Pastel Paintings

Medium: Pastel Style: Animal Painting Size: 19.5 x 15.5 inches Frame Size: 31.5 x 25.5 inches Condition: This artwork is in good condition for its age. Signature: Hand-signed Artis...

Landscape 100x100 cm Original Art Ready to Hang Marilina Marchica orients her pictorial research to the theme of subtraction, her attention is focused on the aesthetic and conceptu...

Tribute to Artists 17 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, acrylic, charcoal, pastel and engraving on gray cardboard mounte...

Brightly colored landscape of a cabin in the woods by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in a cream mat. No frame. Image size: 30"H x...

Village Church Among Trees by Regine David (female French artist, 1910-2018) pastel painting on artist paper dated 1967 painting: 12.5 x 16 inches inscribed verso condition: This pai...

Khloris 001 and Khloris 004 Diptych, 2022 by Francisco Larios From The Series Khloris Acrylic, pastel chalk, airbrush, and automotive lacquer on canvas Overall size: 82.6 in H x 133....

"Les Trois Arbres (The 3 Trees)" Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on paper, signed lower left 12.5 x 9.75 (16 3/4 x 13 3/4 frame) inches Raymond Thibesart ...

"Woman in Red Turban” Portrait Oil Painting 63x47 in by Katherine Bakhoum Tisné Pastel on paper. Framed. Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

Green Meadow by Regine David (female French artist, 1910-2018) dated 1954 inscribed verso pastel painting on artist paper painting: 15 x 19 inches condition: This painting is in exc...

Clarence Holbrook Carter (American, 1904-2000) Entr'acte, 1977 Pastel on board Signed and dated lower right 8 x 10 inches A surrealist mid-century figural abstract painting. Clare...

Elena Degenhardt's "Plein Air Wave Fragmentations VI" is a poignant representation of the relentless and eternal spirit of the sea. Crafted in 2022, this exquisite original artwork measures 5 x 6.5 inches, rendered in soft pastel on paper, and comes elegantly framed in a custom 6.5 x 8-inch frame that complements the hues of the ocean's waters. Degenhardt's mastery in pastel techniques...

At the center of this large-scale black and white charcoal and pastel painting, a diver launches himself from untold heights, frozen at the peak of action against an ecstatic plume of clouds. Zalopany excels at painting with light, often abstracting areas of a composition with explosions of brush strokes and impossibly smooth blending. The cloud mass at the center of Diver is at once a liquid pool and O’Keefe’s Jimson Weed...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

House in a Summer Meadow signed by Regine David (female French artist, 1910-2018) pastel painting on artist paper painting: 8.5 x 11 inches inscribed verso condition: This painting i...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Born in London to Scottish parents, Peter Howson (b. 1958) has spent much of his life in Scotland and attended the Glasgow School of Art, receiving tutelage from Sandy Moffat. Religi...

Martin Yeoman is a figurative oil painter and a member of the New English Art Club. His work is founded upon the traditional values he believes firmly in...

Early 20th Century Portrait of Woman Illuminated by Moonlight by Everett Shinn This is a pastel on canvas portrait by Everett Shinn ((1876 - 1953), circa early 20th Century. A softl...

Tribute to Michelangelo III is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, pastel, acrylic, engraving and...

Cubist Scene 20th Century, Continental School signed with initials pastel painting on paper on board, framed framed: 18.5 x 13.5 inches provenance: private collection, U.K condition:...

Domingo Álvarez was born on June 29 in 1942, in Barcelona. Signature si- com with its name of background and as Domingo has to be. Since childhood shows his interest in drawing and p...

Suhas Roy - Radha Soft Pastel & Acrylic on Paper 14 x 18 inches, 2004 ( Unframed & Delivered ) In this ethereal portrait titled Radha, Suhas captures the divine feminine with delica...

Signature: Signed, dated 1938 and inscribed Italy lower right. Thistles, 1938 Pastel on paper 25 3/4 × 18 3/4 in Work is framed Christie's, New York Very strong in person. Gallery st...

Title: Interconnected Dream Bold Abstract Contemporary Colorful Masculine Investment Red Yellow Grey Blue Orange Texture Detail This series expresses our unity and our interconnecte...

Original Soft Pastel on Sandpaper

Vincente Romero The Glance Original pastel on Ingres paper 2022 Hand signed is lower left corner Image Size: 25.5 x 19.5 inches Framed Dimensions: 33 x...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

"Esme" by Primary Hughes (United States) is a handmade nude portrait of a woman, made with charcoal and pastel on paper. This piece of artwork is framed and ready to hang.

