Interior Paintings

Marcus Bowcott is a Vancouver-based painter and sculptor whose four-decade practice interrogates the uneasy coexistence of industrial civilization and the natural world. Working acro...

Oil on canvas Tamar Darchiashvili is a Georgian artist born in 1972 who lives and works in Tbilisi, Georgia. In 1996 she graduated from the Tbilisi State Academy of Arts, Faculty of...

Signed and dated (at lower right): MOORE 21

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses o...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Represented by George Billis Gallery, NYC & LA --Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired b...

It’s Okay, Little Crab (Sensory Overload) in a way feels like a self portrait, with the vacuum acting as a personified vision of time and societal expectation. The vacuum may never reach the crab, but its loud and disturbing presence will. Samantha Van Heest...

After a long, successful career with the Eastman Kodak Company as a photojournalist and editorial photographer, Emile Dillon returned to painting in 1998. As a photographer he traveled the United States, Mexico, the Caribbean, and Europe. While he’d chosen the camera for his profession, he’d grown up with oil on canvas. His grandfather was the Harlem Renaissance painter Frank Joseph Dillon and a favorite uncle was the Latin American artist Felix Vargas. Dillon’s years behind the camera and days in Soho galleries inspired him to pursue Photorealism as a style. But instead of the landscape of the exotic which he’d experienced in his Kodak travels, he was fascinated by the humble diners, motels, and vintage signs which were vanishing from American towns and cities. To perfect his craft, he studied at the School of Visual Arts and the Art Students League in New York. In an article on his work in the July 2019 issue of American Art Collector magazine, Dillon comments on his subject matter. “Somebody’s got to save these things…These places may not exist anymore in the next 100 years.” Dillon’s favorite painting in this exhibition is Dunkin Donuts...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the ide...

Red Hat: Crimson Crown, Tokyo's Icon of Resilience demonstrates Jimmy Yoshimura’s ability to condense cultural memory and urban tension into a visually cinematic composition within h...

Purple Arlequin: Harajuku Rhapsody, The Enigmatic Dance of Colors reveals one of Jimmy Yoshimura’s most emotionally nuanced explorations within his celebrated series The Modern Ukiyo...

Flower Flag: Sakura Blossoms in Technicolor, Tokyo's Floral Overture reveals Jimmy Yoshimura’s refined ability to merge intimacy, memory, and contemporary identity within his series ...

Duel: Clash of Eras, Tradition and Manga Unleashed stands as one of the most dramatic and tension-filled compositions within Jimmy Yoshimura’s series The Modern Ukiyo-e: Tokyo Tales ...

Grrrrr!!!!!: Urban Roar, Expressions in Tokyo's Manga Jungle captures the raw emotional intensity and visual tension characteristic of Jimmy Yoshimura’s practice within his series Th...

Tattoo: Ink and Skin by Jimmy Yoshimura unfolds as a striking visual meditation on identity inscribed upon the body, merging contemporary urban expression with ancestral imagery in h...

Oil painting of the wonderful Pedro Ribera door, symbol of what was the Savings Bank and Monte de Piedad of Madrid and which is currently located at one of the entrances of a hotel i...

