Post-War Paintings

Saturated, intimate depiction of sharing a bed with a partner by Narcissus Robert Quagliata (Italian-American, b. 1942). Likely based on an out of focus photograph, this piece stradd...

Florida is an oil and ink mixed media artwork mounted on panel, 24 x 20 inches, signed and dated 'STEINBERG/1969' lower right. Inscribed '22 Florida' verso in pencil. Framed in a con...

Karl Zerbe (1903 - 1972) Boy from Mansos, 1963 Collage and acrylic on canvas 35 x 23 inches Signed lower right Provenance: Lee Nordness Galleries, New York Karl Zerbe was born on September 16, 1903 in Berlin, Germany. The family lived in Paris, France from 1904–1914, where his father was an executive in an electrical supply concern. In 1914 they moved to Frankfurt, Germany where they lived until 1920. Karl Zerbe studied chemistry in 1920 at the Technische Hochschule in Friedberg, Germany. From 1921 until 1923 he lived in Munich, where he studied painting at the Debschitz School, mainly under Josef Eberz. From 1924 until 1926 Karl Zerbe worked and traveled in Italy on a fellowship from the City of Munich. In 1932 his oil painting titled, ‘’Herbstgarten’’ (autumnal garden), of 1929, was acquired by the National-Galerie, Berlin; in 1937, the painting was destroyed by the Nazis as "Degenerate art...

Landscape painting with working man by renowned Danish artist Joergen Boberg (1940-2009) is 11,8in (H) x 11,8 (B) / 30cm (H) x 30cm (B). Signed 'B' and dated '57' in upper left corn...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas (diptych). Signed and dated verso. 68.25 x 32.25 in. 69.75 x 33.5. (framed) Custom framed in...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

Rabbi Reading by Candlelight (6-F) Abraham Straski, Polish (1903–1987) Date: 1959 Oil on Canvas, signed and dated Size: 23 x 19 in. (58.42 x 48.26 cm) Fr...

Introducing a captivating post-war modern painting by German artist Ferdinand Spindel. In a stunning abstract composition, this piece features a harm...

This gouache on paper executed in 1988 by Menachem Gueffen depicts a female musician holding a mandolin within an interior setting opening onto a stylized landscape. The vertical com...

Original Textured Abstract Expressionist Nude - Oil on Canvas Abstract expressionist figurative composition of a nude woman by California artist Harald "Harry" Dry Schmidt (American...

"The Zoo" is an abstract Post War oil on panel painting by Hans Hofmann in 1944. The artwork is 21 3/8 x 24 1/2 inches and, with the frame, is 22 1/4 x 25 1/2 x 2 inches. "The Zoo...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated verso. 49.5 x 34.5 in. 51 x 36.25 in. (framed) Custom framed in a maple fl...

"Landscape No. 108" is an abstract Post War oil on panel painting by Hans Hofmann in 1941. The artwork is 23 1/4 x 29 1/4 inches and with the frame is 31 1/8 x 37 1/8 x 2 5/8 inches,...

YU-ICHI (1916-1985) Sky Frozen ink on Japanese paper Japan, 1962 85,5 x 61 cm Catalogue Raisonné Vol. 4 (1949 - 1985, additional works), 2024 CR no. 62073a YU-ICHI (1916-1985) is o...

Bold abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009). Oil on masonite. Titled "For the Spouse no Longer in my House" on verso. From the estate ...

A dynamic, abstract expressionist image by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" lower r...

"Untitled, Figure Study" is an abstract figurative Post War pastel on paper paintings by Hans Burkhardt in 1967. The artwork is 21 1/4 x 16 1/4 inches and, with the frame, is 28 3/4...

An abstract, oil on linen on panel painting executed in bright oranges, blues and dark tans and browns by Post War artist Thomas Nozkowski. Signed verso, "Thomas Nozkowski." Nozk...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "J...

Sergio Cerno Bissi (Italian, 1902-1987), Still Life Scene with Paintbrushes, Oil on Canvas, signed lower left, sponge painted wood frame. Image: 27 H x 18.75" W; frame: 35" H x 27" ...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

A painting by Irving Norman. "American Street Scene" is a macabre social surrealism city scape, oil on canvas in a bold palette of reds, blues, and yellows by artist Irving Norman. T...

Charles Frederick Tunnicliffe, R.A. (1901-1979) The fashion parade signed ‘CF Tunnicliffe’ (lower right) oil on canvas 25 ⅛ x 30 ¼ in. (63.8 x 76.8 cm.) frame 30 ⅞ x 36 in. (78.4 x 9...

Spanish Surrealist Interior Mirror Portrait Symbolist Figurative Painting TECHNICAL DETAILS Artist: Agustín Úbeda (Herencia, Ciudad Real, 1925 – Madrid, 2007) Title: Hay un salón v...

"The Day After" is an abstract Post War oil on canvas painting by Michael (Corinne) West in 1963. The artwork is 85 1/4 x 50 1/8 inches and is 86 7/8 x 51 5/8 x 2 inches with the fra...

A painting by Nathan Oliveira. "Untitled" is a Bay Area Figurative Painting, oil on canvas in a brown and tan palette by American artist Nathan Oliveira. The artwork is signed in the lower right, "Oliveira 64”. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

Alain Gazier has been born in 1956 in Paris, France. Quietly the viewers’ gaze is drawn through the deserted interiors created by Alain Gazier (1956). Sil...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, "Je Kon park 92". Born in South...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park, 1993". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in reds, yellows, and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jaw Kon Park, 92"". Born in South Korea, Park Jae Kon...

