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Medium: Metal
"Triple Elvis" Denied Andy Warhol Silver Black Pop Art Painting by Charles Lutz
"Triple Elvis" Denied Andy Warhol Silver Black Pop Art Painting by Charles Lutz

"Triple Elvis" Denied Andy Warhol Silver Black Pop Art Painting by Charles Lutz

By Charles Lutz

Located in Brooklyn, NY

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

Category

21st Century and Contemporary Pop Art Metal Paintings

Materials

Enamel

Paris Street Scene Enameled Glass on Copper, Framed, Signed, 1950s
Paris Street Scene Enameled Glass on Copper, Framed, Signed, 1950s

Paris Street Scene Enameled Glass on Copper, Framed, Signed, 1950s

Located in Douglas Manor, NY

6201 Paris street scene made with enameled glass on copper plate Framed Image size 9.5x7.5" Signed Mingolla

Category

1950s Metal Paintings

Materials

Copper, Enamel

"Enchanted Forest"Contemporary Italian Realism in Miniature Form by Dina Brodsky
"Enchanted Forest"Contemporary Italian Realism in Miniature Form by Dina Brodsky

"Enchanted Forest"Contemporary Italian Realism in Miniature Form by Dina Brodsky

By Dina Brodsky

Located in Philadelphia, PA

This piece titled "Enchanted Forest" is an original artwork by Dina Brodsky, as part of her acclaimed two-person exhibition "Little Italy", an exhibition celebrating travel in contem...

Category

21st Century and Contemporary Contemporary Metal Paintings

Materials

Copper

Silver and Color No. 60
Silver and Color No. 60

Silver and Color No. 60

By Takefumi Hori

Located in Westport, CT

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

Category

2010s Contemporary Metal Paintings

Materials

Silver, Gold Leaf

French Antique Figurative Military Portrait Oil Painting by Paul Leroy, Framed
French Antique Figurative Military Portrait Oil Painting by Paul Leroy, Framed

French Antique Figurative Military Portrait Oil Painting by Paul Leroy, Framed

By Paul Alexandre Alfred Leroy

Located in Gavere, BE

A signed and dated 1921 French antique military portrait by Paul Alexandre Alfred Leroy (1860–1942), this original oil on canvas combines a decorated soldier's formal bearing with a ...

Category

1920s French School Metal Paintings

Materials

Gold Leaf

Fragments in the Sun, II

Fragments in the Sun, II

By Gwen Wong

Located in Atlanta, GA

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Category

2010s Contemporary Metal Paintings

Materials

Gold Leaf

Fragments in the Sun, I

Fragments in the Sun, I

By Gwen Wong

Located in Atlanta, GA

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Category

2010s Contemporary Metal Paintings

Materials

Gold Leaf

Whisper - Large Scale Original Pastel Tone Oceanscape Sunset Painting on Canvas
Whisper - Large Scale Original Pastel Tone Oceanscape Sunset Painting on Canvas

Whisper - Large Scale Original Pastel Tone Oceanscape Sunset Painting on Canvas

By Charlotte Elizabeth

Located in Los Angeles, CA

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Category

2010s Contemporary Metal Paintings

Materials

Gold Leaf

Oil On Canvas Family Portrait After Sir Anthony Van Dyck ca 1870
Oil On Canvas Family Portrait After Sir Anthony Van Dyck ca 1870

Oil On Canvas Family Portrait After Sir Anthony Van Dyck ca 1870

By Anthony van Dyck

Located in Gavere, BE

"Oil On Canvas Family Portrait After Sir Anthony Van Dyck" After Sir Anthony van Dyck (Flemish painter, 1599-1641), Group of three young girls with a bust of Mercury Oil on canvas (doubled), probably end 19th century, with French wax seal...

