Face Paintings

A very fine portrait of a British military officer signed and dated Thomas Beach 1774 in the lower left. This oil on canvas is presented in a period gilt frame and is ready to hang. ...

Beautiful antique oil on canvas painting depicting a young peasant woman standing beside old stone steps while balancing a clay vessel upon her head. Executed in the romantic Europea...

French artist, circa 1800 Study of a male nude Oil on canvas Size 24 x 49 cm Frame 34 x 59 cm

Antique opera view oil painting. Oil on board. Unsigned. Framed. Measuring: 18 by 22 inches overall, and 14 by 18 painting alone. Excellent condition, ready to hang and enjoy.

Elegant Female Skier Portrait Alpine Scene circa 1930s Barcelona School Artist: Signed J. Barraguer School: Barcelona School Period: circa 1935–1945 Medium: Oil on canvas Signature: Signed lower right Support stamp: Casa Teixidor, Barcelona (verso) Dimensions: 61 × 50 cm (24 × 19.7 in) Frame: Unframed Condition: Good vintage condition consistent with age. Stable paint surface and fresh original colors. No visible restorations under normal inspection. DESCRIPTION Elegant alpine portrait of a female skier painted in Barcelona during the golden age of European winter tourism imagery, likely between the mid-1930s and early 1940s. The composition captures a refined winter sports aesthetic typical of pre-war Alpine visual culture, where skiing symbolized modernity, elegance and leisure rather than competition. The seated figure, dressed in a vivid blue jacket and striking red scarf, appears poised against a dramatic snowy mountain backdrop rendered with confident, atmospheric brushwork. The artist combines portrait sensitivity with poster-like clarity, creating an image that resonates strongly with the visual language of classic Swiss and French ski resort advertising from the same period. The palette is particularly effective: cool tonal snow fields contrast with warm facial modelling and bold accents of red, producing a balanced decorative presence ideal for interiors. The reverse bears a supplier stamp from Casa Teixidor, Barcelona, a well-known early twentieth-century artists’ material provider, supporting the proposed dating of the work. Today the painting reads both as a refined portrait and as an evocative example of early Alpine leisure imagery, making it especially suitable for mountain interiors, ski lodges, modernist homes or collectors interested in European travel culture of the interwar period. ARTIST BIO J. Barraguer was active in Barcelona during the first half of the twentieth century and worked within a pictorial language that bridges easel painting and illustration associated with the emergence of modern leisure culture in Europe. Artists of this generation frequently contributed to portraiture, decorative painting and tourism-related imagery that reflected the growing popularity of winter sports and Alpine travel between the 1920s and 1940s. Works such as this example demonstrate a confident handling of figure painting combined with a strong awareness of contemporary graphic aesthetics typical of the period. Paintings by Barcelona-based artists working in this hybrid decorative-figurative tradition are increasingly appreciated today for their ability to connect portraiture, design and early travel imagery within a single composition. Comparable in atmosphere to the refined Alpine winter imagery developed in Europe during the interwar period by artists associated with the golden age of ski resort poster design and leisure culture painting. The elegant treatment of the female skier and the stylized mountain backdrop resonate with the visual language found in works by artists such as Emil Cardinaux, Alex Walter Diggelmann, and Roger Broders, whose compositions helped define the iconic imagery of Alpine tourism between the 1920s and 1940s. The painting also shares affinities with the modern figurative approach to leisure subjects seen in Jean Gabriel Domergue, particularly in the refined depiction of fashionable female figures associated with elegance and travel culture of the period. Within the Iberian context, the work relates to the broader tradition of Catalan artists working between easel painting and decorative illustration during the early twentieth century, when winter sports imagery became part of the emerging visual identity of modern European tourism. female skier painting alpine skier portrait vintage ski painting...

Portrait of noblewoman, known as "the Little Princess of Longueville," attributed to Jean Ducayer (1595-1685). Oak plank, one board, not parqueted. Jean Ducayer, a court painter...

These faces are not portraits of specific people, but emotional records of a collective condition. They carry the weight of fear, disappointment, suppressed anger, endurance, and fra...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

Artist: Jack Graves III (American, 1988-) Title: "Female Face XIII" Series: Icon *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2026 Medium: Origi...

Artist Comments
A woman sits on a sofa, reading quietly as soft daylight filters through a large window. Warm tones and gentle light fill the room, creating a calm and inviting...

The painting titled "Harmony of Souls" is part of my series "Echoes of Harmony", which delves into the intricate relationship between personal balance and the depth of human connecti...

