1970s Paintings

Vintage Paris Landscape framed oil painting by French artist, Claude Marin. This delightful post-impressionist oil on canvas, signed in the lower left is from the 1970's and is a co...

Indistinctly signed in Bengali, dated ‘79 Bangladesh/Indian Indistinctly signed in Bengali and dated ‘79 Untitled - Fishermen 1979 Watercolour on paper Paper size: 34 x 53 cm Frame Size: 46 x 62.5 cm Provenance: From a private UK family A fabulously evocative watercolour painting showing fisherman, struggling against the elements. This is Bangladesh, 1979, not long after Independence, when the focus was on the working classes, the everyday struggle to make a living and when the artists depicting these times were concurrently exploring and establishing a new aesthetic. The painting combines naturalism with the wash method of watercolour painting and a reduced palette which allows for a rich harmony of shadow and light. Although appearing to simply utilize monotone colours, closer inspection reveals splashes of quite vivid colours; the yellow on the horizon, a deep crimson on the trousers of one of the figures, blue in the nets etc. The colour is subtle but adds a richness to the overall composition implying that this artist has received an academic training; knowing how to get the most from the materials. Add to this the beautiful watery effect from the wash on the paper and we can immediately see references to Bengal school art techniques. It is not surprising that the artist employs this medium. Neuroarthistory points to the rich heritage of Bengal school painters and the fascination with wash technique emanating from their connection to the water which provides the backbone for the region. From supplying food; fish and seafood, to transportation, agriculture and festivities. Bengal and Bangladesh live and die with the water. Some of the leading protagonists of the mid 20th century Bengal school of painters were equally captivated by the same subject and ideology. D P Roy Choudhury was a leading figure in the academic art institutions in the first half of the 20th century. He was also a great experimenter of style. In the image shown,, we can see Choudhury’s treatment of the same subject and how he to chose the monotone palette. It is through observing the similarities and differences that we begin to learn more about the times these artists were painting in and in the case of the Bangladeshi artists how they were approaching the political traumas of the time. The label to the back of the frame tells its own story;. Saju Arts & Crafts, Dacca-12. “Saju was born in 1944 in Ramu, Cox's Bazar. At one point, he became friends with Shamsul Islam Nizami, one of the veteran painters of Bangladesh. At that time, Nizami was a teacher of the Institute of Fine Arts (now Faculty of Fine Arts, University of Dhaka). Nizami introduced Saju to all the notable painters in the contemporary art scenario -- from master painters like Zainul Abedin, Quamrul Hassan...

Author: Rafael Durán Benet (Terrassa, 1931 – Barcelona, 2015) Title: Canal in Venice Date: ca. 1970–1985 Technique: Oil on canvas-mounted cardboard Dimensions: 33 × 41 cm (12.99 × 16...

Fauvist inspired, colourful oil on paper mounted onto canvas of a garden by Russian artist Anatoly Zverev. Signed and dated to the bottom right and presented in a gold wood frame. T...

6131 Blue and white abstract Expressionist painting Image size 18x14"

Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...

Bruno Wiklund (1937-2011) Sweden Stormig natt (Stormy Night) (1978) medium: pastel signed and dated unframed 52 × 41.5 cm (approx. 20.5 × 16.3 in) framed 59 × 48 cm (approx. 23.2 ×...

Bernard Lennon Dachshund in Field, circa 1970 Signed lower right Oil on board 6 x 8 inches Bernard Lennon was born in Milton, Massachusetts, in 1914. He attended the Massachusetts...

3795 Impressionist vase of flower Signed on verso Gelant Set in a carved gilt wood frame Image size 19.75 x15.75"

Nalini Jayasuriya (1927-2014) Untitled - Girl with Flowers c 1970 Watercolour and mixed media on Paper Image Size: 35.5 x 24.5 cm Frame Size: 51.5 x 41 cm A compelling and gentle w...

Title: Reclining Nude Artist: Roser Vinardell Tolrà (Cabrera de Mar, 1941) Technique: Oil on canvas Dimensions: 46 x 65 cm (18.1 x 25.6 in) Date: 1970s Signature: Signed in the lower...

Vintage American modernist abstract oil painting. Oil on canvas. Provenance from a Sag Harbor, NY collection. Measuring: 24 by 36 inches overall. Excellent condition, ready to hang ...

Title: Cadaqués in Calm Artist: Ramón Pichot Soler (Figueres, 1924 – Barcelona, 1996) Medium: Oil on canvas Dimensions: 60 x 73 cm (23.6 x 28.7 in) With frame: 66 x 79 cm (26 x 31...

George Dannatt (1915-2009) 'Gates' No 1 1976 Medium: Oil & crayon on oil wash Image: 21.0 x 33.0 cm Reference no: 0450 George Dannatt’s long career as a painter and sculptor ended ...

