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Early 1900s Paintings

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Period: Early 1900s
Early 20th-Century European Oil Painting Woman and Dog Rooftop France Nouveau
Located in Buffalo, NY
An evocative and atmospheric early 20th-century European oil painting depicting a tranquil village scene at dusk. A solitary woman, seated with her loyal dog, gazes toward a cluster ...
Category

French School Early 1900s Paintings

Materials

Canvas, Oil

Marin County Meadows and Pond with Oak Trees by Manuel Valencia Tonalist Pioneer
Located in Soquel, CA
Marin County Meadows and Pond with Oak Trees by Manuel Valencia Tonalist Pioneer A painter of California history and western landscapes, Manuel Valencia was born in Marin County, California in 1856 on the Rancho San Jose, the Valencia hacienda. The family received many land grants in the San Francisco area because of their ties to settlement history. Image 8"H x 11.5"W Frame, 14.5"H x 18.5"W x 2.75"D The central focus of the painting is a cluster of lush, verdant trees, likely deciduous, situated near a calm body of water, possibly a pond or slow-moving creek. With a faint outline of figures emerging into the meadow below the towering trees. The foreground features a grassy area with hints of wildflowers or textured ground cover, leading the eye towards the water's edge. In the background, beyond the main cluster of trees, there appears to be a smaller, indistinct structure, possibly a house or shed, suggesting a subtle human presence in the otherwise natural scene. The overall composition is balanced and serene, typical of Tonalist works seeking to evoke a peaceful mood rather than dramatic narrative. Color Palette and Light: The painting employs a subdued, Tonalist color palette, dominated by varying shades of greens, browns, and grays for the landscape elements, and a muted, possibly overcast or hazy sky in the upper portion of the canvas. The light source is diffused and soft, creating a gentle luminosity across the scene, particularly noticeable on the surface of the water which reflects the muted tones of the sky and surrounding foliage. This soft lighting emphasizes the atmospheric quality and quiet mood of the scene. He was a descendant of General Gabriel Valencia, the first governor of the state of Sonora, Mexico under Spanish rule. He was named for his grandfather, who arrived in California in 1774 and became administrator of the Presidio in San Francisco. As a Tonalist, Valencia primarily focused on variations in value and muted color palettes, often featuring greens, purples, blues, and grays. This emphasis on subtle shifts in tone, rather than sharp contrasts, allowed him to create smooth transitions between light and shadow, mimicking the soft, diffused light found in atmospheric conditions like mist, twilight, or moonlight. Valencia studied with artists including Jules Tavernier in the San Francisco area, where he lived his entire life, and attended what is now Santa Clara University. He also spent some time in Mexico where he was a member of the Esquela de Bellas Artes de Mexico. Early in his career, he was a commercial artist who designed calling cards. After the 1906 earthquake and fire, Valencia and his family moved to San Jose, but he commuted to his studio in San Francisco. There he was art editor of the "San Francisco Chronicle" newspaper under art patron M.H. de Young, for whom the museum in San Francisco is named. War Cry, the Salvation Army newspaper, also hired Valencia as its first illustrator. During the time he did illustration work in San Francisco, he kept studios in Monterey and Santa Cruz, did landscapes in Tonalist styles including moonlit scenes that were similar to those of Charles Rollo Peters and indicated he had an awareness of the poetic aesthetic of James McNeill Whistler. Around 1912, he began exhibiting in San Francisco galleries such as S & J Gumps and in New York at Macbeth Gallery and exclusive restaurants such as Delmonico's. President William McKinley, who purchased one of his Yosemite paintings...
Category

American Impressionist Early 1900s Paintings

Materials

Oil, Illustration Board

Antique American Plein Aire Framed Landscape Original New England Oil Painting
Located in Buffalo, NY
New England Landscape circa 1900. Atmospheric antique oil on panel depicting a tranquil landscape. TThe scene is painted in soft impressionist brushwork with warm natural tones, ...
Category