This intimate domestic scene depicts a contemplative woman in traditional dress seated in a rustic kitchen interior. Behind her, the wall is adorned with Delft tiles in classic white...

Inspired by her background in fashion, artist Lindsey McCord creates vibrant portraits that encapsulate the confidence that comes with the fun of being stylish and chic. Her figures ...

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 36" x 60" It is unframed. A certificate of authenticity will follow d...

A beautiful 1940s painting of a seated female nude in a summer landscape by renowned Chicago artist, Francis Chapin (Am. 1899-1965). Painted at the Oxbow School in Saugatuck, Michig...

Everett Shinn (1873-1953). Portrait of a Clown in Circus, 1947. Pencil. color pencil, gouache on paper. Sheet measures 8 x 10 inches. Framed measurement: 13 x 15 inches. Signed...

'Portrait of Renée', oil on board, by Louis Latapie (1941). When combined with the artist's passionate brush strokes, the wood panel upon which this piece is painted, creates both a ...

This exceptional antique oil painting on canvas by renowned American artist Henry Peters Gray (1819–1877) depicts W. P. Wright, Esq. in a dignified three-quarter-length portrait painted in 1860. The sitter wears a dark formal coat over a crisp white shirt and brown waistcoat, while his right arm rests against a rich red upholstered surface. His full beard, composed expression, and direct yet contemplative gaze reflect the confidence and refinement associated with mid-19th-century American portraiture. Gray carefully models the sitter’s face through subtle transitions of light and shadow, contrasting the warm flesh tones and reddish-brown beard against the restrained dark background. Finely observed details—including the folded handkerchief, waistcoat chain, and ring—add individuality without distracting from the portrait’s formal presence. An important handwritten inscription on the reverse identifies both the sitter and artist and records the circumstances of the painting: “For W. P. Wright Esq. Portrait from Henry Peters Gray. Painted at Pittsfield, Mass., August 1860.” This period inscription provides valuable direct provenance and securely connects the portrait with Gray’s documented career. The painting is presented in a traditional period gilt frame with a beaded inner border and is ready to hang. 🖼️ Measurements: Painting: 25" W × 30" H Framed: 30" W × 35" H ✍️ Signature: The portrait is identified by a handwritten inscription on the reverse naming Henry Peters Gray, the sitter W. P. Wright, Esq., the location Pittsfield, Massachusetts, and the date August 1860. ✅ Condition: Good antique condition with minor age-appropriate surface wear. The period gilt frame shows light wear consistent with age. Please review all photographs carefully for a complete assessment. 📦 Shipping: Professionally packed and shipped the same business day from Florida. About the Artist Henry Peters Gray (1819–1877) was an important American portrait, genre, and history painter born in New York City. He studied under Daniel Huntington...

Mid 19th Century Gentleman Seated at a Writing Table English School, circa 1840-1850 period (see notes below on this) Oil on canvas, unframed. Canvas: 50 x 37 inches Provenance: Priv...

Antique European impressionist portrait oil painting . Oil on canvas. Signed. Framed. Measuring: 26 by 32 inches overall, and 21.5 by 26.5 painting alone. Handsomely framed in a gi...

This superb Italian religious Old Master portrait oil painting is attributed to follower of Guido Reni. Painted circa 1620, it is a head and shoulders portrait of Saint Jerome (about...

US buyers pay no import tariffs on this item. This late 18th-century Italian oil painting fragment depicts Mary Magdalene kneeling alongside an alabaster jar. Christ’s hand is parti...

Antique American modernist portrait oil painting by Salpi Miriam Mavian (Born 1908). Oil on canvas, circa 1930. Signed. Displayed in a giltwoo...

Antique French Portrait Miniature oil Painting, Jenny Savy, circa 1860. The painting being larger than most portrait miniatures and painted by Jenny Savy, a renowned French portrait...

All You Need Is a Cat plays with a familiar cultural phrase, transforming it into a quiet emotional statement. In this painting, the cat is not just a character, but a metaphor for ...

GIOVANNI BOLDINI (FERRARA 1842–1931 PARIS) Profilo di Giovane Seduta 1915 circa Expertise by Prof. Dini ( see photo attached) oil on panel cm 35 x 26,8 not signed

'The Banana Plantation Guadeloupe', oil on canvas, by Robert Humblot (1959). In 1959, when the artist visited French Guadeloupe, he painted several colo...

6197 Antique Victrorian oversized English woman with roses Set in a carved frame Image size 15x29.5"

This is a very stylized and powerful portrait by the noted artist Frank Anderson Trapp. It is dated 1940, and is very much in the modern style of French painters Ferdinand Leger...

