Stone Paintings

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

A pale, hazy sky settles over two soft headlands that lean toward each other, framing a quiet gap of blue-white light where sea meets horizon. Below, a still expanse of water gives w...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

A soft haze of peach, gold, and pale blue drifts across the upper third of the canvas before settling into a wide, unbroken expanse of blue that deepens as it descends — from a lumin...

A rare Italian painting from the second half of the 16th century. This octagonal oil-on-marble painting depicts the Assumption of the Virgin and is attributed to the Marche painter E...

Pagoda - Expressionistic Oil Painting with Stones Bold and lively painting of a pagoda by Barbara Ann "Bobby" (Murray) Topping (American, 1920-1986). The structure of the pagoda str...

Emmanuelle Vroelant started this painting after watching a news report on the National Assembly, struck by a cacophony in which egos jostled together, each claiming their own truth. ...

The Source Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

This stunning original abstract painting, titled Abstract Dancer, was created by renowned artist Pawel Kontny (also known as Paul Kontny) in the 1960s-1970s. Using a unique combinati...

SCOTT KILGOUR (b. 1960): ELECTRIC LIGHT BULB Etched slate, 1992, signed ''Scott Kilgour'', titled and dated on the reverse. Provenance: Camilla and Earl McGrath Collection. Scott Kilgour is a British Postwar & Contemporary painter who was born in 1960. Their work was featured in several exhibitions at key galleries and museums, including the Elga Wimmer PCC and the Howl! Happening. Encouraged by the first curator of 20th Century Art at the Metropolitan Museum, Henry Geldzahler, to move to New York City in the early 80's, Kilgour experienced first hand the frenetic contemporary American art scene. By the end of the decade, after absorbing the eclectic New York sensibility, Scott's lines and curves had evolved due to contact with Pop Art, Minimalism, New Wave, Graffiti and modern dance. His work was further influenced by Edmund Carpenter, a prestigious anthropologist, who galvanized his interest in continuous line drawing and knotwork designs. Gallery exhibits in the ‘80s included 56 Bleecker Street Gallery, DIA Foundation and Holly Solomon Gallery. In the 90's, Kilgour would further expand his body of knot-work designs, embarking on a decade-long study exploring the spatial relationship of continuous line drawing in Scottish Celtic Interlace. Kilgour's linear style is grounded in Charles Rennie Mackintosh's Art Nouveau aesthetic. This exploratory culminated in a 1999 exhibition at the Mackintosh Museum, Glasgow School of Art, as part of the Glasgow UK City for Architecture & Design celebration. Currently, Scott is working on a botanical body of work inspired while drinking a glass of rose in Provence, surrounded by a blossoming white French rose garden. Flowers are an ideal subject for Scott’s linear execution, as no two images are the same based on rosette whorl and luminous petals radiating from a single node. Kilgour attended the Glasgow School of Art and has been featured in media outlets including Interview Magazine, New York Magazine and Elle Décor. Select Group Exhibitions 2019 MM Gallery, New York, Regarding Tom & Henry - Tom Slaughter, Stephen Hannock, Robert Harms, Scott Kilgour, Ray Charles White. 2018 Elga Wimmer Gallery, New York, Bloom / Wilt / Bloom - Donald Baechler, Crash, Alex Katz, Donald Sultan, Scott Kilgour, Andy Warhol. 2017 Howl Arts, Arturo Vega...

The Parade Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

Glass, sand, sumi-ink on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenager. ...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

From Sax Berlin's "Sharp Edge 21st Century New York City Style Series" Berlin has loved Manhattan & New York City for decades. This love is passionately brought to life in the dynam...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

“A wind blows across this canvas,” says Emmanuelle Vroelant, just as one is currently blowing across the world’s atmosphere: the sense that the markers of otherness, courtesy and eth...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Balsam, ground marble and hand ground pigments give this work great depth. This piece from Sax Berlin works on different levels; the beautiful, subtle palette & the contemplative dra...

Berlin has loved Manhattan & New York City for decades. This love is passionately brought to life in the dynamic & vibrant series of Guradian Angels that he's created to protect the areas that he loves so much with his own Guardian Angels in the Sharp Edge style.The first of these Angels has been created to protect SoHo, the now historic cast iron district in Lower Manhattan south of Houston Street north of Little Italy. During the dark hours when people are sleeping and the district has emptied this first, primary coloured Angel watches...

Painted in parallel, Fantasy 1 and Fantasy 2 naturally form a duo in Emmanuelle Vroelant’s eyes: “I find that these two paintings, made in parallel, form a duo.” Presented side by ...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Work on the impact of elements on urban structures and organisation. I endeavored to give thickness to the texture that coats and engulfs.

Mosaics is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotional...

In the Open Air unfolds a square almost entirely absorbed by light. Marble powder carves the canvas with relief and striations, giving the dominant white a rough, almost mineral text...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Daniela Gullotta - "Nocturne op.9 n.1" (2026) Discover the quiet intensity of Daniela Gullotta’s 20x20 cm oil and mixed media painting—a compact yet powerful exploration of space, m...

I have, at one point in mylife, practiced art therapy, blue is the color of refocusing, one must be centered and have a positive relationship to oneself to be benevolent.

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Daniela Gullotta - "Canary Wharf Station" (2014) Distinguished Provenance This work represents a significant moment in Daniela Gullotta's career, having been exhibited at the presti...

Underwater Adventure-Driftwood, Slate Sandstone 48 X 48 Nancy Seibert began her art studies in Washington D.C. at George Washington University. She gradu...

After painting Fantasy 1, Emmanuelle Vroelant felt she needed “a companion with very solar forms that bring to mind a presence charged with calm and benevolent authority.” It is this...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

14-10-24 asserts its matter before its image. Across the canvas's 120 x 100 cm, acrylic laden with marble powder carves, on the right, vertical grey and ochre furrows that streak the...

Reticulum is an original artwork realized by Giorgio Lo Fermo in 2019. Original colored enamel on canvas. Hand-signed and dated on the back. The artwork is a beautiful abstract ar...

Painted in November 2024, this square 80 × 80 cm canvas sets two clearly distinct masses of matter against each other across a broad white void: on the left, a beige and ochre expans...

With Free Thoughts, Emmanuelle Vroelant tackles her own method head-on: « exploring forms, materials and relief is a far more complex challenge than it appears », she warns from the ...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

The second panel in the series, this large square format shifts register: the vivid red of the first painting gives way to a dark, almost grave red. « I worked on the depth and gravi...

Rain and Sun captures a very Breton alternation: that of « winter days with their alternation of damp greyness and rays of sunshine », as Emmanuelle Vroelant describes it. A climate ...

In these days of pleasant but disturbing heat, I pay tribute to the foliage of trees on the banks of peaceful rivers. It’s a real comfort to humans.

Looking at the peaceful sky of Brittany came to me the need to paint a possible threat that could fall on us. Something dark and unidentifiable that suddenly creates anguish. It help...

The color that makes me feel good, that seems welcoming to me is turquoise. Watching the transparency of the water when you bathe in it is part of the gifts of life for me. In these ...

The title is enough on its own… tonic color chords.

The moon and the earth are reduced to objects that we covet and want to appropriate. I worked as if it were porcelain objects that are displayed in a window... it’s a chosified vital...