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Period: 16th Century
'Adam and Eve Expelled from Eden' by Albrecht Dürer, Woodcut Print
Located in Oklahoma City, OK
This 18.75" x 15.75" framed, woodblock print was produced by German Renaissance artist, Albrecht Dürer, circa 1511. The 5.75" x 4.63" print floats on white mat board and is presented...
Category
Renaissance 16th Century Art
Materials
Woodcut
Studies of the Galli Statue and of an Ignudo
Located in Paris, Île-de-France
Florentine School, early 16th century
Studies of the Galli Statue and of an Ignudo
Pen and brown ink on laid paper
19.1 × 13 cm
Executed c. 1510–1520
Unsigned
This remarkable doub...
Category
Old Masters 16th Century Art
Materials
Ink
16th-Century Italian School, Renaissance Portrait Of A Lady
Located in Cheltenham, GB
This beautiful late 16th-century Italian oil on leather depicts a lady wearing an exquisite hair ensemble consisting of pearls and rubies set in gold. It’s an exceptionally rare piec...
Category
Renaissance 16th Century Art
Materials
Oil, Leather
Mythological combat scene with Roman soldiers on horseback.
By Virgil Solis
Located in Middletown, NY
Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...
Category
Old Masters 16th Century Art
Materials
Ink, Laid Paper, Pen
San Sebastiano San Cristoforo Zenone Paint Oil on canvas 16th Century
Located in Riva del Garda, IT
Zeno Veronese (or Zeno from Verona) (Verona, 1484 - Salò (Bs) after 1542-before 1554)
San Sebastiano and San Cristoforo
Oils on canvases, 173 x 55 cm
This pendant of works h...
Category
Old Masters 16th Century Art
Materials
Oil
Holy Family with the Young St John The Baptist and St Elizabeth
Located in Stoke, Hampshire
Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598)
Holy Family with the Young St John The Baptist and St Elizabeth
Oil on canvas
A Royal Coat of Arms lower left
Canvas size...
Category
Old Masters 16th Century Art
Materials
Oil
Large 16th Century Old Master Oil Painting The Judgement of Paris Mythological
Located in Cirencester, Gloucestershire
The Judgement of Paris
Fontainebleau School, circa 1580 *see notes below
oil painting on canvas, framed
framed: 30 x 40 inches
canvas: 27 x 37 inches
Provenance: private collection, ...
Category
Mannerist 16th Century Art
Materials
Oil
Christ on the Cold Stone – After Jan Gossaert (Mabuse)
Located in Stockholm, SE
This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...
Category
Old Masters 16th Century Art
Materials
Oil, Wood Panel
Resurrection of Christ. Study of the Master of the Prodigal Son. Ca. 1550.
Located in Firenze, IT
Resurrection of Christ
Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560)
Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame)
The work was exa...
Category
Mannerist 16th Century Art
Materials
Oil, Wood Panel, Board
$9,722 Sale Price
15% Off
Madonna Child Del Sarto Paint Oil on table 16th Century Old master
Located in Riva del Garda, IT
Madonna and Child Workshop of Andrea del Sarto, pseudonym of Andrea d'Agnolo di Francesco (Florence 1486 - 1530)
Attributable to Jacopo di Giovanni di Francesco, known as Jacone (...
Category
Old Masters 16th Century Art
Materials
Oil
$24,179 Sale Price
20% Off
Mannerist Italian painter - 16th century figure painting - Christ mocked
Located in Varmo, IT
Italian painter (16th century) - Christ mocked.
18 x 28 cm.
Antique oil painting on canvas glued on board, without frame (not signed).
Condition report: Good state of conservation...
Category
Old Masters 16th Century Art
Materials
Oil, Panel
$1,788 Sale Price
40% Off
Munchen, Antique Map from "Civitates Orbis Terrarum" - 1572-1617
Located in Roma, IT
Wonderful black and white aquatint showing an antique view of Munchen, capital of Bavaria.
From the collection by Braun G. and Hogenberg F., "Civitates Orbis Terrarum", Cologne, T. ...