Antoni Vila Arrufat (1894-1989) - girl eating - Oil on burlap Oil size 55x46 cm. Frameless.

Signed oil on board portrait circa 1940 by French post impressionist painter Jean Gabriel Domergue. The work depicts a blonde lady - Audrey - in a mint green dress...

"Women and Children, Expressionist Oil on Canvas by Vega Cillero." Oil on canvas. Signed lower right. Artwork: 81 × 101 cm (31.9 × 39.8 in.). Framed: 99 × 120 cm (39 × 47.2 in.). Th...

Woven Identities is a body of work that explores the intersection of indigenous African heritage and modern global culture. In these paintings, I focus on hairstyle, tribal marks, dr...

Tania Rivilis Yellow mood 40 x 40 cm framed (included in price) 43,5 x 43,5 cm Oilpaint on canvas Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.000 ) fr...

Oil on Canvas. This is a copy of a Praying Madonna painted by Giovan Battista Salvi, known as Sassoferrato, who became known for this type of depiction of Mary, portrayed in an attit...

Jean Calogero (1922 - 2001) Italy United States oil on canvas titled clown et endangered 29 x 21 frame 38 x 29 Painting has paint loss And crackling . This was painted in 50’s 6...

William Merritt Chase is perhaps best known for his portraits, capturing the likenesses of individuals in a style imbued with impressionist tendencies and a dark, somber palette adop...

Still Life, oil on canvas. Unsigned. (Provenance: Studio Sale, George Weissbort).

Portrait of a Woman/ double sided image French, circa 1930's, unsigned oil on board, unframed Board : 13.5 x 11 inches Double sided Provenance: private collection, France Condition: ...

Set of Two Paired Studies 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on light brown artist paper stuck on A4 artist paper, unframed overal...

Brightly colored nude by California artist Don Klopfer (1920-2009). Signed and dated "Klopfer 93" upper left corner. Presented in a white slat frame. Canva...

Portrait of a Young Woman with Roses French School, 19th Century, in the manner of Jean-Baptiste Greuze (1725–1805) unsigned This delicate female figure illustrates the enduring 19...

This superb British Post Impressionist fifties portrait oil painting on board is by noted artist Glyn Morgan. Morgan was a noted Welsh artist, initially taught by Ceri Richards in Ca...

This painting belongs to the circle of Govert Flinck, one of Rembrandt’s most distinguished pupils and a key figure of the Dutch Golden Age. The work reflects the influence of the Re...

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

A pop piece depicting Basquiat with Bazooka Gum. With impasto painting and silkscreening we are drawn to the movement, as the artist is able to engage his viewer with contrasting hig...

Zoa Ace's (US based) "Alice with Flamingo" is an original, handmade mixed media collage that depicts Alice holding a crane with two red diamond playing cards. The piece is a collage ...

Late 18th Century pastel portrait on paper of a bearded gentleman. Presented under glass in a fine period gilded carved wood frame. A cha...

A splendid Italian painting from the mid-19th century. Oil on canvas, first canvas, painting depicting a marvelous portrait of a young woman, rendered with great delicacy of light an...

A captivating nude by Betty Battiscombe (1916-2002). Rendered in a style reminiscent of the Post-Impressionists, Battiscombe employs expressive brushwork with areas of subtle impasto...

Camille Pissarro 1830-1903 French Le Retour au village au clair de lune (Éragny) (Return to the Village by Moonlight (Éragny)) Signed and dated "Camille Pissarro 86" (lower left) ...

Artist/ School: French School, signed and dated 1911 Title: A Belle Maman, New York Medium: signed oil painting on canvas, framed. framed: 27.5 x 18.5 inches canvas: 25.75 x 16.7...

The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...

Diego Rivera 1886-1957 Mexican Mother and Child Signed and dated "Diego Rivera 1934" (lower right) Tempera on plaster In this intimate masterwork, Mother and Child, the great Die...

Learn from the past, Live in the present, Hope for the future, Do your best today, Never give up, Improve your tomorrows. Shipping Procedure Ships in a well-protected tube from Nige...

