17th Century Art

Jan van de Velde II (1593-1641) Tobias Surprised by the Fish Etching and engraving on fine laid paper without watermark, c. 1620-1630 After Moses van Uyttenbroeck (Dutch, c. 1595–aft...

Portrait of an Aristocratic Lady Holding Flowers in a Landscape Setting English School, 17th century, circle of Sir Peter Lely (1618-1680) inscribed 'C Wither of Hall Place' oil on ...

Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins Framed by rugged cliffs and illuminated under a dark, swirling sk...

French School, late 17th Century Mediterranean Harbour with Lighthouse and Shipping oil on panel, circular composition unframed 20 cm (7.9 in) framed 33.5 × 33.5 cm (13.2 × 13.2 in...

Figures in an Italianate Landscape Flemish, late 17th century oil on canvas, 11.5 x 18 inches condition: the painting, for its age is in very good and decorative condition. Obvious a...

Portrait of the Madonna in Prayer 17th Century Italian School oil on board, framed framed: 6.75 x 6 inches board: 5 x 4 inches Provenance: private collection, England Condition: ver...

This important oil painting on canvas, although it is not signed as is almost always the case with this artist's paintings, is attributed to the great Genoese painter Luciano Borzone...

The Cavalry Skirmish Flemish School, 17th century circle of Pieter Wouvermans, unsigned oil on canvas, framed framed: 12 x 14 inches canvas: 9.5 x 11.5 inches Provenance: private col...

Figures in Classical Landscape Dutch School, 17th century unsigned, as is typical of the period oil on canvas, framed inscribed verso to label framed: 23 x 27 inches canvas : 20 x 24...

This charming late 17th-century Flemish painting was once a fan before being laid on canvas, extended and cherished. It's filled with tiny episodes of courtship, leisure and fashiona...

Marble sculpture depicting Triton, fragmentary, Italian Baroque, mid- XVIIth century. Coming almost certainly from a fountain, as evidenced by the presence of holes for the passage...

The Virgin Madonna Spanish Renaissance artist, circle of El Greco (1541-1614) circa 1600 oil on wood panel, unframed panel: 20 x 14.5 inches Provenance: private collection, northern ...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

Abraham Begeyn (1637–1697), Italianate Landscape with Ruins and Herdsmen This atmospheric and finely balanced landscape by Abraham Begeyn presents a sunlit ruin beside tranquil wate...

The Card Players Flemish Old Master, 17th century based on a version (in reverse) of a painting by Cornelis de Vos (Flemish 1584-1651) oil on canvas, unframed Canvas: 39 x 62 inches ...

Francesco Curradi, known as Battiloro (Florence 1570–1661) Saint Catherine of Alexandria oil on canvas Dimensions: 81 x 61 cm / with frame 93 x 73 cm. This exquisite painti...

An important Florentine painting from the mid-17th century. This oil-on-canvas painting, attributed to the great Italian painter Vincenzo Dandini (1609–1675), depicts a refined alleg...

Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame The painting is unsigned A moving devotiona...

The Hunting Party German/ Italian School circle of Philipp Peter Roos (German 1655-1706) oil on canvas, unframed 19 x 31 inches provenance: private collection, France condition: good...

The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...

Tavern Interior Dutch School, 17th century oil on metal, framed framed: 8 x 6.75 inches painting: 6 x 4.25 inches provenance: private collection condition: very good and sound condit...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Pair of ceiling panels Portrait of a Warlord / Portrait of Saint Sebastian Bonifacio Bembo (Brescia, 1420 – Milan, 1480) Follower of Oil on panel (each) 43 x 43 cm. Framed 55...

Master of the Grotesque Vases (active in Rome and Naples in the first quarter of the 17th century) Flower Arrangement in a Renaissance Vase oil on canvas 67 x 88 cm. - with fram...

Tuscan School 17th–18th centuries Saint George and the Dragon Oil on canvas 66 x 50 cm. Framed: 92 x 76 cm. The fascinating painting we present here depicts the victory of ...

17th century English/Dutch School, from the Circle of Sir Peter Paul Rubens A very interesting and well-painted 17th-century oil on canvas of two men seated on horseback in a landsc...

Mother with Two Children Reading English School (17th century). Canvas: 29 × 25 inches Medium: oil on canvas, unframed. Provenance: private collection, UK. Condition: good overall co...

