17th Century Art

Etching on Ingres D'arches off-white laid paper, with burin, signed Tenth and final state Posthumous Impression, 1998 14.25 x 10 in (36.2 x 25.4 cm) Framed 25.13 x 32 in The Raising...

Portrait of a Lady, possibly Elizabeth Percy, Countess of Essex (1636–1718) c.1660-1665 Studio of Sir Peter Lely (1618–1680) This portrait, presented by Titan Fine Art, is a particu...

This splendid early 17th-century Dutch School portrait depicts a stout gentleman wearing a tall starched ruff and a sober black doublet. It originated in the Low Countries before ent...

Portrait Of Philadelphia, 17th Century Probably Philadelphia Carey Of Aske Hall, Richmond, North Yorkshire, English Courier & Lady In Waiting to Princess Elizabeth Studio Of Sir Pe...

Bon Boullogne (Paris, 1649 - Paris, 1717) workshop of Episodes from the myth of Diana oil painting on canvas Dimensions: 84 x 114 cm. with antique frame 100 x 132 cm. The beautiful painting proposed shows a series of episodes taken from the myth of the divinity Diana, the Roman divinity of hunting, forests and wild animals, masterfully captured in this valuable painting, which shows a luxuriant wood, a favorite place of the divinity, as a theater of his adventures. The composition opens, on the left, with a sort of presentation of the divinity, portrayed as an attractive young girl, surrounded by her faithful Nymphs, one of whom holds her quiver with arrows, and by one of her beloved dogs. hunting her. The 'story' continues in the central part where we can see the divinity during a wild boar hunt...

French portrait of a nobleman, 17th Century, great condition. With a beautiful carved wooden frame.

Attributed to Giuseppe Zola (1672-1743) – "Landscape with Wooden Bridge and Figures" Medium: Oil on canvas Dimensions (Flat): 190 x 301 cm Description: This monumental 18th-century ...

Pierre Mignard French 1612-1695 Portrait of Marie Thérèse de Bourbon, Princess of Conti Oil on canvas, unsigned Image size: 37 2/3 x 29 inches (95.5 x 73.5 cm) Gilt frame Provenance...

JOHANNES JANSSON (1588 - 1664) PERU, engraving with early coloring. Platemark 15 1/8 x 19 3/8 inches, sheet 17 x 20 1/2 A nice example of one of the earliest maps of Peru. From the ...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork depicting a splendid bucolic landscape with animals and a shepherd, of great pictorial qualit...

The large scene depicts the biblical episode recounted in the Book of Exodus—the miracle performed by God to help the people of Israel as they fled from Egypt: since the Israelites ...

This painting—attributed to the circle of Philipp Peter Roos (1655–1706)—depicts a shepherdess tending her animals in a rustic, mountainous landscape. The young woman sits on a rock ...

Spanish or Italian School of the 18th century. "Penitent Mary Magdalene." Oil on canvas. Dimensions: 97 x 76 cm; 76 x 57 cm (frame). The figure of Mary Magdalene appears in a red tu...

Tomaso Pombioli (Crema, 1579 – Crema, 1636) Saint John the Baptist Oil on canvas 99 x 130 cm. In frame 120 x 152 cm. Reference bibliography: M. Marubbi and C. Piastrella, L'...

Muy interesante puerta de sagrario de madera tallada y policromada del siglo xvii. Es de comienzos del barroco, hay la representación del agnus dei con...

Oil on Canvas. A Holy Bishop, kneeling receives Communion d Jesus Christ, descended from heaven, while an angel holds al Cross and an angel holds a devotional candle. The figure of t...

In this captivating mid 18th century portrait, presented by Titan Fine Art, a young English lady is presented in a luminous white satin gown trimmed with intricate lace and blue ribb...

Jacob Huysmans (Antwerp 1633-1696 London) Portrait of a Lady holding a lemon, c. 1665-75 Three-quarter-length, wearing extensive jewellery, within an architectural interior Formerly ...

Charlatan with Snakes in a Roman Square, Bamboccianti, 17th Century Not signed Oil on canvas 58.4 × 71.4 cm With frame: 75 × 88.9 cm Roman-Flemish milieu of the Bamboccianti Rome,...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

Sir Peter Lely (Soest 1618-London 1680) Portrait of young Lady, c. 1656-58 Half-length, wearing pearls and a blue dress, with her shirt revealed Formerly identified as Elizabeth Clay...

