Coat Portrait Paintings

Portrait of a Gentleman in Riding Dress by Paul Knight (exh. 1883–1904) oil on canvas, framed (*read important notes at the end of this listing) Signed lower right Approximately 83 ...

Early 20th-Century French Portrait of a Seated Woman in a Black Coat & Wide-Brimmed Hat by Louis Pierre Amiel, signed in the lower right and in a vintage gilt frame. A refined e...

This piece represents the hidden or shadow side of the constant strength of black men, often highlighting how forced resilience can mask burnout, emotional suppression, or trauma fro...

A charming late 19th century French oil on canvas portrait of a young man wearing a loose grey suit and patterned tie. The work is signed with initials and dated April 1892 lower lef...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Akanji Bolaji (b...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Fal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

This meticulously crafted acrylic painting combines refined aesthetics with quiet emotional depth. The composition draws the viewer into a delicate narrative filled with subtle symbo...

Believe is a moving meditation on hope, self-worth, and the courage to look past our limits. Standing on a bed of clouds, the figure wears an oversized blue coat and giant red boots,...

Carolien van Olphen Feeling Good Oil on wood panel 122 x 70 cm (Framed 130 x 78 cm, frame is included) Dutch artist Carolien van Olphen has left a great impression in many places w...

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

john Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman in a Scottish Landscape ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a ...

Mid-Century Angelo Urbani del Fabbretto Italian Signed Painting This important oil painting on panel stands as an unrivalled testament to the talent of Angelo Urbani del Fabbretto, w...

A finely detailed portrait of Reverend Lewis Way (1772-1840), who married Mary Drewe in 1801. Originally trained as a barrister, Way became the close friend of the wealthy John Way (...

LORD ALTHORP'S HUNSTMAN, CHARLES KING, WITH HIS FAVOURITE HOUND, OTTOMAN, circa 1820 circle of BENJAMIN MARSHALL (BRITISH 1767-1835) Large early 19th Century Portrait of Lord Alth...

PORTRAIT OF DR ABRAHAM WHITE Esq. MD (1781-1821) Circle of John HOPPNER (1758-1810) Large circa 1810 English Regency era portrait of Dr Abraham White, oil on canvas. Excellent qua...

The London Gentleman by Philip Henry Rideout (British, late 19th century/ early 20th century) signed oil on canvas, framed Framed: 17.5 x 14.5 inches Canvas : 12 x 10 inches Provenan...

Portrait of Gentleman Smoking on Balcony with Red Foliage indistinctly signed and dated 1948 oil on canvas, framed framed: 30 x 26 inches canvas: 25.5 x 20 inches Provenance: private...

Artist Comments
A receptionist speaks on the phone, her face and hand carrying the emotional weight of the scene. Her yellow polka-dot scarf strikingly contrasts with her sub...

Malyshev Petr Nikolaevich - Пётр Николаевич Малышев 1909 – Moskow – 1976 Russia – Honoured Artist of the RSFSR 'Lenin and Krupskaya in a Winter Landscape' - Vladimir Ilyich Ulyano...

‘’The Visionary Path’’ is a captivating painting that talks about the journey to our vision. It represents a man in a suit and cap with blue stripes on the body. A small figure is se...

The Woodsman by John Edwards (1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches board : 23 x 18 inches Provenance: private collection, UK Condition: very good condit...

Edwin Arthur Ward Original Painting on Canvas “The Edwardian Gentleman”. In good condition measures 38x25. Signature lower right

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) "Innocence" is a captivating artwork that evokes a sense of empathy and reflection. The central figure, a woman, stands as a representation of someone who has been wrongly accused and unfairly painted with guilt. Oladapo's skilled brushwork brings forth the emotions of sorrow, pain, and resilience, creating a visually striking piece. The woman's expression carries a mix of sadness and determination, reflecting the weight of the false accusations. The use of vibrant red in the painting symbolizes the intense emotions and turmoil she has experienced. The artist's attention to detail, particularly in capturing the subtle nuances of her facial expression, adds depth and authenticity to the artwork. "Innocence" highlights the profound impact that false accusations can have on an individual's life and psyche. The emphasis on being "painted red" with lies alludes to the damaging effect of baseless accusations, which can tarnish one's reputation and cause immense pain. The artwork also emphasizes the resilience and strength required to maintain one's truth in the face of adversity. The woman's unwavering gaze and the determination in her expression portray her refusal to be defined by false accusations. She stands as a symbol of the human spirit's ability to rise above injustice and assert one's innocence. Through "Innocence," Oladapo reminds us of the importance of embracing our authenticity and standing firm in our truth, even when faced with unfounded allegations. It urges viewers to question the validity of accusations and to seek justice and understanding, both for themselves and others who may have experienced similar hardships. Agboola Oladapo...