Modern Early 1900s Paintings

Materials

Canvas, Oil

Antique French Equestrian Oil Painting on wood Titled The Sentinel 1908
Located in Douglas Manor, NY
3882 Antique equestrian with seated rider oil painting on wood panel
Category

Early 1900s Paintings

Materials

Oil

Antique American Hudson River School New England Framed Landscape Oil Painting
Located in Buffalo, NY
A charming 19th–early 20th century oil on canvas capturing a tranquil mountain landscape. Executed in a loose, impressionistic hand, the work depicts rolling hills in warm earthy ton...
Category

Hudson River School Early 1900s Paintings

Materials

Canvas, Oil

Antique American Modernist Mural Symbolist Figural Male Nude Portrait Painting
Located in Buffalo, NY
Antique American or European mural study painting. Tempera, oil and mixed media on board. Framed. Measuring: 25 by 30 inches overall,. In excellent original condition. Handsomely fr...
Category

Modern Early 1900s Paintings

Materials

Oil, Canvas

Still life - FRENCH SCHOOL - Lemon Starwars Chut les Barbizons!
Located in Zofingen, AG
⭐Lemon Starwars ⭐ This painting is a vibrant and textured representation of lemons, blending realism with expressive abstract elements. ⏩Subject & Composition⏪ The painting promin...
Category

Tonalist Early 1900s Paintings

Materials

Glue, Mixed Media, Oil, Acrylic, Stretcher Bars

French school Provence landscape Oil painting Signed
Located in Zofingen, AG
➡️Landscape of the Pyrenees ⬅️ This lovely artwork is landscape painting...looks to a Vincent Van Gogh painting ⭐Structural Analysis⭐ The painting depicts a river flowing through...
Category

Tonalist Early 1900s Paintings

Materials

Oil, Gesso, Wood Panel, Stretcher Bars

FRENCH SCHOOL Oeil de Velour Dachshund Chut les Barbizons!
Located in Zofingen, AG
"Œil de Velour" is a deeply expressive dog portrait that displays a combination of lively brushwork, layered textures, and emotional insight. Recognized for giving animals a importan...
Category

Tonalist Early 1900s Paintings

Materials

Glue, Mixed Media, Oil, Spray Paint, Acrylic

Portrait PUG Dog - FRENCH SCHOOL - Where is my body?03 Chut les Barbizons! DOG
Located in Zofingen, AG
Portrait of a Pug _ dog. In the artistic world, animals have always been key protagonists in expressing the power and beauty of the wild. Artists often use animals as symbols to co...
Category

Tonalist Early 1900s Paintings

Materials

Glue, Mixed Media, Oil, Spray Paint, Acrylic

French Distinguished Gentleman in Formal Attire Classical Portrait Oil Painting
Located in Cirencester, Gloucestershire
Classical Portrait Oil Painting signed oil on canvas, framed French artist, indistinctly signed dated 1900 Framed: 28 x 24 inches Canvas: 22 x 18 inches Provenance: private collectio...
Category

Impressionist Early 1900s Paintings

Materials

Oil

Dog Portrait "Two Bulldogs-Best of Friends" Maud Earl (English, 1863-1943)
Located in SANTA FE, NM
"Two Bulldogs-Best of Friends" Maud Earl (English, 1863-1943) Oil on canvas Signed lower right 24 1/4 x 18 (30 x 23 1/4) inches In the pantheon of 19th and early 20th century paint...
Category

Art Nouveau Early 1900s Paintings

Materials

Canvas, Oil

Turn of Century English Portrait of Mrs. Rogerson
By John Charlton
Located in Soquel, CA
Elegant Victorian original oil portrait of Mrs. Rogerson by John Charlton Robert Azensky Fine Art is pleased to offer this fine example of Victorian portraiture of Mrs. Frances Mary...
Category

Post-Impressionist Early 1900s Paintings

Materials

Linen, Oil, Stretcher Bars

King Charles 1st Antique Oil Painting Portrait of Famous British Monarch
Located in Cirencester, Gloucestershire
King Charles I British artist, early 20th century signed with initials oil on canvas, framed framed: 36 x 29 inches canvas: 32 x 26 inches provenance: p...
Category