Category

1870s Baroque Metal Paintings

Materials

Gold Leaf

Pot of Gold: Painting Floral Bouquet Fine-art Invest Color Flowers Contemporary
Pot of Gold: Painting Floral Bouquet Fine-art Invest Color Flowers Contemporary

Pot of Gold: Painting Floral Bouquet Fine-art Invest Color Flowers Contemporary

By Karnish Art

Located in Pretoria, Gauteng

Title: Pot of Gold Painting Floral Bouquet Gold Fine art Investment Colorful Flowers Contemporary This acrylic painting bursts with vibrant colors, capturing the wild, untamed ener...

Category

21st Century and Contemporary Abstract Expressionist Metal Paintings

Materials

Gold, Gold Leaf

Untitled 19. From the  Mexican Ryōan-ji Series.
Untitled 19. From the  Mexican Ryōan-ji Series.

Untitled 19. From the Mexican Ryōan-ji Series.

By Francisco Larios

Located in Miami Beach, FL

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Category

2010s Abstract Metal Paintings

Materials

Gold Leaf

Exploring Every Path 2 Magdalena Morey, Contemporary Expressionist Painting
Exploring Every Path 2 Magdalena Morey, Contemporary Expressionist Painting

Exploring Every Path 2 Magdalena Morey, Contemporary Expressionist Painting

By Magdalena Morey

Located in Deddington, GB

Magdalena Morey Exploring Every Path 2 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in sit...

Category

21st Century and Contemporary Post-Impressionist Metal Paintings

Materials

Gold Leaf

Emergence, Woman in Floral Robe, Oil on Panel with Gold and Silver Leaf
Emergence, Woman in Floral Robe, Oil on Panel with Gold and Silver Leaf

Emergence, Woman in Floral Robe, Oil on Panel with Gold and Silver Leaf

By Brian O'Neill

Located in Denver, CO

“Emergence” is a contemporary figurative oil painting from 2019, created on panel with white gold and silver leaf. The composition depicts a woman viewed from behind, her arms extended and her face turned upward. Her black floral...

Category

2010s Realist Metal Paintings

Materials

Silver, Gold Leaf

Chord Blue
Chord Blue

Chord Blue

By John Platt

Located in Westport, CT

This is a diptych (each half is 24 x 36 inches) and was created by John Platt, a Brooklyn artist who studied at the Boston Museum of Fine Arts and has exhibited extensively in New Yo...

Category

2010s Abstract Metal Paintings

Materials

Enamel

"Signs of Memory" – Original Mixed Media on Canvas by Marilina Marchica 2019
"Signs of Memory" – Original Mixed Media on Canvas by Marilina Marchica 2019

"Signs of Memory" – Original Mixed Media on Canvas by Marilina Marchica 2019

By Marilina Marchica

Located in Agrigento, AG

Signs of Memory" is a one-of-a-kind abstract artwork by Italian artist Marilina Marchica, created in 2019. This mixed media painting on canvas (30 x 40 x 2 cm) explores the poetic re...

Category

2010s Contemporary Metal Paintings

Materials

Enamel

Number 30, Large Abstract Expressionist Acrylic Painting by William Hewes
Number 30, Large Abstract Expressionist Acrylic Painting by William Hewes

Number 30, Large Abstract Expressionist Acrylic Painting by William Hewes

By William Hewes

Located in Long Island City, NY

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

Category

2010s Abstract Expressionist Metal Paintings

Materials

Enamel

19th Century Limoges Painted Enamel on Copper Madonna and Child
19th Century Limoges Painted Enamel on Copper Madonna and Child

19th Century Limoges Painted Enamel on Copper Madonna and Child

Located in Sant Celoni, ES

F. Bienvenu. 19th Century Limoges Painted Enamel on Copper Madonna and Child. Painted enamel on copper. Signed F. Bienvenu. Measurements with frame: 26 x 21 x 2.5 cm. Measurements wi...