A young boy holds a hoop and stick, a popular Victorian toy. He stands against a hazy autumnal backdrop. Presented in an ornate frame. Unsigned. Acquired as a pair, the companion pie...

2022 Hand painted vintage paperback book with silkscreen 27 x 20.5 cm Artist Proof - Edition of 2 Framed Excellent condition The Connor Brothers, an artistic duo, are famous for the...

The Wood Cutter by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Condition...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Jean-Baptiste van Loo (Aix-en-Provence, 1684–1745) entourage Portrait of a French Gentleman Oil on canvas 93 x 77 cm. In an antique frame (with imperfections) 103 x 87 cm. Th...

Crossroads of Time This painting captures the feeling of arriving at a moment where lives, generations, and sensibilities overlap without fully touching. Surdo stages the street like...

Blake's painting imagines a quiet moment about the Sultana, a steamboat carrying Union POWs home at the end of the Civil War. Hours later, the vessel exploded, killing over a thousan...

Amber in electric blue with yellow by David Shevlino whose female figures beautifully link traditional representation with abstraction. Through Shevlino’s sensuous application of pai...

Louis BILLOTEY (Paris 1883 - 1940) Portrait of Louis Dumas Oil on canvas Unsigned 100 x 100 cm Born into a family of artists, Louis Billotey enrolled at the École des Beaux-Arts i...

The Fencer by John Edwards (English, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Condition: ver...

A dynamic narrative painting titled A Surprise Dinner Guest (or An Unexpected Guest), showing the moment an outdoorsman sees the bear approaching his snowy campsite. Presented in a...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oso...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

At first glance, "Independent" captures the viewer's attention with its striking imagery of a woman wearing a vibrant yellow coat. The choice of yellow as the dominant color is symbo...

'Rat Tales' contemporary portrait oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work deals with serious...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

The Carpenters Workshop by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, UK Condit...

This artwork elegantly blends classic and contemporary elements, depicting a young woman in a stylish black outfit holding a phone to her ear. She stands against an endless blue sky...

Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Not signed Publ...

No Beginning No End The figure, seen from behind and haloed by a circular form, suggests continuity, wisdom, and the mystery of existence beyond linear time. There is a quiet reveren...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Ksenya Istomina 'Melody of Light' 105 x 70 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings look amazingl...

"Arthur" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a portrait of a man in a suit and bowtie on a greyscale background. Nicolas Martin is a...

In the summer of 2024, on the Eastern Shore of Maryland, a father and son reenacted a Civil War "stag dance" at the Kent Cultural Alliance in Chestertown. These all-male dances, wher...

Alexandre Falguière (attribué à) (1831 - 1900) Oil on canvas 135,2 x 95 cm (169 x 129 cm with frame) 53.2 × 37.4 in (66.5 × 50.8 in with frame) Without Signature

Vivienne Westwood introduced Street look style into fashion. She and her husband liked to walk around London flea markets, they got inspiration there... I love this style. The artwo...

Waiting - it is what we all have been doing during this tumultuous year. Artist Peter Lupkin is no different. In his work entitled "Portrait of William, April, 2020" a family membe...

This artwork presents a striking figure in a black hooded jacket, exuding mystery and confidence. The subject stands with hands in pockets, partially obscured face adding intrigue. S...

An evocative late 19th to early 20th century oil on canvas depicting a kneeling monk or friar in a moment of quiet devotion. Set against a deep, shadowed background, the solitary fig...

Attila Szűcs (Hungarian, b. 1967) Figure with Mockup, 2010 Oil on canvas 39 3/4 x 55 x 1 in. Signed and inscribed verso: Attila Szűcs, "Figure with Mockup...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Oil on wooden table realized by Francesco Settimj in the 1930s. Painted on both sides, recto and verso. Good condition.