Category
16th Century Art
Materials
Etching
Bremen, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1572-1617
Located in Roma, IT
Braun G. and Hogenberg F., Brema, from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image dimensions: 10.5 x 23.5 cm. Dimensions: 15 x 26 cm.
Very f...
Category
16th Century Art
Materials
Etching, Aquatint
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550)
Title: "The Crucifixion (Christ on the Cross)"
Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
Very rare
Notes:
Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
Biography:
Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category
Old Masters 16th Century Art
Materials
Etching, Laid Paper
Saint Michael Archangel Tuscany school 16th Century Paint Oil on canvas Italy
Located in Riva del Garda, IT
Saint Michael the Archangel victorious over the Devil
Tuscany - 16th century
Oil on canvas
68 x 52 cm. - In frame 97 x 78 cm.
Of great character is this interesting St. Michael the...
Category
Old Masters 16th Century Art
Materials
Oil
$9,299 Sale Price
20% Off
Late 16th-Century Catalan School, Saint Magí & Saint Mauro
Located in Cheltenham, GB
This remarkable late 16th-century fragment depicts Saint Magí, the patron saint of Tarragona, and Saint Mauro, a Benedictine monk. Produced in around 1580, on the cusp of the Anglo-S...
Category
16th Century Art
Materials
Metal
Fine 16th Century Flemish Old Master Oil on Panel The Holy Family Museum Quality
Located in Cirencester, Gloucestershire
The Holy Family
attributed to Adrien Thomas Key (Flemish c.1544-1590)
oil painting on wood panel (cradled): 24 x 26 inches
frame: 34 x 35 inches
condition: for its considerable age, ...
Category
Mannerist 16th Century Art
Materials
Wood Panel, Oil
Ecce Homo Christ Metsys 16th Century Paint Oil on table Flemish Old master
Located in Riva del Garda, IT
16th-century Flemish master
Circle of Quentin Metsys (Leuven, 1466 - Antwerp, 1530)
Ecce Homo
oil on panel
cm. 34 x 23
with frame 47 x 37 (not contemporary)
An important painting...
Category
Old Masters 16th Century Art
Materials
Oil
$7,315 Sale Price
20% Off
Adoration Shepherds Spranger 16/17th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Bartholomäus Spranger (Antwerp, 1546 - Prague, 1611) Workshop/circle of
Adoration of the Shepherds
Oil on canvas
114 x 90 cm.
Framed 126 x 101 cm.
The proposed painting, illustrati...
Category
Old Masters 16th Century Art
Materials
Oil
$7,191 Sale Price
20% Off
Christ Salvator Mundi Paint Oil on copper 16/17th Century Flemish school
Located in Riva del Garda, IT
Antique painting depicting the Face of Christ as Salvator Mundi
Flemish painter, 16th-17th century
Oil on copper
22 x 18 cm./ framed 42 x ...
Category
Old Masters 16th Century Art
Materials
Oil
$4,091 Sale Price
20% Off
Madonna Correggio Paint Oil on table 16th Century Old master Italian Religious
Located in Riva del Garda, IT
School of Antonio Allegri, known as Correggio (Correggio c. 1489 - 1534)
Attributable to Pomponio Allegri (Correggio, 1522 - Parma, 1593)
Madonna and Child, Two Angels and John the B...
Category
Old Masters 16th Century Art
Materials
Oil
$17,979 Sale Price
20% Off
Portrait Of Lorenzo Suarez 5th Count Of Corona 16th Century - Antonis Mor
Located in Blackwater, GB
Portrait Of Lorenzo Suarez, 5th Count Of Corona, 16th Century
School of Antonis Mor (1517-1577)
Large Spanish School Old Master portrait of Lorenzo Suarez, Count of Corona, oil on ...
