17th Century Art

Domenico Maria Canuti (Bologna, Italy, 1626 – 1684) Title: Assumption of the Virgin Medium: Oil on canvas Dimensions: without frame 138 x 104.5 cm Not signed Expertise by Professo...

A an impression after Rembrandt's only state of this image. Paris: 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches (124 x 114 mm); sheet 12 5/8 x 1...

Painted in collaboration with Hendrick van Balen (Antwerp, 1575 – 1632). Provenance: Private Collection, Uruguay, since the 1930s. The eldest son of Jan Br...

Portrait of James Butler, 2nd Duke of Ormonde (1665-1745), three-quarter length, standing wearing Armour, holding his baton, a skirmish beyond Oil on canvas In a carved wood frame ...

Antonio Tibaldi (Rome, c. 1635 - post 1675) Workshop of Still Life with Armour, Curtains and Sculpture Oil on canvas 53 x 77 cm. - in frame 65 x 89 cm. Beautifully scenic painting ...

1641. Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgi...

A highly important Flemish Old Master oil painting by Peter Van Lint (1609-1690), titled "Preparing for the Hunt", the painting is dated & signed by the artist, 1620. The painting wa...

Christ surrounded by angels in the desert Circle of Pietro da Cortona, born as Pietro Berrettini (Cortona 1597 - Rome 1669) Oils on canvas (66 x 50 cm. - in frame 80 x 64 cm.) The ...

La obra es de autor anónimo. El retablo va muy bien enmarcado con un marco neogótico del siglo xix en madera estofada y policromada. Medidas del retablo: 88 cm. altura x 56 cm. anc...

This stunning 17th century Dutch Old Master Golden Age floral oil painting is by noted Dutch artist Simon Pietersz Verelst. The full attribution...

Etching on paper, within a ruled border. A finely executed etching after Nicolaes Berchem depicting the head of a donkey in profile, rendered with remarkable sensitivity to texture ...

Portrait of Barbara Palmer 1st Duchess of Cleveland 1640-1709, half-length wearing a red dress and portrayed within a cartouche. Circa 1680 Oil On...

Grand 17th-Century Style Genre Scene – Oil on Canvas A magnificent large-scale oil painting depicting an elegant gathering of noble figures in an architectural setting. This historic...

This mid-17th-century Spanish oil on canvas depicts a dignified man of learning - a theologian, or perhaps a cathedral canon. Dressed in a black cassock, marked by a vertical row of...

Portrait of Mr. Gilbert (believed to be the founder of 'Gilberts Charity, Bridgwater, Somerset) English School artist, late 17th/ early 18th century oil...

A superb impression from an important mid-19th century collection. Etching on white laid paper with a partial crown and shield watermark, 4 x 2 7/8 inches (102 mm x 73 mm), margins....

Giulio Carpioni (Venice 1613 - Vicenza 1678) - Madonna and Child with Saints Joseph, Francis, Dominic and Anthony of Padua. 61 x 37.5 cm. Oil on canvas, unframed (not signed). Bib...

European master (17th–18th century) - Portrait of a Nobleman. 81 x 65 cm (without frame) - 100.5 x 83.5 cm (with frame). Oil on canvas, in a carved and gilded wooden frame (not sig...

18th c. Italian school Santa Veronica, after Simone Pignoni. Period copy by an unknown hand of the original oil painting by Pignoni. The original Pignoni painting was conserved in the Church of S. Eusebio in Cegliolo (Cortona) and now in the permanent collection of the Musée Fabre in Montpellier, France. In the Musée des Beaux-Arts of Marseille, there is another period copy by an unknown hand, considered of lesser quality than the current example. Simone Pignoni (Florence, 1611-1698), one of the most important exponents of the Florentine School, was characterized by a soft touch. His formation with Francesco Furini...

Galizia Fede (Milan c. 1578 – c. 1630) Circle Victorious Judith Oil on canvas 116 x 91 cm. – In an antique frame 149 x 125 cm. The work depicts a captivating portrait of the ...

Portrait of Lady Diana Bruce in a Blue Dress with Cut Sleeves c.1660-1670 Circle of Sir Peter Lely (1616-1680) Presented by Titan Fine Art is a captivating portrait of the noble Lad...

Circle of Adam Frans van der Meulen (Brussels 1632 – Paris 1690) Equestrian portrait with battle scene in the background Oil on canvas? 81 x 103 cm.?In frame 105 x 124 cm. ...

