Masonite Still-life Paintings

Vintage Floral Still Life - Cup with Cascading Flowers Detailed and moody still life of flowers in a ridged cup by Alan Inger (British b. 1901 d. 1978.) The background is full of de...

Vintage Floral Still Life - Cup with Stack of Flowers Detailed and moody still life of flowers in a ridged cup by Alan Inger (British b. 1901 d. 1978.) The background is full of dee...

Red Geraniums and Yellow Curtain Original Paul Schmitt California Impressionist Geraniums in an interior setting with a yellow curtain or drape behind by Paul A. Schmitt (American, 18983-1983). Oakland, California artist. Size 23.5"H x 16.5"W Signed lower left "Paul A. Schmitt" Exhibition label on verso, "Alameda Art Association, Paul A. Schmitt Oil Still Life No 10" Painter, watercolorist, illustrator and teacher, Paul Schmitt was born in Philadelphia, in 1893 and moved to San Francisco in 1898 where he lived until the 1906 earthquake took his family home. He then moved to the Fruitvale district of Oakland. He died of natural causes at the age of 90 in San Leandro, California. Paul Schmitt studied under Perham Wilhelm Nahl, at the California College of Arts and Crafts. He also learned various crafts, woodworking and carving skills from his father, Herman Schmitt, a German wood carver working in San Francisco. Herman's works are still found in various San Francisco public buildings including the city hall chambers and the garden court of the Palace Hotel. Schmitt joined twelve other local San Francisco artists to form the group called "The Thirteen Watercolorists", a group that eventually evolved into the Society of Western Artists. Their early members included Alfred Owles, Will Cameron, Maurice Logan, Maynard Dixon and many others. Paul worked with engineers and architects doing models of many projects. He was versatile in that he also did illustrations for various publications and advertisers. He fathered thirteen children. In the late 1930's he decided to accept a teaching position in the local adult schools where he retired in his eighties. Paul was very fond of the Sierra Nevada Mountains and yearly took his large family there on camping /sketching trips. He did a series of oils of the California missions. He also traveled extensively on sketching trips including Mexico where he did a series of Mexican churches...

Gorgeous mid-century still life of a vase of white lilies next to a green teapot and lemon by listed California artist Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleifors...

Gorgeous vibrant still life of roses, sweet peas, and calla lilies by Helen Mae Enoch Gleiforst (American, 1903-1997). Signed "Gleiforst" lower left. Displayed in a giltwood frame. I...

American, 20th Century Signed: Klug '67 (Right, Center) " Still Life of Peaches ", 1967 Oil on Masonite 24" x 30" House in a 3 1/2" Frame with a 1" Linen Liner Overall Size:...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

Classic mid century still-life of a green drape with vase, by W. Gray (American, 20th Century). Dated and signed by the artist lower right, "57 W. Gray." ...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful interior ...

French Still Life With Flowers Bouquet Oil on masonite, signed, original vintage frame. Edith Faucon was born on May 24 in 1919 in Carentan France. She owes her artistic training f...

Beautiful still life of a vase of bearded irises, begonias, and daffodils by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Unframed. Image size: 14"H x 10"W. Helen Gleiforst was born in Crete, Nebraska and soon moved to Oregon where she studied at the University of Oregon. Gleiforst then settled in Beverly Hills where she began to paint. Her teachers included Nicolai Fechin, George Melcher, and John Hubbard Rich...

A unique, contemplative 1930s Modern table top still-life painting featuring a spoon, egg and an artichoke by famed Chicago artist, Francis Chapin. Image size: 11 1/4 x 15 1/4 inc...

Still life with Calla Lily is an oil painting on masonite realized by Ugo Celada da Virgilio. Hand-signed on the lower left. Provenance: Galerie Sigfrid O...

Mid Century Floral Bouquet and Splendor Still Life Beautiful still life of orange and white flowers next to a bowl of fruit by Los Angeles and Carmel artist Helen Enoch Gleiforst (A...

This wonderful painting depicts a rich floral arrangement in a round, transparent glass vase. The flowers are depicted in a variety of colours, including different shades of red, pin...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a subdued, tonal int...

An Exceptional Mid-Century Modern Still Life Painting of Fruit and a Gold Fish Bowl by Noted Chicago Artist, Rudolph T. Pen. Completed in the 1960s, this large, unique, richly rende...

Hans Paap (German/American, 1890-1967) Signed: H. PAAP. (Lower, Right) " A Lovely Bouquet ", circa 1940s Oil on Masonite 15 1/2" x 13 3/4" Housed in its original 6 1/4" Artist-M...

Large Scale Mid 20th Century Acrylic Painting by Vanguard Studios Signed Van Gaard Classic 1950s to 1960s acrylic painting of a guitar against a colorful ab...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Not glamorous but highly significant collection of everyday household cleaning tools in this still life by listed Canadian artist Dorothy Violet Bywater-Schust (1918-2010). Signed "S...

Mid Century Floral Still Life in Oil on Masonite Bold still life with flowers and foliage by unknown artist "Rishard" (Richard) (20th Century). Yellow, red, teal, and purple flowers are arranged in a large grey pot...

This large, colorful still life painting by Paul Longenecker (1920-2008) depicts a varied assortment of flowers in an urn. There is a bird’s net to the lower right of the urn as well...

A Vibrant, Expressionist 1950s Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a bright and vivid studio still life scene ...

From the 1920s onwards, American modernist painter and illustrator Anne Estelle Rice (1877-1959) focused on painting warm, rich still lifes like this one, done in vibrant, Post-Impre...

