1920s Paintings

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of ...

Rare and wonderfully painted pointillist landscape by Carmelo Vegas. Thick impasto and a fine composition. Housed in a period giltwood frame. Ready to hang. Oil on board. Signed.

William Lester Stevens Winter Landscape Signed lower right Oil on canvas 32 x 36 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities ...

Very finely painted American impressionist fall landscape of Mt Denali in Alaska by Paul Lauritz (1889 - 1975). Oil on canvas. Excellent color and composition. Housed in a period...

Antique American impressionist oil painting portrait. Oil on canvas. Signed. Framed.

Tom Ivester Lloyd 1871-1942 was a fine artist who worked mainly in water colour but was also very accomplished in oils. He served in the first war and produced pictorial records which are now in the army museum. He was a keen hunting man and was Master of the Sherrington Foot Beagles. He was a great hound man and wrote and illustrated a book on hounds. Acquiring an early 20th-century English fox hunting...

Francisco PARERA Y MUNTE 1850 - after 1920 Oil on canvas 72 x 52 cm (79 x 68 cm with the frame) Signed and dated lower right "F. Parera/ 1922" Beautiful antique oval frame Francisco...

A delicately painted portrait of a pretty young maid imbued with a beautiful light. James P Barraclough 1891 - 1942 The Kitchen maid Signed and dated 1923 Oil on canvas 30 x 25 inc...

Here for your consideration is a very well executed original oil on board painting by the American artist, George A. Traver. Signed lower right. Signed and titled verso. National Academy of Design exhibition label verso. (1923) Condition is very good; no issues. The painting done in an impressionist style depicting a mother and her child picking wild flowers in a field. A beautiful variety of greens and blues dominate the composition. The figures are painted with a soft white palette are equally well done. The painting has recently been professionally cleaned. The painting is housed in its original wood frame with a hand hammered copper metal wrap over wood. The frame is from the arts and crafts period and is in fine condition. Overall framed measurements are 18.75 by 4.75 inches. Provenance: A Sarasota, Florida collector. In 1864, George Traver was born in Corning, New York. George Traver was working as an artist in New York City by the 1890's. He studied with J. Alden Weir, Henry Siddons Mowbray and Thomas Wilmer Dewing...

American impressionist lake landscape oil painting. Framed. Oil on canvas board. Signed. Image size, 10H by 14L.

Springtime: Almond Tree in Bloom (Printemps: Amandier en Fleur) Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s 19 x 25 1/2 (22 3/4 x 28 1/2 framed) inches Raymond ...

We are pleased to offer a captivating small oil painting by the Swedish artist Georg Stoopendaal. Despite its modest dimensions of 14 x 18.5 cm, this piece exudes a powerful presence...

Portrait Of A Young Lady From The 1920s With Bob Cut And Fur Collar Oil on canvas. Early 20th frame in wood. This portrait reveals very stylish image of a young woman from the 1920s...

William C. Grauer (American, 1895-1985) Scrub and Pines, 1929 Oil on canvas Signed lower right 18 x 20 inches 24.5 x 26.5 inches, framed Exhibited: Cleveland Museum of Art, May Show ...

Antique American impressionist landscape oil painting. Oil on canvasboard. Framed. Signed.

Beautiful antique reclining nude oil painting on canvas, signed in the top right by French artist Léonie Humbert-Vignot (1878-1960) This gorgeous nude on a relatively smooth canvas i...