The Cavalry Charge, Anglo-Dutch Wars, 17th Century attributed to Palamedes PALAMEDESZ (1607-1638) Large 17th Century Battle scene of a cavalry charge during the Anglo-Dutch Wars, ...

Charming 17th-century genre scene, attributed to the entourage of Adriaen van Ostade, and appraised by Cabinet Turquin. The work vividly illustrates a lively peasant interior, where ...

"La Fuite en Egypte (The Flight into Egypt)" is an original etching by Claude Lorrain (Claude Gelee). This piece depicts the biblical story of Mary, Joseph, and the infant Jesus goin...

Portrait of the Princess of Conti, member of French Royal family Attributed to Louis Ferdinand Elle the Younger (1648-1717) Late 17th century French school Oil on canvas, h. 100 cm, ...

Title: Portrait of Charles II of Spain Artist: Unknown Date: Late 17th century Medium: Oil on copper Framing: Set against red velvet in a deeply carved and distressed giltwood frame,...

Rembrandt van Rijn 1606–1669 Dutch Jan Cornelis Sylvius, Preacher New Hollstein Dutch and Flemish (Rembrandt) 235, state 2/2 Bartsch 280 Printed by Rembrandt Signed and dated "Rem...

Etching on Ingres D'arches off-white laid paper, signed and dated Fourth and final state Posthumous Impression, 1998 3.5 x 3.12 in (8.89 x 7.92 cm) Framed 17.88 x 17.63 in

Ducks On The Riverbank, 17th Century circle of MARMADUKE CRADOCK (1660-1717) Large 17th Century scene of Ducks on the riverbank while a hunt ensues on the distance, oil on canvas. ...

Antonio Calza (Verona, 1653 – Verona 1725) Battle between Christian and Turkish cavalry Oil on canvas 47 x 85 cm In frame 66 x 105 cm Here we see a fierce battle between Ch...

Attributed to Ludolf Backhuysen Dutch Coastal Vessels and a Merchantman Off a Harbour Mouth Oil on canvas Canvas Size 22 1/4 x 30 in Framed Size 29 x...

Attributed to Jan Porcellis (c.1584-1632) Shipping in a brisk sea Oil on panel Unsigned Painting size 18 x 25 in Framed size 26 x 33 in Jan Porcellis was one of the most influential...

A fine work with masterful detail by an exceptional artist whose name is lost to history. European School, 17th century Ink and wash in black, sepia and grayish brown ink with white...

Roman ruins is an original old master artwork realized realized by a follower of the artist Giovanni Paolo Panini and attributed to Francis Harding (1730-1766). Mixed colored oil on canvas. Includes frame. The work is a replica of Panini's canvas made around 1740, made known by Ferdinando Arisi in his 1986 monograph (Cat.456) as belonging to the Galleria Taccani in Milan and recently reappeared on the London market...

Portrait of a Lady (female saint?) Italian School, 17th century oil on copper, framed frame: 9 x 8 inches board: 5 x 4 inches provenance: private collection condition: very good and ...

17th Century Italian School St Peter Oil on Canvas 55 1/2 x 41 inches This large and tender rendering of Saint Peter was painted by the hand of great Italian painter of the 17th Cen...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Guardian Angel Italian School, 17th century Oil painting on copper, framed Framed size: 12 x 10.5 inches Fine quality early Italian Old Master oil on copper panel, dating to the 17t...

Abraham van CUYLENBROCH (1620-1658) Diana With Her Attendants in a Grotto 1651 signed oil on panel 12.2 in x 15.7 inches, inc. frame; 31 x 40 cm Provenance: Sale of Sotheby's Lo...

French school, 17th Century Portrait of the Marquise de Grugieres Oil on canvas 26.1/4 x 21.5/8 in. (66.7 x 54.8 cm.) In a gilded composite frame, later production (possible early 1...

George Andreas Böckler, 'SunBurst Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly inked...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

Figure Studies Attriubted to Cornelis Schut (1597 - 1655) Flemish ink drawing on paper, inscribed on mount size: 4.75 x 7 inches private collection, France The painting is in overa...

Muy interesante puerta de sagrario de madera tallada y policromada del siglo xvii. Es de comienzos del barroco, hay la representación del agnus dei con...

Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet size 5.38 x6.5 inches. Frame size 14.25 x 16.75 inches. Catalogue raisonné references...

The Virgin and Child with two music-making angels, after Van Dyck; in clouds, the Virgin shown half-length supporting the infant Jesus on an orb, looking to right at an angel playing...

