Early 1900s Paintings

ALBERTO PLA Y RUBIO Spanish, 1867 - 1937 AT THE ANNUAL FAIR signed & dated "Pla Rubio, 909" (lower right) oil on canvas 14 X 25-5/8 inches (35.5 X 65 cm.) ...

Antique American impressionist landscape oil painting by Edward S Annison. Oil on board, circa 1910. Signed. Image size, 8L x 12H. Housed in a per...

Signed with initials M.P. (lower right); inscribed Article III. "Irrigation" water let in on a field of alfalfa (in the lower margin) Written on back "February of 1902. Hot Springs,...

Signed fauvist oil on canvas riverscape c.1908 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the River Seine in Rouen, with Saint Catherine'...

DANNENBERG Alice (1861-NC) "Children playing at the Luxembourg garden (Paris)" Oil on canvas signed low right Gault frame gilded with gold leaves Dim canvas : 50 X 61 cm Dim frame : ...

Jim’s of Lambertville is proud to offer this artwork by: John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the leading American Tonal...

Medium: Oil on Canvas Signature: Signed Lower Right J. C. Leyendecker’s illustrations and advertisements fueled a collective visual memory for the early 20th century American public. Over the course of his career, Leyendecker created 322 covers for The Saturday Evening Post, as well as numerous other magazines, including Collier’s and Ladies’ Home Journal. The only illustrator to eclipse his fame was Norman Rockwell and Rockwell was quick to credit Leyendecker as his mentor and inspiration. This previously unknown work was recently discovered at a small country auction in South Carolina. It is likely an early work by Leyendecker, dating to circa 1900. The sinuous reddish orange flames emitted by the slain dragon recall the steam and vapors found in his later work, including an advertisement for Ivory Soap and a Thanksgiving cover for The Saturday Evening Post. The chiseled features and elegant expressions of the two knights and Christ are similar to those of his many successful advertising campaigns and illustrations. The inclusion of columns and the decorative border also are seen in works ranging from the 1901 Thanksgiving edition cover of Success magazine...

An original oil on canvas on panel by Sir James Jebusa Shannon. The portrait dates to the Edwardian period and depicts a bold British Impressionist painting of a beautiful young woma...

Impressive early Italian impressionist seaside portrait painting. Oil on board. Framed. Measuring 7.25H by 10.75L.

Andrew Thomas Schwartz (American, 1867-1942) The Fates, c. 1900 Oil on canvas 30 x 30 in. Framed: 39 1/4 x 39 in. Andrew T. Schwartz was born in Louisville, Kentucky. His early education was in the public schools of his hometown, where he showed great promise as an artist. In 1890, he began intense art study with the famed Frank Duveneck at the Cincinnati ArtAcademy. He later studied with H. Siddons Mowbray at the Art Students League in New York, where he was awarded the Lazarus Scholarship for mural painting to study abroad, which resulted in three years of study in Italy, France, Germany and England. He was, at the time, only the second person to win that award. His work from the Lazarus trip was the subject of an individual show at the Pratt Institute in Brooklyn. He returned to the United States to assist his teacher Mowbray in decorating the University Club and J. P. Morgan's private library in New York. He later worked independently and developed a following as a mural painter. His reputation was certainly enhanced by the mural Christ, the Good Shepherd for the Baptist Church in South Londonderry, Vermont, which was considered at the time one of the best examples of mural painting. Other murals were painted for the Courthouse of New York, the New York YMCA, the Atkins Museum of Fine Art in Kansas City and the Kansas City Life Insurance Company Building. Schwartz also painted a number of other paintings in addition to his murals, including both figurative and landscapes. Many of his landscapes are views of New England. He exhibited extensively at the National Academy of Design, Pennsylvania Academy of the Fine Arts in Philadelphia, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, and other major cities. He was a member of the National Society of Mural Painters, the Salmagundi Club, the Architectural League of New York, Allied Artists of America, American Watercolor Society, the Circolo Artistico of Rome, Italy, and the Union International Des Beaux Arts et Des Lettres of Paris, France. A memorial show of Schwartz's work was held at the Lotus Club of New York City in 1944 through the efforts of the sculptor, Charles Keck. The dean of art critics of the time, Royal Cortissoz, viewed Schwartz's work before the exhibition in Keck's studio and wrote, "Schwartz could saturate an Italian scene in the handsome 'Roman Twilight' but when he came to paint the countryside of his native land he was moved solely by its racy sentiment. He had charm as well as craftsmanship." Perhaps the best tribute one artist can give another was given Schwartz by the famed American artist, Elihu Vedder...

Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century interior scene of a young 'High Society' maiden getting dressed for ...

Kershaw SCHOFIELD Oil painted on board. A very good example of Schofield's work which is illustrated in the Dictionary of British Artists 1900 - 1950 by G Waters. Bold colours and c...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

"Where the pure child-face had first drifted across his bewildered vision." Illustration for "The Thief," by Constance Smedley, published in Everybody's Magazine, September, 1908, p....

Signed with initials M.P. (lower right); inscribed Article III. "Irrigation" water let in on a field of alfalfa (in the lower margin) Written on back "February of 1902. Hot Springs,...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...

Antique American impressionist landscape painting by Edna Thurber (1887 - 1981). Oil on canvas, circa 1915. Signed. Displayed in a period impressionist ...

Tree-Filled Valley and Mountains in West Brighton Staten Island Watercolor 1905 Detailed watercolor by W. Lund (19th Century). This piece depicts a valley with lush trees an greener...

Signed and dated impressionist landscape oil on canvas by French painter Jean Baptiste Armand Guillaumin. This simply stunning piece de...

An outstanding oil painting executed with thick use of paint capturing a luminous sight of the Locks at Devon England with the speckling water glistening...

This lovely large Victorian landscape oil painting is by noted British artist Daniel Sherrin. Painted circa 1900 the painting is entitled Close of Day. The composition details a land...

Abel Warshawsky (American, 1883-1962) The Luxembourg Gardens, Paris, 1909 Oil on panel Signed and dated lower right, titled verso 8.5 x 10.5 inches 13.75 x 16 inches, framed Impressionist painter A.G. Warshawsky was active in Cleveland, Paris and Monterey, California. Although Warshawsky is known as a classic Impressionist, he is also known for using a realistic style in his portraiture. Warshawsky was born in 1883 in Sharon, Pennsylvania to Ezekial and Ida Warshawsky, Jewish immigrants from Poland. The family then moved to Cleveland, Ohio. His brother Alexander (Xander) also became an accomplished painter in his own right. Warshawsky graduated from the Cleveland School of Art in 1900, taught by Louis Rorimer...

Le Jardin de Lagny Provenance: Arthur Tooth, London Radon Gallery, NY This beautiful evocation of a lyrical French landscape is a fine example of of Po...

German School, Figure Study, c.1890, Oil on canvas, 64cm x 39cm, (74cm x 50cm framed). The painting has been recently cleaned and is in a new period style frame. This wonderfully t...

This superb French Impressionist city landscape oil painting is attributed to Jacques Emile Blanche and has his characteristic brushwork. It was painted circa 1900 and portrays a civ...

Antique American impressionist ashcan school pastel painting. Pastel and gouache on paper. Signed. Framed.

Simon Ludwig Ditlev Simonsen Canvas Size: 21 x 16" (52.5 x 40cm) Outside Frame Size: 31 x 26" (77.5 x 65cm) 1841-1928 Free Shipping An excellent example of his work in fantastic c...

'Ferry of the Loaf' comes from the legendary tale of Thane of Fife, MacDuff, escaping the fury of MacBeth crossing the River Tay in the 11th century. The painting comes with a handw...

Antique American impressionist seascape painting by Theodore Victor Carl Valenkamph (1868 - 1924). Oil on canvas, circa 1900. Signed....

Medium: Oil on Paper Mounted to Board Signature: Signed Lower Right, Signed Again and Dated August of 1904 on Reverse The Rawhide Part III, 'He swung himself into the saddle and rode...

Illegible signature Work on cardboard Golden wooden frame 49 x 44 x 4 cm

Antique American impressionist oil painting of Venice, Italy by Wilfrid Gabriel De Glehn (1870 - 1951). Oil on board, circa 1900....

Turn of Century American Figurative Maine Lobster Fisherman - Grandfather's Joy A Old Lobster Fisherman ponders the future and the joy of grandchildren. Wonderful turn of century Ame...

Early 20th century French folk art oil on canvas, advertising M. Joquelet the dentist and Mme Irma the snake charmer. A wonderful piece of social history. At the turn of the century...

A beautiful oil on panel circa 1900 by French impressionist painter Emilio Boggio. The piece depicts a coastal scene. The blue-green water crashes against the rocks on a grey day. S...