This stunning romantic Art Deco portrait oil painting is by noted Australian/British artist Frederick Leist. He was born in Sydney, his parents both Londoners, and moved to England with his wife Ada in 1910 and exhibited prolifically, including at the Royal Academy, on his return. Like many artists, he became a war artist during the first world war and his dramatic battle scenes contrast markedly with his more delicate portraits. This composition is of a beautiful young woman kneeling on the ground, a striped blanket covers her head and auburn curls and is around her shoulders and spread out on the ground around her. In one hand and scattered around her are beautiful pink flowers the colour of her lips. One shoulder and her face are bathed in light as she gazes down to her left, lost in thought. The brushwork and use of light are superb. Almost Orientalist by design, it is a super roaring twenties painting, full of vitality and impressionistic colour and influences and an excellent example of Leist's work. Signed lower right. Provenance. Collection IMI PLC. Condition. Oil on canvas. Unframed size is 30 inches by 25 inches, in excellent condition. Housed in a fine Bourlet gilt gallery frame. Framed size is 40 inches by 35 inches, in excellent condition. Frederick William (Fred) Leist (1873-1945) born Sydney. He was the eighth surviving and fifteenth child of Edward Frederick Leist, builder, and his wife Harriet Eliza, née Norris, both Londoners. Leist was educated at Crown Street Public School and, while training as a furniture designer in the workshops of David Jones Ltd, studied art at Sydney Technical College before becoming a student of the Art Society of New South Wales; under Julian Ashton's tuition he learned plein air techniques. 1898 he married Ada Sarah Roberts. Leist drew for the Bulletin in the 1890s and became staff artist on the Sydney Mail; he was also local representative for the London Graphic from 1900. According to William Moore he 'was the first to portray the Australian girl as a definite type'. Leist was an original council-member of the Society of Artists, Sydney, in 1895 and, after their merger, of the Royal Art Society of New South Wales. However in 1907 he was one of the twelve who re-established the Society of Artists. The Leists moved to England and from 1910 to 1925 he exhibited regularly at the Royal Academy of Arts. His first successful picture, 'The Mirror', a portrait of his daughter, was hung on the line at the Royal Academy in 1911 and next year at the Salon de la Société des Artistes Français. At the 1914 Royal Academy exhibition his painting of two Spanish guitar players, 'The Rivals', was acclaimed. The Review critic wrote: 'it is a composition in light and a pattern of colour, given power and meaning by restraint'. Noted for his studies of handsome women, Leist was elected to the Royal Society of British Artists and to the Chelsea Arts Club in 1913 and next year to the Royal Institute of Oil Painters; later he also exhibited with the Royal Society of Portrait Painters. During World War I, Leist worked for the War Office designing recruiting posters. Then, in September 1917, he was appointed an official war artist with the Australian Imperial Force and attached to 5th Division headquarters as an honorary lieutenant. From September to December and from June to August 1918, 'dodging shells and mustard gas', he produced about 150 small sketches, drawings and watercolours, and a portrait of Lieutenant-General Sir Talbot Hobbs. He later fulfilled commissions to paint four large battle scenes including 'Battle of Polygon Wood' and 'Capture of Mont St Quentin'. The striking colours of these battle scenes are in strong contrast to the delicacy and muted tones of his watercolours such as 'The Lacemaker'. In London, Leist consolidated his reputation: he was represented in the 1918 exhibition of Australian war...

3750c Oil on board set in a vintage gilt wood frame Image size 15x23"

Signed lower left, 'Nell Walker Warner' (American, 1891-1970) and painted circa 1925. Born in Nebraska, Nell Walker Warner graduated from Lexington, Missouri, Women's College in 191...

Impressive early American impressionist coastal seascape oil painting. Feels like a Maine scene with a bustling dock! Nicely framed. Oil on canvas. Signed illegibly. Image size,...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A substantial, Modernist portrait of the fashion designer, Lieselotte Friedländer, shown seated in a chrome-steel Bauhaus chair with a view beyond to a sunlit, woodland grove. Georg Rössner first studied in Berlin and, later, in Paris with Lovis Corinth. Rössner was a member of both the Berlin and Munich Sezession committees and, in 1920, was appointed professor at Berlin’s Staatliche Kunstschule. Over the course of a long career, Rössner exhibited internationally with success including at the 1929 Paris Exhibition des Peintres-Graveurs Allemands. His work is held in prominent private and public collections including the permanent collection of the National Gallery in Berlin.  Born in 1898, Lieselotte Friedländer moved to Berlin with her family in 1909. By the mid-1920s, she had established herself as the Weimar Republic...

Frederick Judd Waugh Risen Moon Signed lower right, Grand Central Art Galleries Inc. label on verso Oil on board 25 x 30 inches Mainly known as a marine painter. Waugh's sea paintings were enthusiastically received; for five consecutive years, he was awarded the Popular Prize at the Carnegie International Exhibition. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh...

Original Maritime Oil Painting of RMS Aquitania in New York Harbor by Frederick Hoertz. Original painting of Cunard Line’s Aquitania by Frederick Hoertz (American, 1889-1978) that w...

Rare early American impressionist landscape painting by Blanche Huntington Stanley. Oil on canvas. Exhibited. Signed. Handsomely framed.

Finely painted panoramic landscape by Nellie Augusta Knopf (1875 - 1962). Oil on board. Framed. Image size, 12H x 16L. Signed verso.

Frank Nelson Wilcox (American, 1887-1964) Cliffs at Paramé, France, c. 1926 Watercolor on paper Signed lower right 14 x 17.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17...

Antique French impressionist portrait oil painting of two young girls. Oil on board. No signature found. Framed. Image size, 10L x 18H.

Gorgeous ca.1925 PA Impressionist painting of a covered bridge. Oil on canvas measuring 22 x 28 inches. Framed measurement: 27 x 33 inches. Unsigned. There is a puncture in canva...

