Cattle Paintings

Henry Brittan Willis British, (1810-1884) Midday Rest Oil on canvas, signed & dated (18)59 Image size: 18.5 inches x 31 inches Size including frame: 26.25 inches x 38.75 inches A b...

Pondering Realist, Light/ Shadow Oil Painting 20"x16" Landscape Cattle . The eighth painting shows how the painting will be after a professional photo by 2/14.. The next is the f...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 21 x 33 Frame Size: 24.75 x 36.75 Medium: Oil "Hereford Time" Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos Markos...

Louis Coignard, (September 4, 1812, Mayenne - November 20, 1880, Paris), French painter. He was the son of Élisabeth Sigoigne, youngest daughter of a large bourgeois family from Maye...

""Cattle Watering" by Maurice Mazeilie (French) oil painting on canvas, unframed, signed painting: 9.5 x 13.75 inches A delightful original oil painting by the 20th century French ...

Charles Jones British, (1836-1892) Cattle & Sheep in the Scottish Highlands Oil on panel, signed with monogram & dated (18)75, further inscribed verso Image size: 19.75 inches x 15.75 inches Size including frame: 26.75 inches x 22.75 inches A dramatic Scottish landscape painting of Highland Cattle and Sheep by Charles ‘Sheep’ Jones...

Artist: Thomas Sidney Cooper (English, 1803-1902) Title: "Cow and Chickens in Stable" *Signed and dated by Cooper lower left Year: 1871 Medium: Original Oil Painting on Wood Panel Fr...

The Calf is an oil painting by Chilean artist Viviana Ovando. At this time it can be rolled and shipped. Waiting to be picked up by framer. Viviana Ovando Cid Visual Artist and Painter. She studied Visual Arts at the University of Chile and specialized as a Painter at the Martín Soria Academy of Fine Arts. Awarded by the Chilean-Japanese Cultural Institute and the National Society of Fine Arts. Viviana has participated constantly in group and individual exhibitions nationwide, Thanks to her constant concern she handles different painting techniques, from those coined by the Classic Academy to digital techniques, participating in 2D and 3D animation projects, exploring new representation techniques. Who are your biggest influences? Are you inspired by the work of your colleagues or someone else in particular? Antonio López, Goya, Rembrandt, Velásquez, Sorolla, Caravaggio, Franz Marc, Muñoz Vera, Sergio Castillo...

William Watson Jnr British, (1847-1921) Up Glen Goil, West Highlands Oil on canvas, signed & dated 1892, further inscribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 36.25 inches x 48.25 inches This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...

"Nearly Camouflaged Cow II" is a framed acrylic painting on canvas by Joshua Brown, depicting an abstracted cow with a realistic, detailed nose. This playful work features careful br...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

"Freckles", is a 24x36 oil painting on board by artist Leslie Peck featuring a majestic white holstein cow with black spots, standing and mooing in the pasture. Fresh green grass sca...

I apologize for the reflections in the glass of this watercolor. At any rate, it's a large scene of cattle grazing in a field, presumably in Holland, with windmills in the distance. ...

Stationary Brahma bull in Texas field, oil on canvas board :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready...

Signed lower right, 'G. Bundgaard' for Gunnar Bundgaard (Danish, 1920-2005) and dated '57'. A light-filled, panoramic landscape showing Holstein cattle grazing in a grassy field beneath sun-lit clouds. This listed Danish painter first studied at Copenhagen's Gronvang School where he was particularly influenced by the romantic academic style of Niels Pederson...

Cows & Bull In Landscape Dutch School, 19th century oil on canvas, framed framed: 13 x 11 inches painting: 10 x 8 inches provenance: private UK collection. The painting is in good a...

Robert Charles Watson (British, 1857-1923) Beautifully executed highlands landscape w/cattle Oil on canvas mounted on Masonite Signed and dated lower right; 1900 Painting: 7 3/4"...

OLD ENGLISH LONGHORN Size: 30.5 x 30.5 cm (including frame) Oil on panel A small and engaging animal composition , painted in a naïve style in oil onto panel, by British artist Mat...

Twin Calves, San Rafael looking to Mt. Tamalpais -Turn of the Century Landscape by Gordon Harrower Coutts Charming and significant turn of the century landscape painting of two calv...

Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...

Oil on board painting of cows in a landscape by the American artist, James Fairman. Signed lower right. In good condition; overall fram...

ARTIST: B. McDermott (mid 20th Century) English / French School TITLE: "French Beach Scene" SIGNED: lower right MEDIUM: oil on canvas SIZE: 76cm x 56cm inc frame CONDITION: very g...

George William Horlor (British 1819-1899) George William Horlor was born in Bath around 1819. He married Mary Cook on 15 March 1845 and by 1851 was living in Cheltenha...

"French White", is a 30x40 oil painting on canvas by artist Leslie Peck featuring a majestic white bull standing in a stately, regal pose. A dark background with a grass covered foreground provides drama and mystery. Peck's use of hand-mixed paint provides a silky, buttery finish. About the artist: Leslie Anne Peck is a native of Buffalo, New York. She moved to New York City to attend the Fashion Institute of Technology where she received her Bachelors Degree in Fine Art. In 1987 Leslie spent a year studying art in Italy at the Scuola di Lorenzo De Medici in Florence and subsequently apprenticed in Rome with renowned illustrator Alessandro Biffignandi. Leslie began a freelance career in romance book...

James MacDougal Hart (American, 1828-1901) Untitled (After Troyon), 19th century Oil on canvas 18 1/16 x 30 1/16 in. Framed: 31 1/2 x 40 1/2 in. Signed lower right: James M Hart...

