Interior Paintings

Escape from Reality is a monumental original acrylic and spray painting on canvas by contemporary Ukrainian artist Feros. Measuring 55 × 76 inches, this large-scale surrealist work i...

Original cover illustration for The Saturday Evening Post, June 20, 1959. The Post described “After years of observing ancient chairs tremble and sway and utter squeaks of alarm, a...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Pocket Speckled Greeen Pear is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale oil realistic oil paintings with a nod to baroque still life. The paintings are set in a black wood layered frame. Additional information: Oil, Oil Paint on Canvas 15 H x 15 W x 3 D cm (5.91 x 5.91 x 1.18 in) Sold framed Pocket Ripe-ish Banana is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale oil realistic oil paintings with a nod to baroque still life. The paintings are set in a black wood layered frame. Additional information: Oil, Oil Paint on Canvas 15 H x 17 W x 3 D cm (5.91 x 6.69 x 1.18 in) Sold framed Please note that insitu images are purely an indication of how a piece may look Pocket Bright Clementine...

original Oil on Canvas Image size: H:5 cm x W:5 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:3cm Frame Size: H:16 cm x W:16 cm x D:3.5cm if sold together would be H:5 and W...

Brand new painting entitled Ogni Giorno, Italian for Every Day. Inspired by a trip to Agrigento, Sicily. It shows a man working in a supermarket. :: Painting :: Photorealism :: This ...

Fields of Joy no.1 [2023] Rolling Hill no.3 [2023] original Oil Paint on Canvas image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:3.5cm As shown...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and interior painting he did in his home country the Netherlands. 'A far...

"I see my work as an opportunity to delve into a groove that transcends my existence. The chosen groove is painting. To move through it and remain open to the unexpected, the unknown...

Artist: Purvis Young Title: Untitled (Angel, Horses, and People) Medium: Diptych Oil Painting on 2 Sheets of Attached Paper Size: 33.5" x 23” Year: c. 2008 Inscripton: Signed “Young”...

Ceravolo was introduced to Lichtenstein at a museum show in 1995, at that show, Lichtenstein and Ceravolo discussed the fact that Andy Warhol had painted portraits of Roy in the 1970...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

Daud Akhriev's (EUR and US based) "Light of Villa Vitalba" is an original, handmade oil painting that depicts an interior setting adorned with fine wooden furniture and artwork as su...

Trompe l'oeil still life oil painting of lush red tomatoes juxtaposed atop an anvil, with a sledgehammer in the background. Painted on an old cabinet door. Signed by artist on verso...

Pocket Blackbird's Egg (White Collection) (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oi...

The basis of Beatriz's painted scenes is an exploration of the construction of reality. She represents this by analyzing all the things that are contained in a given space — and what...

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publications such as The New York Times, Artforum, The New Yorker and Art in America, among others. Images of her commission for the New York MTA, stained glass windows at the Rockaway Beach...

Acrylic on canvas Irakli Chikovani is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. In 2010, he was graduated from Tbilisi State Academy. He is member in ...

Denied Warhol Pink Electric Chair Painting by Charles Lutz Silkscreen and acrylic on linen with the Denied stamp of the Andy Warhol Art Authentication Board. 22 x 28" inches 2008 Lutz's 2007 ''Warhol Denied'' series gained international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on a press photo painted by Pop Artist Andy Warhol in early 1960's, this is likely one of the most iconic images from his Death and Disaster Series. The Death and Disaster Series was a dark view of the time's media and death culture. This was a departure from Warhol's Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando in that these were images of the deaths of everyday people- one could say their "15 minutes of fame" as Warhol coined...

The interconnectivity between one's waking life and one’s dreams offers a point of convergence between the real and the surreal, the ordinary and the absurd. Daily observations are recycled into nightly visions, and consciousness becomes an in-between state. Experiences turn into memories which turn into dreams which turn into experiences. This piece appears as part of two-person exhibition with Jason Stout at Channel To Channel...

Trompe L’Oeil with a Two Partridges Clesse Louis Brussels 1889 – 1961 Belgian Painter Signature: Signed bottom right Medium: Oil on panel Dimensions: Image size 50,50 x 40 cm, frame size 64 x 53,50 cm Biography: Clesse Louis Liévin Théophile was born on June 15, 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...

This painting is in excellent condition and has only been shown in a gallery setting. Size listed does not include the frame. Frame adds around 3 inches to each side to the posted ...

Original oil painting on linen by artist Joseph McGurl. Framed.