The Parisian Flower Arranger Painted in 1884, Christian-Henri Roullier’s *The Parisian Flower Arranger* is an unusually rich combination of portraiture and still life. Measuring 57 x 42 inches, the large oil on canvas shows a young woman seated in a greenhouse or conservatory, surrounded by flowers and foliage. She holds a newly gathered bouquet in her lap, while her pale dress, lace collar, and carefully rendered features give the scene an unmistakably Parisian elegance. Much of the painting’s appeal comes from Roullier’s treatment of the flowers themselves. Roses, lilacs, pansies, geraniums, and other blossoms fill nearly every part of the composition. Rather than becoming decorative background, they are painted with enough individuality that each seems to have been closely observed. Reds, purples, yellows, pinks, and greens are set against the softer tones of the woman’s dress and the filtered light of the conservatory. The setting allows Roullier to play with both natural and controlled light. Sunlight filters through the glass and foliage, touching the flowers, the sitter’s face, and the folds of her gown. Darker passages among the plants give the picture depth and keep the abundance of color from overwhelming the figure. Despite the sheer amount of detail, the composition remains calm and carefully balanced. There is also something distinctly of its period in the subject. Flower arranging was associated with domestic refinement, taste, and cultivated leisure in late 19th-century France. Roullier takes that familiar theme and gives it considerable scale and importance. The woman is not merely placed among flowers. She appears entirely at home within this cultivated world, surrounded by the materials of her work and pleasure. The Artist Christian-Henri Roullier was born in Lyon in 1845, but his life soon took an unusual turn. As an infant, he traveled with his family to San Francisco during the California Gold Rush. The family initially struggled, but their circumstances improved after Roullier’s father found employment at the White House, the prominent San Francisco department store owned by the French-born merchant Raphael Weill. Roullier eventually returned to France to pursue serious artistic training. In Paris, he studied painting with Jean-Léon Gérôme, one of the best-known academic painters of the period. He also studied sculpture with Emmanuel Frémiet. Roullier continued to work in both painting and sculpture, and the influence of that training can be seen in the solidity of his figures and his careful understanding of form. His paintings share some of the qualities associated with Gérôme’s academic approach, particularly precise drawing, careful composition, and close attention to surface and detail. Roullier, however, often brought a warmer and more intimate quality to his subjects, particularly when painting portraits, landscapes, and scenes of everyday life. Roullier exhibited regularly at the Paris Salon from 1878 through 1914. He also maintained strong ties to San Francisco and exhibited with the San Francisco Art Association and at the Mechanics’ Institute in 1883. Among his artistic acquaintances was Jules Tavernier, the French-born painter closely associated with the development of art in California and Hawaii. Roullier painted Tavernier at work in the lively portrait "Tavernier Painting". His subject matter was varied. In addition to portraits, he painted rural scenes in France and traveled farther afield, producing colorful views of Tunisia. Across these different subjects, Roullier showed a particular interest in light, atmosphere, and richly observed surroundings. France and California When Roullier was not working in Paris, he and his sister Blanche spent time at the family property in Saint-Nizier-sous-Charlieu in the Loire region of France. Blanche Roullier was herself an accomplished pastel artist who exhibited regularly at the French salons and received recognition for her work. The countryside around Saint-Nizier-sous-Charlieu provided Christian-Henri Roullier with another source of inspiration. His rural paintings often have a quieter character than his formal portraits and elaborate interiors, but they reveal the same careful observation. Although Roullier spent much of his adult life in France, his early connection to California remained an important part of his biography. His career effectively joined two very different artistic worlds. He was trained in the traditions of the French academy, yet he had grown up in the rapidly changing environment of San Francisco. That combination helps explain the range of his work and perhaps some of its openness to vivid color and strong natural light. A Major Work *The Parisian Flower Arranger* brings many of Roullier’s strengths together in a single painting. His academic training is evident in the drawing of the figure, the organization of the composition, and the extraordinary amount of carefully observed detail. At the same time, the picture never feels like a technical exercise. Its real charm comes from the quiet mood Roullier creates. The sitter, the flowers, and the conservatory all belong to the same world. Nothing feels hurried. The flowers have been gathered and arranged, sunlight enters through the glass, and the young woman pauses within a setting devoted almost entirely to beauty. Roullier died in Paris on July 25, 1926. Later that year, a retrospective exhibition of his work was held at the Paris Winter...

TITLE: "CAPEZ" SERIES: "Dimensional Abstracts" MATERIALS: Gesso, Acrylic Paint on 1/16th Inch Shaped Archival Plexiglas / Canvas / Archival mount / Pintura Wood Panel / UV Con...

Original mixed media painting on paper. It will be shipped unstretchted rolled in a tube. You can take it to local framers for stretching. PLEASE NOTE* This is one of a kin...

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

"Rack Them Up" is part of my Glitch series which combines realism that blends with digital aesthetics This series is based on photos that I made and combined with some graphic effec...

Oil, collage on canvas Juliane Hundertmark is a German artist born in 1971 who lives and works in Berlin, Germany. She is considered one of Berlin's most original and inventive emer...

Early Summer Whispers in Battle Symphony: Tokyo Twilight Reverie unfolds within the series Tokyo Nocturnes: Blossoms and Clouds in Battle Symphony, where Hiro Ando investigates the f...

Pham Binh Chuong is a well respected Vietnamese contemporary artist who paints the streets, alleys and bridges of Hanoi where he was raised, lives and has his studio. His work evoke...

Artwork is done by smearing colors on the canvas using a combination of brush and knife to create a deeply textured rough raw unfinished look. Painting tries to capture the timeles...

