Oil Crayon Paintings

Ghost Wood Oil,Bitumen, Crayon, Sand, Collage On Canvas 16" x 20" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting...

In the weeds ink bloom #6 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

Jim Stella 2012 Mixed Media Oil, Acrylic, Oil Stick and Collage 68 x 63 inches Jim Stella was born in Detroit in 1954 and was attracted to art from an ear...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

Unframed, this piece measures 16 x 12. Karen Blair lives in Charlottesville, Virginia where the surrounding mountains provide daily inspiration for her work. Her own garden and thos...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

The Painting and Its Style: "Tulip Mania" This painting is a prime example of Neo-Expressionism, a movement in the arts that emerged in the late 1970s and is characterized by its bo...

"Ghosts of the Gardens" is a mysterious and captivating abstract painting, evoking the untamed beauty of wild gardens and chaotic floral motifs with its energetic and loose movement....

Love Wins is an expressive mixed media painting on watercolor paper. It has bold multiple strokes of color in mixed media from acrylic, to oil pastel, to charcoal. It is executed lay...

Jessie’s instinctive way of working explores the language of paint and mark making to evoke emotions in the viewer, aiming to communicate how pure abstract work can generate visual e...

Jim Stella 2012 Mixed Media Oil, Acrylic, Oil Stick and Collage 100 x 67 inches Jim Stella was born in Detroit in 1954 and was attracted to art from an ea...

This is a new painting and part of my 'grasses' series. I have been interested in the complexity of line this year having shifted from painting and drawing flowers in 2022. My goal...

The painting "You Crossed My Mind Today" is a mix of colors and brushstrokes. It's like emotions splashed on canvas, with bold contrasts and subtle blends. It feels like a nostalgic ...

Jim Stella 2012 Mixed Media Oil, Acrylic, Oil Stick and Collage 68 x 63 inches Jim Stella was born in Detroit in 1954 and was attracted to art from an ear...

"Forest Lights" is an abstract painting by TUSET. It is a beautiful abstract architectural painting of unique blurry shapes brushstrokes. The painting was made with oil crayon on wat...

Jim Stella Triptych 2017 Mixed Media Oil, Acrylic, Oil Stick and Collage 48 x 72 in  24" x 48" in  each panel  Jim Stella was born in Detroit in 1954 and was attracted to art from an early age. He attended University of Detroit Jesuit high school where he was inspired by art teacher Jim Bridenstien. In 1973 he attended Pratt Institute, NY where he studied sculpture and anatomy. He later returned to Michigan to attend the University of Michigan on a medical illustration scholarship.Stella graduated with high honors. He continued his artistic education at the College for Creative Studies in Detroit, where he studied watercolor under the direction of Richard Jersey...

"A Vase of Flowers" Eugene Paul aka Gen Paul (French, 1895-1975) Oil crayon on paper 20 1/2 x 14 (28 x 21 1/2 frame) inches "Gen Paul is undoubtedly the greatest representative, and perhaps the only, expressionist of the French tradition". - Gazette Drouot, 1995 Eugene Paul, known as Gen Paul, was born in 1895 and raised in the bohemian atmosphere of Montmartre in Paris. In his life he came to know a great many of the artists, from the anonymous to the world famous, who established themselves in the neighborhood. A self-taught artist, Gen Paul began expressing himself in drawings and paintings as a child; his earliest works show a remarkable talent. He was apprenticed to a wallpaper hanger until his life was interrupted by war. He was wounded twice in World War One, and the second time he lost one of his legs. During his recovery, he turned to painting, which became his passion and his livelihood for almost 60 years. In Paris, Gen Paul exhibited at the Salon d'Automne and the Salon des Indépendants beginning in 1920. In 1928 he exhibited fifty paintings...

Jim Stella 2017 Mixed Media Oil, Acrylic, Oil Stick and Collage 51" x 35" inches Jim Stella was born in Detroit in 1954 and was attracted to art from an early age. He attended University of Detroit Jesuit high school where he was inspired by art teacher Jim Bridenstien. In 1973 he attended Pratt Institute, NY where he studied sculpture and anatomy. He later returned to Michigan to attend the University of Michigan on a medical illustration scholarship.Stella graduated with high honors. He continued his artistic education at the College for Creative Studies in Detroit, where he studied watercolor under the direction of Richard Jersey...

Jim Stella 2017 Mixed Media Oil, Acrylic, Oil Stick and Collage 90" x 68" inches Jim Stella was born in Detroit in 1954 and was attracted to art from an early age. He attended University of Detroit Jesuit high school where he was inspired by art teacher Jim Bridenstien. In 1973 he attended Pratt Institute, NY where he studied sculpture and anatomy. He later returned to Michigan to attend the University of Michigan on a medical illustration scholarship.Stella graduated with high honors. He continued his artistic education at the College for Creative Studies in Detroit, where he studied watercolor under the direction of Richard Jersey...

Adam Umbach, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern masters collection at...

Last year I focused on botanicals. How can I make a flower even more compelling than it already is? It held my attention and I’ll likely come back to it agai...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Valerie Campos Blue Bedroom, 2022 Oil on linen 51 x 35 in

In the weeds ink bloom #5 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #4 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #3 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

In the weeds ink bloom #1 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

An impressive abstract expressionist painting by Christophe measuring 54"x38" framed.. There is an excitement in the art world when you find the artist that is going to be the next ...