Bartholomeus van Bassen (The Hague 1590-1652) An interior of a Gothic cathedral with figures signed and dated 'B v Bassen / 1650' (on pillar, lower right) Oil on panel Painting size ...

Tavern Interior Flemish School, 17th century oil on canvas, framed framed: 13.5 x 18 canvas: 11 x 16 inches provenance: private collection, France condition: very good and sound cond...

Spanish school, 17th century The Immaculate Virgin with symbols of the Litany of Loreto Oil on canvas 101 x 76 cm. In an antique frame (slight imperfections) 117 x 90 cm. ...

17th Century Italian School Christ and the Canaanite Woman oil on canvas, framed Framed: 30.5 x 35 inches in an antique gilt 'hollow' fra...

Berger with Animals in Classical Landscape 17th Century Italian Old Master, we cannot see a signature oil painting on canvas, unframed 23 x 27 inches condition: very old reline, mino...

Portrait of Mary Of Modena, Queen of England, 17th Century School of of Sir Peter Lely (1618-1680) Large 17th Century portrait of Mary Of Modena, Queen Of England, oil on canvas. E...

Circle of Jacopo Bassano (Bassano del Grappa 1510 - Bassano del Grappa 1592) - Lamentation over the Dead Christ. 58.5 x 72 cm. Oil on canvas, unframed (not signed). The work repro...

This stunning, large portrait oil painting is attributed to Spanish Old Master Claudio Coello who is considered the last great Spanish painter of the 17th century. It has formerly been the property of Lady Beatrice...

This profoundly religious oil on canvas by an unknown artist was painted in the second half of the 17th century. It draws inspiration from the renowned Italian master Guido Reni (157...

This not signed very interesting oil painting on canvas dates back to the mid-17th century. It depicts the Virgin Mary kneeling and reading the Book of Hours. It is the work of an ...

Peter Paul Rubens (circle of) An Apostle circular 15.15 inches (38.5 cm) oil on canvas Provenance: Bukowskis Auctions, lot 725149, as "Peter Paul Rubens, circle of".

Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line. Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...

ARTIST - Florentine School, Circle of Cesare Dandini (1596–1657) // PERIOD - circa 1640 // ORIGIN - Florence, Italy // MEDIUM - Oil on Canvas // STYLE - Florentine School / Early Bar...

"17th Century Flemish School Old Master Adoration of the Magi." Oil on canvas. Previously relined. Unsigned. Artwork: 81 × 61 cm (31.9 × 24 in.). 88 × 69 cm (34.6 × 27.2 in.). (Fra...

Engraving after Egidius Coninxloo (c. 1581 - 1619), executed by Nicolaes De Bruyn (Antwerp 1571 - 1652 Amsterdam) Unidentified watermark

Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 i...

Portrait of Princess Ginevra d'Este (1419-1440) after Pisnaello (1380-1455) Antique Portrait of Princess Ginevra d'Este, oil on canvas. Excellent quality and condition side profile...

This beautiful Italian religious Old Master oil painting is attributed to circle of Massimo Stanzione. Painted circa 1640, the composition is the Madonna holding baby Jesus as he sta...

This wonderful 17th-century French School vanitas painting is a meditation on mortality and the transience of earthly pleasures. The composition centers on a finely rendered human sk...

A Roman sculptor (17th century) - Hercules and Cerberus. 18 x 9.5 x h 37 cm. Full figure carved in alabaster. Separate alabaster base (not signed). The sculpture depicts the clima...

Oil on Canvas. Roman school of the 17th century. The bloody episode of the sacrifice of Iphigenia, also recounted in the *Iliad*, stems from the wrath of Artemis, goddess of the hunt...

A magnificent religious painting from the second half of the 17th century. This oil-on-canvas painting, of remarkable artistic quality, depicts the Madonna and Child. Given its compo...

Provenance: The Raeburn Gallery, as by Maerten de Vos; Bukowskis, Stockholm, 15–18 April 1970, lot 133, as in the manner of Anthony van Dyck; Private collection, Sweden Essay: This ...

Triptych Of The Madonna & Child Accompanied by Saints, oil on panel Italian School Antique Renaissance style Triptych of The Madonna & Child accompanied by saints, oil on panel. Excellent quality and condition antique triptych...

Portrait Of William Cavendish 1st Duke of Devonshire (1640-1707), 17th Century Circle Of Sir Godfrey Kneller (1646-1723) Large 17th Century portrait traditionally identified as Wil...