Adrian HEATH (1920-1992) Untitled Composition Mixed media Signed and dated '64 Image 11.25" x 9"

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Sin titulo original pastel abstract painting Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de ...

Jules Schyl (Sweden, 1893-1977) Title: Ballet Dancers A Ballet Dancer painting is a rare find for an artist mostly known for his oeuvre with Cubism and Expressionist paintings. The current painting has many similarities with Degas sketches...

Portrait of a Woman in a White Dress - Pastel on Paper Delicate drawing of a woman in a white dress by Palo Alto artist Marilyn Thompson (American, 1927-2015). Acquired with a colle...

Still Life of Fruit signed by Regine David (female French artist, 1910-2018) pastel painting on artist paper dated 1947 painting: 10.5 x 13 inches condition: This painting is in exce...

Irene Georgopoulou's "Game On" is an original, handmade oil painting depicting a monopoloy board. Please allow 3-5 weeks before this artwork will ship.

Sunil Das - Horse IV - 8 x 10.5 inches (unframed size) Coloured Pastel on Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmodernis...

Untitled, c. 21st Century Watercolor and pastel on paper Sight: 17 1/2 x 21 1/2 in. Framed: 26 3/4 x 30 1/2 x 1 1/4 in. Signed lower right: Cavanagh

Creation II (Abstract painting) Mixed media - acrylic, oil pastels, gouache on cotton canvas - Unframed. Artwork is exclusive to IdeelArt. Daniela Marin stands as a pioneering figur...

Gloria Dudfield (1922-2015) Untitled c.1960s Mixed media: gouache, pastel and encaustic on newsprint 11"x15.5" unframed Unsigned Gloria (Fischer) Dudfield July 12, 1922 – May 27, 20...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Remember Me" is a poignant piece of art that evokes a powerful sense of nostalgia and remembrance. The piece centers around the face of a character, depic...

This layered paper and drawing collage titled "Mass Study II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Using found ...

Ruslan Perekucha was born in 1967. Since childhood, he was interested in the history of art, and he loved modernism most of all. This prompted him to collect antiques and art in the ...

Beautifully vivid early 20th century Pebble Beach, Carmel landscape. Signed illegibly lower right. Condition: Good. Presented in vintage frame with new mat. Image size: 7"H x 10"W.

Augmented Meteorite I is a unique pastel, 23k gold leaf, cotton paper drawing by contemporary English sculptor Oliver Ashworth-Martin, dimensions including oak frame are 120 × 120 cm...

Title: Interconnected Dance Abstract Masculine Contemporary Grey Red Yellow Blue Detail Texture Bold Colors This series expresses our unity and our interconnectedness. We are dancin...

Portrait of a Nude Lady French School, circa 1960's chalk and pastel on artists paper, unframed size: 19 x 11.5 inches condition: very good and ready to be enjoyed provenance: priva...

Work on arch paper Black wooden frame with glass pane 87 x 67,5 x 1,5 cm

Consolation. 2020., canvas, pastel, 55,5x31 cm Composition with figures

Wonderful pastel of early Avalon, Santa Catalina Island by Guy Bedford (American, 1866-1916), 1898. One of two estate pieces purchased one was signed and t...

Irene Georgopoulou's "Marbles and Mischief" (2024) is an original soft pastels on paper artwork, measuring 8 x 9 inches. Part of her solo exhibition "Nostalgic Treasures: A Journey T...

Hosho Fish - MADE TO ORDER Pastel on EITHER Hosho Paper OR Cotton Canvas Hosho Paper Variant: 19 x 23 inches Cotton Canvas Variant: 18 x 24 inches *Lead time may vary between 10-14...

CHILD - Pastel on paper cm.51x41 signed lower right by Alfonso Grassi, Italy. Wooden frame with passeportout cm.94x73

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

Harvest Hues signed by Regine David (female French artist, 1910-2018) pastel painting on artist paper painting: 9.5 x 12 inches condition: This painting is in excellent condition, wi...

There is Only So Much Letting Go You Can Ask Someone to Do (2024) by Rebecca Johnson Radiating with bold color and tender emotion, this captivating painting by Rebecca Johnson invit...

Yvonne Jacquette From World Trade Center: Mixed Heights, 1997-98 Pastel on paper 30 x 22 inches Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew ...

The title of the series derives from one of the many conversations in which Jorge Luis Borges, a lover of walks and strolls through streets, parks, and gardens, in those conversation...

French Landscape by Josine Vignon (French 1922-2022) ...