Old Masters Early 1900s Paintings

Materials

Oil, Canvas

Large Antique Bird Still Life Oil Painting heron farmhouse hunting scene 1904
Located in AIGNAN, FR
Large Antique Hunting Painting still life of a heron.  This unusual oil painting on canvas is signed in the bottom right and dated 04 (1904)....
Category

French School Early 1900s Paintings

Materials

Oil

Antique American Impressionist oil painting landscape original gold frame framed
Located in Buffalo, NY
Unknown Artist (Signed Illegibly) Untitled (Twin Trees at Dusk), early 20th century Oil on canvas Framed dimensions: 20.5 in. H × 25.5 in. W Presented in an antique gilded frame Thi...
Category

Early 1900s Paintings

Materials

Canvas, Oil

"Bathing Hour, Belle-en-Mer, France" William Edward Bloomfield Starkweather
By William Edward Bloomfield Starkweather
Located in New York, NY
William Edward Bloomfield Starkweather Bathing Hour, Belle-en-Mer, France, 1908 Signed lower left Signed, titled and dated on verso Oil on canvas 27 x 36 inches Provenance Estate of...
Category

American Impressionist Early 1900s Paintings

Materials

Oil, Canvas

Fine Edwardian Portrait of a Lady 1900's British Oil Painting on Canvas
Located in Cirencester, Gloucestershire
Portrait of a Lady British School, early 1900's Circle of Samuel Luke Fildes (1843-1927) British. Bust Portrait of a Lady, Oil on canvas, 24" x 20" (61 x 50.8cm) plus gilt swept f...
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

'Young Girl Sewing' Paris, Universal Exposition, Danish Oil, Pont Aven, Brittany
Located in Santa Cruz, CA
Signed lower right, 'Find' for Ludvig Find (Danish, 1869-1945) and painted circa 1900. Ludvig Find first attended Copenhagen's School of Fine Arts and Kroyer's school (1888) before ...
Category

Impressionist Early 1900s Paintings

Materials

Oil, Board

Antique Cat Painting "Cat with Butterfly in a Meadow" Arthur Heyer 1872-1931
Located in SANTA FE, NM
Antique Cat Painting "Cat with Butterfly in a Meadow" Arthur Heyer 1872-1931 Oil on canvas Signed lower right "Heyer A." 25 1/2 x 21 (29 1/4 x 3...
Category

Realist Early 1900s Paintings

Materials

Canvas, Oil

Barbizon Fontainebleau region Impressionist French summer landscape with figure
Located in Norwich, GB
A wonderful view of the heartbreakingly beautiful Fontainebleau/Barbizon region, which was home to some of the greatest painters of the 19th and early 20th Century. The particular spot presented here is the river Loing at Montigny-sur-Loing, where Cezanne and Sisley loved to paint. The village is just a short walk away from Grez-sur-Loing, where John Singer Sargent, Francis Brooks Chadwick, Robert Vonnoh, Edward Simmons...
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Antique Dog Painting; Cavalier King Charles Gustav Lorincz (Austrian, 1855-1931)
Located in SANTA FE, NM
Antique Dog Painting of a Cavalier King Charles Gustav Lorincz (Austrian, 1855-1931) Oil on panel, signed 9 1/4 x 6 3/4 (13 3/4 x 11 1/4 frame) inches Gustav Lorincz was a noted painter of animal subjects, mostly portraiture of dogs and cats...
Category

Realist Early 1900s Paintings

Materials

Canvas, Oil

Lake landscape
Located in Genève, GE
Work on cardboard Molded frame in plaster and gilded wood 33 x 40.5 x 4 cm This captivating landscape presents a serene waterside scene, where the horizon subtly merges with the clou...
Category