Category
16th Century Art
Materials
Canvas, Oil
$12,115 Sale Price
20% Off
Portrait of a woman with a book
Located in BELEYMAS, FR
Italian school circa 1560, circle of Bernardino Campi
Portrait of a woman with a book
Oil on panel
H. 78 cm ; L. 57cm
Category
Italian School 16th Century Art
Materials
Oil, Wood Panel
Huge 16th Century Fontainebleau School Old Master Oil on Panel Baby Moses
Located in Cirencester, Gloucestershire
The Finding of Baby Moses
Fontainebleau School, circa 1580's period
oil painting on thick wood (walnut wood) panel, framed
framed: 32.5 x 27 inches
wood: 25 x 30 inches
provenance: p...
Category
Old Masters 16th Century Art
Materials
Oil
Redemption Adam Eve De Backer 16th Century Paint Oil on table Old master Flemish
Located in Riva del Garda, IT
Jacob de Backer (Antwerp, c. 1555 – Antwerp, c. 1585)
The Redemption of Adam and Eve after their Expulsion from Eden
Oil on oak panel (106 x 76 cm - In frame 126 x 96 cm)
Th...
Category
Old Masters 16th Century Art
Materials
Oil
$15,499 Sale Price
20% Off
Painted Christ and the Adulteress Flemish school 16th century
Located in Milan, IT
Oil on Board. Flemish school of the 16th century.
The work bears a plaque at the base attributing it to Lambert Van Noort (1520 -1571), justified by the proximity to his painterly ma...
Category
Other Art Style 16th Century Art
Materials
Oil
The Holy Family with the Infant Saint John the Baptist
By Raphael (Raffaello Sanzio da Urbino)
Located in Paris, Île-de-France
STUDIO OF RAFFAELLO SANZIO, called RAPHAEL
(Urbino 1483 – Rome 1520)
Title The Holy Family with the Infant Saint John the Baptist
Medium Pen and brown ink, brown wash, over black ch...
Category
Old Masters 16th Century Art
Materials
Ink
Pietà Cherubs Paint Oil on canvas Religious Rome 16/17th Century Michelangelo
Located in Riva del Garda, IT
Peintre actif à Rome au XVIe siècle - entourage de Scipione Pulzone (Gaeta 1550 - Rome 1598)
La Pietà (Christ mort soutenu par la Madone)
huile sur t...
Category
Old Masters 16th Century Art
Materials
Oil
Mannerist Italian painter - 16th century figure painting - Christ Calvary
Located in Varmo, IT
Italian painter (16th century) - Ascent to Calvary.
18 x 28 cm.
Antique oil painting on panel, without frame (not signed).
Condition report: Good state of conservation of the pain...
Category
Old Masters 16th Century Art
Materials
Oil, Panel
$1,788 Sale Price
40% Off
Venere e Amore sui Delfini (Venus and Cupid on Dolphins) /// Old Masters Raphael
Located in Saint Augustine, FL
Artist: Marco Dente da Ravenna (Italian, 1493-1527)
Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)"
*Monogram signed by Dente in the plate (printed signature) lower left
Circa: 1515-1520 (second state of three)
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Antonio Salamanca, Rome, Italy
Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10
Framing: Recently beautifully framed, the sheet is museum mounted, floated over a 100% cotton rag mat in a modern gold moulding and Museum glass
Framed size: 16.88" x 13.07"
Sheet size: 10.63" x 6.94"
Condition: Thread margins. A strong impression in excellent condition
Very rare
Notes:
Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520).
"This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London
Biography:
Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...
Category
Old Masters 16th Century Art
Materials
Intaglio, Laid Paper, Engraving
Adoration of the Shepherds by Gillis Mostaert (1534 - 1598) Flemish Renaissance
Located in Knokke, BE
Gillis Mostaert
Hulst 1534 – 1598 Antwerp
Flemish Painter
'Adoration of the Shepherds'
Medium: oil on panel
Dimensions: image size 38,5 x 46,5 cm, frame size 54 x 62 cm
Provenance...
Category
Renaissance 16th Century Art
Materials
Oil, Panel
Putti Fighting Venice Tiziano 16th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576) Workshop
Putti fighting on the Ponte dei Pugni in Venice
Venetian school, late 16th century
Oil on canvas 105 x 144 cm -...
