17th Century Art

THE ANNUNCIATION TO THE SHEPERDS Italy, 17th Century Painting on agate in an ebonised wood, gilt bronze and semi-precious stone frame 38 x 31 cm - 15 x 12 1/4 in with frame 14 x 8.5 cm - 5 1/2 x 3 1/4 in without frame Although quite rare, across the centuries the art of painting on stone...

NORTHERN ARTIST ACTIVE IN ROME IN THE LAST QUARTER OF THE XVII CENTURY Still life with vase of flowers, fruits and architectural ruins The painting is part of a pair: the twin can...

Il dipinto rientra nel corpus delle opere dell'importante paesaggista fiammingo Jan Frans Van Bloemen. I Van Bloemen erano una famiglia di artisti, fra essi Jan Frans nato ad Anvers...

"The Singer" is an original etching by Cornelis-Pietersz Bega. It depicts a performer and onlookers. Publisher: Pearce #50. 4" x 3" art 16 1/2" x 13 1/2" frame Cornelis Pietersz Be...

Still life of Summer Flowers in a Basket with Fruit. Circa 1730 Oil On Canvas 32 ¾ x 48 ¼ inches83.1 x 122.5 cm Presented in a 17th century Italian carved gilt frame. Acquired from The collection of the Late Edgar Wigan, Bradstone Brook, Shalford. ABOUT THE ARTIST:  The son of the Flemish painter Pieter Casteels II (referred to as Casteels the Younger) whom he studied under.  While Casteels II was best known for his capriccio harbour scenes and landscapes of his native Antwerp, Casteels III worked primarily in England, where he immigrated in 1708 at the age of 24 and began his career copying Old Master.  Casteels III painted still lives of flowers, and bird and game scenes, and in 1726 produced a volume of twelve plates of bird etchings. Following the success of the publication, he created similar volumes for both flowers and fruit. Pieter Casteels III...

Oil on oak panel Image size: 18 x 17 inches (45.5 x 43.5 cm) Period style frame This painting is a half-length portrait of a lady in the guise of a shepherdess. She is holding a ho...

Pair of paintings, oil on canvas, measuring 54 x 44 cm unframed and 65 x 55 cm with a coeval frame, depicting still lifes with asparagus, pomegranates, quinces, figs and medlars by t...

NORTHERN ARTIST ACTIVE IN ROME IN THE LAST QUARTER OF THE XVII CENTURY Still life with flowers, fruits, historiated vases, a parrot and a monkey The painting is part of a pair: th...

Oil on oak panel Image size: 11 1/2 inches circular diameter (29 cm) Hand carved gilt frame

Oil on Canvas. On the barrel in the lower left corner is the signature H.Sanders. The scene, set outdoors on a street in a Flemish town, with the canal in the background on the left,...

Glorious, c. 1650, hand-carved, solid Carrara marble upper torso fragment of a Roman soldier. The piece featuring fish-scale armor atop a tunic. The rig...

Oil painting on canvas. The large canvas recounts an episode taken from the Gerusalemme Liberata by Torquato Tasso, in which the young Erminia, princess of Antioch secretly in love w...

Circle of Andries Both, Southern Landscape with Cows. Both moved to Italy ( Rome and Venice) where is work was influenced by the warm Italian light. Decorative Painting

Circle of Cornelis Dusart Dutch 1660 - 1704 Portrait of a Man Oil on panel Image size: 7¾ x 5¼ inches Giltwood frame Cornelis Dusart Cornelis ...

English School 17th Century Portrait of a Melancholic Gentleman Oil on canvas Image size: 25 x 29 1/4 inches (63.5 x 72.25 cm) Hand made contemporary style frame Provenance South of England Estate This is a striking 17th century half-portrait of a man. He sits with his body turned to the left and his head to the right. His left hand is held in front of him with thumb and finger together. He wears a loose white shirt that is opened low down onto chest while being closed at his neck with a black ribbon. An orange cloak has also been draped across his arms in a rather dramatic manner. This choice of costume is immediately notable and must be compared to other portraits of this time of Elizabethan courtiers wearing slashed silk outfits with ostentatious finery and silver swords. Indeed, if one examines 17th century English...