Landscape with nudes, vintage oil painting of bathing nudes in a landscape by French artist Jean Chevauchet (b.1937). An unusual and interesting almost dreamlike or indeeed Symbolis...

Title: View of Cadaqués Artist: Ramón Pichot i Soler (1924–1996) Medium: Oil on panel Dimensions: 13 x 21.7 in Date: 1960s Condition: Good Framing: Unframed Signature: Signed ...

Title: Spanish Landscape with Farmhouse Artist: Rafael Duran Benet (Barcelona, 1931–2015) Technique: Oil on canvas board Dimensions: 13 x 16.1 in Signature: Signed "R. Duran" in ...

Rene Marcil: 1917-1993. Very well listed Canadian artist who has auction records as high as $100,000. This fabulous fresh to the market oil painting is either on a thin board or thic...

5-3048 Oversized red floral painting on canvas applied to board Set in a vintage wood frame Neapolitan artist P. Russo

6095 Gold unicorn gold pen painting Signed Paul Breeden Wood frame image size 19.5x15.5"

5-3311 Abstract Figurative Painting Set in a hand painted wood frame Image size 12x15"

3794 Equestrian oil painting set in a custom wood frame Image size 23.5x19.25"

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Technical Sheet Title: "Suggestive Nude of a Woman" Artist: Rosendo González Carbonell (1910-1985) Technique: Oil on canvas Dimensions: 36.2...

Contemporary acrylic abstract using eye catching hues of orange, red, green and blue, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Archival p...

6073 Oversized Modernist Flower arrangement

5-3161 Acrylic nude in a custom wood frame

Large 1970s abstract geometric acrylic and oil on plywood panel signed Rivel and dated 1977 to the bottom left. The painting is titled to the rear of the panel. Numbers of colour fields in muted shades jostle against one another. It is the shapes and the space between them which give energy to the painting whilst the colour palette restrains. The painting is highly textured as the artist has applied the paint thickly and energetically with both palette knife and large brushstrokes. At times layers of paint reveal underlying colours. This painting fits perfectly into the abstract genre with its focus on its formal qualities over and above its subject matter. Furthermore the artist experiments with reconstructing shapes and rejecting three dimensional perspective. A fine example of non objective art...

'Family Farm in France', gouache on art paper, by Michel Debiève (circa 1970s). An extremely endearing depiction of a French family farm, the delight is...

Title: Salobreña Artist: Rafael Duran Benet (Terrassa, 1931 – Barcelona, 2015) Technique: Oil on canvas board Dimensions: 13 x 16.1 in Support: Canvas board, unframed Signature: Sign...

Signed pointillist landscape painting circa 1975 by French painter Serge Mendjisky. This beautiful piece depicts a sunset over a lake. There are tall tress and white house around the...

Beautiful abstract Minimalist painting by unknown artist. Dated 1977. Oil on canvas measures 36 x 60 inches. Signed and dated lower right.

Surrealist composition French School, dated 1975 verso oil on canvas, framed framed: 33.5 x 27 inches canvas: 32 x 25.5 inches inscribed verso provenance: private collection, France ...

Original oil and acrylic painting on canvas of a contemporary cityscape.. Signed Lee Reynolds lower right. Vanguard Studio label verso. Circa 1975. Condition is excellent. The pain...

Artist: Jaume Planas Gallés (Barcelona, 20th Century) Title: Female Nude Medium: Oil on canvas Dimensions (unframed): 92 × 65 cm — 36.2 × 25.6 in Dimensions (framed): 98 × 71 cm — 38...

Frameless Jordi Pagans Montsalvatge began his artistic career in 1948. In 1956 he began to work in the studio of Josep Roca Sastre, an artist who decisive...

A wonderful minimalist black and red mixed media work Circa 1970. Though the artist is unknown this work was acquired along with pieces by well know artists Karel Appel and Robert M...

Original oil on canvas painting of a Parisian street scene done in post impressionist style by the Portuguese artist, Hilario Roberto. Street scene complete with iconic Parisian flo...

Sister Mary Corita Kent I Love You Very, ca. 1975 Original watercolor on paper Unique works on paper by Sister Corita Kent, like this charming hand signe...

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Original, very impressive oil on canvas painting by Antonio DeVity. Not signed. DeVity artist stamp verso. See photograph. Circa 1970. Condition is excellent. The painting captures a...

Vintage Rural Landscape Snow Scene entitled "Winter Cold, Farm Idyll" by German Artist, Karl Heinz Stienen (1918-2002). Graduate of the Dresden Academy of Fine Arts. A serene winter ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 30 Frame Size: 28 x 38 Medium: Oil on Canvas Dated 1974 "Blowin' In" Sign...

