Wire Paintings

This work is from the Wonderment of Otherness series of paintings by New York City-based artist Christopher Stout, whose pronouns are he/him or inclu...

Keith Young Bart is watching you Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 13.5x2.5in Signed by hand COA provided Ready to hang Ref.: 924802-11330 ------...

Dynamic and whimsical, Aron Hill’s mobile is a joyful contemporary kinetic sculpture. Three separate discs are covered in a curated collage of shapes and brilliant colours. The colour profile here is Hill’s characteristically vivid palette-- orange, yellow, blue, red, and green punctuated by black and white. Delicately balanced, the sculpture moves in the air redefining the space and affording the viewer a fresh ‘view’. Mobiles have existed for millennia—at first as windchimes, then re-imagined by Russian sculptors...

Keith Young Oops! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1137 ---------------------...

This work is from the Wonderment of Otherness series of paintings by New York City-based artist Christopher Stout, whose pronouns are he/him or inclusive they/them. Each work within the Wonderment of Otherness series is a sculptural monochrome painting and is part of the contemporary genre of art referred to as queer abstraction. A statement of practice regarding all of Christopher Stout’s work is that it intends to surround us with the notion of radical joy and a vision of queerness as found in our imaginations. But what do the term queer abstraction mean and represent? In the artist’s own words: “I would suggest that queer abstraction might be most easily defined as activist art about the queer experience that does not employ representation of the human figure. Queer abstraction, along with Black abstraction, feminist abstraction, and even Arte povera are examples of 4 distinct types of sociopolitical protest work birthed in the late 1960s and early 1970s, which primarily eschew the use of figuration. In providing additional context, art critic and curator Eric Sutphin theorizes that contemporary artists practicing queer abstraction, 'are in close dialogue with their forbears, and bring to the milieu of queer abstraction a new set of social, economic, and political concerns…including a series of questions: What is the relationship between queerness and formalism? Without explicit political references, how can abstract work transmit the urgency of its content?'” In returning the conversation to the Wonderment of Otherness paintings, each painting in this body of work has been designated as a 'quilt painting' because the central visual element and topography of the works are textile pieces of Belgian linen and cotton sewn together with wire in a manner akin to quilting. It should be noted that quilting here is not a reference to the AIDS quilt, but rather an extension of the tradition of quilting as a form of political art by marginalized people. These quilts are stretched on stacks of wooden panels, so that the works retain elements to suggest being textile pieces, and also elements of being sculptures, and also elements of being paintings. This is a reference to the nonbinary. An equally important concentration within these works is to express a linear relationship between queer abstraction and queer theory. Alongside each painting has been designated a notable academic text, biography, or resource book documenting a spectrum of queer ideas and experiences. Stout noted that, “Some of these books are longtime friends, and some of the more contemporary works were read as part of my research for these paintings.” Whilst these paintings are not designed to illustrate the work of these queer academics, they do hope to activate a through line, manifesting the shared goals within queer abstraction. This painting is titled, Wonderment of Otherness Quilt Painting 001, A Monument to the Work and Queer Personhood of José Esteban Muñoz (which is slightly longer than the 80 characters permitted in the online catalog) and is a monument to the work and Queer personhood of José Esteban Muñoz. Stout painted this piece after re-reading Muñoz’s text, “Cruising Utopia, The Then and There of Queer Futility.” A much-loved quote from this book: “Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds, queerness is a longing that propels us onward, beyond romances for the negative and toiling in the present, queerness is that thing that lets us feel that this world is not enough, that indeed something is missing. Often we can glimpse the worlds proposed and promised by queerness in the realm of the aesthetic. The aesthetic, especially the queer aesthetic, frequently contains blueprints and schemata of a forward-dawning futurity. Both the ornamental and the quotidian can contain a map of the utopia that is Queerness.” ― José Esteban Muñoz ... Process: Stacked wooden panels, on which is stretched a quilt that I fashioned from Belgian linen and cotton fabric sewn together with wire. The finished work is a monochrome painted...

‘I like portraying old, weather-worn, isolated and derelict cottages, farms or outbuildings using textures to capture the scene. My aim is to put into my art the deep experience we h...

