Brick Paintings

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. If you could read your mind, What a tale my thoughts could tell Just like a paperback novel The kind the drugstore sells When you reach the part where the heartaches come The hero would be you. But heroes often fail And you won't read that book again Because the ending's just too hard to take. About Artist Olaosun Oluwapelumi...

A Photorealistic painting executed in a Pointillist style by HN Han. A view of West Broadway, New York City in the direct midday sun. This large acrylic on canvas is signed and dated...

A historic painting of San Francisco Art Institute by woman artist Juliette Eleanor Wilm Steele. Juliette Steele, (1909-1980) was an American painter, ...

Born in Harlem, William Waithe studied painting, drafting and architecture at New York University and Queens College. He was known for painting outdoors, and is particularly identifi...

"No. 7" (2023) by Neil Douglas is an original handmade painting that depicts a cityscape. This painting measures 34 x 29 cm in it's frame and is ready to hang.

Artist: Alfredo Garzon Title: Voyeur Year: circa 1980 Medium: Watercolor on paper, signed Paper Size: 10.25 x 8.5 inches

Photo-realist oil painting of a classic brick building exterior in New York City 28 x 50 inches, oil on canvas painting Wire backing for easy hanging Unframed with white painted sides This contemporary, realistic oil painting of a New York City brick building exterior was painted by Richard Britell in 2019. Employing his mastery of the troupe l'oeil technique, Britell paints the smooth red colored stone building in extreme detail assuming a three-dimensional quality with close attention paid to shadow and perspective. This building is reminiscent of neo-classical architecture, popularized in the mid-late 1800's and the striking red exterior contrasts against the white stone window trim, further accentuating the painting's troupe l'oeil qualities. The painting on canvas is complete with wire on reverse for seamless hanging. About the artist: Richard Britell, a career painter, studied at Pratt Institute with Philip Pearlstein and Walter Erlebacher. His first show in NYC at Staempfli Gallery was sold out, and reviewed in the New York Times. Britell’s new works revolve around large, dreamy cityscapes tending toward abstraction. The artist currently lives in Pittsfield, MA. Born Utica, New York, 1944 Education 1962 – 1964 Pratt Institute, Brooklyn, NY 1964 – 1966 Syracuse University, Syracuse, NY B.F.A. 1970 – 1972 University of Massachusetts, Amherst, MA, M.F.A. Solo Exhibitions 2011 “Measuring the Universe” Lauren Clark Fine Art, Housatonic, MA 2010 “And Now For Some things Completely Different” Lauren Clark Fine Art, Housatonic, MA 2010 “The Figure, The Figure, The Figure and The Figure” Lauren Clark Fine Art, Housatonic, MA 2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA 2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma 2003 “Image and Text” Tokonoma Gallery, Housatonic, MA 1999 “From Architecture to Abstraction” Tokonoma Gallery, Housatonic, MA 1998 “New Work” Carrie Haddad Gallery, Hudson, NY 1998 “New Figures” Ute Stebich Gallery, Lenox, MA 1995 “Richard Britell, New Work” Katharina Rich Perlow Gallery, New York, NY 1993 “New Work on Gilded Panel” Phyllis Kind Gallery, New York, NY 1985 “Fresco Panels...

Charles Buckley sources images from the fifties and using acrylic ink, carefully renders familiar scenes of the everyday with lines of varying thicknesses. The subjects run the gamut...

You look at my paintings, that's a slice of life you never saw before. Right now, and for a good number of years, I've been an urban painter. My life, my reality is Chicago. Bow n...

An original oil on panel by American female artist Catherine Koenig created in 1941.

'Historic Building and Construction' series 'I’ve always been interested in depicting construction sites as I like that they are a hive of activity. In this series I am particularly ...

ROBERT KENNETH WHITE – "SANCTUARY IN FEATHERS" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display HUMANITY AND HARMONY “Sanctuary in Feathers” captures a poignant moment ...

Whether you love art or just looking to decorate your home, This high-quality 17.75X19.75â€

Oil on canvas Ramaz Chantladze is a Georgian artist was born in 1960 who lives and works in Tbilisi, Georgia. He studied at Jacob Nikoladze School of Art. In 1979-1985 he studied at...

ink on paper

I am fascinated by nature and the calmness it brings. That's where we all belong. That's my inspiration. This painting comes with a contemporary floater frame. It's ready to hang! ...

Acrylic, marker on canvas Gega Paksashvili is a Georgian artist born in 1963 who lives and works in Tbilisi, Georgia. At the early stage of the development of humanity, yellow color...

I have tried to capture the timeless simplicity of the Cycle. Artwork is done by smearing colors on the canvas using a combination of brush and knife to create a deeply textured ro...

Oil on canvas. A family enjoying a Vermont Dairy Festival together in the bright fall sunshine. This is a big family event with lots of cows, tractors and 4-H Club kids and their an...