Category

19th Century Art Nouveau Metal Paintings

Materials

Enamel

Mother and Child, Folk Art Acrylic Painting by Ernani Silva
Mother and Child, Folk Art Acrylic Painting by Ernani Silva

Mother and Child, Folk Art Acrylic Painting by Ernani Silva

Located in Long Island City, NY

Ernani Silva, Brazilian - Mother and Child, Medium: Acrylic, Collage and Enamel on board, signed in marker lower right, Size: 10.75 x 21 in. (27.31 x 53.34 cm)

Category

1990s Folk Art Metal Paintings

Materials

Enamel

"Still-life of Fruits" by Maria Meriggi - Oil on Copper - 30x24 cm
"Still-life of Fruits" by Maria Meriggi - Oil on Copper - 30x24 cm

"Still-life of Fruits" by Maria Meriggi - Oil on Copper - 30x24 cm

Located in Geneva, CH

Maria Meriggi, born in 1935, is an Italian painter known for her evocative depictions of urban landscapes and everyday scenes, particularly those of Venice. Her notable works include...

Category

1970s Realist Metal Paintings

Materials

Metal, Copper

"Untitled" Dan Christensen, Geometric Plaid Series, Orange and Blue Abstract
"Untitled" Dan Christensen, Geometric Plaid Series, Orange and Blue Abstract

"Untitled" Dan Christensen, Geometric Plaid Series, Orange and Blue Abstract

By Dan Christensen

Located in New York, NY

Dan Christensen Untitled, circa 1970-71 Acrylic and enamel on canvas 44 x 20 inches Provenance: The artist Sherron Francis (gift from the above) Dan Christensen was an American abs...

Category

1970s Abstract Geometric Metal Paintings

Materials

Enamel

Bird and Moon

Bird and Moon

By Greg Decker

Located in Atlanta, GA

"Greg Decker is a visionary painter. His work epitomizes the passion that comes from a deep love of art, poetry, and music. His paintings show how art is both the consolation for, ...

Category

2010s Contemporary Metal Paintings

Materials

Metal

"Romance"
"Romance"

"Romance"

By Nataliia Svitlychna

Located in Edinburgh, GB

In the hushed elegance of contemporary abstraction, this captivating mixed-media composition unfolds as a profound meditation on intimacy and unity. Bold geometric forms intertwine w...

Category

21st Century and Contemporary Metal Paintings

Materials

Gold Leaf

The Gold Experience 835

The Gold Experience 835

By Marco Grassi

Located in Montreal, Quebec

From an early stage in his art career, Marco studied the painting techniques of many of the old masters. Over time, he modified and reinterpreted them in new ways to create his uniqu...

Category

21st Century and Contemporary Metal Paintings

Materials

Metal, Gold Leaf

Mirth

Mirth

By Gwen Wong

Located in Atlanta, GA

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Category

2010s Contemporary Metal Paintings

Materials

Gold Leaf

Sébastien Ardouin Dumazet - "Japanese Chrysanthemums" Floral painting
Sébastien Ardouin Dumazet - "Japanese Chrysanthemums" Floral painting

Sébastien Ardouin Dumazet - "Japanese Chrysanthemums" Floral painting

By Sébastien Ardouin Dumazet

Located in Montfort l’Amaury, FR

Sébastien Ardouin Dumazet (b. 1972) – "Japanese Chrysanthemums" Oil on oxidized gilded leaf on canvas, 2026, 25⅝ × 36¼ in. (65 × 92 cm) "Japanese Chrysanthemums" is a floral composi...

Category

21st Century and Contemporary Contemporary Metal Paintings

Materials

Copper

Threshold I by Frédérique Domergue, Abstract Painting on Metal, black, turquoise
Threshold I by Frédérique Domergue, Abstract Painting on Metal, black, turquoise

Threshold I by Frédérique Domergue, Abstract Painting on Metal, black, turquoise

By Frédérique Domergue

Located in Paris, FR

Threshold I is an artwork by French contemporary artist Frédérique Domergue, crafted with oxidized zinc and bronze leaves on an honeycomb aluminum panel. Dimensions: 78.7 × 39.4 in /...

Category

2010s Contemporary Metal Paintings

Materials

Bronze

Metal paintings for sale on 1stDibs.

Find a wide variety of authentic Metal paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Topher Straus, Sax Berlin, Jimi Gleason, and Bruce Murphy. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Metal paintings, so small editions measuring 0.1 inches across are also available