Wood Paintings

"Horses Feeding" is an Equestrian painting by American Impressionist painter Joseph Thurman Pearson, Jr. The 40.5" x 56.25" oil on masonite ...

Virgin of Tijvin, after a Russian icon of the 17th century. Egg tempera, gold leaf on gesso over a wooden board. Measurements in centimeters: 44 x 33 x 3 cm / In inches: 17.32 x 12.99 x 1.18 " Author: Oliver Samsinger...

Pyre I 2017 charred birch plywood panel 32" x 24" x 1.25" Pyre I is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael...

Verdant oil landscape with textural impasto of a calm stream winding through the trees of a lush, green forest, by San Jose, CA artist Jules Jacques (American, 20th Century). Signed "Jaques" on verso on frame. Displayed in a rustic green wood frame. Jules Jaques painted ocean and forest...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Oil on wood signed and dated on reverse. Sweet innocent childhood theme, pastel tones

Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck...

Albert Bridge, Wood By Michael Wallner [2018] limited_edition reclaimed wood, steel Edition number 25 Image size: H:50 cm x W:135 cm Complete Size of Un...

"Ingosi" is an abstracted collage portrait of an artist holding the symbolic tool of his work - his paintbrush. Ordinarily the view of an artwork is as seen by the artist, this rever...

SAFETY IN NUMBERS 2017 New York, New York A tongue-in-cheek commentary on the herd and sense of safety in following the crowd. Four gazelle skulls are stacked together with handwritten vignettes threading together their stories, as follows: 2. CURTAINS Water Near The Bed Awake for all of it 108” 3. ALLEY DOOR Sugar High...

Oil painting on plywood signed on reverse. There is a rough texture to the surface of the painting a technique used by the artist on many of his wood paintings.

Earth tones, totem with female figures, dog, florals; lime wash, acrylic ink, flashe and pastel painting on canvas; custom wood float frame

“Ripple Effect” captures the beauty and wonder Catherine Peet describes she experienced as a child along with the whimsy of very small figures on a lily...

Oil painting on wood

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: "Mona's Sister": oil on cradled birch panel. Ready to hang with wire on the back They are blurred. So I paint them with a regular brush, let the paint get partially dry, and then I use a brush to go over it many times to blur the paint. Sometime if it gets too blurred I go back in and do some more painting to define an area, and then use a big special brush to blur the image again. Also seen in this listing are other available paintings by the artist which can be found in a separate listings. Joan Breckwoldt is an American contemporary artist living in Houston, Texas. Her training has a foundation of traditional methods and she enjoys the challenge of using traditional painting methods to create contemporary works. Joan has studied at the University of Texas at Austin, The Art League of Houston, and the Konigs Schule in the Hague, the Netherlands. She is represented by the Jack Meier Gallery...

Woman in red is an original artwork realized by anonymous Italian artist in the late 20th Century.. Original oil on plywood Hand-signed on the lower left margin. The artwork repre...

"Woman & Rabbit" Charcoal on Paper Painting 20" x 20" inch by Ahmed Saber * Due to the Ministry of Culture policy + COVID situation, handling time (paperwork) may take up to 1-3 month. AHMED SABER - BIO Ahmed Saber is an Egyptian artist...

Auray by Jorunn Mulen [2021] original Acrylic paint on wood Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm So...

Shan Fannin's "1959 Cadillac Tailfin - Vegas Turquoise" is an original, handmade acrylic painting that depicts a close up view of the taillight of a teal...

Shan Fannin's "Farmer's Friend - Dodge Truck" is an original, handmade acrylic painting that depicts the chrome grill of a vintage orange Dodge Truck.

Mid Century portrait of a grey haired woman wearing a sun hat by Jon Blanchette (American, 1908-1987). Rendered his signature style, this...

"No Assholes" is a part of a series of conceptual work featuring red, blue and yellow primary colors. Michael Porten is an interdisciplinary artist whose works range from paintings...