Category
Old Masters 16th Century Art
Materials
Oil
Late 16th-Century Catalan School, Saint Madrona Of Thessalonica
Located in Cheltenham, GB
This remarkable late 16th-century fragment depicts Saint Madrona, the Patron Saint of Barcelona, Spain, holding a 15th-century carrack and the martyr’s palm frond. She stands before ...
Category
16th Century Art
Materials
Metal
Venetian-Cretan master early 16th century Tempera on Gold Background
Located in Pistoia, IT
Venetian-Cretan master of the early 16th century, icon of Christ the Bridegroom (or Nymphios).
Tempera on gold ground on panel.
Measure 41 x 29 cm
Holy Week, in Eastern tradition an...
Category
Renaissance 16th Century Art
Materials
Tempera, Board
$2,479 Sale Price
20% Off
Venice. XVI century. Madonna with child with St. John. Attrib. Marco Bello.
Located in Firenze, IT
Sacred Conversation: Madonna with child with St. John with idealized landscape background with mountains.
Early XVI century.
Oil on wooden panel of Venetian conifers.
Marco Bello, attributed. (Venezia, 1470 - 1523, Udine), pupil and follower of Giovanni Bellini.
Venetian school.
Madonna with child with St. John with idealized landscape background with mountains.
Dimentions: 57cm x 68cm x 6cm
Beautiful late Renaissance frame...
Category
Renaissance 16th Century Art
Materials
Wood Panel, Oil
Antique Bust of Roman Emperor Vitellius
Located in Los Angeles, CA
Substantial, hand carved, solid marble bust of Roman Emperor Vitellius (24-69 C.E.) on a custom, iron base. Likely a 16th century copy of a 2nd century o...
Category
16th Century Art
Materials
Marble
Portrait Man Pourbus 16/17th Century Paint Oil on canvas Old master Flemish
Located in Riva del Garda, IT
Frans Pourbus (Bruges, 1545 - Antwerp, 1581) circle
Portrait of a gentleman in Renaissance dress with a black doublet and ruff
Late 16th century
Oil on canvas
46 x 32 cm. - 65 x 53...
Category
Old Masters 16th Century Art
Materials
Oil
$6,075 Sale Price
20% Off
Saint Jerome Venetian School Paint Oil on canvas Old master 16/17th Century Art
By Jacopo Negretti, known as Palma the Younger (Venice 1544 - 1628)
Located in Riva del Garda, IT
Venetian school of the end of the 16th century
Circle of Jacopo Negretti, known as Palma the Younger (Venice 1544 - 1628)
Saint Jerome Penitent
Oil painting on canvas
85 x 64 cm. - In frame 97 x 76 cm.
This splendid painting, which offers us an intense representation of San Girolamo...
Category
Old Masters 16th Century Art
Materials
Oil
$7,315 Sale Price
20% Off
Saint Jerome Oil on copper 16th Century Paint Old master Italy Emilian school
By Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589)
Located in Riva del Garda, IT
Ferrara school of the late sixteenth century - circle of Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589)
St. Jerome penitent in the cave
...
Category
Old Masters 16th Century Art
Materials
Oil
$5,579 Sale Price
20% Off
Holy Family Giovannino Bronzino Paint Oil on table 16th Century Old master Italy
Located in Riva del Garda, IT
Agnolo di Cosimo, known as 'il Bronzino' (Monticelli of Florence, 1503 – Florence, 1572)
The Holy Family with San Giovannino
Oil on table (120 x 90cm. - I...
Category
Old Masters 16th Century Art
Materials
Oil
$35,959 Sale Price
38% Off
Portrait Of Lucas Cranach The Elder (1472-1553), 16th Century German Renaissance
Located in Blackwater, GB
Portrait Of Lucas Cranach The Elder (1472-1553), 16th Century
German Renaissance School
Large 16th Century German School portrait identified as Lucas Cranach The Elder, oil on canv...
