Stone Paintings

Panfilo Nuvolone (Cremona, Italy, 1581 - Milan, Italy, 1651) Title: Still life Medium: Oil on slate Dimensions: without frame cm. 17 x 19.5 - with frame cm. 31.5 x 37.5 Not signed E...

A large part of the canvas remains almost empty, in whites and very pale greys that let the eye breathe. It is mainly in the right-hand third that the paint is concentrated: bright y...

Brook Soss, "Home II" – Organic Mixed-Media Artwork in Sandstone and Acrylic Discover the understated elegance of "Home II", a sophisticated 20 x 15-inch mixed-media piece by Brook S...

Daniela Gullotta - "Gymnopédie n.1" (2025) The Artwork In "Gymnopédie n.1", Daniela Gullotta explores interior space as a site of introspection and suspension. The room appears both...

"Compass to Canaan 002" is a breathtaking shift in tone and atmosphere. It's cool, ethereal, yet still rooted in a sense of elemental rawness. The interplay of silvery blues, pale go...

Sezione Aurea 2024-001 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 56.5 × 26.5 × 12 cm ...

6195 Rural farmhouse made with wood veneer ,colored gravel and oil paint Gilt wood frame image size 13x11.5" Signed on verso H J Barth

HAPI is a sculpture by Czech artist Pavlína Kvita. Dimensions are 225 × 85 × 50 cm (88.5 × 33.4 × 19.6 in). This work is a unique piece and is sold with a certificate of authenticity...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Sezione Aurea 2024-017 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 89 × 56 × 4 cm (35 ×...

Mid Century carved marble flute player by Rodney Marshall Winfield (American, b. 1925). Presented in a rustic wooden frame. Unsigned. Image size: 14"H x 10"W. Framed: 20"H x 16"W. Wear to frame and age wear to marble. A painter in acrylic, designer in stain glass and silver, sculptor and long-time teacher, Rodney Winfield has had a diverse career. He was born in New York City. As a young man, he was artistically inclined and composed music, drew and painted, danced, wrote poetry and created sculpture. Choosing to focus on art, he enrolled in Cooper Union School in New York City. From 1953 to 1970, he was a stain-glass designer for Emil Frei...

Collage XXVII by contemporary artist Kim Fonder is a commanding work of architectural presence and quiet tactile balance. Executed on custom-stretched raw linen, the piece showcases ...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

"Vortex 014" invites the viewer into an abstract, cosmic dreamscape where emotion and texture entwine. Subtle hues of aqua, dusty rose, and silvery beige swirl like distant galaxies,...

A swirling convergence of texture, pigment, and raw emotion, "Vortex 015" draws the viewer into a mysterious, almost cosmic terrain. Hints of aquamarine, slate, and oxidized copper e...

