Cattle Paintings

Double Trouble ,an oil painting shows the simple interaction of the animals in their environment. Double Trouble by Cheri Christensen portrays the way the light dances across the fo...

This accomplished landscape painting captures a serene countryside scene, with a farmer walking his long-horned cattle along a quiet country track. The composition is framed by lush ...

One of a kind, original oil painting on canvas by Benjamin Wu. Signed lower left. Framed Dimensions: 50 X 74

Artist/ School: by Tom Seymour (British 1844-1904), signed lower front Title: 'Highlanders', a fine Victorian oil painting depicting these majestic Highla...

Date: 1950 Medium: Oil on Masonite Dimensions: 25.75" x 20.00" Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, July 1st, 1950. The Post des...

David Konigsberg was born in Warren PA and lives and works in Brooklyn NY. His rural and urban experience play out in a love for both landscape and conceptual narrative, genres he of...

An impressionist portrayal of a longhorn standing in a pasture looking at the viewer. The grass around the longhorn shines a vibrant green in the warm sunlight of the scene. By Linda...

Oil Painting by Claude Lorraine "A Kentish Farmstead" exhibited 1864 - 1937. Islington painter of rural landscape from a large family of equestrian and local landscape artists. Oil o...

A Highland Landscape with Drover and Cattle A. Lewis (19th - 20th Century) signed oil painting on canvas, framed framed: 22 x 30 inches canvas: 12 x 20 inches provenance: private col...

The oil paintings of the contemporary Dutch artist Paul Jansen invites the viewer to look beyond the standard picture within the frame. It feels as if the curious animal really reach...

'Savvy', original oil painting on canvas 60 x 50 cm, 2025 Excellent condition.

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, July 28, 1956. The Post described, “The cows don't realize it is rude t...

Prize Shorthorn & Galloway Cattle, 20th Century by Micheal Weirs (British, 20th Century) Fine large 20th century landscape view of vari...

Work on canvas : 44.5 x 67 x 2 cm This 19th-century painting by artist François de Niederhausern (1828-1888) depicts a pastoral scene at dusk, bathed in the soft light of a setting ...

VICTOR JEAN BAPTISTE BARTHELEMY BINET French, 1849-1924 This very attractive & early painting, circa 1875 by Binet, quintessentially defines the late Barbizon School period. Depicti...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Buffalos, Size: 39 x 59 x1 i...

Frank Walters (British, late 19th century) - Highland Cattle at the Lake. 51.5 x 76.5 cm without frame, 57 x 82 cm with frame. Antique oil painting on canvas, in a gilded wooden fr...

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brin...

CORTES Antonio (1827-1908) Cows to pasture Oil on canvas signed lower left Old frame gilded with leaves Dim canvas : 54 X 65 cm Dim frame: 70 x 86 cm...

Michael Miller's beautiful original photorealist landscape barn painting "Rainy Day" (2024) depicts a Midwestern cattle pasture in the midst of a misty spring storm. Artist Bio/Stat...

The oil paintings of the contemporary Dutch artist Paul Jansen invites the viewer to look beyond the standard picture within the frame. It feels as if the curious animal really reach...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Signed lower right. An itinerant portrait, miniature, and landscape painter, Ambrose Andrews had a wide-ranging career geographically that saw him in many regions including New York (1829-31), Connecticut (1837), Texas (1837-1841) and Louisiana (1841-42). After 1844, he was active in St. Louis, New York City, Buffalo, New York, Vermont and Canada. He was born in West Stockbridge, Massachusetts, and in 1824, attended the National Academy of Design. Andrews exhibited paintings at the Republic of Texas Capitol...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...

Country Tranquility English School, late 19th century oil on canvas, framed Framed: 17.5 x 21.5 inches Canvas: 12 x 16 inches Provenance: private collection, UK Condition: very good ...

Well presented in a simple black frame. Signed. On panel.

Artist/ School: Harry Pennell, British 19th century, signed lower corner Title: Tranquil Pastures Medium: signed oil painting on board, framed Size: ...

Deborah Newman can paint just about anything, including stunning landscapes, and here she shows her chops with an animal whose essence is hard to captur...

Signed lower right, 'Schwark' for Mary Beth Schwark (American, 1954-2001) and painted circa 1990. Additionally signed, verso, and titled, 'A Curious Pair' The daughter of professional musicians, Mary-Beth Schwark was born in Michigan and grew up surrounded by music. She attended Macomb Community College where she studied Graphic and Commercial Art with Ray Vinella, John Asaro...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12 x 20 inche...