This is a superb Italian Old Master portrait oil painting attributed to circle of Guido Reni. It is a half length portrait of the penitent Mary Magdalene...

This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Alessandro Maffei, After Elisabeth Louise Vigee Le Brun, Italian - Portrait of Marie Gabrielle de Gramont, Medium: Oil on Canvas, signed lower right, Size: 39.25 x 27.25 in. (99.7 ...

The Human Skeleton is a original etching realized as plate no. 34 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabrica is commonly considered a major ad...

Wonderful genre painting from 18th Century of pipe smoker. Signed lower right edge with monogram "I I E". Oil paint on copper. Condition: good: minor wear/rubbing from frame's rabbet...

Pierre Mignard, known as Le Romain (Troyes 1612 - Paris 1695), attributed Portrait of 'Louise Renée de Penancoët de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734) as MADDALENA Oil on canvas 97 x 88 cm In an important gilded frame 132 x 122 cm. Provenance: Private collection, Naples The young and attractive noblewoman portrayed in this painting is Louis Renée de Penancoet de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734), known to have been King Charles II's favourite mistress for over fifteen years, from whose relationship Charles Lennox, 1st Duke of Richmond, was born, but above all to have gone down in history as one of Louis XIV's French informants at the English court. The duchess was a very influential figure at court, promoting French interests and often acting as an intermediary between the king, his ministers and French ambassadors. After the death of Charles II this influence quickly came to an end, forcing her to hastily leave London and renounce all her possessions to return to her homeland, between Aubigny-sur-Nère and Paris, where she died in 1734, always remaining in the sovereign's good graces. The peculiarity of the portrait, probably executed after her return to her homeland, is that the noblewoman takes the form of a charming Mary Magdalene, depicted here following her renunciation of earthly possessions, her rich robes and jewellery, in order to aspire to heavenly riches; We see her immortalised with her long hair loose on one breast, her intriguing but serene gaze directed at the observer, as she rests her crossed hands, as if in prayer, on the ampulla of perfumed ointments and the open book, both iconographic symbols. The custom of being portrayed in the guise of Magdalene was in vogue for powerful women of the great European courts as early as the 16th century, as it represented the most appropriate image to justify the union of female power and virtue. It must be said that court culture exalted only the positive characteristics of her personality, glossing over or downplaying all references to her sinful past and dissolute life. The work, whose style fits perfectly into 17th century French portraiture, suggests the pertinent attribution to the Baroque painter Pierre Mignard (Troyes, 1612 - Paris, 1695), whose works were highly praised and earned him a great reputation as a portrait painter for the demanding Parisian aristocracy at the time of Louis XIV, and who portrayed the Duchess de Kérouaille on numerous occasions. His first important artistic training took place in Simon Vouet's studio, and he then moved to Italy for over twenty years before returning to Paris, blending his own with the influence of Roman classicism. The elegant looseness of touch and sensual refinement typical of Mignard, combined with a very accurate chiaroscuro rendering, inherited from his artistic training in Rome (which he looked up to the examples of Ferdinad Voet), and the exceptional sweetness of the drawing, the floridity of the complexion and the almost enamelled surfaces, and finally, the peculiar pose of the figure portrayed (the beauty of the two intertwined hands...

Allegorical Mythological Scene Unidentified Artist 17th–18th Century Oil on canvas Framed: 149 x 196 cm Canvas: 131 x 180 cm No signatured Description This remarkable Baroque/Roc...

Maestro della Flagellazione di Cesena, active in the second decade of the 17th century Title: The morra players Year: 1620 ca. Medium: Oil on canvas Dimensions: without frame 115 x ...

Oil on Canvas. Tuscan school of the seventeenth century. The saint is traditionally dressed in the Dominican habit, with the crown of thorns on her head and, at her feet, a lily, a s...

Felice Torelli (Verona, Italy, 1667 - Bologna, Italy, 1748) Title: Hagar and the Angel Medium: Oil on canvas Dimensions: without frame 41 x 116 cm - wit...

A rare South American painting from the second half of the 17th century. This oil on marble portrait depicts a noble gentleman belonging to colonial high society, following the canon...

A highly atmospheric panoramic harbor capriccio painted in the Venetian tradition of the late 17th century, depicting an imagined Mediterranean port animated by sailing vessels, fish...

Antiveduto Gramatica or Grammatica (Rome, Italy, 1571 – 1626) Title: Magdalene Praying with a Skull Medium:Oil on canvas Dimensions: without frame 58 x 43.2 cm - with frame 85 x 72 x...