This painting features hues of red, yellow and blue. This work is framed 32 by 42 inches. David Boyd is inspired by the work of Edward Hopper, Andrew Wyeth and Winslow Homer. David...

Coastal Blue Abstract Acrylic Painting on Stretched Canvas 72H X 30"W, Aquatic

Rainy terrace - oil acr. on canvas painting by Dmitry Spiros 23.5" x 29.5", (60cm x 75cm), 2024 The scene captures a famous Parisian terrace on a rainy day. Wrought iron tables with...

Denied Warhol Flowers, (Red) Silkscreen Linen Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 14 x 14" inches 2008 Lutz's 2007 ''Warhol Denied...

Artist Commentary: This is the second in a series of paintings about a cat that I inherited from my brother's ex-girlfriend. D.C. Rescue. He was tough little guy, and was always gett...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

The original cover for The Saturday Evening Post, In The Dentist’s Chair, published on October 19, 1957, embodies Ard’s characteristic wit and attention to detail. The young man, still wearing a toy pistol in a holster, seems to have been torn from playing a cowboy with his friends. Having just completed his x-rays, which hang on the wall behind him, the boy awaits the arrival of the dentist to determine his fate. Interestingly, the Post editors empathize with the dentist rather than the patient. The Post describes: “Dentists are to be pitied. How would you like to be greeted by horrified faces like this from morn till night throughout your professional career? Dentists are kindly, humane souls who love their fellowmen, minister constructively to their grinders, and seldom hurt the faint-hearts much while doing it–yet their only reward, besides a fee, is those eternal faces, staring, staring upward as if at an ogre. Next time you go to a D.D.S., smile at him; and if he doesn’t faint, maybe he’ll pull a couple of your teeth for nothing. Kurt Ard...

"Scarlet Ibis" by Diego Glazer is a finely detailed photorealist oil painting. This piece rests at 18 by 24 inches, and is framed at 25 x 31 inches, ready for hanging. About the Art...

Artist: Bob Ross Title: Untitled, Northern Lights Medium: Original Oil on Velvet inside Gold Pan Size: 16" x 16" unframed Year: c. 1971 Inscription: Signed on front lower right If you found this piece because you have a Bob Ross painting...

The owners of this work of art were likely the only two people in the world lucky enough to have access to its beauty. The experience of art itself can be an intimate one, and this bed canopy, hand-painted 100 years ago by an artist in Canton, was more intimate than most. It brings to life symbols of prosperity and good fortune for a married couple...

A very large oil painting on burlap of lilies in a planter, executed in the ancient fresco style with a quiet simplicity that evokes a sense of sere...

An Elegant, Stylish Gilded Age Themed Interior Scene / Set Design by notable stage set, costume and fashion designer, Andre Delfau (Fr./Am. 1914-2000). Artwork is gouache on paper, ...

The watercolor artwork titled "Afternoon Tea" by Ashley Snyder transports viewers into a charming Victorian parlor, where the ambiance exudes an aura of ...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Sunlight floods through a small window to illuminate the interior of a humble Dutch cottage. The scene is filled with homely details, such as a pot cooking over the fire, decorative ...

Original oil painting by Richard Combes

Artist: Denny Dent Title: Albert Einstein Medium: Original Oil on Canvas Painting Size: 74.5" x 53" Date: C. 1990s Denny Dent's Albert Einstein is a commanding tribute to one of the...

Joanne Tod (b. 1953) is a renowned Canadian painter acclaimed for her unwavering approach to realism, technical precision, and critical wit. She is also one of the country's most celebrated living portrait artists. Tod has frequently depicted institutional buildings such as banks, museums, and post offices to explore the architecture of authority and trust. These essential urban institutions shape our lives whether we acknowledge them or not. In her paintings, decorative elements such as columns and classical façades convey importance and permanence, while demanding our respect or even dependence. Tod highlights the aesthetic characteristics of these edifices, showing how power can be conveyed through beauty and awe. This painting is a portrait of the New York Life Insurance building, located at Place d'Armes in Old Montreal. The city was once known as a powerhouse of commerce, particularly in the 19th century, with most of the corporate headquarters based in this area. At the time of completion, circa 1899, this building was the tallest structure in the city and one of the most prestigious office buildings. Today this structure remains impressive, standing out with its striking red sandstone exterior, elegant clock tower and lavish interior. Tod is originally from Montreal, so her Place d'Armes paintings have a special resonance for her. See another painting from the series here. Tod captures the decorative features of the historic building in "New York Life." Painting in her signature realist style, she treats each surface with care, applying thin layers of paint to amplify the brighter hues. The veined marble...