Mid-Century Modernist Multi-Color Bouquet Still Life Vivid and fun mid century modern still-life of vase of flowers by California artist Virginia Sevier Rogers (American, 1917-2015). A CAL Berkeley...

Colorful Modernist Still Life with Impasto Flowers by Ellis Hopkins (American, b. 1952). This bold still life features an array of flowers as its central focus. The painting is ren...

Beautiful oil painting of a basket of Fuji apples with a plaid cloth hanging behind by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Unframed. Image, 24"H x ...

Modern Abstract Blue Rose, Vintage Abstracted Minimalist Floral by Eleanor Perry Modernist blue and white rose abstract by San Francisco, California artist Eleanor Louise Perry (Ame...

Tropical Fantasy Floral - Still Life Flowers Painting by Marc Zimmerman Oil on board Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsic...

Here for your consideration is an oil on board painting of purple asters by Russian Federation artist, Gennady Malyshev. Signed lower right and dated 1981. Condition is good. Over...

Gorgeous and vibrant mid century spring garden still life of a vase of pink peonies with a pair of garden gloves in the foreground by listed artist Helen Gleiforst (American, 1903-19...

Wonderful mid century vertical still life with folk-art feel and vibrant colors by T. Tinney (American, 20th Century) 1957. Signed "T. Tinney" and dated "1957" lower right. Unframed...

A great early date for this artist where he was coming out of the origins of expressionist and fauve works of art. A unique composition depicting a woman setting out a table laden w...

Herbert Parrish "Roses & Mirror" Floral Still Life. Oil on Masonite. 18 x 24 unframed, 26.5 x 32.5 framed.

Haitian Artist Alberoi Bazile "Fruit" Still Life Painting in Hand Carved Frame C.1970 Original painting on masonite Masonite dimensions 24" wide x 20" high Hand carved frame dimen...

Vito Tomasello (American, ?-1982). Still Life with Strawberries, 1979. Oil on masonite panel, 10 1/2 x 11 5/8 inches. Signed and dated low...

Beautiful cubist still life painted in jewel tones. ca. 1970. Oil on masonite panel measuring 20 x 24 inches. Unfrmaed. Signed "Galbrun" lower right.

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

Signed, verso, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and stamped with the artist's estate seal. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los A...

Wonderful mid-century still life of a floral bouquet with self portrait, in a vivid palette and painterly brush strokes, by Marjorie Hyman (American, - 2016), circa 1969. Signed lower left corner. Unframed. Condition: Good; wear on edges and corners. Image size: 30"H x 24"W. Hyman was a professional artist, published poet, played piano at the Officers Club during World War II. She studied theater at Stanford University and later performed professional monologues in the Bay Area. Member of the Peninsula Art Association, student of Alice de Boton...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged...

Wonderful art deco style still life of yellow and lavender tulips in vase with sugar bowl by Hamlin (American, 20th Century), circa 1935. Signed lower right "Hamlin" Condition: Good;...

Traffic is a rare and newly surfaced work from one of mid-century New York's most compelling yet underrecognized voices in Abstract Expressionism. Executed in the 1950s at the height...

This piece titled "Delight or Disgust" is an original artwork by Angela Rio and is made of acrylic on masonite, framed in artist-made oak wood. This piece m...

Trompe l'Oeil Still Life and Landscape in Acrylic on Masonite Still life in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). A still life with a bottle, fishbow...

Mid Century Modern Burgundy Calla Lilies in Oil on Masonite Gorgeous still life of burgundy calla lilies by listed artist Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleif...

A pair of evocative beach still life painting that flirt with surrealism by outsider artist, John Prue. Oil on masonite panel, each measures 12 x 24 i...

A Vibrant, Colorful 1950s Mid-Century Modern Still Life Painting by Notable Chicago Artist, Rudolph Pen. Depicting a radiant still life of fresh flowers, plates of fruit and a wine ...

A Lively, Expressionist 1950s Mid-Century Modern Painting, "Still life with Lemon" by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a painterly studio still life...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Literature: Marina Stern Paintings and Drawings, privately published (20...

Alice B. Doughten (1880-1969). Still Life with Roses, ca. 1930. Oil on masonite panel, 12 x 16 inches. Measures 18 x 22 inches framed. Signed lower right. Original label affixed on verso with Moorestown NJ identified as artist's address. Born in Camden, New Jersey, Alice Doughten became noted for her still life and landscape paintings with figures, usually watercolors and sometimes abstract in style. She studied art at the Pennsylvania Academy of the Fine Arts with Henry McCarter, Earl Horter, Ralph Pearson...

Trompe l'Oeil Still Tuscan Landscape in Oil on Masonite Landscape in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). This piece has been composed to create the...

Mid-Century Modern Abstracted Cubist Table Still-Life in Acrylic on Masonite Vibrant mid-century modern still life with abstracted synthetic cubist elements in warm colors, highligh...

Yellow chrysanthemums in a black vase with a deep blue backdrop come together in a beautiful midcentury still life oil painting by Central Valley and Los Angeles, California artist A...

Autumn Gift - Seasonal Harvest Still Life with Flowers by Albin Kern. This still life by Austrian-American painter Albin Kern (b. 1884, d. 1975) depicts a seasonal spread of gourds...

Summer Fruit Still-Life with Cherries, Peaches & Pineapple - After H. Raymond A lovely still-life featuring an opulent display of abundant summer fruit by an unknown artist, after H...

A Vibrant, Expressionist 1950s Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a bright and cheerful studio still life sce...

Signed lower right, 'Esther Lyne' (American, 20th century) and painted circa 1955. A sensitively painted Post-Impressionist oil still-life showing a view of a hand-painted creamware...