Coat Portrait Paintings

Portrait of a Young Boy signed and dated 1928 (indistinct signature) oil painting on canvas, framed framed: 31.5 x 22 inches canvas: 26 x 16.5 inches Provenance: Private collection,...

"Just Think of It" is a moody, figurative oil painting that layers soft pale blues against deep grays and black, creating a quiet tension. A stylish man sits at the edge of a couch, ...

This evocative painting depicts a solitary young boy in tattered clothing traversing a snow-covered rural path, framed by a wooden fence and distant trees against a muted winter sky....

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

Two figures stand, facing the horizon, their eyes fixed on a missile flying horizontally. Its fiery trail cuts through the calm sky, and the moment hangs between “there’s still time”...

John Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a 2 3/4" Husar Frame Ove...

n.d. Double-sided oil painting on panel Signed in red This artwork is offered by ClampArt, located in New York City.

A fine folk-style portrait depicting a man wearing traditional wear from Styria, Austria. The artist captures the gentleman in a layered suit with a rich bottle-green overcoat. To hi...

Jirayr Hamparzoom Zorthian was born April 14, 1911 in Kutahya, Turkey, of Armenian parents. At the age of three, he showed considerable talent in drawing and painting. Zorthian we...

Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Publications: G...

"Girl with Muff" is aa American figurative portrait oil on canvas painting by Robert Henri in 1912. The artwork is 57 1/4 x 38 1/4 inches and, with the frame, is 64 1/4 x 45 1/4 x 2 ...

I didn't paint because I ran out of canvas. I was in a state of "I should have hung myself back during COVID." Got a new canvas, started painting, and suddenly felt happier. So, pain...

This captivating 1945 oil painting by acclaimed American artist Hayes Lyon beautifully portrays Bessy Lyon, the artist’s wife, in a warm and intimate composition. Rendered in soft ye...

Portrait Of A Young Gentleman, 19th Century by Louis DEVEDEUX (1820-1874) sales to $40,000 Huge circa 1850 French portrait of a young gentleman, oil on canvas. Excellent quality an...

Sometimes I wonder, was it even there - that past life? If there are no photos, there is no evidence. In this artwork, I've captured a moment suspended in time, where nostalgia meets...

Sir Henry Raeburn (Stockbridge, Edinburgh, UK, 1756 - Edinburgh, UK, 1823) Title: Portrait of a landowner Year: Early 19th century, 1803 Medium: Oil on canvas Dimensions: Without fra...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Price includes $400 cost of framing. Oil on canvas mounted to Masonite Signed in red, u.r. This work is offered by ClampArt in New York City.

Sandor Vago (Hungarian/American 1887-1946) The Chinese Girl, 1925 Oil on canvas Signed lower right 34 x 30 inches 38 x 34 inches, framed Exhibited: Clevela...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

This artwork drops you into a surreal moment: two figures black outfits stand in the middle of nowhere, under a blue sky sprinkled with just enough clouds to keep it interesting. One...

This surreal artwork captures a stark desert crossroads under a vivid blue sky, where a vintage white convertible takes center stage. Two figures add intrigue: one stands beside the ...

The Green Skirt British artist, contemporary oil on canvas, unframed canvas: 40 x 30 inches Provenance: private collection, UK Condition: very good condition For more any more info...

This artwork elegantly blends classic and contemporary elements, depicting a young woman in a stylish black outfit holding a phone to her ear. She stands against an endless blue sky...

This artwork is a striking fusion of vintage and modern elements, featuring a confident, poised woman dominating the foreground. Dressed in a chic leather ensemble with a cap and kn...

Thomas Hudson (Devon 1701 - London 1799) Portrait of a Notable in his Study Oil on canvas 124 x 102 cm. In antique frame 142 x 120 cm. This fascinating portrait is a valuable te...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

Oil on Canvas. On the back is cartouche with attribution and title of the work. Sir John Watson Gordon established himself as a portrait painter, producing portraits of a great many ...

