Romantic Paintings

Signed "G. Goldberg" This atmospheric seascape captures a tranquil coastal scene at sunset, where the fading light reflects delicately across the surface of the water. The compositi...

A stunning large scale oil painting on canvas of a beautiful woman. Here, the artist has given us a traditional portrait of a young woman, she has brown eyes and dark hair. Exquisi...

➡️ Romantic Seascape⬅️ ⏩It is signed A Cayrot⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐50x75.5cm / 19.7x 29.7inch ⭐Date: 1879⭐...

Elias Muukka (1853–1938) Finland Månsken vid stranden (Moonlight by the Shore), 1909 signed and dated 09 oil on canvas unframed 31 × 40.5 cm (12.2 × 15.9 in) framed 44 × 54 cm (17....

Signed upper left, 'G. Rochegrosse' for George Rochegrosse (French, 1859-1938) and dated 1881. Framed dimensions: 15.5 H x 1.5 D x 13.5 W inches A finely-painted figural oil showin...

Evening Landscape with River and Farmhouses by August Alvén captures a moment of profound quiet in the Swedish countryside just after sunset. The glowing sky transitions from warm ap...

signed and dated Otto Sinding Karlsruhe 1873 lower right oil on relined canvas framed 59 × 101 cm (23.2 × 39.8 in) unframed 41 × 83.5 cm (16.1 × 32.9 in) Provenance: The collection ...

This atmospheric marine painting, Twilight in Gibraltar, is a characteristic work by the Danish artist Lauritz (Laurits) Bernhard Holst (1848–1934), whose oeuvre is closely associate...

French School 19th Century Portrait of a man dated "aout 1880" (august 1880) and perhaps initials on the lower right Oil on canvas transfered on cardboard panel 49 x 36 cm In good co...

Evening Calm, Fishing Boats at Anchor is a painting Per Wickenberg, capturing a serene twilight along a sheltered coast. Fishing boats rest quietly at anchor, their sails lowered and...

This striking coastal landscape by Bertel Bertel-Nordström captures the solemn beauty of a moonlit night along the Nordic shoreline. The composition is dominated by a dramatic interp...

Executed in Düsseldorf in 1910, this portrait depicts a woman seated in a refined interior, wearing a sumptuous golden-yellow gown that shimmers in the light. A dramatic sidelight il...

Portrait of a Woman in Front of the Sea - Original Romantic Oil Painting Beautifully rendered and realistic portrait by Gianni (Giovanni) Strino (Italian b. 1953.) A woman stands in...

Trees & Fields in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Prove...

Sunset (1925) depicts a serene lake in Värmland at the close of day, suffused with the golden light of dusk. In this composition, Werner captures one of his signature motifs: a broad...

In this atmospheric landscape at sunset, Fredrik Lagerström captures a fleeting twilight moment with vivid intensity. The sky is aglow with brilliant gold and amber hues, which are m...

Romantic Mountain Landscape with Waterfall - Turn of the Century Oil Painting Vibrant painting of an alpine landscape, likely inspired by the American West by Charles Christian Eise...

"Animal Studies, 1814" Charles Towne (British, 1763-1840) Oil on panel Signed and dated Chas. Towne/ Pinxit 1814 (lower right) 15 x 11 3/8 (21 x 17 ¼ frame) inches Provenance: Collec...

French mid century oil on board painting of a colourful flower market in the square of the Grand Theatre in Cherbourg, northern France by J Lietard. The painting is signed bottom rig...

This calm and reflective mid-19th-century German oil painting depicts a woman reclining, her hand on a zither, before moonlit Alpine scenery. Gazing outwards across the rooftops and...

In Sittande kvinna i interiör, Jon Loman focuses on the poetry of ordinary domestic life, presenting a seated woman absorbed in quiet work at a small table. A lamp forms the emotiona...

A unique set of vintage French herbarium / botanical displays. These botanical specimen are preserved behind glass in a new double sided glass frame. ...

A good antique marine oil painting by James Webb (1825-1895), circa 1860, ex-Sothebys. The painting depicts a stormy or squally sea, most likely the English channel, the rocky cliff...

Female Figure in Oriental Dress among the Ruins of Romantic Greece Oil on canvas, 61 × 46 cm (without frame), 74 × 57 cm (with frame) Early to mid-19th century Not signed A youn...

Signed, verso, on attached fragment, 'L. Verite' for Lucien Henri Alphonse Verite (French, 1866-1926) and painted circa 1890. Verite studied at the École des Beaux-Arts in Paris bef...

