Pigment Paintings

Wainscott (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, ba...

"After Dinner Mint" Oil on Panel, 6 x 6 inches. Painting of Chocolate Cupcake with White Frosting and Red Cherry on Top on a Green Background with White Dots. Framed in Silver ( 11 x 11 Inches Framed Size). There are 7 additional cupcake paintings...

Francesco is the painter of music. Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the musical rhythm dancing i...

"Fancy Gen" is a very interesting artwork because the character is inspired by a real person the artist met in Miami. The character of Fancy Gen is simple yet very complex. He is ver...

Ahaztuak IV, 2025 130 x 60 cm unframed This abstract work evokes a chaotic and dynamic landscape. Dark tones blend with bursts of golden yellow, creating an atmosphere of intensity ...

In "Fluids", Olivier Ebel takes us on a journey of the imagination. Vivid colors and abstract shapes create a dynamic, spellbinding atmosphere. Deep blues and flamboyant yellows evok...

Pigments on paper Arches with anti-reflective glass metal black frame, 61 x 46 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Big Blue Melt 14 (Abstract drawing) Pigment, Color Pencil and Ice on Mylar. Unframed. Big Blue Melt are works that have been created with pigment pencils and ice. Peerna starts th...

Untitled II Abstract Expressionist Artist signed lower right corner on reverse Mixed Media on canvas. Julia Habrat was born in 1997 in Kraków Poland, She graduated from the Univers...

abstract "Banana" varnish pigment on wood panel 75x73cm wood crate worked in successive layers like a lacquer the interpretation of a background based on random dilution work and an ...

Pigment and aluminum dust on canvased board. Whimsical painting of a ballerina dancer.

Maggie LaPorte Banks Travelling in the Mind Original Abstract Painting Acrylic, Collage and Raw Pigment on Canvas Canvas Size: H 79 cm x W 76 cm x D 2 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. With current restrictions I find myself more and more travelling in my mind , to exotic past destinations, Marrakesh, Spain, India. Cacti, and palm trees are painted in , then painted over , fragments of a gaudi door...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on a board. Unframed. The artist works with...

(r)evolution 31 (Abstract painting) Pigmented Beeswax, Oil & Collage on Panel. Unframed. This painting is part of a series titled (r)evolution which started in 2014. This process...

Eric Friedmann The Calendar, 2018 Acrylic polymer and pigment on canvas 48 x 36 inches (diptych) International Fine Arts Consortium and IFAC Athina present Eric Friedmann in his pre...

Weeping Plum Tree IV is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments and silver leaves on Japanese paper mounted on panel, dime...

Mosaics is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotional...

Untitled 9 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art maki...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #3" is a 10 x 10 inch abstract painting on paper mounted on a board. Unframed. The artist works with natural earths, charcoal, st...

abstract "Inflammable" varnish pigment wood panel 91x150cm black orange ebel worked in successive layers like a lacquer the interpretation of a background based on random dilution w...

Gushing 3 (Abstract drawing) Pigment and Color Pencil on Mylar. Unframed. Gushing represents a transition between Peerna’s earlier Maelstrom series based on circular motion, and t...

Pigmented cement on foam panels. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction and ship building ind...

"Ghost town" abstract painting varnishes pigment on wood 108x77 cm Worked in successive layers like a lacquer, The interpretation of a background based on a random dilution work an...

Pebbles, sand and pigment on panel, frame not necessary as it has worked edges. Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly differ...

"X-Ormation Series I" is an encaustic-on-panel piece by Charles Ivey from his "X-Ormation" series. Ivey uses the encaustic process of combining hot beeswa...

Promenades is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotio...

Mad green 10 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflectiv...

Odds 6 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective of n...

Pigments, sand glue & acrylic on wood

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Mad green 8 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective...

Soft red 1 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natur...

Mad green 2 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective...

Madhu Basu - Magma - 36 x 28 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Basu's works ta...

abstract "An air of riviera" triptych varnish wood panel 250x250cm black this triptych gives free rein to your imagination as to its representation, you have before a search for harm...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and pure colour. "Night 01" is a stylish and contemporary bright blue abstract painting. It is created us...

Land (Abstract Painting) Acrylic and pigments on lacquered wood board - Unframed Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, re...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

Bright blue sculptural painting by contemporary artist Paul Reeves. The work features a found violin painted blue floating against a background of the same vibrant blue color. Curren...

"Watch out for reflexion" created in 2019 abstraction varnish pigments iridescent masks painting on wooden panel 120x220 cm deliver in wooden crate at the real cost

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags 2, 175 x 170 cm, acrylic, pigment on paper, 1999, composed of 20 elements, a single part is 30 x 40 cm. Works fr...

untitled Prussian blue pigment on unprimed canvas

56 Squares (Abstract painting) Oil painting over pigmented cement on foam panel. Structural and hanging frame on the back. Light and time fade colours. This artwork is an attempt ...

Gurunathan Govindhan - Untitled Pigment on Canvas, 84 x 60 inches

Alina Poloboc "Blue abstract"

"Cutting Power" features black, white and grey with pops of purple. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interdisciplinary artist and design...

Linear momentum (Abstract painting) Pigmented beeswax, oil and Collage on wood panel. Unframed. This work was created and exhibited at the same time as the series (r) evolution, and was conceived using a similar process: many layers of encaustic are applied, then hand cut squares of Japanese paper which have been dipped in encaustic are mounted on the panel. Finally, each square is covered with clear encaustic medium, then painted with oil to create spatial depth. It was inspired by the artist’s ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Mixed media, acrylics, pigments on canvas

"Fragmentation" abstract painting varnish pigment on wood panel 145x145cm give meaning, give meaning to change day by day to discover new perspectives, enter the space of this painting, discover by following a detail a new light or fragmented path a surprise, a blue reflection maybe purple at that moment in this place that disappears at the first movement to return unexpectedly taunt you from the corner...

Please send zip code for best shipping/delivery costs and timeline -- I will work with you to get you the best price. Mat Tomezko's "Price" series of mixed media paintings are const...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and colour. This green tone artwork titled "Duo 06" works well on it's own or in a grouping. It comes fra...

Dieter Villinger KOBALTBLAU, 1993 Pigment with acrylic on cotton canvas 132 × 141 × 3 cm (52 × 55 1/2 × 1 1/5 in) Signed by the artist Dieter Villinger, born 1947, is a German paint...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall. The artist is represented by galleries in Europe, the US and Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy. In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City. His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...

abstract "Coucou 1" pigments varnish on wood panel 125x100cm send in wood crate at cost Create movement and relief, energy must shine through and transport you to new horizons. Composed of 5 levels that enrich each other this work based on relief and transparency. the bottom is a work on the dilutions and incompatibilities of matter that associate, repel, absorb and reject in a dripping with metallic reflections. the architecture of the second comes to cut and sequence the bottom dripping either by its dark lines or its transparencies. Then the masking to fill in the boxes and give body to the skeleton and to finish highlighting the hollows and dents generated. Turned towards dark horizons...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...