Vanitas Still Life Of A Skull & Snake, oil on panel follower of Pieter Claesz (1597-1660) Dutch Vanitas still life of a Skull and snake, oil on panel. Excellent quality and conditi...

Portrait of Sarah Bodvile (c.1640–1720), later Countess of Radnor, c.1660 Studio of Sir Peter Lely (1618–1680) Oil on canvas Few Restoration portraits combine beauty, biography and ...

Giovanni Stanchi (Rome, 1608–1675) Workshop Still Life with a Vase of Flowers Oil on canvas 76 x 61 cm. - Framed (with imperfections) 93 x 77 cm. The composition features a l...

Rembrant Van Rijn "Adam and Eve" 1638 Original etching and drypoint, printed in black ink on laid paper. A strong dark impression of Bartsch’s second and final state and Usticke’s only state. Signed and dated below image 6.5 x 4.75 inc 16.5 x 11.5 cm Bartsch 28 ii/ii, Hollstein 28, Hind 159, Bjorklund-Barnard 38-D, Usticke 28 Provenance From the collection of the Print Department of the Szefmuveszeti Museum (Musee des Beaux Arts), Budapest, with their collection stamp( Lugt 2000) From the collection of Wilhelm Theodor Moll (Lugt 1819a): Collector's stamp as belonging to Wilhelm Theodor Moll (Lugt 1819a). Wilhelm Theodor Moll was a German collector, dealer, and connoisseur of old master prints. His collection included works by artists such as Rembrandt van Rijn, Dürer, and other major printmakers. His collector's mark is frequently encountered on impressions from distinguished nineteenth-century collections and is catalogued in the well-known collector's marks reference by Frits Lugt.Significance of the Stamp If this is indeed the Lugt 1819a mark, it can add an important layer of provenance to the etching: Demonstrates that the print passed through a recognized nineteenth-century collection. May help establish ownership history prior to modern sales records. Can support authenticity and collecting interest, particularly for Old Master prints. Collectors of Rembrandt prints often place considerable value on documented provenance through notable collections. Prov. Pasquale Iannetti Gallery, San Francisco, circa 1982 Private collection, Utah, USA Acquired by the present owner, General Investment Group LLC, June 2026. Publication Daniel Daulby, A Descriptive Catalogue of the Works of Rembrandt (Liverpool, 1796), p. 15, no. 29.M. le chev. de Claussin, Catalogue raisonné de toutes les estampes qui forment l’œuvre de Rembrandt (Paris, 1824), p. 22, no. 34.Thomas Wilson, A Descriptive Catalogue of the Prints of Rembrandt (London, 1836), p. 46, no. 35.Charles Blanc, L’œuvre de Rembrandt (Paris, 1880), pp. 55-57, no. 1.Woldemar von Seidlitz, Die Radierungen Rembrandts (Leipzig, 1922), pp. 40-41 (ill.).Arthur M. Hind, A Catalogue of Rembrandt’s Etchings, 2 vols. (London, 1923), I:83, II:pl. 159.Ludwig Münz, Rembrandt’s Etchings , 2 vols. (London, 1952), I:pl. 197, II:87, no. 177.George Biörklund, Rembrandt’s Etchings: True and False (Stockholm, 1955), p. 70, no 38D (ill.).Karel G. Boon, Rembrandt: The Complete Etchings, trans. by Elizabeth Willems-Treeman (New York, 1963), pl. 140.G. W. Nowell-Usticke, Rembrandt’s Etchings: States and Values (Narberth, Pa. 1967), n.p., no. B28 (ill.).Christopher White, Rembrandt as an Etcher: A Study of the Artist at Work, 2 vols. (London, 1969), II: 248, pl. 35.Christopher White and Karel G. Boon, Rembrandt’s Etchings: An Illustrated Critical Catalogue, 2 vols. (Amsterdam, 1977), I: 13, no. 28, II:17 (ill.).James N. Wood and Sally Ruth May...

The Rape of the Sabine Women Vincent Malò (Cambrai, c. 1595/1600 – Rome, 1649) attributed Oil on canvas 110 x 193 cm. In frame 122 x 206 cm. The ...

Orpheus is an original artwork realized in the first decades of the XVII century and attributed to the Italian master Tommaso Salini. Oil painting on canvas. A golden wood frame is...

A follower of Abraham Brueghel (Antwerp, 1631 – Naples, 1697) Still Life with Flowers and Citrus Fruits Oil on canvas 70 x 52 cm. - Framed 85 x 67 cm. The composition depict...

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...