17th Century Art

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

ARTIST: Unsigned 17th Century Dutch School TITLE: 'Butchers With Hanging Pig" MEDIUM: oil on panel SIZE: 71cm x 55cm inclusive of frame, the panel alone is 56cm x 40cm CONDITION: h...

* No US duty or taxes to pay on this item * A very interesting 17th century Dutch Old Master oil on panel depicting figures in a landscape with one figure on a white horse. Excelle...

Portrait of the Madonna in Prayer 17th Century Italian School oil on board, framed framed: 6.75 x 6 inches board: 5 x 4 inches Provenance: private collection, England Condition: ver...

17th Century Italian Religious Painting on Glass Beautiful and important oil painting on glass based on an engraving, not signed, dated 1655 at the bottom centre, follower of Leandr...

Unknown Italo-Flemish Artist (active circa 1600) Adoration of the Shepherds oil on copper unframed: 32 × 25.5 cm (12.6 × 10 in) framed: 43 × 37 cm (16.9 × 14.6 in) Provenance: Acq...

Studio of Francis Barlow, English, late 17th century Birds on a Pond with Waterfowl and Birds in Flight Oil on canvas Un-signed Presented in an antique English carved wood frame A f...

Wilds Birds Dutch School, 17th century Circle of Melchior d'Hondecoeter (Dutch, 1636-1695) framed: 52.5 x 46 inches canvas: 50 x 44 inches provenance: private collection, UK conditio...

Figures in Landscape Dutch School, 17th century oil on wood panel, framed in antique wooden frame framed: 14.5 x 17 inches panel : 10 x 12 inches Provenance: private collection, Engl...

Figures in Classical Landscape Dutch School, 17th century unsigned, as is typical of the period oil on canvas, framed inscribed verso to label framed: 23 x 27 inches canvas : 20 x 24...

Pier Francesco Garola (Turin 1638 - Rome 1716) Architectural capriccio with coastal view Oil on canvas 74 x 99 cm With frame 87 x 112 cm Reference bibliography: G. Sestieri,...

Hendrick Corneliszoon van Vliet (Delft, 1612 – Delft, 1675) Interior of a Flemish Church Oil on canvas 75 x 89 cm. - In frame 103 x 89 cm. This gem of Flemish painting immer...

Still Life of Game with Spaniels and Falcons in Landscape Setting Carstian Luyckx (Flemish, 1623 – c.1675) Oil on canvas Circa 1670 Unsigned 43 ½ x 59 1/8 in.; Frame 52 7/8 x 68 7/...

Portrait of a Young English Aristocratic Lady English, circa 1670's period, unsigned oil on canvas laid on board, unframed canvas: 30 x 25 inches Provenance: private collection, UK C...

Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins Framed by rugged cliffs and illuminated under a dark, swirling sk...

Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame The painting is unsigned A moving devotiona...

Annibale Carracci (Bologna, 1560 - Rome, 1609) Circle of Jupiter and Juno Oil on canvas (126 x 95 cm. - In frame 142 x 112 cm.) The work depicts Jupiter and Juno, king and qu...

Frans Francken II (Antwerp, 1581–1642) workshop/circle The Banquet of Belshazzar Oil on canvas 98 x 115 cm In frame 121.5 x 141.5 cm The painting, which shows us a sumptuou...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

The Virgin Madonna Spanish Renaissance artist, circle of El Greco (1541-1614) circa 1600 oil on wood panel, unframed panel: 20 x 14.5 inches Provenance: private collection, northern ...

Tobias & The Angel Flemish Baroque Old Master, circa 1600 circle of Paul Brill (Flemish 1554-1626) oil painting on canvas, 43.5 x 59.25 inches condition: very good, restored and read...

The Cavalry Skirmish Flemish School, 17th century circle of Pieter Wouvermans, unsigned oil on canvas, framed framed: 12 x 14 inches canvas: 9.5 x 11.5 inches Provenance: private col...

Matthieu Van Plattenberg (Antwerp 1608 - Paris 1660) workshop of Stormy sea with ships Oil on canvas 90 x 120 cm - In antique frame 103 x 133 cm This evocative coastal view...

Venetian painter (17th century) - Apollo's Chariot. 64 x 126 cm unframed, 92 x 153 cm with frame (not signed). Oil on canvas, lacquered and gilded wood. - Provenance: Cambi 2024, ...