Category
16th Century Art
Materials
Canvas, Oil
$6,388 Sale Price
20% Off
Portrait of a Gentleman in Doublet & Ruff c.1595; Elizabethan oil on copper
Located in London, GB
Portrait of an Elizabethan Gentleman in a Black Doublet c.1595
Manner of Hieronimo Custodis (died c.1593)
Oil on copper
Unsigned
This exquisite oil on copper portrait, painted around 430 years ago, is a splendid survival from the Elizabethan era - the golden age in England’s history, when Queen Elizabeth I was on the throne. It is a time that is sandwiched between two golden ages of English renaissance culture, the reigns of Henry VIII and Charles I. This period produced a style of painting quite unlike that anywhere else in Europe and one that deserves serious assessment. Just a couple of years after our portrait was painted, English painting developed on another course, driven mainly by the artists Marcus Gheeraerts the Younger and Isaac Oliver; they depicted a new mood that was pervading Elizabethan and Jacobean society, which was that of romantic melancholy. Elizabethan painting...
Category
Old Masters 16th Century Art
Materials
Copper
Renaissance Italian sculptor - 16th century carved wood sculpture - Saint Robert
Located in Varmo, IT
Carved wooden sculpture - San Roberto. Italy, 16th century.
54 x 30 x h 112 cm.
Entirely in carved and painted wood with traces of polychromy and gilding.
- Work registered at the...
Category
Renaissance 16th Century Art
Materials
Wood
$3,576 Sale Price
25% Off
ITALIAN RENAISSANCE PORTRAIT HEAD OF BEARDED MAN
Located in Milan, IT
PORTRAIT HEAD OF BEARDED MAN
Central Italy, 16th/17th Century
marble with traces of polychromy
height 39 cm
height 15 1/4 in
Category
16th Century Art
Materials
Marble
GILT BRONZE FIGURE OF CRISTO MORTO ATTR. G DELLA PORTA, ITALIAN RENAISSANCE
Located in Milan, IT
Circle of Guglielmo Della Porta
(Porlezza, 1515 circa – Rome 1577)
CRISTO MORTO, Italy, mid 16th Century
Gilt bronze
54 x 48 cm
21 1/4 x 19 in
Provenance:
M. Barbagli Private Collec...
Category
16th Century Art
Materials
Bronze
Venus Paolo Fiammingo Paint Oil on canvas Old master 16th Century Italian Art
Located in Riva del Garda, IT
Pauwels Franck, known as Paolo Fiammingo
(Antwerp, 1540 - Venice, 1596)
Venus lying in a landscape
Oil on canvas 116 x 150 cm.
In antique frame 136 x 170 cm.
The work is accompanied by a critical card by Dr. Federica Spadotto
The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility.
The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art.
This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters.
An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. .
He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice.
Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...
Category
Old Masters 16th Century Art
Materials
Oil
$34,719 Sale Price
20% Off
16th Century by Venetian Maestro Deposition of Christ Oil on Panel
Located in Milano, Lombardia
16th Century Venetian Maestro
Title: Deposition of Christ
Medium: Oil on panel
Dimensions: without frame 40 x 25 cm
Formerly Canesso Collection, Paris.
Fairs: The International Biennial of Antiques in Florence 2022 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze)
Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genoa, 2022, pp. 22, 23.
In this precious panel we can admire a lament over the body of Christ by a large group of bystanders among whom we can recognise the Virgin and, in the foreground, St Catherine of Alexandria...
Category
Old Masters 16th Century Art
Materials
Oil, Wood Panel
Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
Located in Alamo, CA
This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...
Category
Northern Renaissance 16th Century Art
Materials
Engraving
Renaissance Italian sculptor - 16th century wood sculpture - Saint Mauritius
Located in Varmo, IT
Carved wooden sculpture - San Mauro. Italy, 16th century.
54 x 30 x h 110 cm.
Entirely in carved and painted wood with traces of polychromy and gilding.
- Work registered at the b...
Category
Renaissance 16th Century Art
Materials
Wood
$4,173 Sale Price
22% Off
Flemish School--Girl in Chair-1631- Renaissance
Located in Brooklyn, NY
This exquisite oil painting on wood, created by an unknown Flemish artist in 1594, depicts a young girl seated in a chair. The artwork is in very good condition, though some modest r...