Old Master Drawing, Flemish School, Portrait or Sketch of a standing young boy. Condition : see photos The drawing is on paper.

Still Life Of Grapes In The Vineyard, 17th Century Pierre Antoine Lemoyne (French 1605-1665) similar to $250,000 Huge 17th Century French Old Master study of grapes in the vineyard, oil on canvas by Pierre Antoine Lemoyne. Excellent quality and condition study of the vines and grapes growing before a rustic building. Exceptional detail and rare early work of art on the subject of wine making...

Portrait Of A Gentleman Holding Flowers, circa 1600 Flemish School Large circa 1600 Flemish School portrait of a man holding flowers wearing a plumed hat, oil on panel. Exceptional...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subje...

Oil on canvas Image size: 13 x 16 1/2 inches (33 x 42 cm) Contemporary style frame (Image below) Provenance Private European Collection Darnley Fine Art offers this boldly brushed ...

Painting, oil on canvas, measuring 75 x 103 cm without frame and 82 x 110 cm with frame, of the Flemish school depicting a hunting scene. The confident outline of the almost drawn a...

Oil painting on canvas. Northern Italian school of the 17th-18th century. In a large, rather barren hilly landscape, which widens and fades to the right, there is a high rock, shaped...

Oil painting on canvas. In the beautiful composition you can see, resting on an inlaid wooden sideboard, a basket full of cherries, some of which are scattered on the top, and a plat...

David Loggan (1634-1692) Engraving of Oriel College, Oxford Engraving, 1674 40 x 26.7cm To see our other views of Oxford and Cambridge, scroll down to "...

David Loggan (1634-1692) Engraving of University College, Oxford Engraving, 1674 30 x 40cm To see our other views of Oxford and Cambridge, scroll d...

Circle of Girolamo Troppa (Torri in Sabina, Italy, 1636 - Terni, Italy, 1711) Title: The prophet Habakkuk Medium: oil on canvas Dimensions: without frame 90 x 114 cm - with frame 132...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle (1571 – 1633), Iacob de Bye (1581-1640) after Maerten de Vos (1532 - 1603) 29. Sinite paruulos, et nolite eos prohibere ad me venire : talium est enim reguum coelorum 19. Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 16.5x21.8cm Hand-finished black wooden frame available From the Gospel of Matthew, chapter 19 "Suffer the little children...

PORPHYRY MORTAR, 17th Century porphyry 11 x 15 x 13 cm 4 1/4 x 6 x 5 in

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) The Bishop's Hostal, Trinity College Cambridge...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Clare College Cambridge...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Wadham College...

David Loggan (1634-1692) St John's College Oxford - Canterbury Quad Engraving 1675 31x50cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University. Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College). Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708. Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...

Portrait Of Maximilian I Holy Roman Emperor & Archduke of Austria, 17th Century follower of Giulio Romano (1492-1546) Fine large 16th Century Italian S...

David Loggan (1634-1692) Frontispiece Public Schools Engraving 33x42cm Baptised in Danzig in 1634 his parents were English and Scottish. Studying engrav...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) New College...

The Hunting Party, 17th Century School of Simon KICK (1603-1652) Huge 17th Century Dutch Old Master interior of a hunting party after the hunt, oil on canvas. Excellent quality and condition that would signifcantly enhance with a light clean. Presented in an antique gilt frame. Exceptionally detailed and early interior hunting portrait...

This small sketch, pencil on paper, can be attributed to Sir Thomas Lawrence, as also reported in the label on the frame (Sir Thomas Lawrence Painter of the Royal Academy). Due to r...

Niccolò Cassana (Venice, Italy, 1659 - London, UK, 1714) Title: Portrait of a Gentleman Medium: Oil on canvas Dimensions: without frame 119.5 x 92.5 cm Painting without frame. Expe...

After Sir Peter Lely 1618 - 1680 Anne Hyde, Duchess of York; King James II Pencil, ink and white chalk on paper, Image size: 10 x 8 inches (25.5 x 20.5 cm) Original frame This work,...

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subje...