Early 1900s Paintings

Materials

Oil

Fine 1900's French Belle Epoque Period Portrait of a Lady, signed & dated oil
Located in Cirencester, Gloucestershire
The Belle Epoque Lady French School, signed and dated 1907 oil painting on canvas: 24 x 19.5 inches antique original gilt frame: 29 x 24 inches condition:...
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Antique American Impressionist Fall Landscape Signed Framed New England Painting
Located in Buffalo, NY
Impressive early American impressionist landscape oil painting. Framed. Oil on board. Signed in monogram. Image size, 12H by 16L.
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Early 20th Century Plein Air Study for Homesteader Colorado Mountain Painting
Located in Soquel, CA
Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...
Category

Hudson River School Early 1900s Paintings

Materials

Oil Crayon, Laid Paper

French Oil painting on Canvas, a reclining Nude 19Th
Located in Gavere, BE
French Oil painting on Canvas, a reclining Nude 19Th Additional Info: Title: reclining nude Medium: original oil on canvas Signature: Signed lower right Provenance: private collect...
Category

Impressionist Early 1900s Paintings

Materials

Oil, Canvas

Ashcan School Early Antique American Impressionist Woman Portrait Oil Painting
Located in Buffalo, NY
Finely painted antique American school oil painting. Oil on canvas. Framed. Measuring 29 by 38 inches overall and 23 by 32 painting alone. Unsigned. Painted in a striking Ashcan s...
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Storms (At Sea)
Located in Fairlawn, OH
Storm (At Sea) Oil on board, c. 1908 Signed: L. O. Griffith lower left (see photo) Titled on label verso Image: 6 5/8 x 8 3/4" Frame: 10 x 12 x 1 1/2" Provenance: Estate of the Arti...
Category

American Impressionist Early 1900s Paintings

Materials

Oil

Nicely Framed Detailed American School Antique Beach Scene Original Oil Painting
Located in Buffalo, NY
Very finely painted early 1900s American impressionist beach scene. Oil on board. Framed. Signed verso. Great colors and very well painted. Excellent ready to hang condition.
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Highland Cattle Glen Sannox Arran - British Victorian art landscape oil painting
Located in Hagley, England
This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is Glen Sannox, Arran in the Scottish Highlands. Glen Sa...
Category

Victorian Early 1900s Paintings

Materials

Oil

Antique American School 19th Century Signed Young Girl Portrait Framed Painting
Located in Buffalo, NY
Impressive early American portrait of a young girl by Edward S Annison. Oil on board. Framed. Measuring 11.5H x 8.25L.
Category

Realist Early 1900s Paintings

Materials

Canvas, Oil

Antique American Early Female Impressionist New York City Street Scene Painting
Located in Buffalo, NY
Incredible and rare early American impressionist cityscape painting by Alice Y. Hirsh (1888 - 1935). Oil on canvas, lain to board. Framed. Signed. Image size, 8L x 10H.
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil, Board

Roses et Fuschias - Impressionist Still Life Oil Painting by Maxime Maufra
Located in Marlow, Buckinghamshire
Signed oil on canvas still life painting circa 1909 by French impressionist painter Maxime Maufra. The piece depicts pink roses and fuchsias in a garden. Signature: Signed lower l...
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Antique American School Early Impressionist Family Portrait Rare Oil Painting
Located in Buffalo, NY
Wonderful American school impressionist family portrait oil painting. Oil on canvas. Image size, 38H by 30L.
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Tasse et bananes by Pablo Picasso - Still life painting
Located in London, GB
*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Tasse et bananes by Pablo Picasso (1881-1973...
Category

Cubist Early 1900s Paintings

Materials

Oil, Panel

Antique American Modernist Tropical Palm Tree Samoan Beach Landscape Painting
By Louis Michel Eilshemius
Located in Buffalo, NY
Important and rare American modernist Samoan Island landscape oil painting by Louis Michel Eilshemius (1864 - 1941). Oil on board. Signed. Framed. Measuring 12 by 14 inches overall a...
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Hans HERRMANN (1858-1942) Watercolor Painting c1900 Dutch School
By Hans Herrmann
Located in Holywell, GB
Hans HERRMANN (1858-1942) Watercolour Painting c1900 An exceptional watercolour painting by one of Europe’s leading exponents Hans Herrmann. Signed, painted on paper, mounted on ca...
Category