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...

Keith Young For Big Mistakes Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 16x16x3in Signed by hand COA provided Ready to hang Ref.: 924802-1135 ------------...

Keith Young No Rain Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11x2in Signed by hand COA provided Ready to hang Ref.: 924802-1139 ------------------------...

Born October 12, 1951 Jefferson County, Alabama Charlie Lucas exhibited overflowing creative and mechanical ability since he was a young child. When he ...

‘With my earlier figurative work I enjoyed capturing the body as if it were a landscape. Then I began to experiment with deeper textures and thus began my run-down harbour scenes and...

Untitled, 2016, 10.25 x 16.25 x 1.25 inches (base), mixed media and metal, $900 James Charles’ minimal and monochromatic work has a boldness that intrig...

Wyona Diskin, American (1915 - 1991) Girl In A Blue Chair Acrylic on canvas partially painted over wire mesh, Unsigned. Framed. Measurements: H 70.5 x W 49.5 x D 1.25 inches Wyona ...

"Covert Lyrics" by Elena Lawrence, mixed media, 24 X 24 inches, $1450. "My work with encaustic is a new favorite. The work involves heating encaustic medium (beeswax and Damar res...

"Vision" by Maureen O'Hara Ure, mixed media on panel with thin rusted wire, 13 1/2 x 18 1/2 inches. Relying on sturdy panel to hold up to months, sometimes years, of revisions, O'Hara Ure slowly builds up an image, obsessively laying down marks in thin, sanded layers of paint, ink, and pencil to create a uniquely smooth, almost polished texture distinctive to her style. When a panel returns to her studio from a show, she may begin to tinker with the image, perhaps first sanding out or painting over just a section. "Often as not, I keep going and start all over, using gesso to erase any memory I have of the painting." "For over fifteen years, all of my major projects have begun with my drawing overseas in museums and at historical sites. I returned to my studio and set about using some of the raw ideas in my travel sketchbooks to begin developing new work, taking liberties with the art-historical material I had collected. The exhibit of new paintings on panel at Phillips Gallery...

Crossing Lines The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on...

Crossing Lines The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on the literal and figurati...

Crossing Lines The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on the literal and figurati...

Crossing Lines The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on the literal and figurati...

Ode to our Heroes - yellow, green, purple and blue 4 panels each 12 X 12. The panels are aluminum with acrylic, wire grid, silk, ink, soldering wire. Jose Castro was born in Matanza...

Born in Hereford, England, Fiona Morley’s artwork is a combination of illustration and sculptural relief that is achieved with wire, as the line can be taken off the page and into sp...

This painting is done on flight ticket prints, the artists added wires delicately in order to give it a 3D feeling and achieve the shadow projections on the bridge. The perspective i...

Born in Hereford, England, Fiona Morley’s artwork is a combination of illustration and sculptural relief that is achieved with wire, as the line can be taken off the page and into sp...

Born in Hereford, England, Fiona Morley’s artwork is a combination of illustration and sculptural relief that is achieved with wire, as the line can be taken off the page and into sp...

Born in Hereford, England, Fiona Morley’s artwork is a combination of illustration and sculptural relief that is achieved with wire, as the line can be taken off the page and into sp...

Born in Hereford, England, Fiona Morley’s artwork is a combination of illustration and sculptural relief that is achieved with wire, as the line can be taken off the page and into sp...

Born in Hereford, England, Fiona Morley’s artwork is a combination of illustration and sculptural relief that is achieved with wire, as the line can be taken off the page and into sp...

Aaron Karp has exhibited his work extensively and has received recognition through a number of awards, grants and artist in residencies. Aaron Karp has developed a style of painting utilizing various systems of taping to develop fractured fields of color and space. In 2001 Karp was awarded a Pollock-Krasner Foundation Grant and in 2002 a Kittredge Foundation Grant. Also in 2002 he was awarded an artist-in-residency in Costa Rica at the Julia and David White Artists’ Colony. In 2004 Karp was awarded a residency and a monetary grant through the Robert M. MacNamara Foundation located on Westport Island...