Signed lower left, 'G. Ames Aldrich' for George Ames Aldrich (American, 1872-1941) and painted circa 1915. One of the best known Indiana landscape painters of the 20th century, Geor...

This stunning autumn mountain landscape by renowned artist Raphael Lillywhite captures the breathtaking beauty of Colorado’s rugged terrain. Painted in the traditional plein air styl...

For me, this reclining nude spectacularly captures 1920's Paris, in life and art, at least as I understand it from the many books I have read focusing on that magical period. The mo...

A fine New Hampshire landscape by American artist Hermann Dudley Murphy (1867-1945). Murphy was born in Marlboro, Massachusetts, in 1867. After studying at the Boston Museum of Fine ...

American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 15H by 18L.

Luminoso quadro con mazzo di fiori arancioni su fondo verde

Very nicely painted American impressionist cityscape painting. Oil on canvas. Signed. Housed in a period frame and in excellent ready to hang condition. Image size, 14"Lx 22"H.

Immerse yourself in the tranquil beauty of "Banks of Solitude," a charming oil painting on board from 1926. Though the artist is unknown, this exquisite piece captures the essence of...

#5-01 Large Scale Persian Hunt, circa 1920's oil painting on canvas depicting hunting scene, displayed in a wood-gesso frame.Image size 39 H X 59.5 W Artist unknown. Age wear on the ...

This is a colorful mountainous view in what is likely Northern Italy. Angiola Meucci captured a dramatic sunrise or sunset to play off the verdant green mountain side in the foreground. The fencing and the pathway lead one through this breathtaking landscape that undoubtedly offers stunning views...

Impressive early American impressionist fauvist beach scene painting. Oil on board. Nicely framed. Very nicely painted and great color.

Signed lower right, 'Komaromi-Kacz' for Endre Komaromi-Kacz (Hungarian, 1880-1969) and titled, 'Molm'. Born in Komarom, Kacz was initially a pupil of Eduard Ballo, a painter of port...

Antique American impressionist painting of kids in a park. Oil on canvas, circa 1920. Unsigned. Displayed in a giltwood frame....

We are pleased to present a rare and remarkable work by Swedish artist Ture Ander (1881–1959), often referred to as "The Flower Painter." What makes this painting especially unique i...

Arthur Clifton Goodwin Park Street, Boston Signed lower right Oil on canvas 25 x 30 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goo...

Signed figure in landscape oil on paper laid on canvas circa 1925 by French impressionist painter Maximilien Luce. The piece depicts a view of Rolleboise, a commune in the Yvelines d...

Very nicely painted European impressionist landscape painting. Framed. Oil on board. Image size, 20H by 20L. Nicely framed and in excellent condition. Ready to hang.

Impressive early American impressionist still life oil painting by Harriette Bowdoin (1880 - 1947). Framed. Oil on board. Signed. Image size, 18H by 22L.

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Signed. Excellent ready to hang condition.

Max Beckmann Holzbrücke, 1922 Signed in pencil lower right Drypoint on cream wove paper 11 3/8 x 9 3/8 inches From the edition of 150 Max Beckmann dreamed up a world of actors, cab...

This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...

European Painter (dated 1925) - Mountain landscape. 62 x 41 cm. Old oil painting on canvas, without frame. - Work signed indistinctly lower left. - Autograph inscriptions and dat...

Initialed lower left, 'C.B.' (American, 20th century) and painted circa 1925. Framed dimensions: 14 H x 11.75 W x 1 D inches N.B. The artist initials show more distinctly under (365n...

"Workers" Russian Constructivist 1920s Modern Social Realism Cubism Figurative VLADIMIR VASIL’EVICH LEBEDEV (1891-1967) "Workers" Gouache on paper Monog...

The Rat Catcher English School, 1920's signed, dated, "R. Esom" oil on canvas, framed framed: 12 x 16 inches canvas : 8 x 12 inches Provenance: private collection, Cotswolds, Englan...

Couple at play Watercolour on paper laid to board 21cm x 14cm Mounted 39cm x 29cm 1921 Signed with Monogram Bottom right This is an exquisitely executed watercolour painting that ...

Paris, Cafe de la Paix. Period 1920-1940s. Oil on canvas, 60x73 cm Lucien Adrion (1889-1953) was a French painter known for his depictions of the countryside and bustling street sce...

This lovely Belgian Impressionist figurative oil painting is by noted artist Henri Moreau. Although Belgian by birth, Moreau spent many years in France, moving to Paris in 1920 and o...

5179 Antique figural garden scene