William Sommer (American, 1867–1949) Spring Beauty Watercolor on paper Signed lower right 12.5 x 17 inches 18 x 22.75 inches, framed William Sommer is seen as a key person in bringi...

"Pasture" by McKenzie West is a captivating 24 x 18 inch oil painting on panel, featuring a young brown calf standing against a softly rendered green landscape. West’s classical oil ...

Work on canvas Frame in wood and plaster painted gold 47.5 x 72 x 3.5 cm This work of art is an idyllic depiction of the countryside, characterized by a pastoral scene where nature...

William Frederick Hulk 1852 - 1906 Dutch painter of pastoral scenes, son of Abraham Hulk senior. Regular exhibitor at the Royal Academy and Royal Society. Signed Oil on Board 18 x 1...

"The Milk Maid" by Maurice Mazeilie (French) oil painting on canvas, unframed painting: 9.5 x 13.75 inches A delightful original oil painting by the 20th century French Impressioni...

Desert Ranch with Longhorn Steer - Plein Aire Landscape in Acrylic on Canvas Vibrant desert landscape by California Plein Aire artist Nick White (American, 1943-2009). At the edge o...

Country scene - Pietro Colonna Italia 2008 - Oil on board cm. 30x40 Gold gilded wooden frame available on request In this wonderful oil on panel the painter portrays some washerwomen as they are doing their work on the banks of a watercourse. In the background a rural landscape. The painting inspires...

Dutch school of the 18th century Oil on wood panel 33 x 22 cm (39 x 28 cm with the frame) Signed lower center with the monogram "JR" Good condition (some thinness on the left of the picture) There is a composition engraved by Jean Jacques de Boissieu in 1772 and given to Jacob van Ruisdael...

Pierre Emmanuel Dielman 1829 - 1902 A Belgian artist, the son and pupil of Pierre Emmanuel Dielman senior (1800 - 1858). he painted low country rural landscapes with farmyard animals...

“I am inspired by the simple everyday interaction of the animals in their environment: the way the light dances across the form, the harmony of color relationships and the shapes of ...

We are offering a painting for sale by the Swedish artist Nils Andersson (1817–1865). This beautiful landscape showcases Andersson’s characteristic style of capturing Swedish nature ...

Conditions : Excellent, original frame. Louis Coignard, (September 4, 1812, Mayenne - November 20, 1880, Paris), French painter. He was the son of Élisabeth Sigoigne, youngest daugh...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 19.5 in...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 19.5 in...

This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is Glen Sannox, Arran in the Scottish Highlands. Glen Sa...

This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is in Perthshire. In the foreground several highland cat...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 36 x 48 Frame Size: 45 x 57 Medium: Oil "Rural Texas Charm" Longhorns Bluebonnets This pain...

Title: Meadow Walk Medium: Oil on canvas Size: 20 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Artist/ School: Attributed to Edward John Cobbett RBA (1815-1899), signed Title: Landscape with cattle and a drover by a pond Medium: oil on pane...

Texas Longhorn Bull, oil on canvas board :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: S...

Albert Ernest Bottomley was an English Impressionist and traditional painter of landscapes and animal scenes. Painter born in Leeds who studied art with the landscape artist William...

The grandmother of modern American animal portraiture, Constance Depler Coleman's vibrant, stunning oil landscape and animal painting in Tibetan Himalayas, "Yaks Near Phasho" celebrates the bright colors of Tibet and the close relationship between Yaks and the Asian people in Tibet. Not just an ordinary buffalo, beloved Himalayan Yaks are decorated with colorful flags and beads. Yaks are one of the spiritual soulmates of the gentle Asian people who live at the top of the world. For Constance Coleman...

Félix Planquette, a 19th-century French artist, is known for his pastoral and tranquil scenes, often portraying animals, especially cows, in idyllic landscapes. His work Sunny Landsc...

Ali Ghassan's "Agelada" is an original, handmade oil painting that depicts a orange cow with yellow ear tags licking its nose with green and blue graffiti ...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 16 x 20 Frame: 23 x 27 Medium: Oil "Jaywalker" A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek...

Robin Hextrum's "Profile of a Bull" is an original, handmade oil painting that depicts a black bull in profile with blue and gray Rococo patterns in the background.