Paint Paintings

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...

A beautiful 1930's French impressionist oil on board depicting a view of the Montmartre neighbourhood of Paris, with the domes of Sacré-Coeur church in the background. Charming stre...

Signed "Abiéniste" in the lower left corner. This poetic and visually striking oil painting presents a dreamlike landscape where two flamingos stand gracefully beside a still, refle...

Original Catalan Church Interior of Sant Sever Barcelona Oil Painting Artist: Mossèn Ramon Gimbert Canals (Terrassa, 1882–1969) Title: Interior...

Sunlit Mediterranean Village, Provence signed oil on board, framed Framed: 16 x 14 inches Board : 10.5 x 9 inches inscribed verso Provenance: private collection, Paris Condition: ver...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

The Virgin Madonna Spanish Renaissance artist, circle of El Greco (1541-1614) circa 1600 oil on wood panel, unframed panel: 20 x 14.5 inches Provenance: private collection, northern ...

This oil on canvas by Sophie Dumont presents a structured composition where curved forms and vertical elements intersect in a finely balanced architectural space. Built through succ...

French painter (18th century) - Portrait of a Gentleman at the Harpsichord. 117 x 93 cm. Oil on canvas, unframed (not signed). The painting depicts a young gentleman in formal att...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x 42.5 x 1.5 inches 35.5 x 43 inches with an ebonized walnut floater...

A Vibrant 1930s American Scene Industrial themed painting, "Brick Kilns" by Notable Modern Artist, Harry Shokler (1896-1978). A colorful, well painted example of American Regionalis...

" Between Silence and Choice" Series “Light Between Days” " Between Silence and Choice" explores the quiet inner moments that shape a human life. In this work, Ukrainian figurative ...

This work is a direct visual appeal to the core theme of my art: the critical importance of inner harmony. In a world full of external noise and instability, I urge the viewer to foc...

Tranquil Landscape by Rex Vicat Cole (British 1870-1940) * see notes below signed & dated 1899 oil on canvas, framed framed: 16 x 20 inches canvas: 10 x 14 inches provenance: private collection, UK condition: very good and sound condition; please note the frame is antique and as such has minor losses to the plaster and gilt, we include it free of charge but cannot warranty its condition. Reginald (Rex) Vicat Cole was the son of the artist George Vicat Cole. He began to exhibit in London in the 1890s and was elected a member of the Royal Society of British Artists in 1900. He taught at King’s College London with Byam Shaw and together they opened their own establishment, the Byam Shaw and Vicat Cole School of Art in Camden Street, Kensington in 1910. At the outbreak of the First World War Vicat Cole and Byam Shaw enlisted in the Artists Rifles...

A beautiful oil on canvas painting by French artist Robert Lebrone. He was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is com...

The painting – which depicts the moment the young lovers in Thomas Dibdin’s Georgian pantomime discover the solid gold egg laid by the magical bird gifted to them by Mother Goose – d...

Elisabeth Grace, a visionary artist based in Denver, CO (USA), is renowned for her immersive large-scale paintings, collages, murals, and installation art. With a BA in oil painting ...

* No US duty or taxes to pay on this item * A beautiful mid 20th century post-impressionist oil on panel depicting a tennis match in the park with a smartly dressed lady in the fore...

Acquired by the gallery directly from the artist UNFRAMED: 20" x 30" FRAMED: 26" x 36" x 2" Signed "Jove Wang 22" on lower left

Dusk Landscape British School, 18th century oil on canvas, unframed painting: 32 x 41 inches provenance: private collection, UK condition: very good and...

Portrait of a Lady by Maurice Delavier (French 1902-1986) stamped verso with the artists studio mark oil on board, unframed board: 7.75 x 9.5 inches provenance: private collection, F...

Circle of Christian Wilhelm Ernst Dietrich (1712–1774) Germany Head of an Elderly Bearded Man oil on panel unframed 28 × 22.5 cm (11 × 8.9 in) framed 44.5 × 38.5 cm (17.5 × 15.2 in...

Sidera reflects that kind of radiant intimacy, the soul's longing to chart constellations in another person, to navigate the galaxies of their experiences, and to leave behind light,...

Los Angeles artist Harrison Gilman graduated from NYU’s Tisch School of the Arts. In 2018 his artworks were exhibited at the We Rise Art Fair in Los Angeles alongside Shepard Fairey ...

Beauty in her space was created by Tunde Bakare. Tunde created the painting with Oil paint on Ankara Wax Fabrics of 32W by 33H. Beauty in Her Space depic...

Signed in red, u.l. $3,000 + $125 framing

Technical sheet - Artist: Joan Carles Roca Sans (b. 1946) - Title: *Landscape of the Ampurdán* - Technique: Oil on canvas - Dimensions: 23.6 x 28.7 ...