Oil on canvas sold with original frame Total size with frame 110x90 cm Charles Auguste Humbert, born in 1891 in Geneva and died in 1958, was a Swiss artist, mainly known for his w...

Michael Carson's (US based) "Portrait of Britt Daniel" is an original, handmade oil painting. About the Artist: Mike Carson is a Minneapolis painter, and graduate of the Minneapolis...

This artwork captures a surreal desert scene blending mystery and modernity. A figure in black, with a wide-brimmed hat, stands beside a small black cat near a weathered sign reading...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

Self Portrait Of Thomas A. Woolnoth, The Rhine, 19th Century by Thomas Woolnoth (1785-1857) Large Circa 1810 Georgian self portrait of Thomas A. Woolnoth during the Grand Tour, oil...

When you return to a place where you haven't been for a long time, everything seems smaller and not quite real. I remember that feeling well. And if you were to return home, but when...

Baroque, Rocco style portrait of a married couple in red attire "1720," a painting from the Matrimony Series by Lauren Hamilton, completed in 2023 oil on canvas 72 x 72 inches This ...

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

Emperor Napoléon I was and remains one of the most legendary military and political figures in history, having held, for a brief period, the fate of the Western world in his hands. Composed by the French painter Joseph Franque...

"Houdini" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a person in a yellow hoodie looking out at an abstract and surreal scene. Nicolas Mart...

"Musician in Blue" Artist: Bartolome Sastre Medium: Oil on canvas Size: 28.75" x 36.25" Framed

The patient waiting for Bresson's “decisive moment” characterizes the pictures of the young Polish painter Marzena Slusarczyk. The compositions of her works have the magic of a successful photography. Often with a powerful neckline, they use expressive foreshortened perspectives and unusual versions and they take us into an intimate dimension of the women portrayed. However, Slusarczyk's pictures are mainly emotions captured on canvas, and this is what makes her works so special. The women she paints perform normal, banal activities in everyday life. But they are the key to reading the feelings of the female figures lost in thought. The lack of clarity in the artist's pictures allows the viewer to make their own interpretations. As the painter herself emphasizes, the aim of playing with the audience is to awaken the viewer's imagination and imagination so that they notice the seemingly invisible. This mystery and the unspoken are reminiscent of the paintings by Michelangelo Caravaggio...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) The "Timeless Friends" painting symbolizes the timeless nature of friendship and human connection that transcends changing fashions and societal norms. Just as the bond between the men in the painting remains steadfast and unchanging, the values of friendship and mutual support continue to hold importance in African cultures, even amidst shifting fashion trends and societal transformations. As we contemplate this scene, we are reminded of a valuable lesson passed down through generations: that true friendship knows no bounds of time or fashion. It is a bond that endures through changing tides, rooted in authenticity and shared experiences. The painting serves as a gentle reminder to cherish the connections we forge, for they are the true treasures that enrich our lives and stand the test of time. About Artist Oluwaseun Ojebiyi is a promising young Nigerian visual artist who was born in the year 1996 into a family in Oyo state richly endowed with a unique artistic inclination. He is gifted with unusual energy and a future that sparkles with excellence. His works are at once artistic and realistic and laced with active energy with the characteristic of curiosity in figure study. He delivers his works through drawing and painting with mastery usage of charcoal, pastel, Oil paint, and acrylic. His expressive works bring back fond memories of childhood experiences. His works reveal the bond, teamwork, genuine love...

Malyshev Petr Nikolaevich - Пётр Николаевич Малышев 1909 – Moskow – 1976 Russia – Honoured Artist of the RSFSR 'Lenin and Krupskaya in a Winter Landscape' - Vladimir Ilyich Ulyano...

Raymond Bonilla's (US based) "Study for 'Regroup'" is an original, handmade oil painting that depicts a city scene where many strangers are gathered , waiting on public transit...

Portrait Of Henry Farington, East India Company, 18th Century attributed to Arthur DEVIS (1712-1787) One of a matching pair - the other is believ...