Dramatic and beautiful, light shines on the bucolic flock of sheep as the village, skies and hills remain in darkness, John Linnell (1792-1882) gives us a metaphor of coming through ...

This fine early 19th-century Austrian oil painting depicts a dapper gentleman in half-length format against a softly animated sky. Shown turned slightly toward the viewer, his postu...

We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the...

Horse & Figure in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Proven...

Finely executed oil painting on panel by the Austrian artist Alfred (Ritter von Malheim) Friedländer (Vienna, 1860 – 1933). The work depicts an elegant company that has paused alon...

Trees & Cottage in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenanc...

Painting of Farm with Geese in the English Countryside by 20th Century British Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage Series No.111 Art measures 10 x 8 inches (approx.) Frame measures 15 x 13 inches (approx.) James Wright was born in Peterborough in 1935 and now lives in Lincolnshire. James is a self-taught artist and a leading exponent of the traditional English landscape style. His early work concentrated on the busy fishing villages around the coast of Norfolk, Cornwall and Sussex. More recently, his traditional landscapes mainly feature the East Anglian and Lincolnshire countryside. About the English Heritage Collection From the most powerful to the most humble, from Bronze Age axes...

Decorative river landscape in romantic style, Signed lower left 'I Roy', unknown artist, Oil on canvas Dimensions excl. frame: 49 x 65 Dimensions incl. frame: 64 x 80 x 7 cm. In go...

oil and wax on canvas over wood panel signature on verso Hiro Yokose paints images of nature composed in subtle, sensuous palettes. Playing with the viewer’s perceptions, his work c...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

A late 18th Century oil on canvas laid on board of a young beauty in period costume carrying a basket of flowers on her head. Presented in a very fine gilt, period 'Directoire' frame...

Romantic painter (second half of the 19th century) - Portrait of a Lady. 45.5 x 31 cm (unframed) — 74 x 60 cm (framed). Oil on canvas, in a carved wooden frame (not signed). Full-...

Unidentified Artist Schoolboy, Early 1900s century signed lower left oil on canvas unframed 24 × 29 cm (9.4 × 11.4 in) framed 41 × 47 cm (16.1 × 18.5 in) This intimate genre pain...

Margaret Maitland Howard. English ( b.1898 - d.1983 ). Pan, God Of Nature, Playing Panpipes. Oil On Canvas. Signed Lower Left. Image size 22.6 inches x 18.1 inches ( 57.5cm x 46cm ). Frame size 26.8 inches x 22.2 inches ( 68cm x 56.5cm ). Available for sale; this original oil painting is by the English artist Margaret Maitland Howard and dates from the 1930s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas has been lined and mounted on a newly constructed custom made stretcher. The painted surface has benefitted from cleaning and conservation, all of which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Margaret Maitland Howard was an accomplished and versatile English artist whose works spanned the early to mid-20th century. Known for her evocative and often mythologically inspired oil paintings, Howard’s work reflects a deep engagement with classical themes and her knowledge of nature, and the human form. She was also proficient working in watercolours and pastels and an accomplished sculptor. Margaret, who was always known as “Marjorie” was born in Friern, Barnet, London on 31 July 1898, the daughter of artist and civil servant Henry James Howard. She grew up at Sutton, Surrey, where she spent most of her life. She spent many years living and working from St. Katherine’s, Malgrave Road, Sutton, Surrey. She was educated privately, at the Byam Shaw and then attended the Vicat Cole School of Art, completing her studies at the Royal Academy Schools, where she won five silver medals and other awards. She was also the recipient of a British Institute scholarship and extension and won the 1926 prize for her portrait work at the National Welsh Eisteddfod in Swansea. She exhibited paintings at the Royal Academy, showing at least ten works of classical and biblical themes at Summer Exhibitions between 1923 and 1935. She was one of the early group of women who painted nudes, a practice which was considered somewhat risqué and vulgar in the early twentieth century. She also exhibited at other leading galleries and in the provinces and consistently pursued her art despite the challenges posed by the societal norms of the time. Howard had a significant professional career for a woman of her generation. Just after World War II she was appointed draughtsman to the Institute of Archaeology at London University where she worked from 1948 to 1960. This is now part of University College, London. Here, she worked as an illustrator and sculptor, creating models for Professor Frederick Zeuner to use in his lectures. She also illustrated one of his important books (Zeuner, F.E. Dating the Past, London: Methuen). She also created the bust of Gordon Childe, now in the Institute’s Library. After her retirement from the Institute of Archaeology she collaborated with Ian Wolfran Cornwall on his series of books about the prehistoric world. In 1956, whilst working for the British Institute for the Study of Iraq, she moved to Balawat and supervised the archaeological work at the site of an ancient Assyrian city in northern Mesopotamia. She subsequently prepared drawings of the Balawat Gates, which was significant and technical work. In addition to illustrating various books on ancient history and anthropology, Howard was also known as an illustrator of fictional books, producing an illustrated edition of the Fables of Aesop that was published by John Lane at The Bodley Head in 1926. She also illustrated Elizabeth Ward...