Pyre III 2017 charred birch plywood panel 32" x 24" x 1.25" Pyre III is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

American abstract painter Pamela Stockamore lives and maintains a studio in Litchfield, Connecticut. She received an MFA in Painting from Pratt Institute, with minor concentrations in both Printmaking and Art History. Stockamore was the recipient of several Pratt Studio Scholar Fellowships. Pamela Stockamore is internationally recognized for her unique approach to painting. She has employed the same process and format as the common ground and point of departure in her work for decades. Within an abstract and minimalist aesthetic, her process incorporates time honored methods of combining raw mineral...

Signed lower right, 'C. S. Sanchez' for Clyde Sanchez (American, 20th century), and painted circa 1975; additionally signed, verso, with artist location, 'Aptos, CA'. A substantial,...

[Bruce Sargeant (1898-1938)] Three Athletes Running for the Ball n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 35.625 x 65 inches This work is offered by ClampArt in ...

oil on masonite with a natural birch frame glossy finish

Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck...

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Signed in red, u.l. Oil on canvas mounted to Masonite This work is offered by ClampArt in New York City.

Artist Commentary: In Genesis, the water on Earth and in the sky were separated. This is my depiction. Keywords: water, blue, abstract, waves, marble, water Artist Biography: Crea...

"Clue #2" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas ...

Reflecting the role that ancestor worship played in Chinese culture, this Qing-dynasty painting depicts several generations of family, dressed in intrica...

Act in pink. 1970. Oil on plywood, 78x52 cm Composition with woman act in pink color

Contemporary abstract painting with collage, featuring found object scraps of maps, old stamps, and papers with Asian characters on wood panel by Bay Area artist Michael Pauker (Amer...

*Each piece is 10"x10" so the grouping is at least 20x20" + desired spacing **For questions, special requests or commission inquiries, please text the gallery directly using ASK THE ...

‘PORTAL 4 (COMPASS)’, 2021 by Sarah PICKSTONE - Oil and Acrylic on linen - was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' from 5TH NOVEMBER – 12TH DECEMBER 2021 which also included artists JOSHUA ARMITAGE, KLAAS OP DE BEÉCK, YAGE GUO, CHRISTABEL MacGREEVY, ALEXI MARSHALL...

"Longboats" Abstract Painting 39" x 47" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure ...

Serene slice of Monterey Bay by Wyoming and California artist Katherine Jean Wipfler (American, B-1955). Thick, confident brushstrokes create a shimmering reflections in the water, contrasted by the pier's strong vertical stance. In some areas, the bright orange under-paint peeks through the upper layers, adding an extra sense of depth and vibrancy. Gilded frame with linen liner is included. Signed in the lower left corner. Inscription on verso states: "Monterey" Painted on location by K. Wipfler. 4-14-87 Image size: 10"H x 8"W. A full-time painter since 1979, she depicts wildlife and figures in landscape and works primarily in oil and outdoors "en plein air" on locations. She was born and raised in central California and attended nearby Columbia Junior College. Her first career was as a surgical technician, and she said that the experience she had with anatomy later helped with her art career. Following this, she decided to become an artist and moved to Idaho Falls and then to Jackson, Wyoming where she began plein air painting in 1980. She was much influenced by plein-air painter Conrad Schwiering...

"Birds of the Temple" Abstract Collage 35" x 41" inch by Neama El Sanhoury Fabric Collage on Linen on Wood ARTIST BIO Neama El Sanhoury's upbringing in what she describes as a cult...