Category
Renaissance 16th Century Art
Materials
Oil
$9,600 Sale Price
20% Off
Italian Renaissance Tempera on Parchment Painting Holy Family by Giuseppe Cesari
Located in Portland, OR
A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...
Category
Renaissance 16th Century Art
Materials
Parchment Paper, Egg Tempera
Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
Located in Alamo, CA
This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli.
This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right.
This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition.
Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books.
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...
Category
Old Masters 16th Century Art
Materials
Engraving
Portrait of an Artist (possibly a Self-Portrait)
Located in New York, NY
Provenance:
Bradley Collection.
Private Collection, Upperville, Virginia.
Literature:
Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75.
This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin.
This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2).
Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566.
This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...
Category
Old Masters 16th Century Art
Materials
Oil, Panel
Madonna and child with angels, circle of Joos Van Cleve, 16th c. Antwerp school
By Joos van Cleve
Located in PARIS, FR
Madonna and Child with Saint John the Baptist and angels
Circle of Joos Van Cleve (1485 – 1541)
16th century Antwerp school
Oil on oak panel
Dimensions: h. 32 cm (13 in.), w. 28.5 cm...
Category
Old Masters 16th Century Art
Materials
Oak, Oil
Study of a Man, Old Master Drawing, Figure, Roman Study, Lombard
Located in Greven, DE
Old Master Drawing by the Circle of Lambert Lombard. Drawing/ Study of a Man in Renaissance Style, later signed "F. Floris".
Study of a Man
Lombard li...
Category
Renaissance 16th Century Art
Materials
Handmade Paper
$2,861 Sale Price
20% Off
Lady Dormore - A 16th Century Portrait of a key member of Shakespeare's England
Located in London, GB
Lady Dormer, Mary Browne
c. 1592
oil on panel
35 x 29 inches, unframed;
41 x 34.75 inches, inc. frame
Inscribed 'Lady Dormore'
Mary married Henry Wriothesley, 2nd Earl of Southampton who gave birth to Henry Wriothesley, 3rd Earl of Southampton - one of the great figures in Shakespears"s circle and founder of the Virginia company, developers of Virginia USA.
Henry Wriothesley, born 6 October 1573 at Cowdray House, Sussex, was the only son of Henry Wriothesley, 2nd Earl of Southampton, by Mary Browne, the only daughter of Anthony Browne, 1st Viscount Montague, and his first wife, Jane Radcliffe.[5] He had two sisters, Jane, who died before 1573, and Mary (c. 1567 – 1607), who in June 1585 married Thomas Arundell, 1st Baron Arundell of Wardour.[6]
After his father's death, Southampton's mother married firstly, on 2 May 1595, as his second wife, Sir Thomas Heneage (d. 17 October 1595), Vice-Chamberlain of the Household, and secondly, between 5 November 1598 and 31 January 1599, Sir William Hervey. She died in November 1607.[7]
Early life
When his father died on 4 October 1581 Southampton inherited the earldom and landed income valued at £1097 6s per annum. His wardship and marriage were sold by the Queen to her kinsman, Charles, Lord Howard of Effingham, for £1000. According to Akrigg, Howard then "entered into some further agreement, of which no documentation can now be found, which transferred to Lord Burghley personally the custody and marriage of the young Earl, but left Howard holding his lands", and late in 1581 or early in 1582 Southampton, then eight years of age, came to live at Cecil House in the Strand.[8]
In October 1585, at age twelve, Southampton entered St John's College, Cambridge,[9] graduating M.A. on 6 June 1589.[10] His name was entered at the Gray's Inn legal society before he left the university, and he was admitted on 29 February 1588.[11]
On Southampton's 16th birthday, 6 October 1589, Lord Burghley noted Southampton's age in his diary, and by 1590 Burghley was negotiating with Southampton's grandfather, Anthony Browne, 1st Viscount Montague, and Southampton's mother, Mary, for a marriage between Southampton and Lord Burghley's eldest granddaughter, Elizabeth Vere, daughter of Burghley's daughter, Anne Cecil, and Edward de Vere...