Signed lower right. Provenance: Khromin Estate. Victor Khromin, born in Gatchina City, near St. Petersburg, Russia explored his artistic abilities from the earliest years of his life. The Russian-Finish family into which Victor was born discovered and accepted his talent as something that flowed organically through their family tree. Victor's grandfather was an accomplished artist and a student of Repin at the Academy of Art in St. Petersburg, Russia. The scenery of childhood in a small Finnish village on the outskirts of St. Petersburg continues to inspire Victor throughout his life.Victor went on to study art professionally at the Serov School of Fine Art in Leningrad. While still a student, he actively participated in non-conformist exhibitions, which were illegal during the Soviet Regime. In 1976, Victor became a member of the USSR Union of Professional Artists. This was the only Soviet organization, which could recognize an individual as a career artist. Despite membership, he continued to exhibit his works as part of the Underground Art Movement, which contradicted the code of conduct outlined by the USSR Union of Professional Artists and rejected the only officially accepted style of Socialist Realist. Victor's works stopped being presented for exhibition within official circles of the Soviet Art League. Victor became a target for government harassment and monitoring. The 1985 solo exhibition at the Kudamm Gallery, in Berlin, served as a breaking point in the semi-tolerant relationship that had previously existed between Victor and the USSR Union of Professional Artists. According to the Union, an artist was not allowed to exhibit outside of the USSR without the permission of and censorship by that organization. That same year, Victor lost the position, which he had obtained through the Union. He relocated to a small village called Sinicheno, where over the course of 5 years, he created a series of lyrical pieces. The works were displayed at a solo exhibition at Dianart Gallery in Zurich in 1988, and at Arcole Auction, Paris in 1988-1990.The Perestroika finally opened doors for Victor to exhibit within Russia at "From Unofficial Art to Perestroika," in Leningrad in 1989 and The Stanislavski Actor's House in Leningrad in 1990. In 1990, Victor received an invitation to come to New York City for a Solo exhibition at Nahamkin Gallery. During this trip, Victor applied for legal residency within the United States and was granted this status for his Extraordinary Abilities in Art. In 1996, Victor's paintings become part of the Norton and Nancy Dodge Collection of Nonconformist Art at Rutgers University. From this point on, Victor and his family move to rural upstate New York. Here he continues the development of unique techniques for creating 3D casts for oil paintings and paper. Victor's recent works are hand-made paper reliefs, with acrylic used as a color addition to the texture. He also developed a relining technic, which allow him to transfer his reliefs to canvas, and then work with oil paint over the underlying relief. He has also been represented by Jane Voorhees Zimmerli Art Museum of The Norton & Nancy Dodge Collection of Nonconformist Art from the Soviet Union (1956-1986) at Rutgers University, New Brunswick, NJ; Dianart Gallery, Zurich, Switzerland; Kudam Gallery in Berlin, Germany; Codriorg Pallas Museum , Tallinn, Estonia; Urmala Exhibition Hall, Urmala, Latvia; Regional exhibition in Russia, and solo exhibitions in St. Petersburg, Russia, etc. The specific style category...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Sezione Aurea 78 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of oxidised black Palissandro marble and gold leaf, dimensions are 79 × 47 × 8...

Sezione Aurea 2024-006 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 74 × 37.5 × 11...

Sezione Aurea A7 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 72 × 53.5 × 4 cm (28.3 × 21.1 ×...

Sezione Aurea 2024-018 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 74 × 40 × 7 cm...

"Untitled Abstract Painting with Acrylic and Gold Leaf on Canvas, 2010" On a white ground dotted with discreet greys, some twenty cut-out shapes, almost like puzzle pieces, compose t...

Sezione Aurea 2024-007 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 61 × 31 × 6 cm...

Punta 1 is a sculpture made of Black Palissandro marble by Italian contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble, dimensions are 113 × 78 × 37 ...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Awofadeju Solom...

Textures Abstract, Mixed Media Painting, on linen canvas, 80x80cm, 2026 2026 — Acrylic, art paper made with broken glass, matt protective varnish — 80 × 80 cm On a square canvas, th...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

Contemporary abstract mixed media on paper by Belgian artist Francis Besson, signed bottom right. Francis was born in Dundee (Scotland) in 1943 however...

abstract painting acrylic on linen canvas 100x120cm The whole painting unfolds in broad horizontal bands, in a narrow range of greys, whites and pale blues. Light seems to run across a liquid surface, at times bright and shimmering in the centre, at times muted by darker, almost black passages that streak the canvas like glints of foam. At the bottom right, a dark silhouette and its vertical reflection break the softness of the whole: the only recognisable form in this otherwise abstract expanse. This silhouette is no mere detail: ‘I was thinking of the Mekong at the end of the day and of the fishermen in their boats while painting this picture, of the enduring relationship between Man and the River’, Emmanuelle Vroelant...

Red alert - 2026 — Acrylic, marble powder, art paper on linen — 80 × 80 cm On a white ground, a large crescent shape, orange-brown with rust-coloured glints, occupies the left half o...

Stunning monochrome work from the studio of Sax Berlin. A painting in which one can truly become lost. The colour is rich and indulgent, it allows the mind to follow the flow of the ...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

In the Same Time, Abstract Acrylic on Linen, 120 x 120 cm, 2021 A dense mist of water-greens, silvery grays, and off-whites envelops the entire surface of the canvas, with no light s...