Dutch School Early 1900s Paintings

Materials

Watercolor

Large Antique American Impressionist Nicely Framed Picnic Landscape Oil Painting
Located in Buffalo, NY
Antique American impressionist landscape oil painting. Oil on canvas. Framed. Measuring 20 by 27 inches painting alone. In excellent original condition. Handsomely framed in a gold g...
Category

Impressionist Early 1900s Paintings

Materials

Oil, Board

Turn of 20th Century Mt. Shasta Landscape with Deer
Located in Soquel, CA
Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...
Category

American Impressionist Early 1900s Paintings

Materials

Linen, Oil

"Autumn, New England" Charles Warren Eaton, Tonalist Gloaming Sunset in Woods
Located in New York, NY
Charles Warren Eaton Autumn, New England Signed lower right Oil on canvas 30 x 36 inches Provenance Private Collection, Connecticut A contemporary critic wrote that the paintings o...
Category

Tonalist Early 1900s Paintings

Materials

Canvas, Oil

Evening Glow Antique American Impressionist California Landscape Oil Painting
By Alexis Matthew Podchernikoff
Located in Buffalo, NY
Very impressive American impressionist landscape by Alexis Matthew Podchernikoff (1886 - 1933) . Great colors and nicely painted. Housed in a period giltwood frame. Oil on canvas....
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Antique Autumnal Still Life -- Persimmons & Jug
Located in Soquel, CA
Gorgeous early 20th Century still life with classic autumnal fruit persimmons and a brown jug by A. Thompson (American 19th/20th Century), circa 1900. Signe...
Category

American Impressionist Early 1900s Paintings

Materials

Linen, Oil

Impressionist Autumn Landscape with Lake / - Diffuse Concretion -
Located in Berlin, DE
Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...
Category

Impressionist Early 1900s Paintings

Materials

Gouache

Champion Thoroughbred Racehorse "Sysonby" (1902-1906) Edward Herbert Miner
Located in SANTA FE, NM
"Sysonby" Edward Herbert Miner (American, 1882-1941) Depicting the champion thoroughbred horse Sysonby (1902-1906) Oil on canvas, signed "E H Miner 1905" 24 x 32 inches (31 1/4 x 39...
Category

Early 1900s Paintings

Materials

Canvas, Oil

Orientalist Painting “Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973)
Located in SANTA FE, NM
“Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973) Oil on panel, signed lower right. 21 ¾ × 17 1/2 ( 27 ½ × 24 frame) inches Paul Jouve’s work has been celebrated and collect...
Category

Art Nouveau Early 1900s Paintings

Materials

Oil, Wood Panel

Portrait of a Girl Holding Wool - British Edwardian female portrait oil painting
Located in Hagley, England
This beautiful British Edwardian portrait oil painting is by noted and much exhibited female artist Maud Marion Wear. Wear trained at the Royal Academy Schools in London for five yea...
Category

Pre-Raphaelite Early 1900s Paintings

Materials

Oil

Saint Malo - Post Impressionist Seascape Watercolor by Maurice Prendergast
Located in Marlow, Buckinghamshire
Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...
Category

Post-Impressionist Early 1900s Paintings

Materials

Paper, Watercolor

"Still Life of Fish" William Merritt Chase, American Impressionist Bravura
Located in New York, NY
William Merritt Chase Still Life of Fish Signed lower right Oil on canvas 32 x 39 1/2 inches Provenance Francis E. Myers, III, Ashland, Ohio Butler Institute of American Art, Youngs...
Category

American Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Antique American Plein Aire Impressionist Signed Landscape Framed Oil Painting
Located in Buffalo, NY
Antique American impressionist landscape oil painting by Edward S Annison. Oil on board, circa 1910. Signed. Image size, 8L x 12H. Housed in a per...
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

19th century Czech portrait of a lady, young girl, red scarf arms folded smiling
Located in Woodbury, CT
Josef Zenisek (1855–1944) Portrait of a Young Woman with Red Scarf, circa 1900 Oil on canvas Signed lower left This beautifully rendered portrait by Josef Zenisek captures the pois...
Category