Giovanni Grevenbroeck, called the Solfarolo (Netherlands, c. 1650 - Milan, post 1699) Port View in Moonlight Oil on canvas 70 x 132 cm Framed 86 x 146 cm Critical apparatus: Exper...

French School, 17th Century, Circle of Philippe de Champaigne (1602 - 1674) A Turquerie portrait of a Lady dressed in the Oriental Style of Sumptuous Silk Brocade and a Turban, a ten...

17th Century Antoon van Dyck Follower Religious Painting A very important not signed painting from the Flemish school, attributed to an artist from the circle of the great painter A...

Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43

Portrait Of Caterina Giunta, Wife Of Venetian Senator Giunta, circa 1630 by Justus SUSTERMANS (1597-1681) sales to $150,000 Large 17th Century Italian Venetian Portrait of Caterina...

Salvator Mundi. Jacopo Giorgi (Florence 1623–1665), circle of Cesare Dandini Not signed. Oil on copper circa 1660–1665 22 × 15.5 cm (unframed) The painting is accompanied by an exp...

Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

A marvellous and extremely rare frame crafted using the papier-mâché technique. It features beautiful leaf-inspired ornamental motifs that make this mirror frame a small work of art....

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (2 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

Great religious painting from the first half of the 17th century. Oil on canvas artwork depicting the Flagellation, one of the most dramatic moments of the Passion. Christ, tied to t...

The picture is oils on canvas Giovanni Battista Ruoppolo (1629–1693) was an Italian Baroque painter from Naples, known primarily for his still-life works. He is considered a key fig...

Willem Wissing (Amsterdam, 1656 – Stamford, 1687) attributed Portrait of the Duchess of Marlborough as Minerva Oil on canvas 128 x 103 cm – in a gilt frame 149 x 125 cm. Prov...

Portrait of noblewoman, known as "the Little Princess of Longueville," attributed to Jean Ducayer (1595-1685). Oak plank, one board, not parqueted. Jean Ducayer, a court painter...

This lovely 17th century Old Master floral oil painting is attributed to the circle of noted Franco Flemish artist Jean-Baptiste Monnoyer. Painted circa 1670 it is a still life of a ...

Vanitas with a sleeping cherub on a rug, flowers, a violin, a globe, hourglasses, and pomegranates Circle of Antonio Tibaldi (Rome, c. 1635 – after 1675) Oil on canvas 70 x 150 ...

This superb 17th century French Old Master oil painting is attributed to Jean Francois Millet. Painted circa 1670 it is a classical landscape with figures by a bend in a river in the...

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; ava...

Pierre Mignard, known as Le Romain (Troyes 1612 - Paris 1695), attributed Portrait of 'Louise Renée de Penancoët de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734) as MADDALENA Oil on canvas 97 x 88 cm In an important gilded frame 132 x 122 cm. Provenance: Private collection, Naples The young and attractive noblewoman portrayed in this painting is Louis Renée de Penancoet de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734), known to have been King Charles II's favourite mistress for over fifteen years, from whose relationship Charles Lennox, 1st Duke of Richmond, was born, but above all to have gone down in history as one of Louis XIV's French informants at the English court. The duchess was a very influential figure at court, promoting French interests and often acting as an intermediary between the king, his ministers and French ambassadors. After the death of Charles II this influence quickly came to an end, forcing her to hastily leave London and renounce all her possessions to return to her homeland, between Aubigny-sur-Nère and Paris, where she died in 1734, always remaining in the sovereign's good graces. The peculiarity of the portrait, probably executed after her return to her homeland, is that the noblewoman takes the form of a charming Mary Magdalene, depicted here following her renunciation of earthly possessions, her rich robes and jewellery, in order to aspire to heavenly riches; We see her immortalised with her long hair loose on one breast, her intriguing but serene gaze directed at the observer, as she rests her crossed hands, as if in prayer, on the ampulla of perfumed ointments and the open book, both iconographic symbols. The custom of being portrayed in the guise of Magdalene was in vogue for powerful women of the great European courts as early as the 16th century, as it represented the most appropriate image to justify the union of female power and virtue. It must be said that court culture exalted only the positive characteristics of her personality, glossing over or downplaying all references to her sinful past and dissolute life. The work, whose style fits perfectly into 17th century French portraiture, suggests the pertinent attribution to the Baroque painter Pierre Mignard (Troyes, 1612 - Paris, 1695), whose works were highly praised and earned him a great reputation as a portrait painter for the demanding Parisian aristocracy at the time of Louis XIV, and who portrayed the Duchess de Kérouaille on numerous occasions. His first important artistic training took place in Simon Vouet's studio, and he then moved to Italy for over twenty years before returning to Paris, blending his own with the influence of Roman classicism. The elegant looseness of touch and sensual refinement typical of Mignard, combined with a very accurate chiaroscuro rendering, inherited from his artistic training in Rome (which he looked up to the examples of Ferdinad Voet), and the exceptional sweetness of the drawing, the floridity of the complexion and the almost enamelled surfaces, and finally, the peculiar pose of the figure portrayed (the beauty of the two intertwined hands...

Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...

Dimensions: 36 1/4 x 28 1/2 in (92 x 72.5 cm) - Framed: 44 ¼ x 37 3/8 in (112.5 x 95 cm) English frame in carved and gilded wood, Louis XV style Provenance: Christie’s London – July...

Portrait of a Young English Aristocratic Lady English, circa 1670's period, unsigned oil on canvas laid on board, unframed canvas: 30 x 25 inches Provenance: private collection, UK C...

Circle of Adam Frans van der Meulen (Brussels 1632 – Paris 1690) Equestrian portrait with battle scene in the background Oil on canvas? 81 x 103 cm.?In frame 105 x 124 cm. ...

La obra es de autor anónimo. El retablo va muy bien enmarcado con un marco neogótico del siglo xix en madera estofada y policromada. Medidas del retablo: 88 cm. altura x 56 cm. anc...

Baroque Landscape with Figures French School, 17th century oil on canvas, framed Framed: 29.5 x 23.5 inches Canvas : 25.5 x 19 inches Provenance: private collection, France Condition...

Grand 17th-Century Style Genre Scene – Oil on Canvas A magnificent large-scale oil painting depicting an elegant gathering of noble figures in an architectural setting. This historic...

18th c. Italian school Santa Veronica, after Simone Pignoni. Period copy by an unknown hand of the original oil painting by Pignoni. The original Pignoni painting was conserved in the Church of S. Eusebio in Cegliolo (Cortona) and now in the permanent collection of the Musée Fabre in Montpellier, France. In the Musée des Beaux-Arts of Marseille, there is another period copy by an unknown hand, considered of lesser quality than the current example. Simone Pignoni (Florence, 1611-1698), one of the most important exponents of the Florentine School, was characterized by a soft touch. His formation with Francesco Furini...

“The Kermesse of Saint George (A Village Festival)” is an oil on canvas painting by David Teniers the Younger (or David Teniers II) as opposed to his father, David Teniers the Elder....

ARTIST - Northern Painter Active in Italy // PERIOD - First Half of the 17th Century // ORIGIN - Italy // MEDIUM - Oil on Wood Panel // STYLE - Flemish-Dutch Italianate Landscape, La...

Oil on canvas dating from the Flemish school of the early 17th century, depicting a lively interior scene in a large kitchen within a palace. In the foreground, a lavishly set table ...

“Craftsmen Before a House” is an oil on panel painting by David Teniers the Younger (or David Teniers II) as opposed to his father, David Teniers the Elder. Teniers II was an importa...

European master (17th–18th century) - Portrait of a Nobleman. 81 x 65 cm (without frame) - 100.5 x 83.5 cm (with frame). Oil on canvas, in a carved and gilded wooden frame (not sig...

Italian sculptor (17th-18th century) - Triton playing a conch shell. 22 x 22 x h 51 cm. Full-length figure in patinated bronze on a rocaille carved and gilded wood base. The trito...

Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet size 5.38 x6.5 inches. Frame size 14.25 x 16.75 inches. Catalogue raisonné references...

c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...

Artist/ School: 17th Century Dutch School Title: An Extensive River Landscape with Figures in the foreground Medium: oil painting on canvas, framed Pai...

Crispin van de Passe The Younger (c. 1594-1670) Untitled (French Noblemen on Horseback), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in p...

Oil on cupper and wooden panel . Our tender representation is from the second half of the 17th century , follower of Cornelis de Baellieur School. The adoration of the Magi flemish s...