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Art Subject: Deer
Les Foins, Impressionist Oil on Canvas Painting by Pierre Eugène Montézin
Located in Long Island City, NY
Pierre Montezin, French (1874 - 1946) - Les Foins, Year: 1938, Medium: Oil on Canvas, signed lower right, Size: 23.75 x 31.75 in. (60.33 x 80.65 cm), Frame Size: 31.25 x 39.5 inc...
Category
1930s Impressionist Nude Paintings
Materials
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Lady on the Horse, Nude, Acrylic Canvas, Brown, Red by Indian Artist "In Stock"
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Prakash Karmakar - Lady on the Horse - 30 x 20 inches (unframed size)
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Inclusive of shipment in roll form.
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Figure with Serpent
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Figure with Serpent
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21st Century and Contemporary Contemporary Figurative Paintings
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Oil
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RIS034
“This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.”
Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit acts.
“It was important to me that I only represent what I know,” explains Sindt, “I identify as a man, and I am attracted to others who identify as men. I don’t believe it is my place to speak on behalf of other members of the queer community whose experiences I am unfamiliar with.”
“In creating this work, I spoke with men who told me about how they hid magazines when they were a kid, took out P.O. Boxes in their small hometowns to protect their privacy, and learned how to cover their tracks on the internet. These secretive acts become necessary when the need to understand yourself is great, but your world is bereft of representation."
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Seated Nude Woman American Impressionist School 1940s by Fred Yost
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“Fred Does Whatever He Likes” was a title given to a biography
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taken directly from this column: “Fred Yost’s living style is like his
painting style. He has fun with it. Fred John Yost was born in
Switzerland, he’ sure, on November 6, 1889, he thinks.
His father John brought the family to his country when Fred was
about a year old—first to New York and later to
Canton, Sebring and finally Alliance, where Yost Sr.
loaded freight for a railroad. Fred like drawing and painting
so far back he can’t remember how or when it started—it was
always that way. But through the public schools in Alliance
he didn’t think of this as a career possibility. He wanted to be a
newspaperman. He worked his way through Mt. Union College,
finishing, he thinks, about 1912. Then he beat it for New York and
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through St. Mihiel and the Argonne and the rest—in the process
getting his hearing clobbered by blasts from his outfit’s own guns.
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Wall Street Journal briefly—then caught on as a staff artist for the
(New York) Herald. For several years, when he felt like it,
Yost would take a bus to the Mexican border and switch to a
Mexican bus to carry him way down south, then make it any way
he could to the places he wanted to see. On these trips he
virtually becomes a peon, disappearing totally from those who
know him—living with, like and clearly thoroughly liked by the
people among whom he moves.” Yost was a graduate of the
Art Students League and past president of the Ohio Watercolor
Society. Fred Yost, a man who eminently loved the Mexican
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Member: Ohio Watercolor Society (president)
Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects.
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---
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