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16th Century Art

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Period: 16th Century
Jale with the Sisera's Head - Original Etching by M. Greuter
Jale with the Sisera's Head - Original Etching by M. Greuter

Jale with the Sisera's Head - Original Etching by M. Greuter

By Matthaeus Greuter

Located in Roma, IT

Jale with the Sisera's Head is a copper engraving on laid paper in 1586 by the German engraver Matthaeus Greuter. Representing one of the terrible heroines of the Old Testament, Gia...

Category

Northern Renaissance 16th Century Art

Materials

Etching

A Monumental 16th Century Renaissance Carved Oak Bust of Jesus Christ
A Monumental 16th Century Renaissance Carved Oak Bust of Jesus Christ

A Monumental 16th Century Renaissance Carved Oak Bust of Jesus Christ

Located in Queens, NY

Magnificent and Monumental 16th Century Renaissance Carved Oak Bust of Christ, Flemish Netherlandish, C. 1550 A powerful and deeply expressive Renaissance carved oak bust of Jesus C...

Category

16th Century Art

Materials

Oak

Draped Woman with Branch, 16th Century Ink Drawing, 13.6x7.7 cm

Draped Woman with Branch, 16th Century Ink Drawing, 13.6x7.7 cm

Located in Paris, Île-de-France

CARLO URBINO (Crema 1525 - after 1585) Draped Woman Holding a Branch Pencil and brown ink on laid paper 13.6 x 7.7 cm Unsigned 16th century Mounted on 20th-century paper Handwrit...

Category

Old Masters 16th Century Art

Materials

Ink

Two Fools (or Fool and Foolish Woman)

Two Fools (or Fool and Foolish Woman)

By Hans Sebald Beham

Located in New York, NY

Hans Sebald Beham (1500-1550), an engraving after Beham’s Two Fools (or Fool and Foolish Woman), engraving, c 1540, a copy or impression in reverse of Pauli 215, Bartsch 213, the cop...

Category

Old Masters 16th Century Art

Materials

Engraving

Portrait Lady Pulzone Paint Oil on canvas Old master 16th Century Italian Roma
Portrait Lady Pulzone Paint Oil on canvas Old master 16th Century Italian Roma

Portrait Lady Pulzone Paint Oil on canvas Old master 16th Century Italian Roma

Located in Riva del Garda, IT

Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598) - workshop of Portrait of Bianca Cappello (Venice, 1548 - 1587) Grand Duchess of Tuscany, second wife of Francesco I de 'Medici Second half of the 16th century oil on canvas, cm. 70 x 56 cm., Framed 103 x 87 cm. The proposed painting illustrates the portrait of Bianca Cappello (Venice, 1548 - 1587), a noblewoman of Venetian origins, second wife of the Grand Duke of Tuscany Francesco I de 'Medici, whose expressive power is wisely highlighted by the composite cut of light three quarters, with the head and gaze directed at the observer. The beam of light coming from her right brings out the volumes of her face plastically and lingers on her features, highlighted by the large white lace ruff that surrounds his neck and by the details of her precious clothing. Bianca wears a dark red dress, perhaps a zimarra, embroidered in gold with a plunging neckline and a raised collar of the shirt curled in a ruff and also edged with precious lace, embroidered with the motif of the Florentine lily.   The favorite jewels of the noblewoman were pearls: we see them on a choker that adorns the neckline, in the earrings and again in the hairstyle, which sees the hair gathered at the nape of the neck and adorned with a string of small black pearls and embellished with a clasp. It is a high-quality painting that can be confined to the workshop of the painter Scipione Pulzone called Gaetano, representing at best a pictorial genre, that of portraiture, in which the master excelled. This attribution would be confirmed by comparisons with the numerous portraits that Pulzone dedicated to the Medici family. Our painting, in particular, could represent one of the versions that the workshop has replicated, at the request of the numerous art collectors who wish to have a portrait of one of the most influential personalities of the Florentine scene. The characters drawn by Pulzone were icons of incomparable elegance: noblewomen, knights and religious lent their faces to the eye of the artist who was able to grasp every meticulous detail with his superb technique. A photographic wealth and surprising material attention that trace the pictorial prototypes of Flemish inspiration, in particular of Antonis Mor...

Category

Old Masters 16th Century Art

Materials

Oil

September

September

By Hans Bol

Located in Chicago, IL

engraving and etching by A. Collaert after Hans Bol Watermark: Letter P (Briquet 8718, Grevenbroich 1572)

Category

16th Century Art

Materials

Engraving

Monkey Playing the Trumpet - Etching - 16th Century

Monkey Playing the Trumpet - Etching - 16th Century

Located in Roma, IT

Etching on paper. Charming and finely executed engraving depicting an anthropomorphic monkey seated in a pastoral landscape, animatedly playing a trumpet while holding a folded bann...

Category

Modern 16th Century Art

Materials

Etching

Hl. Hieronymus
Hl. Hieronymus

Hl. Hieronymus

Located in Wien, Wien

St. Jerome 347 Stridon, Croatia - 420 Bethlehem Around 1500/20 Limestone Remains of the original polychromy Height 45 cm The man with the holy name! 347 Stridon, Croation – 420 Be...

Category

16th Century Art

Materials

Limestone

Virgin and Child with the Pear
Virgin and Child with the Pear

Virgin and Child with the Pear

By Hans Sebald Beham

Located in New York, NY

Hans Sebald Beham (1500-1550), Virgin and Child with the Pear, engraving, 1520. Initials monogram and date in the plate. References: Bartsch 18, Pauli, Hollstein 19. First state (of two). In good condition, on old laid paper with thread margins on three sides, trimmed on the platemark bottom right and bottom, and archival mounting. h: 4.5 x w: 3 in / h: 11.4 x w: 7.6 cm A very good impression of this rarity. Hollstein indicates that earlier impressions, such as this one, do not have a scratch above the head of the Virgin. Beham was one of the Northern Renaissance Little Masters, so called because of their eminence in producing small-scale engravings such as the Virgin and Child with a Pear. Beham was born in Nuremberg in 1500, and may have trained under Durer, though his training is no more certain than that of his younger brother Barthel. He made his first engraving in 1518, and later became known for producing woodcuts as well. Beham’s Madonna with the Pear has a similar composition but in reverse to Durer’s engraving...

Category

Old Masters 16th Century Art

Materials

Engraving

Nuremberg, Map from "Civitates Orbis Terrarum" - by F. Hogenberg - 1575

Nuremberg, Map from "Civitates Orbis Terrarum" - by F. Hogenberg - 1575

By Franz Hogenberg

Located in Roma, IT

Braun G., Hogenberg F., Nurnberg or Nuremberg, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Nuremberg. Strongly influenced by Hartmann Schedel's Nuremberg Chronicles...

Category

16th Century Art

Materials

Etching, Aquatint