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17th Century Art

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Period: 17th Century
Ox - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Ox is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Image Dimensions:...
Category

17th Century Art

Materials

Etching

Le Bouffon et les Deux Couples Amoureuses - Original Etching - 1514
Located in Roma, IT
Image dimensions: 7 x 9 cm. Les Bouffon et les deux couples Amoureuses is an original artwork realized after Hans Sebald Beham in 1514. Original burin on paper; late 17th century edition. Good conditions. The artwork is a very small yet well-balanced composition representing a genre scene. The original artwork was realized after Hans Sebald Belham (Neuremberg, 1500 – 1550). Belham was a German painter and etcher, mainly known for his very small engravings, like this artwork itself. He spent the latest part of his career in Frankfurt. He was one of the most important so-called "Little Masters...
Category

17th Century Art

Materials

Etching

Plants - Original China Ink Drawing by Jan Pieter Verdussen - 1740
Located in Roma, IT
Plants is a beautiful artwork realized by Jan Peter Verdussen in 1740. pen and watercolour on brown paper. In good codition except for some pencil marks and traces of sealing wax on...
Category

Old Masters 17th Century Art

Materials

Paper, Ink

17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
"Veduta del Palazzo Maggiore" is an original engraving by Israel Silvestre, titled along the lower edge of the image. The miniature image depicts an idyllic landscape framed with sil...
Category

Baroque 17th Century Art

Materials

Engraving

INFLUENCER, Mixed Media on Canvas
Located in Yardley, PA
Inspired by the psychology and intellectual condition of modern man. I like to experiment with color, textures, mixed media and design to create paintings that leave something for t...
Category

Abstract Expressionist 17th Century Art

Materials

Mixed Media

The Continence of Scipio, XVIIth century
Located in Milan, IT
Oil on panel. Northern European school of the 17th century. The scene depicts an episode in the life of Scipio narrated by Tito Livio and Valerio Massimo. Publius Cornelius Scipio, l...
Category

Other Art Style 17th Century Art

Materials

Oil, Panel

Heracles with the Club - Original Etching by Anonymous Master 17th Century
Located in Roma, IT
Image dimensions: 14.6 x 9.6 cm. Heracles with the Club is a fine black and white etching on rosaspina paper, realized by an anonymous master of the Italian school of the end of XVII century. This original print with lifetime impression describes with incredible hatching the male anatomy...
Category

17th Century Art

Materials

Etching

The King and the Queen - Etching after Domeniquin (Domenichino) by G. Audran
Located in Roma, IT
The King and the Queen is an original artwork realized by Gérard Audran in the second half of the XVII century. Original etching on paper. Signed on the lower right corner. Etching ...
Category

Modern 17th Century Art

Materials

Etching

Virgin and Chalice – Florentine School – Circle of Alessandro Allori – 17th Cent
Located in Sant Celoni, ES
Virgen con cáliz. Óleo sobre tabla. Círculo de Alesandro Allori. Siglo XVII. Dimensiones: 71 x 57 cm. Obra antigua de excepcional calidad y emotividad, realizada al óleo sobre tabla...
Category