Inukshuk, is a stone landmark or cairn built by humans, used by the Inuit, Inupiat, Kalaallit, Yupik, and other peoples of the Arctic region of North America. :: Painting :: Contemp...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. His "City Paintings" have a very realistic color palette, very true to life. His colors are...

Signed on bottom left

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that captures the great lighting and shadows of ...

JERRY BERNECHE Small Town No. 27 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 15 Watercolor on Arches 21.5 x 29.25 inches

Vadym Mykhalchuk "Coca-Сola" 2018

David Carmack Lewis' beautiful original contemporary oil landscape "Homestead Chimney" (2015) depicts an old chimney surrounded by tall grass, with a starry night sky above. This pie...

Represented by George Billis Gallery, NYC & LA --Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein air ...

Still Life with card 1989, paper, watercolor, 75,5x55 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1930 – l...

Signed lower right: "R. Vickery" Provenance: Harmon-Meek Gallery, Naples, FL This item is in our New York City warehouse and can be viewed by appointment.

I think of my work as being like a visual journal- observations and interpretations of people, places and things I experience day to day. Translating that experience into two dimensi...

Acrylic on canvas.

Hesse describes of his work, "encaustic is the perfect paint with which to explore this balance between control and chaos. In trying to wrestle a recognizable image from a fluid and ...

Original painting by Richard Combes. Richard Combes (b. 1963, Manchester, England) trained as an architect in the UK before moving to New York City. In 1995, he completed his MA in ...

In this richly detailed oil painting from 1905, American artist Winfield Lukens captures a bustling maritime streetscape outside a mid-19th-century merchant storefront. This work exe...

Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard. Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty. Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.” This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them. Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists. During the 1950s, Fransioli was represented by the progressive Margaret Brown...

Realm of Flora, Oil on canvas, cityscape, Park Slope

This original oil on birch-wood panel is a signature painting of Roanheads, Scotland by Agnes Murray. Ms. Murray is notable for capturing the crystalline quality of northern light. ...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reaso...

The Stuck is a depiction of a human stuck in his own thoughts. His thoughts are illustrated as bricks and stone blocks that buried him. His feet already hardened and became rocks gro...

Oil on canvas Elene Melikidze is a Georgian artist born in 1999 who lives & works in Tbilisi, Georgia. She started painting since childhood in various media. Her other profession is...

“Fading Identitiesâ€

Date: 1952 Medium: Oil on Canvas Dimensions: 30.00" x 24.00" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, May 10, 1952. The Post describe...

Acrylic on canvas Juliette Lamarca is a French artist born in 1982 who lives and works in Clamart, near Paris, France. After higher studies in applied arts, for ten years she create...

Oil on canvas on board, signed lower left Image size: 14 1/2 x 17 1/2 inches (36.5 x 44.5 cm) Hand made frame In this atmospheric scene a drunk is walking home, he must be causing some noise as another person is leaning out of his window to the right looking at him. The artist has captured old London beautifully with the old bins, advertising on the walls and the cats bemused by the drunken figure. It sometimes takes an outsider such as Sancha to appreciate the beauty of the scene. Francisco Sancha Lengo Self portrait in London Francisco Sancha y Lengo was born in Malaga in 1874. He attended the School of Fine Arts there and studied under Joaquín Martínez de la Vega, the eccentric, influential teacher that baptised a young Picasso with champagne. Such an education served him well, and by 1897 Sancha was studying at the Royal Academy in Madrid under José Moreno Carbonero...

A warm textured painting of a stucco wall at sunset, depicting a warm light and a detail of a shutter with shadows of leaves. Full of depth and intrigue as sand as scene has a very...

A warm textured painting of a stucco wall at sunset, depicting a warm light and a detail of a shutter with shadows of leaves. Full of depth and intrigue as sand as scene has a very...

Oil on canvas

Signed on bottom left

Pastel on Arches paper

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

Jim’s of Lambertville is proud to offer this artwork by: R. John Foster (1908 - 1989) R. John Foster lived all of his life in Newtown, Bucks County, Pennsylvania. He studied at the...

An older man and a young boy standing at the Wailing Wall.

Image of a ballerina wearing a tutu sitting in front of a brick wall. Signed Lower Left. Artist Francois Cloutier captures the essence of ballet in paintings of dancers who maintai...

SKYLAR FEIN x MRSA (collaboration) SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbr...

SKYLAR FEIN x MRSA (collaboration) SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbr...

Medium: Acrylic on Canvas Signature: Signed Lower Right

Brooklyn based artist Nicholas Evans-Cato draws his inspiration from the continually changing landscape of New York City. He has stated: “These perspectives are an effort to exploit ...

Jim Richard Afternoon, 2017 Flashe on canvas 41 1/2 x 56 in (105.4 x 142.2 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his fourth...

A rare work from the iconic street artist Seen. The painter used spray paint and handcut stencil to create this outstanding canvas. This piece, is a powerful reflection of SEEN's ico...