A painting by Carl Morris. This Untitled, abstract, acrylic on canvas painting is executed in a deep and lush palette of orange reds, blues, white and browns by Post War artist Carl ...

A painting by Arne Heirsoux. "Mem Sahib" is an acrylic and paper on canvas, abstract painting by Post War artist Arne Hiersoux. "Mem Sahib" is depicted in deep reds, blues, blacks, t...

Alain Gazier has been born in 1956 in Paris, France. Quietly the viewers’ gaze is drawn through the deserted interiors created by Alain Gazier (1956). Sil...

20th Century Post-War Painting of Mountain River Scene in the Mournes in Ireland, by Modern Artist, Denis Thornton (1937-1999) Art measures 30 x 16 inc...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower left, "Jae Kon Park, 1992". Born in So...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed lower left; signed, titled, and dated verso. 65.75 x 50.25 in. 67.25 x 51.75 in. (framed) Custom framed in a maple floater with a matte white finish. Provenance Takis Efstathiou, PTE Fine Arts, New York Private Collection, New York Theodoros Stamos is heralded as one of the few abstract painters who bridged the New York School’s first and second generations. His age, in particular, afforded him this unique position, as he was the youngest member of the “Irascibles,” the core group of fifteen New York School painters publicized by Nina Leen...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, mounted on board, circa 1965, apparently unsigned, unframed. 8.5" H x 11" W x 0.75" D. Provena...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in greens and oranges by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract expressionism and typographic woodcuts. Throughout his career, travel continued to inspire him. Park Jae Kon created abstract landscapes that reflect the colors and light of the Andes Mountains and geometric abstractions that incorporate iconography from the South America’s ancient civilizations. Park Jae Kon himself found a deep spiritual resonance with South American and Indian cultural history, and his work captures this personal connection to Aztec, Incan, and Hindu iconography. In his later work, Park Jae Kon attempted to reconcile his Korean identity with his adopted homeland of South America. These works often combine the colors and patterns of ancient Incan and Aztec art...

ARTIST: Unknown (mid 20th Century) Enlgish School TITLE: " Full Length Portrait Of An Austere Lady" (1974) SIGNED: monogrammed upper right MEDIUM: oil on canvas SIZE: 103cm x 61cm ...

A painting by Kumi Sugai. "3 Heures D'Après Midi" is a geometric abstract, acrylic on canvas in a palette of blues, pinks, and reds by Japanese Minimalist artist Kumi Sugai. The artw...

A Unique, Unusual and Striking 1999 Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Dude with the Ball Bearing Eyes...", the assemblage is a diminutive, mixed media collage composition of found objects and acrylic on board in a hand painted shadowbox frame. Shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the Chicago Imagist school, including H.C. Westermann and others experimenting with assemblage and the integration of inanimate objects. Artwork size: 9 3/4 x 7 3/4 inches. Signed and dated "Edwards 1999" on the reverse; inscribed with the title "The Dude with the ball bearing eyes, tipped you a $20 and stared into the emptyness of his own night". Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

A Unique, Unusual and Striking Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "Maquete #1", the assemblage is a diminutive, mixed media collage composition of found objects and acrylic on canvas. The artwork shows a unique synthesis of American Machine Age aesthetics with Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the Chicago Imagist school (including H.C. Westermann and others experimenting with collage, assemblage and the integration of inanimate objects). Artwork size: 10 x 8 inches; Signed and dated "Edwards 2005" on the reverse and titled "Maquette #1". Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

A Unique, Unusual and Striking Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "Study f...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, circa 1965, apparently unsigned, wood frame. Image: 10.5" H x 7.25; frame: 11.75" H x 8.25" W ...

Love in the Spring at Big Sur California original Acrylic on Canvas Blossoms and flowers with Love (written on painting) and a spring mélange is a creation by Judith W Winslow (Amer...

Artwork sold with frame (79 x 60 cm) Charles Auguste Humbert, born in 1891 in Geneva and died in 1958, was a Swiss artist, mainly known for his work as a painter. He lived at a time...

A painting by Jae Kon Park. "Untitled" is a figurative painting, oil on canvas in blues and browns by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues, oranges, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lowe...

A painting by Carl Morris. “Untitled” is an abstract expressionist painting, acrylic on canvas in reds and browns by American artist Carl Morris. The artwork is signed in the lower r...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues, oranges, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "JE Kon Park. 93". Born in South Korea, Park Jae Kon...

German Post War Abstraction --"Untersuchung" (Investigation) Double-sided Painting Rare post-war German Abstraction painting by Walter Junge (German, 1905-1990), 1963. Considered a ...

A painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...

German Post War Modernist Still Life of Fruit and Pitcher by Walter Junge Double-sided Painting "An echo of the nature-oriented ideas from German Romanticism seems to continue to re...

This unique black wooden assemblage from 1951 is a captivating example of mid-century post-war abstract relief art. Signed with an illegible signature, the piece carries a mysterious...

Reclining Nude "Dawn" Fauvist Colors Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman by California artist Harald "Harry" Dry Schm...

A painting by Carl Morris. "Untitled" is an Abstract Expressionist triptych painting, acrylic on canvas in blues and oranges by American artist Carl Morris. The artwork is signed on ...

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. This untitled work is executed in bold strokes, splashes and drips of white, black, red and blue ag...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 1986". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues, oranges, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lowe...

Hidden in the Flowers - Abstract Bird in Acrylic on Threaded Paper Multicolored abstract composition by Judith W Winslow (JW) (American, 1943-2023). A bird with white feathers is pa...