Pigment Paintings

Acrylic graphite, mica, paper on linen.

The abstract composition titled "Cash" offers an intriguing visual experience with its spray pigments and varnish on a 105x85 cm steel plate. The use of patterns from hot-rolled blac...

Unstructured Landscape by Candy James [2021/22] Please note that insitu images are purely an indication of how a piece may look Large scale Abstract Painti...

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

abstract "Indian" triptych varnish wood panel 250x250cm black white gold this triptych gives free rein to your imagination as to its representation, you have before a search for harm...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an...

"In the tropics" created in 2020 abstraction varnish pigments iridescent masks painting on wooden panel 75x127cm deliver in wooden crate at the real cost olivier Ebel...

abstract "Inflammable" varnish pigment wood panel 91x150cm black orange ebel worked in successive layers like a lacquer the interpretation of a background based on random dilution w...

Pigment & gouache on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State ...

"X-Ormation Series I" is an encaustic-on-panel piece by Charles Ivey from his "X-Ormation" series. Ivey uses the encaustic process of combining hot beeswa...

"Crossroad" created in 2020 acrylic gold and silver on a wooden panel 185x185 cm deliver in a wooden crate at cost olivier Ebel composition of the backgro...

Wainscott (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, ba...

Unborn is a 2023 work of Maki Kuchida. The painted size of the work is approx. 24x57cm, while the framed size is approx. 45 x 75cm. It is framed with archival grade mount. There wi...

abstract "Banana" varnish pigment on wood panel 75x73cm wood crate worked in successive layers like a lacquer the interpretation of a background based on random dilution work and an ...

Aaron Fink (American, b. 1955) "Cherry" Signed and dated "Aaron Fink 1980" lower right. framed. there is a label that was on the board on back from Obelisk gallery. it is currently not attached. it is unframed. Floated against a foam core backing so that the edges of the sheet are visible. The two tiny tears are probably at site of old tack holes, where the tacks pulled through the paper due to the weight. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Netherlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Childrens Hospital, Chicago Choate Rosemary Hall...

abstract "An air of riviera" triptych varnish wood panel 250x250cm black this triptych gives free rein to your imagination as to its representation, you have before a search for harm...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

Pigment wood putty, acrylic, Dorland's wax medium on wood panel signature and year on verso Constructed paintings comprise the Concentric and Post Concentric Episode Series. They ar...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

Madhu Basu - Magma n°244 - 25.75 X 21.25 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Bas...

Desert Gossip is a series of four paintings that echo the colors of the desert at dusk. The use of the threaded grid is set up to anchor and reinforce the circular movement of the lo...

"Watch out for reflexion" created in 2019 abstraction varnish pigments iridescent masks painting on wooden panel 120x220 cm deliver in wooden crate at the real cost

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags 2, 175 x 170 cm, acrylic, pigment on paper, 1999, composed of 20 elements, a single part is 30 x 40 cm. Works fr...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

"Urban atmosphere" abstract painting solvent paints masking resins and varnishes 138x92cm this upside down of the anarchic layers at the top then that are organized as one descends ...

Please send zip code for best shipping/delivery costs and timeline -- I will work with you to get you the best price. Mat Tomezko's "Price" series of mixed media paintings are const...

"Fragmentation" abstract painting varnish pigment on wood panel 145x145cm give meaning, give meaning to change day by day to discover new perspectives, enter the space of this painting, discover by following a detail a new light or fragmented path a surprise, a blue reflection maybe purple at that moment in this place that disappears at the first movement to return unexpectedly taunt you from the corner...

(Painted on thick gallery-wrapped professional canvas, ready to hang or be framed if you prefer. A video has been included to provide a dimensional view of the piece.) Artist's Stat...

Madhu Basu - Magma Series - 25.75 x 21.25 inches (unframed size) Acrylic & Pigment on canvas ( Set of 2 works ) ( UNFRAMED ALL IN DOOR DELIVERED ) Vessels and pots being of ...

Soft red 1 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natur...

"In all directions" abstract painting varnish pigment on wood panel 86x113cm "In all directions" can be read in different ways the false perspectives animate and combine in an unstab...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Pebbles, sand and pigment on panel, frame not necessary as it has worked edges. Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly differ...

Bright blue sculptural painting by contemporary artist Paul Reeves. The work features a found violin painted blue floating against a background of the same vibrant blue color. Curren...

abstract "Invitation to travel" linen canvas 60x120cm send wood crate yellow openness to the imaginary, movement and light.

Julie Beugin: Urban Abstraction and Contemplative Landscapes Julie Beugin's art vividly captures the essence of urban landscapes, focusing on the subtle details and quiet corners oft...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

"Ellipsophila" created in 2019 abstraction varnishes pigments iridescent masks painting on wooden panel 184x182cm deliver in wooden crate at the real cost olivier Ebel...