Giusto (or Justus) Sustermans (Antwerp, 1597 – Florence, 1681) Workshop of Portrait of Ferdinando II de' Medici (1610–1670), Grand Duke of Tuscany Oil on canvas 133 x 97 cm Fram...

The Angelic Visitation Italian School, 17th Century oil on canvas, framed Framed: 30 x 36 inches Canvas: 24 x 29 inches Provenance: private collection, Europe Condition: the antique...

This fine late 17th-century oil painting by an artist working in the circle of French painter Hyacinthe Rigaud (1659-1743) depicts a distinguished member of the Greder family of Solo...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...

Pier Dandini (Florence, 1646 – 1712) The Finding of Moses Oil on canvas 87 x 118 cm In frame, 102 x 132 cm Provenance: International Auction and Exhibition Hall – Sale of Important Private Collections of Fine Antiques – Florence...

This stunning, large portrait oil painting is attributed to Spanish Old Master Claudio Coello who is considered the last great Spanish painter of the 17th century. It has formerly been the property of Lady Beatrice...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

Beautiful Dutch School painting dating from 17th century. Oil on wood panel measuring 10 3/8 x 14 7/16 inches. Unsigned. No inpainting or conservation. Depicted is a scene with a beautiful young woman singing...

This distinguished early 17th-century portrait, attributed to Flemish Renaissance artist Gortzius Geldorp (1553-1618), depicts Conrad Scheiffart von Merode zu Weilerswist, a Rhenish ...

Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 i...

This beautiful Italian religious Old Master oil painting is attributed to circle of Massimo Stanzione. Painted circa 1640, the composition is the Madonna holding baby Jesus as he sta...

The Card Players Flemish Old Master, 17th century based on a version (in reverse) of a painting by Cornelis de Vos (Flemish 1584-1651) oil on canvas, unframed Canvas: 39 x 62 inches ...

Artist/ School: Italian School, 17th century. Title: A King and Queen before court figures, amidst a classical landscape with Roman columns. Medium: oil painting on canvas, framed ...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...

A bustling scene of fishermen, merchants, and visitors in a peaceful and picturesque port village This engaging painting offers a vivid and atmospheric glimpse into daily life in th...

Mythological Figures in Woodland Glade Dutch School, late 17th century oil on wood panel, unframed panel: 11 x 9 inches provenance: private collection, UK condition: minor surface sc...

17th century English/Dutch School, from the Circle of Sir Peter Paul Rubens A very interesting and well-painted 17th-century oil on canvas of two men seated on horseback in a landsc...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Nicolas Loir (Paris, 1624 – 1679) Saint Mary Magdalene Penitent Oil on canvas, 58 x 71 cm Unsigned Provenance: Private collection This painting represents an important discovery...

Godfrey Kneller (Lübeck 1646 – London 1723) Portrait of an English noblewoman, presumably Mary Capel, Countess of Essex (1679–1726) Oil on canvas 128 x 104 cm. In frame 146 x...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

A finely executed portrait miniature in oil on copper depicting a gentleman dressed in a black gown and white lawn collar. The piece is dated verso 1660 and the sitter was likely ass...

The Cavalry Skirmish Flemish School, mid 17th century circle of Lambert de Hondt (Flemish, 1620-1665) oil on panel, framed Framed: 21 x 27 inches Board: 16 x 22 inches Provenance: private collection, France Condition: very good condition, with old repairs and thinning in places. This painting, attributed to the circle of Lambert de Hondt (Flemish, 17th century), depicts an intense battle scene, typical of Flemish military compositions of the time. Lambert de Hondt was known for his battle scenes, landscapes, and hunting scenes, often filled with dynamic action and fine detail, and this work clearly reflects his influence. The artwork portrays a cavalry skirmish with soldiers in traditional 17th-century military dress, including red tunics...

Philipp Peter Roos, known as Rosa da Tivoli (Sankt Goar, August 30, 1657 - Rome, January 17, 1706) Armenti in front of Tivoli's old waterfall Joining our collection is a beautiful...

Portrait of noblewoman, known as "the Little Princess of Longueville," attributed to Jean Ducayer (1595-1685). Oak plank, one board, not parqueted. Jean Ducayer, a court painter...