Represented by George Billis Gallery, NYC & LA --Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchiet...

Title: French Garden Terrace Yellow House Sunlit Umbrellas Table and Chairs Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W...

Artist Comments
A corridor in a public space hosts a series of windows. Their rhythmic repetition adds a sense of movement, while the harmonious color scheme of beige, grey, ...

Jerome Romain lives in Montpelier, France Classic Painting for Contemporary History He defines his painting as " The world as a representation " His oil on canvas paintings are born ...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the ide...

Artist: Peter Max Title: Delta Libertyhead Medium: Mixed Media on Paper Size: 29.75" x 24" Year: 1999 Inscription: Signed "Max" on front Peter Max Studio Registration number: Reg #: ...

In his DIFFUSION SERIES of sculpted canvas, he explores the crescendo/buildup and diffusion/breakdown of energy to a restored, tranquil state. Altered transitional states of energy a...

TITLE: Terrace on the Costa Brava Artist: Josep Maria Vayreda Canadell (Olot, Girona, 1932 – Girona, 2001) Medium: Oil on canvas Dimensions: 50 × 61 cm (19.7 × 24 in) Framed dimens...

Wijnand Driessen (Dutch artist) Empty chairs at empty tables 30 x 21 cm (framed, included in price 38 x 29 cm) Oil paint on canvas Artist Wijnand Driessen lives and works in Eindhov...

Bea Sarrias is an artist from Barcelona who has created her pictorial artwork in this city, drawing inspiration from the topics and places that have given birth to the most significa...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Represented by George Billis Gallery, NYC & LA --Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired b...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

Provenance: Acquired directly from the artist. Signed on the reverse of the painting Medium: Acrylic paint with gold leaf and mineral pigments Exhibited: M50 Daigo Art Centre, Shanghai "Gods and Men of the Himalayas" 2021 “The Realm of Imaginary Mystery” is an amazing Tibetan Narrative Wall Painting. Artist’s Statement The Realm of Imaginary Mystery continues the narrative approach I have been experimenting with, with much of the linguistic expression coming from elements of mature Tibetan wall paintings. Narrative in painting is something that Western modern art and Chinese literati painting have strongly rejected, but I believe that it is precisely the way in which traditional Tibetan art is expressed. It is also the native language system that I have always been searching for. It is not defunct, it has just not been activated to connect to the contemporary context. Unlike the traditional narrative, my narrative is scattered and fragmented. Like the chaos of the times. This work was painted during the epidemic, which made me experience the uncertainty of world affairs and the impermanence of life. The word "vague and confused" is actually a homophone of "Sumi". The reason why I use "vague and confused" instead of "Sumi" is that I think "vague and confused" is more suitable for the world we live in, which is unreal and confusing. It is in the virtual that we gain knowledge, produce and record history. Perhaps when historians study our generation in 2,000 years' time, the internet will be the great transparent medium in which trivial or significant records of the virtual world will be recorded, like a phantom suspended over this era. When a thing is erased from the virtual world, that is perhaps its demise in the historical sense. Perhaps the world we live in, the dreams we hold on to and the art we create are, from the beginning, just a phantom of illusion. GADE GADE is a leading Tibetan Artist, Art Professor and Curator with 30+ years of experience in painting, and lecturing on finding one’s voice through contemporary art. Gade’s creative concept is based on the “Tibetanized background”, and continues the first-perspective Tibetan art, still using traditional Tibetan Thangkas, murals, Tibetan Buddhism-related materials, composition, style and other elements. He is an active, worldwide exhibiting artist with a portfolio of work available upon request. Gade currently lives and works in Lhasa, Tibet, China. Gade's works have won the Bronze Award of China National Art Exhibition and Special Award of China Fine Brushwork Painting Exhibition, and the TAR Art Exhibition Silver Award. His works have been collected by many museums and galleries, including: National Art Museum of China (Beijing), Rubin Museum (New York, USA), White Rabbit Art...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

S.H Lee Original Oil Painting by listed artist”. In good condition measures 19x15

Salon de Coco reflects Burton Morris’ earlier exploration of contemporary consumer iconography and forms part of the artist’s broader visual dialogue with luxury culture. The composi...

With vibrant acrylics and delicate pastels, I sought to capture the dynamic interplay of chaos and order. This work pulses with energy, bridging expressionism and pop art to evoke bo...

Roos van der Meijden Passage du Bourg l’Abbé 26 x 26 cm ( framed 32 x 32 cm, frame is included in price ) Oil paint on panel Dutch artist Roos van der Meijden is famous because of h...