Coat Portrait Paintings

This original Art Deco Fashion Illustration by G. Ferro is a striking ink and wash drawing on vellum paper by French artist G. Ferro. The stunning Art Deco composition captures a dap...

In 1962, Elvis Presley purchased one of the world’s first four-engine business jets — the iconic Lockheed JetStar. Luxuriously equipped with leather seats, a bar, a bedroom, and even...

Portrait of a Young Boy signed and dated 1928 (indistinct signature) oil painting on canvas, framed framed: 31.5 x 22 inches canvas: 26 x 16.5 inches Provenance: Private collection,...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity.

The University Sports Club Blazer by Kathleen Emily Temple-Bird (British 1879 - 1962) signed and dated 1939 oil painting on canvas laid over board, framed framed: 35 x 30 board: 29.5...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

A young boy holds a hoop and stick, a popular Victorian toy. He stands against a hazy autumnal backdrop. Presented in an ornate frame. Unsigned. Acquired as a pair, the companion pie...

A fine portrait study dated 1737 portraying a young boy from a noble family bearing his first sword. Dressed in fine military-style clothing, he clutches a small sword in one hand an...

A fine, imposing 18th century portrait of an unknown aristocrat,housed in a gilt frame The artist is also unidentified but certainly a talented hand, in the circle of one of the fine old masters of the period. Unsigned The size overall is 148 x 121 cm whilst the painting is 128 x 101 cm In overall good condition the frame at the bottom has bowed slightly The painting has been checked whilst being cleaned and has not been affected in any way . SHIPPING Free delivery to mainland uk ,worldwide shipping available please email for quote Delivery usually within 14 working days, insured please provide telephone/email details for courier. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

This charming 20th-century portrait depicts a young boy in elegant period attire, wearing a brown coat over a vibrant red waistcoat and matching red stockings, with a songbird in han...

John Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a 2 3/4" Husar Frame Ove...

"Just Think of It" is a moody, figurative oil painting that layers soft pale blues against deep grays and black, creating a quiet tension. A stylish man sits at the edge of a couch, ...

This figurative painting titled "Representative" is an original artwork by Lauren Rinaldi made of oil on canvas. This piece measures 48"h x 60"w. Rinaldi’s new series was inspired by the feminist debate on how women's appearances are constantly judged, criticized and dissected; often done so with the intent of diminishing their work and contributions. This issue is prevalent in all industries, but especially in the very public and important realm of politics. Throughout mainstream media, Rinaldi found countless examples of coverage depicting what a female politician was wearing and why it was deemed “inappropriate”, rather than discussing their policies. Typical of Rinaldi’s practice, most of the works found in Representative are not classic portraits, but zoomed in studies of the subject’s legs, shoes and body from the neck down. By doing so, the work focuses on the experiences and outside societal forces that these women, and women like them, have faced. To create the works in Representative, Rinaldi used sourced photographs of female politicians that felt meaningful and powerful to her. Before painting or drawing, Rinaldi manipulates each image through cropping, elongating or changing its composition, background and color. Color is especially important in Representative, as it is an expression that is frequently rejected or criticized in politics by men. Rinaldi uses vibrant jewel tones and color swaps, like Congresswoman Alexandria Ocasio-Cortez’s jacket from black to fuchsia, to represent the bold new ideas and diversity these women are bringing to United States politics. While Rinaldi does not specifically name any of her subjects, viewers will be able to recognize familiar leaders from across both sides of the aisle. Visitors will see snippets of stories through these works, like Former First Lady Michelle Obama’s sparkly boots...

This surreal artwork captures a stark desert crossroads under a vivid blue sky, where a vintage white convertible takes center stage. Two figures add intrigue: one stands beside the ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

This artwork elegantly blends classic and contemporary elements, depicting a young woman in a stylish black outfit holding a phone to her ear. She stands against an endless blue sky...

Thomas Hudson (Devon 1701 - London 1799) Portrait of a Notable in his Study Oil on canvas 124 x 102 cm. In antique frame 142 x 120 cm. This fascinating portrait is a valuable te...

Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...

Sandor Vago (Hungarian/American 1887-1946) The Chinese Girl, 1925 Oil on canvas Signed lower right 34 x 30 inches 38 x 34 inches, framed Exhibited: Clevela...

Two figures stand, facing the horizon, their eyes fixed on a missile flying horizontally. Its fiery trail cuts through the calm sky, and the moment hangs between “there’s still time”...

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

Stanislav Boleslavovich Katchalsky (1915-1995), Russian School, oil on canvas. Portrait of Vera in the snow. Signed in Cyrillic to the lower right. Dated 1968. Inscribed in Cyrillic ...

Unsigned. Presented in a contemporary wooden frame. On canvas.

Sir Henry Raeburn (Stockbridge, Edinburgh, UK, 1756 - Edinburgh, UK, 1823) Title: Portrait of a landowner Year: Early 19th century, 1803 Medium: Oil on canvas Dimensions: Without fra...

Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Publications: G...

Arthur Bésengez 1867 – 1947 Belgian Painter 'Portrait of a Boy' Signature: Signed lower right and dated 1913 Medium: Oil on canvas Dimensions: Image size 168 x 103, frame size 186 ...