"Art is transformation" Art is the purpose of art as love is the purpose of love.« Heinrich Heine Ines Hildur starts her paintings intuitively, without any preconceived programme. From the subconscious things occur, which she cannot predetermine. The artist does not convert these inner pictures to specific things. With a special feeling for rhythm and through subtile color sounds she tells about free, associative picture stories. The works exude tranquillity, clarity and sensuality. The visible aesthetic sensitivity has a suggestive power, which captivates the observer. If you get involved in these pictures – in the colored moods, the symbolic, fragile lines, symbols – they appear to be the beginning of a story, which the observer can continue in his imagination. At the trans-lation into the terms of language, however, something mysterious remains, which cannot be translated. The painter apparently leaves the processes for the creation of the painting: color layers overlay each other, lines are covered and released again, used papers are stuck onto the work. The artist describes her way of painting like this: » violations at places of change are connected, sewed, covered in a varnishing way, shine through like under a wax layer or can still haptically be realised. Special importance is attached to the picture passages, which appear to be particularly successful, they support their environment – are significant for fringe areas, however, can also lose their function again during the working process and have to be given up – sometimes this is quite painful like the loss of a good friend.« She discovers special beauty in apparently everyday things. This can be a crumbling wall, moss between concrete slabs, traces of transience. Due to this special talent of perception the artist converts her impressions to compact pictures, which sometimes remind me of releasing layers, preserving a certain state, which could quickly disappear: also the forms of cocoon are ambiguous, a cocoon for wrapping something up, giving protection and security – or are they projectiles reaching new shores? In an environment of over-stimulation the artist wants to train our ability of perception to see things in a new way. For several years she has been communicating the interrelation between painting and seeing at the private art school Wameling Richon in Baden near Zurich. The painter and architect Ines Hildur – this is her pseudonym – belongs to the cross-border artists, to whom one attributes a special open view due to the different fields of activity. Since 1991 she has intensively been occupying herself with painting. By encountering the Berlin film-maker and painter Jürgen Böttcher Alias Strawalde, the Vienna painter Gunter Damisch and the artist couple Nancy Spero and Leon Golub at the renowned Summer Academy of Fine Arts in Salzburg she received particularly lasting ideas and stimuli. In the meantime the artist, who presently lives in Leipzig, shows her individual and group presentations in Germany, Austria, Switzerland and France. The paintings of Ines Hildur appear to be very open, they invite to discuss about them. Perhaps it will be a dialogue between her expectations and those aspects you can find here. You can take up this trace if you want to come closer to the secret behind the obvious things, which works of art always have for us. Andrea Richter-Mahlo I Art Historian I Leipzig. Ines Hildur is born in Freiberg / Saxonia in Germany She studied architecture at the University Dresden from 1977 to 1982. In 1991 she study Arts in the Arts School of Fine Arts & Design and in the International Summer Academies of Fine Arts Saarbrücken Living and working in Leipzig as an Artist Painter she still working as an Architect and Interior Designer in Dresden, Saarbrücken, Salzburg and Leipzig since 1982 and Temporarily in Saint Paul De Vence - Cote d'Azur Teaching free painting at serval academies of Fine arts since 2002 . Selected Solo Exhibitions 1994 Galerie Filmhaus Saarbrücken 1995 Atelier Studio Silke Wagler Leipzig Galerie Mittelsächsisches Theater Freiberg 1996 Galerie Alcatraz Hallein/Austria 1997 Galerie Hofhaus Saarlouis Galerie Pro Arte Hallein/Austria 1998 Galerie Schubert Neunkirchen Mdr-Galerie Leipzig 1999 City Managment/Galerie Spandow Berlin Galerie Kunst + Objekte Leipzig 2000 Regierungspräsidium Dresden Galerie Hanstein Saarbrücken 2001 Galerie Spandow Berlin 2002 Galerie Wameling Richon, Baden/Suisse 2003 Kunstverein Die Treidler, Frankenthal Galerie Ferry, Paris 2004 Drive - Die Medienagentur, Hannover 2005 Galerie Ferry Paris Galerie Wameling Richon Baden/Suisse Galerie Victoria Wittek Schwalmtal/Rainrod/D 2006 Kunstverein Ebersberg 2007 Nexolab München 2010 Art und Ambiente Leipzig Kunst und Justiz Karlsruhe 2013 Helmaxx Salzburg 2014 Werkschau Salzburg 2015 2018 Galerie Schöllerbank Salzburg Galerie Katapult Basel Galerie Mikhail Nefedov Nizza Galerie der Havilandbank Monte Carlo Selected Group Exhibitions 1994 Galerie Filmhaus Saarbrücken 1996 Galerie am Damm, Dresden Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 1997 Landeskunstaustellung Saar, St. Ingbert 1999 Passages - House of Artists, Saarbrücken Art in the Box - House of Artists, Saarbrücken 2001 Galerie Hanstein, Saarbrücken House of Artists, Saarbrücken 2002 Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 2003 Galerie Hanstein, Saarbrücken Galerie Ferry, Paris 2004 Galerie Wameling Richon, Baden/Suisse Grosse Kunstausstellung, Wasserburg/Inn Galerie Nicole...