Classical Portrait Oil Painting signed oil on canvas, framed French artist, indistinctly signed dated 1900 Framed: 28 x 24 inches Canvas: 22 x 18 inches Provenance: private collectio...

An English Caricature Watercolour painting signed with the artists monogram & dated 1902 . A beautiful painting of a tamp playing a trumpet on a winters day , outside a house that is for sale or to let . ( It makes me wonder if the tramp portrayed in the painting was once the owner of the property but has fallen on hard times...

A neoclassical oil painting on canvas by British artist Henry John Sylvester Stannard. The scene depicts a woman cleaning a bucket outside her house while a dog nestled in a dog house watches on. The painting is signed by the artist as “Sylvester Stannard”. The Cottage Garden...

Robert Charles Watson (British, 1857-1923) Beautifully executed highlands landscape w/cattle Oil on canvas mounted on Masonite Signed and dated lower right; 1900 Painting: 7 3/4"...

A beautiful and substantial painting of a distant view of snow capped Mount Shasta "in the style of" Lorenz Griffith (American, 1889-1968). Unsigned. Disp...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

A beautiful, colourful Impressionistic portrait of an Edwardian lady by Arthur Hacker RA which dates to circa 1905. A rare and fine oil on panel in excellent condition. A real quality British Impressionist painting in a gilded oak frame of the period. Signed lower left. Provenance. Sotheby’s London. Condition. Oil on panel. Image size 14 inches by 10 inches. In excellent condition. Housed in a gilded oak frame gallery frame, 25 by 19 inches framed. Excellent condition. Arthur Hacker RA (25 September 1858 - 12 November 1919) was an English classicist painter born in London. Hacker was the son of Edward Hacker (1813–1905), a line engraver specialising in animal and sporting prints (who was also for many years the official Registrar of Births, Marriages and Deaths for Kentish Town in the St Pancras registration district, north London). In his art he was most known for painting religious scenes and portraits, and his art was also influenced by his extensive travels in Spain and North Africa. He studied at the Royal Academy between 1867 and 1880, and at the Atelier Bonnat in Paris. He was twice exhibited at the Royal Academy, in 1878 and 1910, and was elected an Academician in 1910. In 1894 he was the subject of a bust by Edward Onslow Ford...

Beautifully executed oil on canvas landscape with figures in a boat by the well known British artist, David Bates. Signed and dated lower left 1900. Titled, signed and dated verso. Condition is very good. Two small old patches verso. Framed in a period elaborate gold leaf frame with minor old restorations. Frame condition is very good. Overall framed measurements are 29.75 by 40 inches. Signed and dated lower left, 1900 Framed 29.75by 40.25 inches. Titled, signed and dated verso. Loweswater is one of the smaller lakes in the English Lake District in Cambria. The village of Loweswater is situated to the east of the lake. About: David Bates British, (1840-1921) David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...

Signed and dated figure in landscape oil on board by French impressionist painter Charles Lacoste. A truly stunning piece with depicts a nighttime view of a Parisian street with a single woman dressed in a black coat and hat standing in the centre of of dark square which is being dimly lit by the street lights overhead. The outline of trees and the city's buildings can be seen in the distance. Signature: Signed and dated 1904 lower right. Dimensions: Framed: 24.5"x31" Unframed: 18.5"x25" Provenance: Wildenstein & Co - New York "Charles Lacoste: A Forgotten Nabi" 2002 This work is accompanied by the catalogue published to accompany the exhibition “Charles Lacoste: A Forgotten Nabi” held at Wildenstein in New York from January 30 to March 2, 2002 The son of a Bordeaux accountant and a creole mother, he met in high school the future poet Francis Jammes and Gabriel Frizeau the legendary art collector. He taught himself to paint and from 1894 to 1897 he made several important contacts: André Gide, Arthur Fontaine...

A beautiful antique impressionist painting by American artist Joseph Varga

Large, enticing and very decorative painting. Oil on canvas. Signed lower left. G. Koch. (Georg Koch) Motive of a lively horse market. Beautiful paintin...

⭐ French School - PS 246 Ou veux tu que je regarde ⭐ Portrait of a woman sitting on the beach with balloon from Banksy Technique: oil, acrylic, and ink on old book pages on wooden ...

A fine impressionist oil painting of a woman sitting near a fence by American artist John Rutherford Boyd (1884-1951). Boyd was born in Philadelphia, PA, and attended the Pennsylvania Academy of Fine Arts, where he studied under American painter Thomas Anshutz...