Francesco Albani Circle Italian Mythological Painting This important oil painting on wood depicts a subject that is very rare in the iconography of ancient mythological paintings: the birth of Erittonio. Erichthonius who succeeded Amphictyon becoming the fourth mythological king of Athens and married the naiad Praxithea who made him the father of Pandion. The extremely high quality of this very rare painting suggests that it was painted by an artist who frequented Francesco Albani's studio. The period, the mythological subject, the harmony of the colours and, above all, the sublime quality of the flesh tones all point in this direction. This artwork, never before on the market, comes from an important Italian private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. ERYTHTONIOS (᾿Ερυχϑόνιος, Erychthonios) Born of Hephaestus' love for Athena, from the breast of Ghe, who was impregnated by the god; welcomed by Athena, who placed him in a basket together with one or two snakes, entrusting him to the care of Cecrops' three daughters. Against the goddess's wishes, they opened the chest, from which emerged, according to different versions of the myth, either the child wrapped in snakes or a snake, which, in some versions, killed the girls, while in others, they threw themselves from the Acropolis in fear. Erittonio, in the form of a snake, is welcomed by Athena into her temple and curls up under the goddess's shield. Alongside this myth, of Ionian origin, are others due to the doubling of the figures of E. and Erechtheus The scene of the birth appears in figurative tradition: in a Melian terracotta relief from the early 5th century, Ghe, half-emerging, holds out the baby Erittonio. to Athena, who welcomes him in the presence of Cecrops; the same scene appears on various painted vases, such as a red-figure kölix by the Painter of Kodros, from Tarquinia, in the Berlin Museums, dating from around 440 BC, where Hephaestus also appears alongside Cecrops. A modest red-figure vase from Camiro, in the British Museum, depicts the moment when the fleeing Cecropids discover the cista, from which the infant Erittonio. emerges between two snakes, greeting Athena. The moment when the chest was opened was depicted by Phidias on the xiii and xiv S metopes of the Parthenon, where Cecrops and Pandrosus appear in the first and Erisichthon and Aglaurus with the chest uncovered in the second. A kölix in the style of the Brygos Painter in Frankfurt, on the other hand, depicts the large snake E. chasing the fleeing Cecropids towards their father's palace. Luciano (De dom., 27) recalls a painting depicting the scene of the birth and the representation of the myth in pantomime on the theatre (De salt., 39). Bibliography: Engelmann, in Roscher, cc. 1303-1308, s. v. Erichthonios; P. Jacobstahl, Die Melischen Reliefs, Berlin 1931, pp. 96-98, plate 75 a; W. Züchner, in Jahrbuch, LXV-LXVI, 1950-51, p. 200 ff., figs. 34-35; J. D. Beazley, Red-fig., p. 720; G. Becatti, Problemi fidiaci, Florence 1951, p. 22. Questo Francesco Albani (Bologna, August 17, 1578 – Bologna, October 4, 1660) was an Italian painter. Albani was born in Bologna, Papal States, in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi...

Neapolitan painter (17th century) - Joseph and Potiphar's Wife. 55 x 40.5 cm. Antique oil painting on canvas, unframed (not signed). Condition report: Lined canvas. The painted su...

Berger with Animals in Classical Landscape 17th Century Italian Old Master, we cannot see a signature oil painting on canvas, unframed 23 x 27 inches condition: very old reline, mino...

The Military Encampment Dutch School, 17th century circle of Philips Wouwermans (Dutch 1619-1668) oil painting on canvas, in 18th century gilt frame canvas measures: 19.5 x 17 inches...

Workshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...

The Expulsion of Adam and Eve from the Garden of Eden Workshop of Abraham Bloemaert (Gorinchem 1564 - Utrecht 1651) Oil on canvas (118 x 81 cm. - in frame 129 x 91 cm.) The w...

This engaging mid-17th-century Flemish oil on canvas depicts a cheerful young man who turns toward us with a knowing smile, his hand wrapped confidently around a stoneware beer jug. ...

In this captivating mid 18th century portrait, presented by Titan Fine Art, a young English lady is presented in a luminous white satin gown trimmed with intricate lace and blue ribb...

Very good condition late 17th Century Dutch School Vanitas.