Adriana Verelst Portrait of Lady Lempster 1683-1769 Oil on canvas, unsigned Image size: 49 ½ x 40 ⅓ inches Contemporary-style gilt frame The sitter is identified as Lady Sophia Osborne, Baroness Lempster (Leominster) (1661 - 1746), the daughter of Thomas Osborne, First Duke of Leeds, and Lady Bridget Bertie. Her first marriage was to Donogh O’Brien, Lord Ibracken in 1679, who passed away in 1682. She then married William Fermor, First Baron Leominster, in 1691, gaining her the title Baroness Leominster. She and William had five children, including Thomas Fermor, First Earl of Pomfret. The portrait is dated 1685, indicating that this identification was added after the creation of the portrait. During the early 18th century a highly romanticised view of country life reached its peak. Many members of the nobility, particularly women, chose to have their portraits painted in shepherdess costume, a break from the conventional norms of formal portraiture. This style developed from 17th century Roman pastoral landscapes by artists like Claude Lorrain and Dutch three-quarter length portraits of shepherds and shepherdesses. These works aimed to evoke themes of Arcadia, poetic escape and landed virtue, with their subjects depicted wearing fashionable and expensive clothing, inconsistent with actual farm work. A knowledge of Latin and Greek pastoral poetry signified education and refinement, desirable qualities for a woman to possess. Life in the country was perceived as peaceful, contemplative and free of hardships, and to be painted in this pastoral style was to create a tangible expression of power and wealth, creating tension between the aristocratic fantasy and the reality of rural life. Lady Lempster has opted for such a depiction. She is shown seated, wearing a white silk gown, head tilted slightly to one side and with a shepherd’s crook and wicker hat adorned with flowers in her lap. She sits on a bench, in front of a large tree, an expansive view visible on the right behind her. So ingrained was this style that the crook and hat alone would be enough to suggest Arcadia to the viewer. There is an interesting contrast between the female sitter and the woman artist who painted her. The shepherdess costume was used predominantly in portraits of women sitters, with the aim of expressing virtues such as purity and appropriate education rather than a distinct, individual personality. Portraits of men however, depicted sitters in settings, costume and surrounded by objects that signified their profession and accomplishments. Adriana Verelst was a woman with a career of her own, able to support herself and defying expectations of the time, the conformity of Lady Lempster’s portrait emphasising Verelst’s own unconformity. Adriana Verelst Adriana Verelst (c. 1683–1769) was an English portrait artist, and daughter of the portrait painter Herman Verelst. Her exact date and place of birth are unknown, though her parents were from Vienna. Verelst is a prime example of how women artists were often misrepresented or even erased from the cannon of art history. There have been questions surrounding her biography with the view that her sister, Maria Verelst and fellow portrait artist, did not exist and could be Adriana Verelst herself. Contemporary evidence of Adriana’s birth, marriage, career and death exist, however, she has not been included in later art histories. In contrast, there is no contemporary documentary evidence for the existence of Maria Verelst, though she is named in later publications. The name Maria Verelst first appeared in Matthew Bryan’s Dictionary of 1816 and it has been argued that his use of the name was a misinterpretation of ‘M’ being an abbreviation for Maria rather than ‘Mademoiselle’. The date of birth and location in Antwerp was given by J.B. Descamps in 1753, though there is no archival evidence of a birth or baptism for Maria in Antwerp at this time. In 1762, Horace Walpole made the link between Maria and Herman Verelst, an Anglo-Dutch painter, as the father of the artist. As Herman had fled from the siege of Vienna in 1683, biographers resonated that with a birth date of 1680, Maria must have been born in Vienna. Biographers also stated that Maria was trained by her uncle, Simon Verelst, a renown painter of flowers and still lifes. The first reference to 1744 as the date of Maria’s death was in 1859 in Mrs. Ellet’s Women Artists in all Ages and Countries, though no source is given for this date. It has been argued that Maria Verelst is in fact Adriana, claiming that earlier biographies used ‘M. Verelst’ as Mademoiselle in reference to Mademoiselle Adriana Verelst. If these were in fact two separate women, they would have been sisters. Maira’s grandfather, Pieter Hermansz Verelst...

Portrait of an officer of the 94th Regiment of Foot, circa 1830 * see notes below Irish School oil on canvas, unframed canvas: 30 x 25 inches Labeled verso Provenance: private collec...

Portrait of a Lady by Geza Somerset-Paddon (British 20th century) inscribed and dated verso (1978) oil painting on board, unframed board: 18 x 14 inches inscribed verso condition: ov...

Masri Hayssam (Lebanese-Italian, born 1965) "New Expression #42" 2023 Acrylic and oil paint on canvas, stretcher bars Signed in the bottom left corner and on verso. "New Expression ...

This piece titled "Extinct Soul" is an original artwork by Marcos Navarro and is made of acrylic on linen and measures 24"h × 18"w. It is signed en verso by the artist. With base in...