Aaron Karp has exhibited his work extensively and has received recognition through a number of awards, grants and artist in residencies. Aaron Karp has developed a style of painting utilizing various systems of taping to develop fractured fields of color and space. In 2001 Karp was awarded a Pollock-Krasner Foundation Grant and in 2002 a Kittredge Foundation Grant. Also in 2002 he was awarded an artist-in-residency in Costa Rica at the Julia and David White Artists’ Colony. In 2004 Karp was awarded a residency and a monetary grant through the Robert M. MacNamara Foundation located on Westport Island...

Aaron Karp has exhibited his work extensively and has received recognition through a number of awards, grants and artist in residencies. Aaron Karp has developed a style of painting utilizing various systems of taping to develop fractured fields of color and space. In 2001 Karp was awarded a Pollock-Krasner Foundation Grant and in 2002 a Kittredge Foundation Grant. Also in 2002 he was awarded an artist-in-residency in Costa Rica at the Julia and David White Artists’ Colony. In 2004 Karp was awarded a residency and a monetary grant through the Robert M. MacNamara Foundation located on Westport Island...

Aaron Karp has exhibited his work extensively and has received recognition through a number of awards, grants and artist in residencies. Aaron Karp has developed a style of painting utilizing various systems of taping to develop fractured fields of color and space. In 2001 Karp was awarded a Pollock-Krasner Foundation Grant and in 2002 a Kittredge Foundation Grant. Also in 2002 he was awarded an artist-in-residency in Costa Rica at the Julia and David White Artists’ Colony. In 2004 Karp was awarded a residency and a monetary grant through the Robert M. MacNamara Foundation located on Westport Island...

Aaron Karp has exhibited his work extensively and has received recognition through a number of awards, grants and artist in residencies. Aaron Karp has developed a style of painting utilizing various systems of taping to develop fractured fields of color and space. In 2001 Karp was awarded a Pollock-Krasner Foundation Grant and in 2002 a Kittredge Foundation Grant. Also in 2002 he was awarded an artist-in-residency in Costa Rica at the Julia and David White Artists’ Colony. In 2004 Karp was awarded a residency and a monetary grant through the Robert M. MacNamara Foundation located on Westport Island, Maine. In 2006 the Fundacion Valparaiso in Mojacar, Almeria, Spain awarded him an artist-in-residency. In October, 2007 he was invited for two months as a visiting artist at the Bemis Center for Contemporary Arts in Omaha, Nebraska and in February 2008 Karp had a solo exhibition entitled “Bemis Grids” at the Albuquerque Museum. In 2013 Karp participated in a residency at the Virginia Center for the Creative Arts. Selected Collections Ackland Art Center, Chapel Hill, NC Austin Museum of Art at Laguna Gloria, Austin, TX Albuquerque International Airport, Albuquerque, NM Cheney Cowles Memorial Museum, Spokane, WA East Carolina University, Greenville, NC Indiana University, Bloomington, IN Museum of Albuquerque, Albuquerque, NM Museum of New Mexico, Santa Fe, NM Pan Pacific Singapore Hotel, Singapore Roswell Museum and Art Center, Roswell, NM Solomon R. Guggenheim Museum, New York, NY Southeastern Center for Contemporary Art, Winston-Salem, NC State University of New York at Albany, Albany, NY State Capital, Santa Fe, NM University of New Mexico Art Museum, Albuquerque, NM University of Texas, San Antonio, TX "Night Jewels...

Keith Young I'm an Achiever! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1136 ----------...

Aged bronze and brass, stainless steel. 65"x40"x3" Search "Kue King" to see entire collection of 30+ sculptures. Kue King created this wire sculpture using pure metals manufactur...

Bright brass, stainless steel. 65"x40"x3" Search "Kue King" to see entire collection of 30+ sculptures. Kue King created this wire sculpture using pure metals manufactured with a...

Aged bronze and brass, stainless steel. 54"x29"x3" Search "Kue King" to see entire collection of 30+ sculptures. Kue King created this wire sculpture using pure metals manufactur...