Oil paint on wood panel Unique work Hand-signed on the back by the artist

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

Oil on canvas

Oil on canvas

Original extra large painting of architecture / architectural fragment - an arcade architecture from Litomysl, Czech town was created with acrylic colours on canvas. The size of this particular artwork: Height : 57,1 inches (145 cm) Width : 63 inches (160 cm) Depth : 2 inches (5 cm) This artwork will be sent in a tube. And the tube will be wrapped in bubble foil and inserted into the cardboard box for maximum security against any damage. Any local framer will easily mount it for you onto a wooden blind...

This oil painting is framed in 2" cradled masonite. The wide sides are painted grey to match. Wired and ready to hang. :: Painting :: Contemporary :: This piece comes with an offic...

This oil painting is framed in 2" cradled masonite. The wide sides are painted grey to match. Wired and ready to hang. :: Painting :: Contemporary :: This piece comes with an offic...

Just waiting for Spring.... :) This oil painting is framed in 2" cradled masonite. The wide sides are painted grey to match. Wired and ready to hang. :: Painting :: Contemporary :...

"Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself, is not puffed up..." - 1 Corintians 13:4 This oil painting is framed in 2" cradled masonite. ...

Oil on Masonite. The painting will be signed when purchased, if the buyer wishes. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by...

A work from the Post-urban Visions series - a series that transcends the existence of today's highly urbanized industrial society and envisages a future (post-urban) state when the h...

I have been painting animals and flowers in my backyard. This is a painting of my shed. I know it needs to be primed and painted. The weathered wood is so beautiful I will find it difficult to cover. Paintings like this take more time because I can't get away from looking deeper into the detail. The play of color, wood, and light was amazing to study. Although it was tedious to paint I learn so much in the execution. I hope you enjoy the final Oil Painting. Title: SHED, Medium: Oil on Canvas, Size: 16 x...

"French Quarter (Mardi Gras)", by Kristin Moore, is a part of her 2024 solo exhibition, “Through the Bayou, Into the Garden”, at Ferrara Showman Gallery. Marking a transition from he...

Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives. In 2002 moved to Mosco...

Large-scale acrylic on canvas by New York and Martha's Vineyard based artist Albion Vu, titled "Next Move 14," created in 2024. This signed original work measures 55 x 90 inches and ...

"City Limits", is a 26x40 original oil painting on canvas by artist Olaf Schneider. Depicted is a bustling downtown city street, the taxis are reflecting off of glass from a nearby s...

Stamped and signed verso Albion Vu is an architect, fashion designer and an abstract painter living between NYC and Martha's Vineyard. Born and raised in Eastern Europe, he moved to...

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

[b. 1980 – Denton, TX ::: lives & works – Savannah, GA] MAGGIE EVANS is an artist based in Savannah, Georgia. She currently uses painting, drawing and installation to examine huma...

signed lower left. As you know, the pictures you have (Illustrated Gallery) were decommissioned from the New Britain Museum of American Art. Th...

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

Date: 1953 Medium: Oil on Masonite Dimensions: 42.00" x 32.50" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, January 31, 1953. The Post d...

Oil on panel

Acrylic on canvas Nostalgia for seemingly better times, or perhaps, simultaneously, a secret yearning for worse times to come, are woven into Francisca Ahlers...

Original gatefold art for the Atomic Blonde movie soundtrack album Medium: Acrylic on Board Signature: Signed Lower Right

An oil painting of an interior - a fireplace in action. Flames blaze and cast smoke upwards. A red wall meets a cream painted wall, which meets a black chimney. The fireplace is lined with red bricks. Fire pokers, a cast iron pan...

36" x 48" Unframed Oil, Acrylic and Spray Paint on Canvas Hand Signed by Johnathan Ball Johnathan Ball has been working for more than 15 years to establish a style of painting that ...

Recipient of the Judith McGregor Caldwell Purchase Prize—a prestigious award given by the Pennsylvania Academy for a uniquely significant artwork worthy of inclusion in their permanent collection, Ben Hazen is currently exhibiting his unique interior still life paintings at Questroyal Fine Art...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an ...

"LA VENGEANCE DE NÉMÉSIS" : Technique mixte, acrylique, peinture aérosol, pigments, gesso, encre, Posca, feuille d'or et cuivre oxydé sur toile - 116x89 cm - 2019 PRIX DE VENTE : 450...

THE INTROSPECTIVE SALVATION Mixed media, acrylic, spray paint, dry pastel, bold pastel, posca and marker on canvas - 40x40 cm - 2013 SALE PRICE: 850 €

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

Nasce a Piacenza nel 1968, vive e lavora in Italia e Portogallo.