17th Century Art

Materials

Oil

Mysteries of the Passion
Located in New York, NY
Jacques Callot (1592-1635), Mysteries of the Passion (Variae Tum Passionis Christi, Tum Vitiae Beatae Mariae Virginis), complete set of 20 etchings plus the frontispiece by Abraham Bosse (Reference Meaume 31). c. 1631. Reference: Lieure 679-698, second state (of 2). In very good condition, archival mounting. A fine set of these small etchings, printed on 5 plates/sheets of laid paper, with margins, 3 of the plates with partial Crown watermarks (possibly Lieure 45). The set of 20 etchings includes 7 in circular format, with a diameter of 1 1/4 inches; 7 larger ovals with a length of 1 7/8 inches, and 6 smaller ovals with a length of 1 1/2 inches. These are on 5 plates, with margins outside of the etchings of about 5/8 inches. The frontispiece is 3 1/2 x 3, the sheet 4 1/2 x 4 3/4 inches. The 20 etchings of the series include: Plate with 6 Scenes (Lieure 685-690): Ovals: Adoration of the Shepherds, Visitation, Adoration of the Magi; Circles: Descent into Limbo, Descent of the Holy Spirit, Entombment 2 Plate with 4 Scenes Each (Lieure 691-698): Ovals: Annunciation, Christ Among Teachers, Circumcision, Presentation; Circles: Resurrection, Crucifixion, Descent from the Cross, Transfiguration 2 Plates with 3 Oval Scenes Each (Lieure 679-684): Carrying of the Cross, Presentation to the People, Crowning with Thorns, Flagellation, Christ Before Pilate...
Category

Old Masters 17th Century Art

Materials

Etching

17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
"Veduta Presso di San Stefano Rotondo" is an original engraving by Israel Silvestre, titled along the bottom of the image. This small etching shows an unusual view of the church San ...
Category

Baroque 17th Century Art

Materials

Engraving

Still life with flowers, fruits, historiated vases, a parrot and a monkey
Located in Como, IT
NORTHERN ARTIST ACTIVE IN ROME IN THE LAST QUARTER OF THE XVII CENTURY Still life with flowers, fruits, historiated vases, a parrot and a monkey The painting is part of a pair: th...
Category

17th Century Art

Materials

Canvas, Oil

17th century etching baroque portrait male subject hat realistic print
Located in Milwaukee, WI
This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...
Category

Baroque 17th Century Art

Materials

Etching

17th century etching black and white dramatic window figure scene
Located in Milwaukee, WI
"Man Looking Through a Window" is an original etching by Cornelis-Pietersz Bega. It depicts a figure leaning through a window. Publisher: Pearce #37. 3 1/8" x 3" art 14 3/4" x 13 1/...
Category

Old Masters 17th Century Art

Materials

Etching

17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
In the mid-seventeenth century, views of historic landscapes and classical structures were increasingly popular among print collectors, and artists like the Frenchman Israel Sylvestre were eager to fill that demand. In this example, Sylvestre captures a view of the Arch of Constantine...
Category

Baroque 17th Century Art

Materials

Engraving

Francesco Furini Sanguine Drawing before 1642
Located in Florence, IT
Preparatory Drawing (sanguine on paper, 42 x 28 cm) by Francesco Furini for the making of the Saint Sebastian, ordered by the prince Lorenzo de' Medic...
Category

Baroque 17th Century Art

Materials

Paper, Color Pencil

Painting with Female Bust with Flower Garland, late 17th, early 18th century
Located in Milan, IT
Oil on Canvas. Central-Italian school of the late 17th-early 18th century. The composition proposes a female bust in the center, portrayed as if it were a sculptural effigy, because ...
Category

Other Art Style 17th Century Art

Materials

Oil

17th century etching black and white mother and child figures scene
Located in Milwaukee, WI
"Mother & Child" is an original etching by Cornelis-Pietersz Bega. It depicts a mother and her child. Publisher: Pearce #51. 3" x 3" art 13 3/4" x 11 3/4" frame Cornelis Pietersz B...
Category

Old Masters 17th Century Art

Materials

Etching

Portrait of a Nobleman in Armour, 17th Century Oil Painting
Located in London, GB
Oil on canvas Image size: 30 x 35 inches (76.25 x 89 cm) Carved gilt frame A half-length portrait of a man turned slightly to the left, gazing at the spectator, standing, wearing st...
Category

17th Century Art

Materials

Canvas, Oil

Jan Peter van Bredael (Antwerp, 1683 - Vienna, 1735), Cavalry clash
Located in Milan, IT
Jan Peter van Bredael (Antwerp, 1683 - Vienna, 1735) Cavalry clash Oil on canvas, 48 x 63 cm Framed, 61 x 76 cm Trained in the family workshop under the aegis of his father Joris...
Category