Category
Old Masters 16th Century Art
Materials
Oil
Late 16th Century by Jacopo da Empoli Temperance Oil on canvas
Located in Milano, Lombardia
Jacopo da Empoli (Florence, Italy, 1551 – 1640)
Title: Temperance
Medium: Oil on canvas
Dimensions: without frame 101.5 x 75.7 cm – with frame 140 x 115.3 x 10.50 cm
Expertise by Al...
Category
Old Masters 16th Century Art
Materials
Canvas, Oil
Madonna Scarsella Paint Oil on canvas Old master 16/17th Century Raffaello Art
Located in Riva del Garda, IT
Ippolito Scarsella, known as Lo Scarsellino (Ferrara, around 1550 - 1620) workshop
Altarpiece depicting the Madonna and Child, St. James the Greater and the donor in armour
Technique: oil on panel
Measurements: 93 x 72 cm./with frame 109 x 86 cm.
Provenance: Prato, Farsetti, auction of 28.10.2016, lot 261 (link)
A majestic Madonna in Glory occupies the upper register of the canvas, seated on a blanket of iridescent clouds surrounded by angels, flanked by a cherub who scatters flowers contained in a cornucopia towards the infant Christ as a sign of abundance, naked and supported with both hands from the mother.
In the lower part of the composition stands the figure of San Giacomo Maggiore, one of the twelve apostles, standing on the right side of the altarpiece, represented dressed in a humble tunic; one arm holds the open Gospel book, while the other holds a cross pilgrimage staff.
A particular aspect of the table is the presence in the central part, to indicate its importance, of the figure of the donor, kneeling on a cushion, with his hands joined in prayer and his face observing the Virgin in an attitude of devotion, while on the opposite lectern is placed a prayer book; depicted with the features of a young leader in armor, with a sword and a rich iridescent red cloak, elements which, combined with his authoritarian composure, enhance his ennoblement.
Unlike the medieval altarpieces, the knight is here included in the space of the painting and has proportionate dimensions to those of the other characters, returning to all intents and purposes in the sacred scene, with a pose that cannot but evoke the detail of the 'Montefeltro altarpiece' made by Piero della Francesca for Federico da Montefeltro, kneeling in front of the sacred group in the guise of a leader.
On the right, the view recedes into depth highlighting the background of an urban landscape set on a hill behind which a mountain range stands out, with the peculiarity of the arched aqueduct that runs along the entire landscape. Presumably among these expanses were the donor's own possessions and his hometown.
It is a quality table, imbued with the late Mannerist style still resistant in the second half of the 16th century, characterized by a 'sweet and affable religiosity, rendered through a manner of studied simplicity and grace', which highlights the unmistakable stylistic and chromatic connotations of the produced...
Category
Old Masters 16th Century Art
Materials
Oil
$10,539 Sale Price
20% Off
Portrait of a Man
Located in New York, NY
Provenance:
with Leo Blumenreich and Julius Böhler, Munich, 1924
Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to:
Abraham M. Adler, New York, until 1985; thence by descent to the present owners
While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...
Category
Old Masters 16th Century Art
Materials
Oil, Panel
$52,500
16th Century Italian Renaissance Old Master Portrait of a Procuratore
By Jacopo Bassano
Located in London, GB
Jacopo BASSANO (c. 1510-1592, Italian)
Portrait of a Procuratore
Oil on canvas
30 ¼ x 26 inches (including frame)
Provenance: Lucien Bonaparte’s Collection (as Portrait of Doge Priuli, Tiziano); Rich-mond, Virginia Museum, Portrait of Doge Lorenzo Priuli.
The painting is a portrait of a man half-length, on a black background. It is a three-quarter portrait, according to a custom very common in the genre of portraiture in sixteenth century. The man is wearing a decorated...
Category
Old Masters 16th Century Art
Materials
Oil