This oil painting depicts a young figure in colourful period clothing, standing alone against a dark, atmospheric background. The composition draws the viewer's eye to the central su...

Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...

The Elegant Couple by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 33.5 x 24 inches framed: 38 x 28 inches Very good ...

This figurative painting titled "Representative" is an original artwork by Lauren Rinaldi made of oil on canvas. This piece measures 48"h x 60"w. Rinaldi’s new series was inspired by the feminist debate on how women's appearances are constantly judged, criticized and dissected; often done so with the intent of diminishing their work and contributions. This issue is prevalent in all industries, but especially in the very public and important realm of politics. Throughout mainstream media, Rinaldi found countless examples of coverage depicting what a female politician was wearing and why it was deemed “inappropriate”, rather than discussing their policies. Typical of Rinaldi’s practice, most of the works found in Representative are not classic portraits, but zoomed in studies of the subject’s legs, shoes and body from the neck down. By doing so, the work focuses on the experiences and outside societal forces that these women, and women like them, have faced. To create the works in Representative, Rinaldi used sourced photographs of female politicians that felt meaningful and powerful to her. Before painting or drawing, Rinaldi manipulates each image through cropping, elongating or changing its composition, background and color. Color is especially important in Representative, as it is an expression that is frequently rejected or criticized in politics by men. Rinaldi uses vibrant jewel tones and color swaps, like Congresswoman Alexandria Ocasio-Cortez’s jacket from black to fuchsia, to represent the bold new ideas and diversity these women are bringing to United States politics. While Rinaldi does not specifically name any of her subjects, viewers will be able to recognize familiar leaders from across both sides of the aisle. Visitors will see snippets of stories through these works, like Former First Lady Michelle Obama’s sparkly boots...

"The Embroidery Lesson" is a masterful representation of Gustave De Jonghe’s ability to capture the elegance and intimacy of domestic life. Through his sophisticated use of color, me...

Elizabeth Grandin (American, 1889 – 1970) ‘Man with red tie’, 1912 Oil on canvas Signed with studio stamp, with inventory number 333 and inscribed ‘Spain c…. 1912’ (on the reverse) 2...

Signed lower left, 'W. Schwartz' for Walter Erwin Otto Schwartz (Danish, 1889-1958), dated 1935 and inscribed 'Skagen' lower right. A substantial, psychologically penetrating portrait of a young woman with braids, shown dressed in a charcoal wool coat and wearing a copper-colored neck-scarf. The self-possessed sitter stands and meets the viewers gaze directly, proving herself an unusually confident subject for this noted Danish Modernist. Nephew of the Danish academic artist, Frans Schwartz, Walter Schwartz grew up surrounded by the painters who frequented the Danish art colony on the picturesque island of Skagen. Walter first studied formally (1904-8) with Michael Ancher...

My girlfriend and Me liked to dress up "take it off and throw it away"). We were looked at on the street, some advised us to go to a madhouse, but we liked it.) Tanka lived on the fi...

Spring is coming, lilacs will bloom, and we'll be able to wear ripped jeans again. In creating this piece, I fused figurative elements and realism to capture a moment, timeless yet i...

At first glance, "Independent" captures the viewer's attention with its striking imagery of a woman wearing a vibrant yellow coat. The choice of yellow as the dominant color is symbo...

Auguste Adolphe CHAUVIN (Liege, 1810 – Liege 1884) Portrait of Coraline Oil on canvas Signed and dated lower right 91 x 68cm 1868 Auguste Adolphe Chauvin, born in Liège on October 2...

Gold Man by Bernard Labbe (French mid 20th century), stamped verso original watercolour/gouache painting on paper overall size: 111.75 x 8.5 inches condition: very good and ready to...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 25 x 19.5 inches Superbly decorative 1960's French portrait painting. Ideal for m...

Oil on wooden table realized by Francesco Settimj in the 1930s. Painted on both sides, recto and verso. Good condition.

The School Boys by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner oil painting on canvas, unframed canvas: 29 x 40 inches Very good condi...