This artwork is a striking fusion of vintage and modern elements, featuring a confident, poised woman dominating the foreground. Dressed in a chic leather ensemble with a cap and kn...

n.d. Double-sided oil painting on panel Signed in red This artwork is offered by ClampArt, located in New York City.

Sometimes I wonder, was it even there - that past life? If there are no photos, there is no evidence. In this artwork, I've captured a moment suspended in time, where nostalgia meets...

Portrait Of A Young Gentleman, 19th Century by Louis DEVEDEUX (1820-1874) sales to $40,000 Huge circa 1850 French portrait of a young gentleman, oil on canvas. Excellent quality an...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

The Elegant Couple by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 33.5 x 24 inches framed: 38 x 28 inches Very good ...

Oil on canvas sold with original frame Total size with frame 110x90 cm Charles Auguste Humbert, born in 1891 in Geneva and died in 1958, was a Swiss artist, mainly known for his w...

Portrait Contemporary art, Original oil Painting, One of a Kind Artist: Varvarov Anatoly Viktorovich Title: Self Portrait, Sise: 31.5x35.5 inches, (80x90 cm) Medium: Oil on Canvas Ha...

This striking portrait depicts a monk standing in a contemplative pose while holding an open book. The composition is centred on the solitary figure, whose white robes and dark cloak...

Malyshev Petr Nikolaevich - Пётр Николаевич Малышев 1909 – Moskow – 1976 Russia – Honoured Artist of the RSFSR 'Lenin and Krupskaya in a Winter Landscape' - Vladimir Ilyich Ulyano...

Emperor Napoléon I was and remains one of the most legendary military and political figures in history, having held, for a brief period, the fate of the Western world in his hands. Composed by the French painter Joseph Franque...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

A book collection of 4 drawings (in order of photos) by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed paper: 10 x 6.25 inches double sided...

Henry William Pickersgill, attributed to (London 1782 – London 1875) Portrait of Captain Samuel Wright Oil on canvas H. 92 cm; L. 73 cm Circa 1810/1815 Provenance: – Brother of the ...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

This artwork drops you into a surreal moment: two figures black outfits stand in the middle of nowhere, under a blue sky sprinkled with just enough clouds to keep it interesting. One...

Jirayr Hamparzoom Zorthian was born April 14, 1911 in Kutahya, Turkey, of Armenian parents. At the age of three, he showed considerable talent in drawing and painting. Zorthian we...

This artwork combines vintage aesthetics with surreal elements, set against a thought-provoking backdrop. A woman in a black suit and bow tie, holding a cigarette, exudes timeless el...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

The patient waiting for Bresson's “decisive moment” characterizes the pictures of the young Polish painter Marzena Slusarczyk. The compositions of her works have the magic of a successful photography. Often with a powerful neckline, they use expressive foreshortened perspectives and unusual versions and they take us into an intimate dimension of the women portrayed. However, Slusarczyk's pictures are mainly emotions captured on canvas, and this is what makes her works so special. The women she paints perform normal, banal activities in everyday life. But they are the key to reading the feelings of the female figures lost in thought. The lack of clarity in the artist's pictures allows the viewer to make their own interpretations. As the painter herself emphasizes, the aim of playing with the audience is to awaken the viewer's imagination and imagination so that they notice the seemingly invisible. This mystery and the unspoken are reminiscent of the paintings by Michelangelo Caravaggio...

This evocative painting depicts a solitary young boy in tattered clothing traversing a snow-covered rural path, framed by a wooden fence and distant trees against a muted winter sky....

"Girl with Muff" is aa American figurative portrait oil on canvas painting by Robert Henri in 1912. The artwork is 57 1/4 x 38 1/4 inches and, with the frame, is 64 1/4 x 45 1/4 x 2 ...

"Musician in Blue" Artist: Bartolome Sastre Medium: Oil on canvas Size: 28.75" x 36.25" Framed

"Arthur" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a portrait of a man in a suit and bowtie on a greyscale background. Nicolas Martin is a...

"Houdini" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a person in a yellow hoodie looking out at an abstract and surreal scene. Nicolas Mart...

Gold Man by Bernard Labbe (French mid 20th century), stamped verso original watercolour/gouache painting on paper overall size: 111.75 x 8.5 inches condition: very good and ready to...

"The Embroidery Lesson" is a masterful representation of Gustave De Jonghe’s ability to capture the elegance and intimacy of domestic life. Through his sophisticated use of color, me...

I didn't paint because I ran out of canvas. I was in a state of "I should have hung myself back during COVID." Got a new canvas, started painting, and suddenly felt happier. So, pain...

At first glance, "Independent" captures the viewer's attention with its striking imagery of a woman wearing a vibrant yellow coat. The choice of yellow as the dominant color is symbo...

My girlfriend and Me liked to dress up "take it off and throw it away"). We were looked at on the street, some advised us to go to a madhouse, but we liked it.) Tanka lived on the fi...

Price includes $400 cost of framing. Oil on canvas mounted to Masonite Signed in red, u.r. This work is offered by ClampArt in New York City.

Known for her bold visionary take on figurative realism, Erin Cone has twice been recognized in the national art press as one of the top young emerging artists in the country. After ...