Maggie LaPorte Banks. Primrose hill, November. [2021] original Acrylic on canvas, collage, raw pigment and grafiti spray paint. Image size: H:61 cm x W:...

Title: landscape BW Artist: Marilina Marchica Medium: Mineral oxide on canvas Dimensions: 40x50x3 cm certificate of authenticity included Marchica's technique transcends the bound...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acrylic...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acrylic...

Night 02 (Abstract Painting) Acrylic and pigments on lacquered wood board - Unframed "Framed in an American box. Emma Godebska is a French abstract artist living in Nimes, France. ...

Equinox Green 03 (Abstract Painting) Acrylic and pigments on lacquered wood board - Unframed Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural ...

Don Giffin (American, 1948-2003) Skin Deep, 2001 Mixed media on canvas Hand signed Don Giffin, titled and dated (verso) 68 x 53 inches. Provenance: from the Art Collection of the InterContinental Buckhead Atlanta Framed dimensions: 74 1/4 x 59 inches. Don Giffin, Born in Chicago in 1948, Giffin earned his bachelor’s and master’s degree at what is now Cal State Northridge. An abstract painter who expanded the Southern California modes of “color and light” and “finish fetish” art, melding impressions of photography, printmaking and painting into a single work. Giffin, a master printmaker as well as a painter. In 1995 he mounted the first of his five solo exhibitions at the Christopher Grimes Gallery in Santa Monica. David Pagel described the artist’s work in a Los Angeles Times review as perfectly smooth, glass-like surfaces when viewed from afar that seemed to decay as one approached. They make pain palpable and evoke mortality’s inevitability, Pagel wrote of Giffin’s creations, which used layers of paint, gesso and tar that he pulled apart as they dried. “His corporeal abstractions bypass your mind to hit you in the stomach.” Giffin was one of 10 Los Angeles, California artists whose work was featured in the 1997 Biennial of the Orange County Museum of Art. (including Robert Blanchon, Jessica Bronson, Julia Couzens, Terri Friedman, Don Giffin, Dennis Hollingsworth, Carlos Mollura, Carter Potter, Monique Prieto, and Chris Wilder.) In reviewing that exhibition for The Times, Cathy Curtis wrote: Don Giffin reinvents stain painting by layering color in such a way that it emits an inner radiance verging on iridescence. The artist continued to push boundaries, and when he displayed his 6 X 5-foot acrylics at the Grimes Gallery in 2000, Pagel described them as mesmerizing works. The cross-fertilization between painting and photography that has been cropping up in some of the most intriguing works being made today takes breathless shape in Don Giffin’s physically resplendent paintings,” the critic wrote. “When I work,” he once said, “it’s like I’m doing a dance with the painting, and I’m not always leading. When the imagery is mysterious, the surface is perfectly smooth and the color contrast is just right with that glow of pale color coming through it’s sheer delight. Finish Fetish denotes a style of art related to the LA Look, pop art, minimalism, and light and space originating in southern California in the 1960s. Artwork of this type often has a glossy and slick finish and features an abstract design on a two-or three-dimensional surface made from fiberglass or resins. The style is similar to the simplicity and abstraction of minimalism and the bright colors and reference to commercial products found in pop art. To the world of postwar art it was a substantive addition. Artists included Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Joe Goode, Robert Irwin, Craig Kauffman, John McCracken, Kenneth Price, DeWain Valentine...

Quadriade is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the m...

Untitled 2 Contemporary Abstract 2024 Julia Habrat was born in 1997 in Kraków Poland, She graduated from the University of Fine Arts in Poznan, where she majored in Painting and Draw...

Mixed media

62 x 31 in. central element, 25 x 14 in. element No. 2, 12 x 17 in. element No. 3 While the brushstroke motif has been embraced by Roy Lichtenstein to James Nares, Martiny takes a s...

Yellow Landscape Original Art on Fabriano Elle Paper 50x70 cm 2023 The use of natural materials such as mineral oxide powder connects the work to a dimension of respect for the envi...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

Maggie LaPorte Banks Travelling in the Mind Original Abstract Painting Acrylic, Collage and Raw Pigment on Canvas Canvas Size: H 79 cm x W 76 cm x D 2 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. With current restrictions I find myself more and more travelling in my mind , to exotic past destinations, Marrakesh, Spain, India. Cacti, and palm trees are painted in , then painted over , fragments of a gaudi door...

Tapas Ghosal - Untitled - 28 x 28 inches (unframed size) Acrylic, Dry Pastel & Dry Pigment on Canvas *** Free shipping *** Style : In Hindu philosophy, the 'Antahkaran' refers to t...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

The latest from Ray Kass' series of abstracted red "still lifes:" a departure from his large-scale compositions, this latest trio of paintings saturate their more compressed planes. ...

Judith Brenner Gubbio Original Mixed Media and Acrylic Painting on Canvas Size: H 95cm x 130cm Framed (Please note that in situ images are purely an ind...