Post-War Paintings

Charles Blondin French, 1913-1991 Marche des Fleurs Devant La Madeline Oil on canvas Signed lower right 11 by 14 in. W/frame 16 by 19 in. A "School of Paris" artist during the mid...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

This is a rare original Post-war illustration drawing, hand-painted with gouache on Arches Velum paper by French artist C. Villars (France, 20th Century). The modernist composition s...

Abstract Expressionist Original Watercolor on Paper style of de Kooning Abstract Watercolor titled "Lands End" by Harold Winer (American, 1913-2006). Bright and bold colors of a Fl...

Post-War Airline Illustration by C. Villars (France, 20th Century) — Gouache on Arches Velin Paper. This rare, original post-war gouache illustration was hand-painted by French artis...

Red Barn Near Foothills - Landscape in Oil on Canvas A beautiful pastoral scene of a red barn near the foothills by Nellie M. Hodgson (American, 20th Century). A barn is nestled in ...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the artistic evolution of the mid-20...

Rabbi Reading by Candlelight (6-F) Abraham Straski, Polish (1903–1987) Date: 1959 Oil on Canvas, signed and dated Size: 23 x 19 in. (58.42 x 48.26 cm) Fr...

This is a rare, original Post-war illustration drawing, hand-painted with gouache on Arches Velin paper by French artist C. Villars (France, 20th Century). The poster project feature...

Original Post-War Airline Illustration by C. Villars (France, 20th Century) — Gouache on Arches Velin Paper. This rare, original Post-war illustration drawing was hand-painted with g...

Cataract Creek, Alberta - Canadian Mountain River Valley Landscape Majestic landscape of a sweeping mountain valley vista at Cataract Creek in Alberta by Canadian artist Lloyd C. La...

German Post War Abstraction --"Untersuchung" (Investigation) Double-sided Painting Rare post-war German Abstraction painting by Walter Junge (German, 1905-1990), 1963. Considered a ...

White Flower Display in a Glass Vase by Henri Miloch (1898-1979) signed lower right watercolour painting on artist's paper, unframed sheet: 18 x 12 inches Charming still life pain...

A Unique, Unusual and Striking Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "Maquete #1", the assemblage is a diminutive, mixed media collage composition of found objects and acrylic on canvas. The artwork shows a unique synthesis of American Machine Age aesthetics with Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the Chicago Imagist school (including H.C. Westermann and others experimenting with collage, assemblage and the integration of inanimate objects). Artwork size: 10 x 8 inches; Signed and dated "Edwards 2005" on the reverse and titled "Maquette #1". Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

A Unique, Unusual and Striking Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "Study f...

By Gérard Valtier Medium: Oil on canvas Size: 21" x 25" Framed This painting by Gérard Valtier (1950), titled "Soil au Peptit," depicts an elegant outdoor gathering scene, bathed in...

Alkyd-oil on board, 81cm diam., (100cm diam framed). Although most famous for his portrait of HM Queen Elizabeth in the National Portrait Gallery, London, from the late 1970s up un...

A Unique, Unusual and Striking 1996 Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "Post Modern Blues for Patricia Barber" in reference to the famed, Blue Note label Chicago Jazz musician. A diminutive mixed media collage composition of found objects and acrylic on canvas, accompanied with the artist's original frame. Shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the Chicago Imagist school, including H.C. Westermann and others experimenting with assemblage and the integration of inanimate objects. Artwork size: 14 x 11 inches; Framed size: 15 x 12 inches. Signed and dated "Edwards 1996" on the reverse and titled "Post Modern Blues for Patricia Barber" (an original artist card with the title and media of the artwork is affixed to the reverse). Provenance: The Artist; Private Collection, Chicago, IL (circa 2010) Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

Introducing a beautifully gripping post-war oil painting by British artist Joseph Duncan. Within this intense expressionistic work, the powerful use of c...

Saturated, intimate depiction of sharing a bed with a partner by Narcissus Robert Quagliata (Italian-American, b. 1942). Likely based on an out of focus photograph, this piece stradd...

Heavily Textured Abstract Expressionist Composition in Oil on Canvas Bold, textured, abstract composition by California artist Harald "Harry" Dry Schmidt (American, 1933-1979). Brig...

Mid Century Santa Barbara Eucalyptus and River Landscape Wonderful mid century Santa Barbara California landscape of eucalyptus trees near river with mountains in background by Max ...

Donald S. Vogel's work has entered the collections of the following institutions: Art Institute of Chicago, Chicago, Illinois Beaumont Museum of Fine Art, Beaumont, Texas Charle...

Saturated, intimate depiction of a bedroom interior by Narcissus Robert Quagliata (Italian-American, b. 1942). Likely based on a photograph, a slightly out of focus figure can be see...

Seated Nude - Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman in Blue by California artist Harald "Harry" Dry Schmidt (American, 1...

This is a mixed media abstract painting collage with string, plaster texture, stencilled letters in a bold typeface. Size includes frame. James Coignard was born in Tours, France in...

Love in the Spring at Big Sur California original Acrylic on Canvas Blossoms and flowers with Love (written on painting) and a spring mélange is a creation by Judith W Winslow (Amer...

20th Century School, Corner Store Street Scene, Oil on Masonite, signed "Kubert" lower right, giltwood frame. Image: 19" H x 22.5" W; frame: 26.75" H x 30.25" W x 2" D. Provenance:...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Rabbi with Torah (15-F) Year: circa 1957 Medium: Oil on Canvas, signed l.r. Image Size: 16 x 12 inches Frame Size: 26 x 20 inches

Love in Black and Gold - Original Acrylic on Canvas with Quartz Multicolored, iridescent abstract composition by Judith W Winslow (JW) (American, 1943-2023). This piece is textured ...

