Pigment Paintings

'Palm Shade Thinker' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 12 x 10 1/2 inches and it is professionally framed in a museum quality white maple h...

Ambient Grey (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. Mathematically, the concept of ambient space will change within a two or three di...

Pigments on paper Arches with anti-reflective glass metal black frame, 61 x 46 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Gurunathan Govindhan - Untitled Pigment on Canvas, 84 x 60 inches

False Bar Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Camael Oil, graphite, sand, dry pigment on paper, laid canvas 47" x 35" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...

Madhu Basu - Magma - 36 x 28 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Basu's works ta...

This framed gestural work is by Donald Martiny. This signature piece is composed of enamel and polymer paint, cardboard, aluminum and wood on wood panel. He creates immediately froze...

Root of the Root, 2022, is a circular painting on canvas by Rebecca Johnson. The earthy, folk style image is of a woman depicted in a vessel of water. She has a seed in her hands tha...

Sky of the Sky, 2022, is a circular painting on canvas by Rebecca Johnson. The earthy, folk style image is of a woman depicted in a vessel of water. She has a the stem in her hands o...

Madhu Basu - Magma n°143 - 25.75 X 21.25 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Bas...

Passages of red and silver in a combination of acrylic paint, marble dust, pigments and wax are balanced by shapes of grey and black in this abstract composition on canvas by Ivo Sto...

Large-scale pigment on canvas by New York and Martha's Vineyard based artist Albion Vu, titled "Moody Fall 25," created in 2024. This signed original work measures 60 x 64 inches and...

The figure of a drummer boy in blue is set against the backdrop of a cultivated garden in this haunting image by Peter Hoffer. In his paintings, Hoffer evokes nostalgia for classical...

Pebbles, sand and pigment on panel, frame not necessary as it has worked edges. Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly differ...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives &...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives &...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives &...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives &...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives &...

Montauk (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstracti...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Madhu Basu - Magma - 21 x 18 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Basu's works ta...

Maggie LaPorte Banks. Primrose hill, November. [2021] original Acrylic on canvas, collage, raw pigment and grafiti spray paint. Image size: H:61 cm x W:...

"Blue #16" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using natur...

Peter Hoffer’s landscapes have one foot in classic realism and the other in deconstruction. This work, created with clay silicate and pigment on linen, juxtapose the Bauhaus architec...

Peter Hoffer’s landscapes have one foot in classic realism and the other in deconstruction. This work, created with clay silicate and pigment on linen, juxtapose the Bauhaus architec...

Mixed media, acrylics, pigments, tempera on canvas

Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in the 1980s, shaped by Minimalism and Abstract Expressionism. In ...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Memento (Soft Warmth) (Abstract Painting) Acrylic and pigments on lacquered wood board - Unframed Emma Godebska is a French abstract artist living in N...

Work is double-sided, unframed. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in the 1980s, shaped by Minimalis...

Maggie Laporte Banks. Close by the Wychbeam Tree. Acrylic, spray paint, collage, raw pigment on canvas. Sold Unframed. H. 60 cm x W. 60 cm x D 2 cm . Insitu images are purely an indi...

The latest from Ray Kass' series of abstracted red "still lifes:" a departure from his large-scale compositions, this latest trio of paintings saturate their more compressed planes. ...

Untitled (Blue) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Interior design paintings. Abstraction art, made in pale pink, black, grey, white, rose color. Can be positioned in horizontal or vertical mode. Lena Cherny...

Cayo Romano is a brightly colored abstracted landscape, encaustic painting on wood panel. It is 18x60. It is filled with Yellow, Blue, Green, Gray and white. It is inspired by a t...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

'Wrestling the Shadows' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2007. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

'Once Upon a Table' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

'Simple Buddha Girl' is a figurative portrait by multi-disciplinary artist Kim Frohsin. The art is 9 3/4 x 8 3/4, professionally framed in an white ash hardwood floater frame measuri...

'Catwoman' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2007. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and colour. This green tone artwork titled "Duo 06" works well on it's own or in a grouping. It comes fra...

Big Blue Melt 14 (Abstract drawing) Pigment, Color Pencil and Ice on Mylar. Unframed. Big Blue Melt are works that have been created with pigment pencils and ice. Peerna starts th...

Artwork is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works and provides lower shipping costs as w...

"Conjuring Wind and Water" is made applying acrylic on canvas over olive branch-spanked gel medium with various tarnished metallic pigments. The piece is currently framed and mounted...

This work features a restrained, contemplative approach to figuration, where form serves as a vessel for memory rather than traditional portraiture. Created by Salvita De Corte using...

Paper size is 14 x 10 inches. Letraset, ink and pigment stick on handmade paper. Framed. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before...

Textural abstract painting by Katherine Filice, featuring stucco, mica, ink, charcoal, and found materials layered onto wood. From her "Common Ground" series, this work demonstrates ...

"Expanse" is made by applying acrylic on canvas over Buck Brush branch-spanked gel medium with metallic and other dry pigments and mystery patina. The piece is currently mounted on a...

Abstract textured biomorphic shape painted with bright blue pigment by contemporary Houston, TX artist Matthew Reeves. The work is designed to hang away from the wall and cast a shad...

Julie Beugin: Urban Abstraction and Contemplative Landscapes Julie Beugin's art vividly captures the essence of urban landscapes, focusing on the subtle details and quiet corners oft...

Keishi paints with the classic Japanese technique called Nihonga - he prepares the paper with gold leaf, then paints on top with mineral pigments, thus creating a special perspective...

In Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. Painted with blue, orange, and r...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

Lucerne (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, base...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

Mixed media

Gurunathan Govindhan - Untitled Pigment on Canvas, 8 x 10 inches

A 2023 work of Maki Kuchida. Maki paints with natural mineral pigments and uses aluminum and copper leaves (laminated) on silk. Maki loves to capture the sentiments we feel in our...