This refined harbour scene from Le Havre presents a quiet yet vivid impression of a working port along the northern coast of France. Alfred Bergström constructs the composition from ...

This sunset landscape by Hans Agersnap presents a quiet and ccontemplative view of the Danish countryside at the close of day. The composition is dominated by undulating hills, bathe...

Jules SANSON Active in the 1830s and 1840s The arrival of the young girl at the monastery on the shores of Lake Como Oil on canvas 27 x 35.5 cm (31.5 x 39.5 cm with the frame) Signed...

Albert BREDOW Germany, 1828 – Moscow, 1899 Oil on canvas Signed lower right "ABredow" 43 cm x 62 cm (67 x 85 cm with frame) Albert Bredow is a German-Russian landscape painter, lit...

A unique pair of vintage herbarium / botanical displays collected and created by S. Lindwald in June 1946 in Sweden. These botanical specimen are preserved behind glass in a new doub...

Albert Roosenboom was a Belgian genre painter celebrated for his elegant depictions of everyday life in the mid to late 19th century. A pupil of the renowned Constantin Meunier, Roos...

This exquisite painting by the artist Otto Lindberg (1880-1955) is a mesmerizing depiction of a spring sunset. Crafted in 1952, this piece stands as one of Lindberg's final paintings...

Charles Van Den Eycken 1859 – Brussels – 1923 Belgian Painter 'Curious Kittens' Signature: signed lower left and dated 'Ch. Van den Eycken 1900.' Medium: oil on canvas Dimensions:...

Original 1861 Late Romantic Naturalist Landscape Painting This piece features a small countryside cottage and two figures, with the dramatic backdrop of layered mountains and low cl...

George William Mote (1832–1909) Landscape with Cattle on a Country Path, 1887 A luminous and richly detailed late-19th-century landscape by George William Mote, dated 1887, showcasi...

Hilding Werner (1880-1944) was a Swedish artist known for his portraits, romantic landscape paintings of Värmland, and caricature drawings. We are privi...

Atmospheric and dramatic seascape painted by two sisters from the famed Nasmyth family of 18th/19th century Scottish artists. The names of A G Nasmyth (Anne Gibson) and Jane Nasmyth ...

"Rebirth" is an oil painting by Daniela Astone (b. 1980 Pisa, Italy) depicting three figures amongst a background of deep teal green and blue. The first figure, represents "Ophelia"...

The view from Månberget at sunset, as captured by Gottfrid Kallstenius in this 1912 oil painting, displays a warm golden light over Djupsundet, framed by the silhouette of a gnarled ...

Pair of Hunting Dogs at Rest; Artist unknown, French, 19th century (monogrammed "JS" Circa 1850 10 x 7 (14 3/8 x 17 1/8 frame) inches This is finely realized portrait of pair of h...

We are pleased to present this painting by Ernst Lundström, dedicated to the esteemed sculptor Per Hasselberg. The dedication on the front of the painting makes this piece particular...

Gottfrid Kallstenius (Västervik 1861–1943 Storängen, Stockholm) A view of Stockholm from an imaginary terrace, 1906 Signed and dated “G. Kallstenius -06” Arched top Oil on canvas u...

Original Miniature 19th Century Austrian Pastoral Figurative Oil Painting on Wood Painted in the manner of late Romanticism, this charming miniature pastoral landscape by Edmund Fri...

Carl Frederik Aagaard, Sunset over Dyrehaven. Signed C.F. Aagaard. Oil on canvas laid on card box panel. 22×32 cm without frame. A tergo written:...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

A Golden Dawn on the Maas In this refined marine painting, Arthur Joseph Meadows captures a tranquil sunrise on the river Maas just below the historic city of Dordrecht (“Dort”). The...