A Highland Landscape with Drover and Cattle A. Lewis (19th - 20th Century) signed oil painting on canvas, framed framed: 22 x 30 inches canvas: 12 x 20 inches provenance: private col...

La obra va firmada por el artista en la parte inferior La obra se presenta enmarcada con un marco de la época de la obra (el marco presenta algunas faltas) Medidas obra: 35 cm. alt...

Highland Pastures by Louis Bosworth Hurt British 1856-1929 Oil on canvas Canvas size: 24 x 36 inches Framed size: 36.25 x 48 inches Signed and dated lower right

Johann Schuld (1870-1943) Country Landscape With Cattle Oil Painting C.1920 Original oil on masonite Dimensions 25" wide x 15" high the frame me...

Dane Ellsworth Texas Artist Image Size: 38 x 44 Frame Size: 39 x 45 Medium: Oil "Mr. Handsome" Texas Longhorn Biography Dane Ellsworth Dane Ellsworth enjoys all things Texan. Whether it's an old west character or a depression era car his painting backdrop is the Lone Star State. He has been wielding a crayon, pencil or brush as far back as he can remember. In his junior year, due to a long list of dubious events, Dane wound up on the verge of homelessness. Between a longsuffering landlord and a horse rancher who took him under his wing he was able to finish high school. Once he graduated, he moved to the ranch and started working with horses and developed a love for that majestic animal. It was about this time he met and became friends with Fred Olds...

"Spotted Bull", is a 24x36 oil painting on board by artist Leslie Peck featuring a majestic white bull with black spots, standing in the pasture. Fresh thr...

Charles Henry Miller Flushing Landscape with Cows, circa 1880 Signed lower left Oil on canvas 13 x 19 inches Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

William Sidney Cooper British, (1854-1927) Cattle Watering near Canterbury Cathedral Oil on canvas, signed & dated 1923 Image size: 15.5 inches x ...

Highland Cattle at Dusk by WILLIAM LANGLEY (1852-1922 signed oil on canvas, framed framed: 17 x 21 inches canvas: 12.5 x 16.5 inches Provenance: Private collection, previously exhibi...

A captivating vintage farm scene by Lu Ann Barrow executed in oil on canvas in 1973. The picture features a night scene in a field of yellow flowe...

Robert Watson was an accomplished painter of Highland scenes depicting sheep or cattle. There was much demand for Watson’s work as Scottish scenes were extremely fashionable in late nineteenth century Europe, partly due to Queen Victoria’s extended summer visits to Balmoral Castle...

Oil painting by John Dearman 1852, farm with cows and horse. Signed and dated lower left. Unframed. Age-related condition. Painting has been professiona...

“Summer in the Pasture (Farmer’s Wife with Cow)” (Sommertag auf der Weide (Bäuerin mit Kuh)) Paul Junghanns (German, 1876-1958) Oil on Canvas Signed verso 36 ¼ x 28 inches (43 ¾ x 35...

"Crofters by the Coast" Oil Painting by Joseph Horlor. Joseph Horlor 1809-1886 was a Bristol painter of rustic and coastal landscapes, he exhibited at th...

Constant Troyon (French, 1810-1865) Vache en prairie Oil on canvas Canvas: 19 x 15 inches (48.3 x 38.1 cm) Framed: 28.75 x 24.75 x 3 Inches Artist's estate stamp lower right: Vente /...

'Savvy', original oil painting on canvas 60 x 50 cm, 2025 Excellent condition.

Paulette Lee works from her studio on Route 66 in South Pasadena, California. Her loose, expressive painting style is influenced by the Russian Masters of the 19th and 20th Century. ...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Oil Painting by Charles Walter Oswald "Evening in the Glen" Born1850, flourished in 1900. A Liverpool painter of the Highland cattle and working ...

Contemporary Landscape Watercolour Painting of Hereford Cows watering in a Meadow, A Large Framed Watercolour of Hereford Cattle watering in a Meadow by an established Painter of Animals. Neil Westwood British, Born 1947 Neil Westwood is an established watercolour painter...

Linda St. Clair (1952 - 2018) Title: "Grace" Medium: Oil on Canvas Markings: Signed LR "St. Clair" Signed on Back "[Copyright] Linda St. Clair" Framing: Unframed, G...

Work on canvas : 44.5 x 67 x 2 cm This 19th-century painting by artist François de Niederhausern (1828-1888) depicts a pastoral scene at dusk, bathed in the soft light of a setting ...

After Eugene Joseph Verboeckhoven (Belgian, 1798-1881), "Passing the Brook", Oil on Canvas, 1854, unsigned. Image: 29" H x 40" W; frame: 34" H x 46" W.

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Cattle And Sheep Resting By The Water, 19th Century Thomas Sidney Cooper, RA (1803-1902) - Rare large example of the artists Huge 19th Century English landscape with cattle and she...

Gaylon Dingler 22" x 28" Acrylic on Canvas

Quang Ho's "Late Summer" (2024) is a beautiful impressionist oil painting on linen depicting a landscape featuring a herd of cows resting in the shade under a tree in a large open fi...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

Daniel Sherrin - Highland Cattle

David Ackerson (b. 1950, American) Title: "Big Tex & His Three Egrets" Medium: Acrylic on Canvas Size: 40 x 30 in. Markings: Signed LM "David Ackerson"...

Cows in Snow original oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by t...

"Burning Mountain Cows" is an original oil painting on board by Heather Foster. The artist signed and dated the piece "HF 02" lower right. This painting depicts two cows in the foreg...

Country Landscape - Emilio Pergola Italia 2005 - Oil on canvas cm.80x120. Gold leaf gilded wooden frame available on request This oil on canvas painting depicts a pastoral scene. T...