Herman Hyneman (1849-1907) Sunday Morning, 1907 Oil on board 15 3/4 x 11 1/2 in. Framed: 21 1/3 x 17 1/2 in. Signed lower right: Copyright 1907 by H.N. Hyneman Inscribed verso: Sunday Morning by H.N. Hyneman The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

Emanuel Aage PETERSEN (1894 - 1948) Polar bear in a snowstorm Oil on canvas H. 70 cm; L. 100 cm Signed lower left Emanuel A. Petersen studied to...

Incised signature lower left, 'A. Sacerdote' for Anselmo Sacerdote (Italian, 1868-1923), titled, lower right, 'Val Soana' and dated August, 1903. Anselmo Sacerdote was born in Turin...

INSIDE SCENE - Italian figurative oil on carboard painting, cm.17x29, Carlo Passarelli, 1900s

Firmado en la parte inferior y fechado del año 1907 Se presenta enmarcada la obra (el marco tiene alguna ligera faltas de policromía) El estado de la obra es bueno aunque ha tenido...

Jerusalem is an original old master artwork realized by Ludwig Viktor Krämer (1861-1949) in 1900. Oil on Canvas, Includes frame 98 x 145 cm Hand signed by the artist and dated 19...

This stunning French Victorian portrait oil painting is by noted exhibited female artist Jeanne Rongier. This delicately detailed portrait is of the head and shoulders of a beautiful young woman, gazing to her right. Painted from a low vantage point looking up, the background is a superb canopy of illuminated green and yellow leaves with the light shining through them and all around her. Her dark glossy hair against the light drenched leaves is beautiful in a very Victorian Pre Raphaelite tone. A thoroughly charming portrait oil painting by a noted French Victorian female artist depicting a female sitter...

Like his mentor the great American Impressionist William Merritt Chase, Charles Webster Hawthorne was equally admired in his own day as both a talented painter and a highly influential instructor. Hawthorne first studied with Chase at his Shinnecock Summer School of Art, which was specifically dedicated to open-air landscape painting. Not only did Hawthorne quickly absorb all the principles of Chase’s instruction, but he also became determined to found his own school based on the same model. In 1899 Hawthorne discovered the small fishing village of Provincetown on the furthermost tip of Cape Cod, and after purchasing a large house on Miller Hill, he opened the Cape Cod School of Art, which proved to be an immediate success. While Hawthorne’s own approach as a teacher owed much to Chase, he developed a distinctly unique painting style and teaching method that defies easy categorization. He was greatly impressed with the work of Franz Hals, which he was exposed to during his trip to Holland in the summer of 1898. Hawthorne was particularly struck by Hals’ Regentesses of the Old Men’s Almhouse, and from this work he absorbed a deep appreciation for the power of human expression and an economy of technique. Hawthorne applied these lessons to his own realistic portraits of Provincetown fishermen and their families; these works have a somber, almost melancholy quality to them, and they reveal a sense of the vulnerability of the human condition. Stylistically, Hawthorne maintained a life-long commitment to the importance of color. “Beauty in art,” he said, “is the delicious notes of color one against the other.” Of equal importance to him was capturing the effects of light. He told his students: “Everything in painting is a matter of silhouettes. Hold light against shadow, not light against light.” He developed a particular technique of layering glazes and texturing the surface of his paintings, which heightens the relationship between the colors and creates a light effect that seems to emanate from within the painting. These stylistic techniques in combination with his straightforward compositions of one or more figures shown at close range create the hallmarks of Hawthorne’s best paintings. Hawthorne and his wife Ethel’s 1905-1907 trip to Italy did not result in a drastic impact on his artistic style. Nonetheless, it proved to be a transformative and enlightening voyage. The extensive trip was financed by collectors who paid in advance for a painting to be produced abroad. On the trip, Hawthorne explored the work of old masters and was struck particularly by the paintings of Titian, which to Hawthorne, demonstrated the master’s true adoration for the act of painting itself through his handling of paint and color. Where Titian’s paintings...

1906 Original Watercolor Painting of Mision de San Carlos Borromeo de Carmelo (Mission Carmel) Historically accurate watercolor painting of Carmel historic landmark Mission Carmel i...

Early 20th Century Likeness of Jack London Wonderful portrait of a gentleman with a striking likeness to Jack London by Robert Alexander Graham (American, ...