Richard Stalter In the Snow Signed lower left Oil on board 9 x 12 inches Richard Stalter was born in Dayton, Ohio, on April 27, 1934. He developed an interest in art at a very earl...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1978. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Instit...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. As with many artists, his earliest style was more realist imagery, transitioning through his intense fascination with the cubist avant-garde movement, into specific cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. “The Yellow Mandolin”, is an exceptional early work, an original oil on canvas, signed, dated 1974, with an image dimension of 40 x 30 inches; a painting which clearly defines his talent as a fine cubist artist...

Oil on wooden table realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower left. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first ...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower left. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artist...

6011b Four nude male dancers gouache painting set in a brown matt in a brass frame Image 16.5x21.5"

Stamped, verso, with certification of authenticity for Marlene Anderson (American, 1931-2023); accompanied with old backing signed by the artist, dated July 1978 and title, 'Road on ...

5-3418 Abstract oil on board. Set in a silvered wood frame Signed Sarno Image size 24x19"

Winter Sunlight by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting on board stuck on board overall size: 21 x 33.25 inches painting: 17...

Marina. original acrylic expressionist painting

Bold abstract painting with pink, yellow, black, brown and white forms by Les (Leslie Luverne) Anderson (American, 1928-2009). From the es...

Susan Grisell At the Farm, circa 1970 Signed lower right Oil on board 8 x 10 inches Following the guidance of her long-time teacher and mentor, the respected New England impressionist painter, Bernard Lennon, Susan Grisell developed a style marked adherence to nature. Her paintings are recognizable for their effortless rendering, with line and color that express the impressions of what she observes, and dense brushwork that conveys her response following the sensitive observation of atmosphere. In May 2023, one of Susan's paintings "Blue Crock...

The Still Life is a painting realized by Claude Decamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions. Th...

Thelma Appel Nightfall (Dusk), 1973 Acrylic and Oil on Canvas. Hand Signed. Framed. Hand signed and titled on the back Unique Provenance: Jill Kornblee Gallery, NYNEX Corporation Frame included Museum Provenance. This work was originally sold in 1973 by the prestigious Jill Kornblee Gallery to a corporate collection (NYNEX) and, in 2019, it was featured in the Thelma Appel 50 year career survey at the Brattleboro Museum in Vermont – so the provenance is superb. It is reproduced in the exhibition catalogue. The collector who acquires this beautiful painting will be furnished with several copies of the limited edition museum catalogue Measurements: Framed 38.5 x 89.5 inches Artwork 36.5 x 87.5 inches Thelma Appel Biography: A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been practicing art for more than six and a half decades. In the 1980s, Thelma Appel was represented by the renowned Jill Kornblee Gallery and, after Ms. Kornblee retired, Appel joined the legendary Fischbach Gallery, (the gallery of record for Alex Katz for many decades,) also on West 57th Street, before they shuttered. After leaving Manhattan, she retreated from the art world for several decades; however, in recent years, her work is being rediscovered by a generation of new collectors. A beloved and popular teacher, at 87 years of age, Thelma could still be found teaching “The Art of Painting” at Artsplace in Cheshire, CT. and at the Osher Life Long Learning Institute (OLLI) At the University of Connecticut, near her home during the 2024-5 Fall/Winter Semester. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection, the Bennington Museum in Vermont and the Police Museum in Lower Manhattan. Thelma Appel was born in Tel Aviv, Israel, but following her parents’ divorce, her father remained in Israel, but her mother emigrated to London to pursue a career as a journalist. However, she soon became ill, and Thelma was sent alone to be educated in a Protestant missionary schools in Darjeeling, India, a geographical displacement that would impact her life and her work. Thelma returned to London, England, to study art at the legendary St. Martin's School of Art (later Central St. Martins) and Hornsey College of Art, under such renowned teachers as Joe Tilson and Eduardo Paolozzi, before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. (One of Thelma’s students was the renowned art dealer Matthew Marks.) She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design in Bridgehampton and Art New York art fair, which selected Appel’s Times Square series of paintings for their invitational public Project Space sponsored by Absolut Vodka. She was one of the winning artists of the juried exhibition “Pets of the Pandemic” juried by art historian and critic David Cohen, publisher and editor of artcritical, who cited it for special commendation as a “masterful portrait”. In recent years, Thelma’s work has been exhibited in both one-person and group shows at Alpha 137 Gallery in New York, Sager Reeves (now Sager Braudis) Gallery in Missouri, the Chashama Foundation in New York City, as well as the Five Points Gallery and Center for the Visual Arts in Torrington Connecticut, the David M. Hunt Gallery in Falls Village, CT and Wisdom House in Litchfield Ct...

Richard Andres (American, 1927–2013) Saturday on Wednesday, c. 1975 acrylic on canvas signed lower right, signed and titled verso 48.5 x 62.5 inches Richard Andres was born in Buff...

Still life with red flowers is an artwork realized by Claude Decamps, mid-20th Century. Oil on canvas.  25 x 20 cm. Hand signed in red in lower margin. Good conditions!