In the weeds ink bloom #4 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

In the weeds ink bloom #2 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #2 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

Last year I focused on botanicals. How can I make a flower even more compelling than it already is? It held my attention and I’ll likely come back to it again. Now, in my love for ‘t...

Breakthrough by Helen Howells [2022] original and hand signed by the artist Oil on Canvas Image size: H:76 cm x W:122 cm Complete Size of Unframed Work: H:76 cm x W:122 cm x D:3.5cm...

Mixed Media using modeling paste and oil paints on cotton paper.

🔸 _Title: Astro Boy 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2023 🔸 _Dimensions: 1 meter by 1 meter 🔸 _Medium: Acrylic, enamel, spray paint, oil pastel 🔸 _Support: Canvas stretched on wooden frame 🔸 _Condition: New work sold directly by the artist 🔸 _Provenance: Directly from the artist's studio 🔸 _Location: Spain 🔸 _Signature: On the front and back 🔸 _Detailed Description: Diego Tirigall's "Astro Boy" is a nostalgic tribute to the iconic animation character, presented through the distinct lens of urban art. This work invites deep reflection on our digital age, depicting Astro Boy as a white specter, suggesting the loss of an authentic childhood now supplanted by the flickering lights of screens. This message of resistance against the omnipresence of digital technology is reinforced through Astro Boy's stance, akin to Michelangelo's David, an iconic symbol of resistance and humanity. This piece is part of Tirigall's "Cracking the Kids Code" series, reflecting his concerns about the growing role of technology in child-rearing. "Astro Boy" invites the viewer to contemplate the space screens...

acrylic, mixed media on canvas In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process o...

"A Little Bit of Magic" is an expressionist portrait of Mickey Mouse, the beloved Disney character. When you gaze upon the painting, you can't help but be amazed by the immense numbe...

Victoria Barr Spirit, 1974 Crayon on Paper Signed and dated lower right front Frame included Provenance: Fischbach Gallery, New York, NY This bright, abstract 1970s artwork was created by Victoria Barr, daughter of the legendary developer of the Museum of Modern Art, Alfred H. Barr. There is a Fischbach Gallery label on the back of the frame. The Fischbach Gallery was, for many years, the gallery of record for the American artist Alex Katz. It is not easy finding Barr's work on the market at this time. Measurements: Framed: 23 inches x 29.5 inches x .5 inches Artwork: 23 inches x 29 inches Victoria Barr was born in New York, NY, in 1937 to the legendary MOMA curator and art historian Alfred H. Barr, Jr. and art historian Margaret Scolari Barr. Barr often traveled to Europe with her parents from the age of 14 onwards, meeting influential artists like Pablo Picasso, Henri Matisse, and Marc Chagall and collectors like Peggy Guggenheim. For high school, she went to Milton Academy...

"Nestcafe Society" and Corporate Ideals A striking painting by Diego Tirigall prompts deep thoughts about the relationship between appearances and reality. The painting features a rough sketch of a well-known instant coffee brand logo with words "N3stcafe Society" beneath it. This serves as a powerful symbol of the illusions that society and corporate ideals can create. The Illusion of High-Quality Coffee The painting highlights the gap between the promise of high-quality coffee and the reality of mass-produced, preservative-filled coffee packaged in an industrial jar. The large axe that cuts through the words "N3stcafe Society" symbolizes the destruction of these false promises and the consequences of pretending to be something one is not. The red coffee jar...

Work on canvas

"All The Pieces Floated Into The Sky" is a mixed media eye-catching painting by Jason Hackenwerth. The application of pigment adds intrigue and textu...

St. Giorgio e il Drago Oil Painting on Canvas Saint Georges and Dragon In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tus...

Watercolor and oil crayons on paper

Karen Blair lives in Charlottesville, Virginia where the surrounding mountains provide daily inspiration for her work. Her own garden and those of friends inspire the flowers and tre...

Meet Me by the Harbour [2022] Please note that insitu images are purely an indication of how a piece may look Meet Me by the Harbour is an original painting by Mary Scott. This is a...

Watercolor and oil stick on paper.

Hand-painted. Not a print. Painting is signed at front and back. Dated. Contemporary FINE ART Original PAINTING, acrylics,, oil pen, spray ...

This piece is from the series "Geologies" My father was a geologist, I kept as a treasure his field notebooks and in this series I sort of dialogue with him using the geology symbols...

Oil and cold wax on paper, framed on a a white passe-partout.

Exploring the interaction of humans and nature . As usual on my painting I like to hide symbols /words/photographs in my landscapes . I consider them abstract paintings even if some...

« I believe painting is all about gesture and flow. Painting is nowness. » This piece is for all of you who ride bicycles for the joy of the wind on the face and the memories of ch...

Cares was the favourite river of my father. This piece is sort of haiku for him. The rock, the river, the trout . I remember to be just a kid and go to the river for fishing,I didn´t...

Oil paint & modeling paste on paper framed on a white passepartout.

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Karen Blair lives in Charlottesville, Virginia where the surrounding mountains provide daily inspiration for her work. Her own garden and those of friends ...

"Smoke Break" is a visually striking and intellectually challenging painting that combines pop culture references with childhood nostalgia. At the center of the canvas, the phrase "T...

We are pleased to be the gallery that represents the paintings of French abstract artist Christophe in the United States. Another impressive painting from 2019 by abstract expressi...