Victorian Early 1900s Paintings

Materials

Canvas, Oil

Pierre Auguste Renoir Apres Le Bain Sanguine Study
Located in Dallas, TX
Pierre-Auguste Renoir’s Apres Le Bain is a stunning 22 x 26-inch pencil and Sanguine chalk painting depicting a nude woman after her bath. This large, exquisitely detailed work showc...
Category

Impressionist Early 1900s Paintings

Materials

Chalk, Archival Paper, Carbon Pencil

19th century English landscape with a Mail coach and Horses on a road
Located in Woodbury, CT
J.A.Terry, A scene of the London to Exeter Mail Coach and a road in a landscape. This charming oil painting of the iconic London to Exeter mail coach, by English painter J.A. Terry ...
Category

Victorian Early 1900s Paintings

Materials

Canvas, Oil

Swedish Landscape 1904
Located in North Clarendon, VT
Striking watercolor of Sweden from 1904 exhibiting Birger Sandzén's characteristic style. Housed in a custom quarter sawn oak frame. Signed and dated lower right and catalogued at th...
Category

American Impressionist Early 1900s Paintings

Materials

Watercolor

King Charles Spaniel at Rest- Otto Eerelman (Dutch, 1839-1926)
Located in SANTA FE, NM
King Charles Spaniel Otto Eerelman (Dutch, 1839-1926) Watercolor on paper 10 1/2 x 8 (18 x 15 1/2 frame) inches Signed lower right. Gallery label on the reverse "Frans Heerkens Thuss...
Category

Realist Early 1900s Paintings

Materials

Watercolor, Paper

Late 19th Century Maine Seascape
Located in Soquel, CA
Evocative seascape, circa 1900, by artist Constantin Alexandrovitch Westchiloff (1877-1945) Signed on bottom left corner and on verso. Titled "Maine" on verso. Presented in a contemporary giltwood frame. Image size: 9"H x 12"W. Framed size: 10.60"H x 14"W x 1"D Westchiloff is an American-Russian artist. He was born in Russia in 1877, and studied at the Academy of Fine Arts in St. Petersburg; as an artist he traveled extensively in Europe and in the USA. He finally settled in New England, where he died in 1945. He is probably best-known for seascapes (particularly of the New England coastline), but was also well regarded for his landscapes, portraits and figures, and genre subjects. His work, especially after his travels in Europe and then in America, is closest to Impressionist in style. His favored medium was oil, which was well suited to his confident and strong technique. This in turn imbued his paintings of the rugged landscapes and seascapes of New England...
Category

American Impressionist Early 1900s Paintings

Materials

Linen, Oil, Cardboard

Finely Painted Framed Antique American Impressionist Fall Landscape Oil Painting
Located in Buffalo, NY
Antique American impressionist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 20 by 25 inches overall and 16 by 20 painting alone.
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Early 20th Century English Floral Still Life -- Cascading Yellow Tea Roses
Located in Soquel, CA
Elegant Early 20th Century Floral Still Life of Cascading Yellow Hybrid Tea Roses Realistic early 20th Century floral still life by L. Griffin (English, 19th/20th century), 1904. Fe...
Category

Realist Early 1900s Paintings

Materials

Linen, Cardboard

Antique Canadian Winter Sunset Snow Landscape Panoramic Rare Framed Oil Painting
Located in Buffalo, NY
Antique Canadian impressionist winter landscape oil painting by Joseph Archibald Browne (1862 - 1948). Oil on board. Signed. Framed. Measuring 15 by 19 inches overall and 10 by 14 pa...
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

Antique American Impressionist Pleine Air Lake Sketch Summer Day Oil Painting
Located in Buffalo, NY
Antique American landscape oil painting. Oil on board, circa 1900. No signature found. Displayed in a period frame. Image, 14"L x 10"H.
Category

Impressionist Early 1900s Paintings

Materials

Canvas, Oil

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