This 40" x 40" oil on masonite panel by artist Marc Barker was painted in charcoal and sepia tones, and was created in an 'old world' grisaille style. "This monochromatic abstract h...

MANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863- 1925 THE WASHERWOMEN signed and dated "Garcia y Rodriguez" 1910 (lower right) oil on mahogany wood panel 19...

"No Porten" is a part of a series of conceptual work featuring red, blue and yellow primary colors. Michael Porten is an interdisciplinary artist whose works range from paintings, ...

Sculpture art using Ping Pong balls and color markers by Roger Coast (American, 20th Century), circa 1970's. Size 11"H x 11"W, x .5"D lacquer ping-pon...

"Shore of the Huan He" hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2014 24 x 36 x 2 inches Carved wood and acrylic paint on panel Signed, ver...

Emma Bell 73cmx73cmx 7cm Three clays XIII Emma Bell’s ceramic and porcelain Pot Frame – Installation Piece. Emma Bell says: “This piece is inspired by my glaze test vessels. As a pot...

Nicola Gambedotti, è stato un pittore e incisore figurativo di ricerca, considerato uno dei massimi esperti nell’utilizzo della tecnica ad acrilico bulinato. Le sue opere figurano in...

"Foliage" Abstract Painting 47" x 59" inch by Amal Nasr Acrylic on Wood “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the fir...

Oil paint on wood by Aelbert Cuyp ( 1620-1691 ), Dutch. Signed lower left: A. Cuyp. Framed. Measurements: 9.72 x 13.58 in ( 24,7 x 34,5 cm ), framed: 17.2...

Rachael Dalzell’s paintings are colourful and expressive. Her free and lively use of paint through various techniques, mean that Rachael’s work is as much about mood as it is of p...

Glare [2018] original Oil paint on Wood Image size: H:45 cm x W:35 cm Complete Size of Unframed Work: H:45 cm x W:35 cm x D:3cm Frame Size: H:50 cm x W:40 cm x D:5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Oil painting inspired by a photo of Janet...

Illusion I. Wood based painting is stained and painted with acrylic. Separate LED box light. 24H x 24Wx 3D This series of artwork evokes a novel effect. Light becomes intertwined in...

Bruce Sargeant (1898-1938)] Nude Male with Towel n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 81.875 x 34.25 inches This work is offered by ClampArt in New York City.

Artist Commentary: This is my depiction of Genesis, separating heaven from earth. Keywords: blues, heaven, celestial, abstract, spiritual, heaven, waves, sky Artist Biography: Cre...

"Home" is an abstract artwork by Stan Olthuis composed of acrylic paint on baltic birch panel. Home measures 40" high by 30" wide by 1" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The lines are elegant. The artist's obsession with geometry and intersecting shapes is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

Signed in red, u.l. Oil on canvas mounted to Masonite 38 x 90 inches Contact gallery for price. This work is offered by ClampArt in New York City.

Opposing Currents no. III (Abstract Painting) Oil and acrylic on wood - Unframed Gudrun Mertes-Frady is a New York-based abstract artist whose work blends geometric structure with ...