The Artists Country Home Rodgau Germany Original Oil on Linen 1944 Oil painting of the German Countryside circa 1944 by an anonymous artist. (German, 19th-20th C). Well painted of a...

Original Bay Area Figurative of Mother and Baby in Oil Paint on Laid Paper Original oil painting depicting a modern twist of a mother and baby by Honora Berg (American, 1897-1985), ...

Oil on canvas Signed and dated (verso) 91cm × 61cm (x2), (149cm x 118cm framed) Wilfred Avery was a British modern painter and collagist whose six-decade career focused primarily o...

Oil on canvas Signed and dated (verso) 71cm × 102cm (86cm × 116cm framed) Wilfred Avery was a British modern painter and collagist whose six-decade career focused primarily on two ...

An extra-large red abstract composition that invigorates the bystander with its powerful red and black color play. This oil painting is an exquisite example of a mid-century modern a...

Here for your consideration is a important, rare social realism oil painting by the WPA (Works Project Adminstration) artist, Nahum Tschacbasov. Oil on canvas; signed and dated lowe...

This abstract painting by German artist Ferdinand Spindel exemplifies post-war European abstraction, where texture is as important as colour and comp...

Freeman (XX), "The Wedding Party", Oil on Canvas, 1968, signed, titled, and dated verso, black frame. Image: 31.75" H x 36" W; frame: 34" H x 38" W x 2" D. Provenance: From a Sca...

"Crucifix" is an abstract Post War oil over monotype painting by Hans Burkhardt in 1981. The artwork is 11 x 7 5/8 inches and, with the frame, is 14 1/4 x 10 3/8 x 3/4 inches. It is ...

Rabbi with Torah Abraham Straski, Polish (1903–1987) Date: 1950 Oil on Canvas on Wood, signed and dated Size: 16 x 12 in. (40.64 x 30.48 cm) Frame Size: 19.5 x 15.5 inches

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

YU-ICHI (1916-1985) Sky Frozen ink on Japanese paper Japan, 1962 85,5 x 61 cm Catalogue Raisonné Vol. 4 (1949 - 1985, additional works), 2024 CR no. 62073a YU-ICHI (1916-1985) is o...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Untitled - Polish Rabbi F Year: 1952 Medium: Oil on Canvas, signed l.r. Image Size: 10 x 7.5 inches Frame Size: 17.5 x 15 inches

Jewish Man Playing Viol (3-F) Abraham Straski, Polish (1903–1987) Date: 1952 Oil on Canvas, signed and dated Size: 16 x 11.5 in. (40.64 x 29.21 cm) Frame Si...

A Unique, Unusual and Striking 1999 Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "Mr...

A Unique, Unusual and Striking Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Las...

A Unique, Unusual and Striking Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "Maquete #3", the assemblage is a diminutive, mixed media collage composition of found objects and acrylic on canvas. The artwork shows a unique synthesis of American Machine Age aesthetics with Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the Chicago Imagist school (including H.C. Westermann and others experimenting with collage, assemblage and the integration of inanimate objects). Artwork size: 10 x 8 inches; Signed and dated "Edwards 2005" on the reverse and titled "Maquette #3". Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

You look at the street with all the cracks in it and the curb. An image communicates the whole sense of that kind of reality. You can't but it into words. I have several books in ...

This piece is from my priate collection created by Jean Remlinger who has a figurative style reminiscent of the works of Francis Bacon. It is probably an acrylic gouache , as a print...

Walter Gaudnek (Czech, 1931-2022), "Birth of a Totem Nos. II-VI", Oil on Canvas, circa 1970, signed lower right, titled verso, unframed. 49.25" H x 57.75" W x 1" D. Provenance: Fro...

A charming and decorative composition painted in 1943 by Danish artist Evan Wulff. This stilleben painting unveils a rustic table adorned simply with a wine bottle and two oranges. T...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Untitled - Polish Rabbi Year: 1952 Medium: Oil on Canvas, signed l.r. Image Size: 16 x 12 inches Frame Size: 26 x 20 inches

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 2 Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi holding Torah Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

This is a large mixed media abstract painting with stencilled letters in a sans serif typeface in blue and red. it is in the manner of James Coignard but does not appear to be signed...

Florida is an oil and ink mixed media artwork mounted on panel, 24 x 20 inches, signed and dated 'STEINBERG/1969' lower right. Inscribed '22 Florida' verso in pencil. Framed in a con...

This unique black wooden assemblage from 1951 is a captivating example of mid-century post-war abstract relief art. Signed with an illegible signature, the piece carries a mysterious...

Karl Zerbe (1903 - 1972) Boy from Mansos, 1963 Collage and acrylic on canvas 35 x 23 inches Signed lower right Provenance: Lee Nordness Galleries, New York Karl Zerbe was born on September 16, 1903 in Berlin, Germany. The family lived in Paris, France from 1904–1914, where his father was an executive in an electrical supply concern. In 1914 they moved to Frankfurt, Germany where they lived until 1920. Karl Zerbe studied chemistry in 1920 at the Technische Hochschule in Friedberg, Germany. From 1921 until 1923 he lived in Munich, where he studied painting at the Debschitz School, mainly under Josef Eberz. From 1924 until 1926 Karl Zerbe worked and traveled in Italy on a fellowship from the City of Munich. In 1932 his oil painting titled, ‘’Herbstgarten’’ (autumnal garden), of 1929, was acquired by the National-Galerie, Berlin; in 1937, the painting was destroyed by the Nazis as "Degenerate art...