Plexiglass Paintings

Shared Color (Abstract Painting) Acrylic on acrylic panel - Unframed 2 panels are 9 inches square and the middle panel is 14 x 8 inches. They hang from a cleat system which makes ...

Pink Link (Abstract Painting) Oil on circular plexiglass - Unframed This work, on plexiglass equipped with French cleat hanger, floats off the wall. It combines looping lines and i...

Sky & Snow (Abstract Painting) Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigation of...

Mirage (Abstract painting) Acrylic on acrylic panel (plexi) - Unframed. This work is sold as a diptych and comes with a cleat system for hanging. Each panel has the following dimensions: 8.25" x 5.25" x .75" - 21 x 13.5 x 2 cm Mirage is from a new series titled Without Intention. The pieces exemplify time and the presence of Ramsay's hand in concert with painting tools...

Color of Place.Thailand (Abstract painting) Acrylic on acrylic panel - Unframed This work is from a series started in Feb-Mar 2018 when Ramsay visited Thailand. She collected color...

Acrylic on acrylic panel (plexi) - Unframed. This work is sold as a diptych and comes with a cleat system for hanging. Each panel has the following dimensions: 8.25" x 5.25" x .75" - 21 x 13.5 x 2 cm Mirage is from a new series titled Without Intention. The pieces exemplify time and the presence of Ramsay's hand in concert with painting tools...

Acrylic on acrylic panel (plexi) - Unframed. This work is sold as a triptych which could be hung on a wall (cleat system supplied) or displayed on a shelf. Each panel has the follo...

Acrylic on acrylic panel - Unframed This work is from a series started in Feb-Mar 2018 when Ramsay visited Thailand. She collected colors by photographing objects both natural and h...

Acrylic on acrylic panel - Unframed This work is from a series started in Feb-Mar 2018 when Ramsay visited Thailand. She collected colors by photographing objects both natural and h...

Acrylic on acrylic panel - Unframed Each panel is 9 inches square. They hang from a cleat system which makes them appear to “float” off the wall .25 of an inch. In this ongoing ser...

Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigation of color, location, light and tim...

Acrylic on acrylic panel (plexi) - Unframed Ramsay's work is informed by nature, the seasons, changing landscapes and the passing of time. She is inspired by systems, mathematics an...

Oil on circular plexiglass - Unframed This work, on plexiglass equipped with French cleat hanger, floats off the wall. It combines looping lines and interlocking shapes. Neutrals an...

60x84cm (without frame) Hand-cut vinyl applied to Perspex panel. The 5th in a new series of artworks focusing on British seaside towns. I have longed to capture my own take on this t...

Hand-cut vinyl applied to Perspex panel. The 5th in a new series of artworks focusing on British seaside towns. I have longed to capture my own take on this theme, where even the mos...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Kim Fonder TERRA DI SIENA COLLAGE UNA Mixed Media on Paper with Plexiglass 20.00 X 20.00 in $1,100.00 Kim Fonder loves texture and touch. Her paintings and furniture reflect her inf...

INDACO COLLAGE III by Kim Fonder is a mixed media on handmade paper, pigment, mica, on burlap over panel measures 24.00 X 24.00 in and is priced at $800. Kim Fonder loves texture an...

ENSO SERIES II by Kim Fonder is a Mixed Media on Handmade Paper with Plexi that measures 12.00 X 12.00 in and is priced at $600.00. Kim Fonder loves texture and touch. Her paintings...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Napoleon is a striking 36 x 24 inch acrylic painting on plexiglass by contemporary artist Kyle Ringquist, celebrated for his bold reverse painting technique. Executed entirely in rev...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Framed Dimensions: 30.5h x 42.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 31.5h x 45.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he receive...

Framed Dimensions: 36.5h x 36.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 21.5h x 26w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received ...

Framed Dimensions: 30.5h x 30.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

This vertical 75 inch high and 39.5 inch wide and 4 inch deep installation artwork is a one-of-a-kind creation. The half inch white edge of the sh...

This yellow and dark blue/green work of art was created on a sheet of black plexiglass. The surface you see is created by rabbeting ( woodworking term) a single continuous groove in...

Movie Poster Art Signed lower right. Birney Lettick was a consummate craftsman. A native of New Haven, Connecticut, he attended the Yale University Art School and studied with Joseph Albers. He learned anatomy by dissecting cadavers and all the other fundamentals involved in a painter’s classic education. His abilities won him the Tiffany Scholarship as one of the ten most promising art students in the country. His art career, delayed by four years in Europe, soon revived. He found advertising clients for national...

Mariana Villafane was born in 1972. She lives and works in Buenos Aires, Argentina. After the completion of her studies in architecture and visual arts, she has been producing a comp...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...