This intimate interior by Henrik Nordenberg demonstrates the artist's remarkable ability to transform an ordinary domestic setting into a scene of quiet beauty and contemplation. Exe...

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

William Yates (British, 20th Century) St. Paul’s Cathedral, London Oil on board, circa 1970 Signed on the reverse William Yates was a gifted British painter whose expressive citysca...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Pocket Shiny Red Pomegranate 252 (canvas size 7x7cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintin...

Inspired by paintings created by old masters and the immersive nature she experienced in the Black Forest, German artist Katharina Husslein paints in a representational hyperrealisti...

This charming late 17th-century Flemish painting was once a fan before being laid on canvas, extended and cherished. It's filled with tiny episodes of courtship, leisure and fashiona...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on board unframed: 7.75 x 7.75 inches condition: excellent provenance: all the paintings we have fo...

Mother and Child signed initials by Irina Hale (British 1932-2022) oil painting on thin card , unframed double sided painting: 5 x 4 inches provenance: private collection, Cotswold...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

A beautiful impressionist oil painting on canvas by Gene Jordan depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view around the Place de l...

This painting makes part of my series dedicated to the scenes of a summer period. This abstract vibrant floral painting called "Floral radiance" is done in a modern contemporary exp...

Frederick Kitson Cowley (British, 1878–1943) Nantucket Beach Dated 1929 Oil on card Signed and dated on the reverse A charming and atmospheric beach scene by the British painter Fre...

Ferdinand Ferdo Drabek (Croatian) Sunny Path, Kolocep Croatia, ca. 1970 Oil on masonite panel, 14.5 x 18.25 inches. Unframed. Signed lower right. Signed and titled on verso.

“Sarabande No. 2” is a contemporary abstract oil painting on canvas in which angular forms and overlapping planes create a measured interplay of movement and balance. The title refe...

This work explores memory as a path shaped not only by events, but also by people, encounters, and inner transformation. It speaks about how, when we look back, we begin to see a com...

Willem van Kessel (c.1691–1727) – Portrait of a Bewigged Gentleman in Armour, 1713 A highly decorative and striking oil painting depicting a bewigged gentleman clad in a suit of arm...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Linen, Year: 2024 Style: Abstract, Figurative Title: Party Size: 30.5" x 17" x 0.8'' inch (77x43x2 cm...

"Rainy Night in Paris, Kissing in the Rain" 1908 Frédéric Levé (1877-1968) Oil on canvas Signature notated on stretcher bars on reverse 25 5/8 x 21 1/4 (32 7/8 x 28 1/3 frame) inch...

Rustic River Scene by Fanch Lel (French b. 1930) Size: 9 x 11 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of aging. Pro...

A finely executed 19th-century copy after Carlo Dolci's (1616-1686) 'Madonna and Child'. The composition is rendered with soft, diffused brushstrokes that gently model the figures, e...

Details: Title: Birds of Paradise Medium: Acrylic Painting and India Ink on Watercolor Paper Size: Size: 40x55.2 Inches (100x140cm), each panel measures 40x28 Inches (100x70 cm) Year...

Size: 100×70 cm (overall size with stretching 108×78 cm) Year: 2026 Materials: acrylic on canvas Shipping: Stretched, in reinforced cardboard packaging. A loosely gathered bouquet o...

Presented with formal clarity, this abundant bouquet occupies the centre of a warm brown field and rises from a low, rounded vessel placed on a narrow ledge. Full pink, coral, cream,...

Highland Companions by A. J. Blackie (British, 20th century) signed oil on canvas, framed framed: 23 x 30.5 inches canvas: 20 x 28 inches Provenance: private collection, England Con...

Tranquil River Scene French Impressionist artist, 1901 signed with initials lower corner oil on canvas, unframed Canvas: 9.5 x 13 inches Provenance: private collection, France Condit...

'Sicilian Farmhouse', oil on canvas, by Yves Brayer (circa 1950s). A dedicated lover of Mediterranean countries and their varied landscapes, this charming and diminutive work by the ...

The artist completed this sketch while painting en plein air in Pereslavl-Zalessky at Alla Prima in 2013. This striking artwork captures the tranquil beauty of a wintry forest. Set a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

This lively city view from Vadstena was executed over two consecutive days in late October 1930. Erik Tryggelin records the scene with remarkable immediacy, capturing the fleeting at...

This landscape was painted during the first visit of the artist to Hawaii, on the North Shore of Oahu. Daria chose a view of the well-known Three Tables Beach — located right next to...

Still Life of Fruit by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 18 x 22 inches very good condition provenance: from the art...

The Provencal Landscape French School, mid 20th century oil on board, unframed board: 15 x 18 inches provenance: private collection, France condition: very good and sound condition