 76 inches

IAN HORNAK (1944–2002) Title: Primeval Landscape Date: 1985 Medium: Acrylic on double layered Masonite Dimensions: 16 x 19 inches (40.64 x 48.26 cm) Condition: Excellent ...

Steven H. Rehfeld (American, born 1954) "Elysian Gardens" 2012 Oil paint, Canvas, Masonite, Stretcher bars The artist signed the back of the painting. "Elysian Gardens" by Steven H....

"7 Koi" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades of ...

American Outsider Folk Art Painting "The Wall-Flower" by Gussie Smith Roth C.1965 Original oil on masonite Masonite dimensions 28" wide x...

De Es Schwertberger's captivating oil painting features several hands supporting each other while the topmost hand holds a small clutch of eggs. Artist: De Es Schwertberger (Dieter...

Edward Pechmann Renouf (1906-1999). Oil on panel measures 16 x 24 inches. Signed lower margin. Excellent condition. Provenance: Allan Stone Pr...

Edward Pechmann Renouf (1906-1999). Oil on panel measures 16 x 24 inches. Signed lower margin. Excellent condition. Provenance: Allan Stone Pr...

Artist: Shmuel Brand, German/Israeli (1921 - ) Title: Untitled Year: 1980 Medium: Oil with Mixed Media on Masonite, signed l.l Size: 39.5 x 27.5 in. (100.33 x 69.85 cm)

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi Year: circa 1960 Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

David was inspired by the Anasazi petroglyphs with these shapes of the figures in this painting. It is an oil painting on Masonite. The frame is black wood- a shadow box concept. The...

Artist: Donald Roy Purdy, American (1924 - ) Title: Black Hair, Purple Girl Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 24 x 20 in. (60.96 x 50.8 cm) Frame Size: 33 x...

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

"Lady Looking at Brian (Her Grandson)" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

signed lower right American, 1925-2017 Born in New Bedford, Massachusetts, Kenneth Davies became a noted still-life painter and long-time art teacher, living in Madison, Connecticu...

Oil on Masonite size: 11 x 14 in. Frame Size: 14.5 x 17.5 in. Signed, bottom right. An origional oil on Masonite landscape painting that pictures a a tranquil scene with a muted and...

Jonah Kinigstein is an artist living in Brooklyn. He works in the scorched earth tradition of such 18th- and 19th-century cartoonists as James Gillray, George Cruikshank, and Joseph Keppler, and embraces their somewhat rococo pen and ink technique as well as their penchant to exaggerate the grotesque. In the 1990s, he used to paste...

"Self Portrait" is an original oil painting on masonite board by Francesco Spicuzza. The artist signed the piece in the lower left. It depicts the artist holding a pipe in front of a...

Tropical Fantasy Floral - Still Life Flowers Painting by Marc Zimmerman Oil on board Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsic...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi holding Torah Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 2 Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

Artist: Donald Roy Purdy, American (1924 - ) Title: Red Vase Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 47 x 20 inches Frame Size: 53 x 24 inches

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 3 Year: circa 1970 Medium: Oil on Masonite, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 34 x 39 inches

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 3 Year: circa 1970 Medium: Oil on Masonite, signed l.r. Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 38 x 31 inches

Valters Kupers ( 1948-2018 ) Sea. 1993, masonite, oil, 92.5x85.5 cm Calm realistic seascape with rocky shore.