Dipinto di scuola toscana della seconda metà del XVII secolo raffigurante un ritratto maschile di tre quarti, immerso nell'eleganza e nella maestosità proprie dell'epoca. La figura è...

Oil on canvas Image size: 12 x 10 inches (30.5 x 25.5 cm) Period hand carved gilt frame This 17th century Dutch genre painting depicts a young woman holding a jug with a landscape l...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

Maerten de Vos after J Baptista Vrints Baptism Scene Engraving

Cornelis Schut, atrributed to (1597 - Antwerp - 1655) Mary with Child, St. Elisabeth and John the Baptist en grisaille Oil on wood, 33,5 x 26,5 cm Co...

Onofrio Loth (Naples, Italy, 1665 – 1717) Title: Still life Medium: Oil on canvas Dimensions: without frame 37.5 x 47.5 cm – with frame 50 x 57 cm Original ebonised wooden frame wit...

Pen and ink, brown wash, heightened with white bodycolour Image size: 9 x 10 1/2 inches (22.75 x 26.75 cm) Mounted with hand made gilt frame Lingelbach presents a scene from the end...

Painting, oil on canvas, measuring 82 x 67.5 unframed and 98 x 82 cm with frame, by the painter Nicolas Baudesson ( Troyes 1611 - Paris 1680 ). Born in Troyes to a family of artists ...

After Sir Peter Lely, Late 17th Century (1618–1680) James, Duke of York, (later James II) and Anne Hyde, Duchess of York Chalk on paper Image size: 8...

17th Century Neapolitan Maestro Title: Still Life with Cuttlefish Medium: Oil on canvas Dimensions: without frame 48.5 x 63 cm - with frame 59 x 73.5 cm Antique shaped and gilded woo...

This amusing naturalistic sculpture in silver-plated pewter was probably made in the 17th century by Georg Schweigger. Inspired by a model created by another Nuremberg sculptor, Peter Flötner, it bears witness to the persistence during the baroque era of the naturalistic taste that emerged in the Renaissance. Intended as an ornament for some Kunstkammer, or cabinet of curiosities, this sculpture was a great success, as can be seen from the presence of similar works in many European museums. 1. Georg Schweigger Georg Schweigger was a baroque sculptor and medal founder from Nuremberg, known mainly for his small-scale works in stone, carved wood and cast metal. His only large-scale work, the Neptune Fountain, has been in the Petershof Palace, the summer residence of the Tsars near St. Petersburg, since 1797. This monumental sculpture demonstrates his taste for the representation of movement, which we find in this small piece, inspired, as we shall see, by earlier models. 2. The success of a naturalistic theme As is often the case in the history of art, the source of the Dog scratching his ear theme probably comes from an engraving, and more precisely from one made in Strasbourg in 1480 or in Aschaffenburg in 1481 by the Master of the Housebook, an anonymous engraver working in southern Germany at the end of the 15th century. This engraving seems to have been Peter Flötner’s (1490 - 1546) source of inspiration. Peter Flötner was a sculptor and engraver who settled in Nuremberg in 1522. The Louvre Museum also has a gilded lead statuette dated between 1500 and 1515 (on deposit at the Musée de L'Œuvre in Strasbourg), which in turn is thought to have served as a model for other known statuettes. This model was later taken up by the Frenchman Barthélemy Prieur...

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subje...

A Bearded Man Tortured By A Spiked Sandal, 17th century Italian School - rare unusual depiction possibly of a martyr Fine 17th Century Italian Old Master depiction of a bearded m...

Bathers On A Mountainous River Landscape, 17th Century attributed to Sisto BADALOCCHIO (1581/85-1647) Fine huge 17th Century Italian Bolognese School Old Master landscape with bathers in a mountainous river landscape, oil on canvas attributed to Sisto Badalocchio. Excellent quality and condition for its age presented in a superb antique gilt frame. Measurements: 120cm x 90cm...

""Horti Medici Amstelodamensis Rariorum"" (Rarities of the Amsterdam Physic Garden), 1st edition, 1697 - 1701. ( Ref: Dunthorne: 81) Jan Commelin (1629-1692) was Director of the Am...

This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. ( Gustaf Tenggren At...