Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Salvador Sánchez Barbudo
The Cardinal's Visit

1902

About the Item

SALVADOR SÁNCHEZ BARBUDO Spanish, 1857 - 1917 THE CARDINAL'S VISIT signed, located and dated "Barbudo / ROMA 1902" (lower right) oil on canvas 22 x 33-2/3 inches (55.5 x 85.5 cm.) framed: 36-1/2 x 48-1/4 inches (92.5 x 122.5 cm.) PROVENANCE Private Collection, Munich LITERATURE Visita con el cardenal combines the two most salient characteristics of Sánchez-Barbudo's work: the search for novelty of theme and narrative content, and the use of minutely detailed brushwork and luminosity. Sánchez-Barbudo specialised in elaborate 'costume pictures', delighting the viewer with impressive details finely rendered with dazzling technical virtuosity. Here, Sánchez-Barbudo depicts a well-to-do bourgeois family receiving a cardinal in their home. The interior, sumptuously furnished in the rococo style, along with the rich costumes and fabrics, are beautifully observed. Yet beyond the high technique lavished upon the composition, the treatment is comic and full of character and suffused with a gently satirising anti-clericalism. The cardinal, far from getting the attention he expects, is, literally, sidelined, his expression and body language showing his pique. There is no doubt that contemporary collectors and spectators took pleasure in the sight of noble self-respecting figureheads of the church being brought back down to earth. The comedy was appealing, and the message suited the prevailing political mood of an increasingly secular middle-class buying public. Salvador Sánchez Barbudo was born on March 14, 1857 in Jerez de la Frontera (Cádiz). He was one of the most important Spanish artists of the "casacón" genre, who followed the Fortuny tradition in Rome. During his childhood he was under the protection of the Marquis del Castillo and in 1875 he moved to Seville where he attended the School of Fine Arts, becoming a disciple of José Villegas. He visited Rome with Villegas in 1882, settling in the Eternal City. In 1884 he sent the monumental canvas titled Hamlet to Spain. Last scene, with which he won a second medal at the National Exhibition of the same year. Practically all of Sánchez Barbudo's work consists of tableautins and anecdotal genre scenes that were very successful among the bourgeoisie of the time. He was extremely prolific and his works flooded the European and American markets. His canvases show extraordinary technical skill in their precise and summary brushwork, and a strong decorative sense. In a very personal way he combined Fortuny's "precious" heritage with a meticulous and vibrant technique that blurs forms. Sánchez Barbudo was also an excellent watercolorist and engraver, as well as a portraitist of highly talented types. He died in Rome on November 28, 1917.
  • Creator:
    Salvador Sánchez Barbudo (1857 - 1917, Spanish)
  • Creation Year:
    1902
  • Dimensions:
    Height: 21.86 in (55.5 cm)Width: 33.67 in (85.5 cm)
  • More Editions & Sizes:
    55.5 x 85.5 cm.Price: $87,283
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Madrid, ES
  • Reference Number:
    1stDibs: LU1281114102392
More From This SellerView All
  • "The Florence Sisters", 19th Century Oil on Canvas, Spanish Artist José Villegas
    Located in Madrid, ES
    JOSÉ VILLEGAS Y CORDERO Spanish 1844 - 1921 "The Florence Sisters" signed "Villegas" (lower left) oil on canvas 33-1/2 X 40-1/2 inches (84.5 X 102.5 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. Biography He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...
    Category

    Late 19th Century Realist Figurative Paintings

    Materials

    Canvas, Oil

  • "Interior of Alcazar of Seville", Early 20th Century oil on canvas by F. Liger
    By Fernando Liger Hidalgo
    Located in Madrid, ES
    FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "Interior of Alcazar of Seville" Signed & located "F. Liger, Sevilla " (lower left) Oil on canvas 2...
    Category

    1920s Realist Interior Paintings

    Materials

    Canvas, Oil

  • "Wedding Ceremony in Tebriz", 19th Century Oil on Canvas by Mohamed Ali Naqash
    Located in Madrid, ES
    MOHAMED ALI NAQASH Iraqi, 19th - 20th Century WEDDING CEREMONY IN TEBRIZ signed in arabic and inscribed Mohamed Ali al-Naqash / Tabrizi lower right oil on c...
    Category

    Early 1900s Realist Figurative Paintings

    Materials

    Canvas, Oil

  • "Ballet Lessons", 20th Century Oil on Canvas by Sebastián Llobet Ribas, Spanish
    Located in Madrid, ES
    SEBASTIÁN LLOBET RIBAS Spanish, 1887 - 1975 signed "Llobet Ribas" (lower right) signed again "Llobet Ribas" (on the reverse) oil on canvas 32 x 25-3/4 inches (80.5 x 65 cm.) unframed PROVENANCE Private Collector, Barcelona Painter and draftsman of the twentieth century, born in Barcelona in 1887. He attended the Fine Arts Schools and was a disciple of Vicente Climent. He participated in the Self-Portraits Exhibition held in 1907, in the Drawing Exhibition in the Sala Parés in 1910, in several of the Spring and International Exhibition, and in the National Exhibition of 1942 and 1944 in Barcelona and in 1950 in Madrid. In the 1951 Exhibition of the Circulo de Bellas Artes de Palma de Mallorca, he obtained a medal for the set of drawings...
    Category

    1930s Realist Figurative Paintings

    Materials

    Canvas, Oil

  • "Partida de Tresillo", Late 19th Century Oil on Canvas by José Jiménez Aranda
    Located in Madrid, ES
    JOSÉ JIMÉNEZ ARANDA Spanish, 1837 - 1903 PARTIDA DE TRESILLO signed, located & dated “J. Aranda / Madrid. 1893.” (lower right) oil on canvas 31-1/2 x 39-1/3 inches (80 x 100 cm) framed: 40-1/3 x 48 inches (102.5 x 122 cm.) BIBLIOGRAPHY - This picture being mentioned and illustrated in “LA ILUSTRACION ESPAÑOLA Y AMERICANA”, Madrid, September 15, 1895 - José Jiménez Aranda, 1837-1903: Centro Cultural El Monte, Seville, October 2005, illustrated p. 102 PROVENANCE Private Collection, USA José Jiménez Aranda (7 February 1837 – 6 May 1903) was a Spanish painter and brother of the painters Luis Jiménez...
    Category

    1890s Realist Figurative Paintings

    Materials

    Oil, Canvas

  • "The Barber of Seville", Early 20th Century Oil on Canvas by José Villegas
    Located in Madrid, ES
    JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 THE BARBER OF SEVILLE signed & dated "J. Villegas. / Junio 1913." (lower left) oil on canvas 19-3/8 x 28-3/4 inches (49 x 73 cm.) framed: 27-1/2 x 36-3/4 inches (69.5 x 93 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...
    Category

    1910s Realist Figurative Paintings

    Materials

    Canvas, Oil

You May Also Like

Recently Viewed

View All