SCOTT KILGOUR (b. 1960): ELECTRIC LIGHT BULB Etched slate, 1992, signed ''Scott Kilgour'', titled and dated on the reverse. Provenance: Camilla and Earl McGrath Collection. Scott Kilgour is a British Postwar & Contemporary painter who was born in 1960. Their work was featured in several exhibitions at key galleries and museums, including the Elga Wimmer PCC and the Howl! Happening. Encouraged by the first curator of 20th Century Art at the Metropolitan Museum, Henry Geldzahler, to move to New York City in the early 80's, Kilgour experienced first hand the frenetic contemporary American art scene. By the end of the decade, after absorbing the eclectic New York sensibility, Scott's lines and curves had evolved due to contact with Pop Art, Minimalism, New Wave, Graffiti and modern dance. His work was further influenced by Edmund Carpenter, a prestigious anthropologist, who galvanized his interest in continuous line drawing and knotwork designs. Gallery exhibits in the ‘80s included 56 Bleecker Street Gallery, DIA Foundation and Holly Solomon Gallery. In the 90's, Kilgour would further expand his body of knot-work designs, embarking on a decade-long study exploring the spatial relationship of continuous line drawing in Scottish Celtic Interlace. Kilgour's linear style is grounded in Charles Rennie Mackintosh's Art Nouveau aesthetic. This exploratory culminated in a 1999 exhibition at the Mackintosh Museum, Glasgow School of Art, as part of the Glasgow UK City for Architecture & Design celebration. Currently, Scott is working on a botanical body of work inspired while drinking a glass of rose in Provence, surrounded by a blossoming white French rose garden. Flowers are an ideal subject for Scott’s linear execution, as no two images are the same based on rosette whorl and luminous petals radiating from a single node. Kilgour attended the Glasgow School of Art and has been featured in media outlets including Interview Magazine, New York Magazine and Elle Décor. Select Group Exhibitions 2019 MM Gallery, New York, Regarding Tom & Henry - Tom Slaughter, Stephen Hannock, Robert Harms, Scott Kilgour, Ray Charles White. 2018 Elga Wimmer Gallery, New York, Bloom / Wilt / Bloom - Donald Baechler, Crash, Alex Katz, Donald Sultan, Scott Kilgour, Andy Warhol. 2017 Howl Arts, Arturo Vega...

This mixed media contemporary abstract composition in a crimson colour is by a Canadian artist. The uniquely evocative work of Ivo Stoyanov illustrates his interpretation of nature’...

Warning, Abstract Acrylic on Linen Panel, 95 x 62 cm, New Artwork The vertical format of Alert! accentuates the tipping effect between a tormented sky, almost set ablaze with dark re...

Vitality - 2026 — Acrylic, protective varnish, marble powder, art paper on linen — 120 × 60 cm On a tall canvas with a white ground, a sheaf of shapes and colours rises from bottom t...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

"They were very great winds on the earth of men abstract aluminium canvas 2022" The elongated horizontal format unfolds across three clearly distinguishable panels. Vast swirls of gr...

Soulful and spiritual she gazes deep into the innermost sanctum of being. She is not a portrait of one woman she is a representation of all women. Strength with nurture, solace with ...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

The sculpture “Symphony” is an elegant abstract composition that embodies the harmony of movement, rhythm, and inner energy. The smooth, intertwined forms create a sense of continuou...

This bold abstract composition in bold yellow-green, black and white by Ivo Stoyanov is a mixed media work on canvas. Stoyanov's paintings have a fresco-like quality, the taut surfac...

Open Space 4, Contemporary Landscape, Acrylic on Linen, 60 x 180 cm Three times longer than it is high, the largest canvas in the ‘Open Space’ series unfolds a landscape so pale that...

Diptych (2 paintings together) - «Meeting in the Night» & «The Night of Love», The diptych is dedicated to the love of people who are force...

Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73. Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.) Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

Kimono, Abstract Acrylic Painting on Linen Canvas, 80 x 100 cm 2024 Kimono assembles flashes of red, burnt orange and sienna, cut like fragments of heavy, torn silk, laid on a base o...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

Pagoda - Expressionistic Oil Painting with Stones Bold and lively painting of a pagoda by Barbara Ann "Bobby" (Murray) Topping (American, 1920-1986). The structure of the pagoda str...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

"Zen Pebbles" Abstract Acrylic Collage 80x80cm 2023 With Zen Pebble, Emmanuelle Vroelant builds a space of withdrawal. « It's a dreamlike little Zen garden, where everything is calm...

Childhood Sand Abstract Painting, Acrylic and Marble Powder 2024 A long, panoramic format stretches the canvas like a strip of dune seen very close up. The material, acrylic and marb...