Other Art Style 17th Century Art

Materials

Oil, Board

Dipinto Natura morta con Frutta, Ortaggi e Gatto
Located in Milan, IT
Olio su tela. Scuola italiana del XVII secolo. La grande composizione presenta una varietà di alimenti su un tavolo di cucina: a sinistra un grande canestro di vimini pieno di ortag...
Category

Other Art Style 17th Century Art

Materials

Oil

'The Smoker (Le Fumeur)' original etching by Cornelis-Pietersz Bega
Located in Milwaukee, WI
'The Smoker (Le Fumeur)' is an original etching by the celebrated Dutch painter and printmaker Cornelis-Pietersz Bega. It presents a genre scene of the type Bega was best known for: Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, gamblers and fools such as quack doctors and alchemists. In this case, he shows a man seated on a chair with his foot on a flat stool and holding a smoking pipe. For Bega, this representation was more of a caricature than it was an image of a specific person, and such genre scenes would have held allegorical and symbolic meaning for the seventeenth-century viewer. During the seventeenth century, the Dutch of all levels of society consumed tobacco and alcohol, and these were an important part of the Dutch economy and a major source of wealth. At the same time, however, moralists and ministers sought to curb intoxication: they openly described drinking and smoking as sinful, immoral, and a general threat to one’s reputation. This paradox is reflected in prints such as this, which inherently carry the national pride of the Dutch economy alongside a moral warning in a print that could be just as easily consumed and collected. 2.5 x 2.25 inches, print 12.38 x 10.38 inches, frame Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials. Housed in a gold finish Spanish-style wood moulding. Overall good and stable condition; margins cut to plate; some wrinkling in the corners from previous mounting; housed in a new custom frame. Cornelis Bega was born into prosperous circumstances. His mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz Begijn (d 1648), a gold and silversmith. Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Städel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmuseum) drawn by him and Leendert van der Cooghen in 1654. Bega painted, drew, etched and made counterproofs in a wide variety of materials on different types of small-scale supports. He may have been the first Dutch artist to make monotypes, but this remains controversial. Approximately 160 paintings, 80 drawings and six monotypes by Bega have been catalogued, as well as around 34 etchings. Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, smokers, gamblers and fools such as quack doctors and alchemists. Less common subjects include the ridiculed or pestered woman, as in Two Figures and Mother with a Spirits Bottle (c. 1662; Gouda, Stedel, Museum Catharina Gasthuis) and The Inn (etching), as well as witty satires on traditional scenes of middle-class music-makers, such as the Music Lesson (1663; Paris, Petit Palace). Bega's early paintings, such as the Weaver's Family (c. 1652; St Petersburg, Hermitage), are freely executed, dark and coarse, recalling the many-figured peasant subjects of van Ostade. Between c. 1660 and 1664 he began to paint genre scenes with fewer figures, which are finely articulated, colourful and psychologically expressive, for example Two Men Singing (1662; Dublin, N.G.). His exquisite, late fijnschilderen ('fine painting') manner, evident in The Alchemist (1663; Malibu, Getty Museum), compares well with that of Gerrit Dou. As a draughtsman Bega is noted for his single-figure studies, executed mainly in black and white chalk on blue paper or red chalk on white paper. None of the studies, which were drawn naer het leven (from life), seem to relate to a painting or etching. Bega traded drawings or shared models with other artists of the Haarlem school, including van der Cooghen, Gerrit Berckheyde, Dirck Helmbreker and Cornelis Visscher. These artists drew chalk figure studies in a very similar style, characterised by regular and precise parallel shading and well-defined forms; their drawings, especially those of Bega and Berckheyde, have been frequently confused. Unlike the realistic figure studies, Bega's etchings depict interiors with figures or single figures in the manner of van Ostade; the compositions, often with masterful chiaroscuro effects, reflect most closely the paintings of the 1650s. Bega is likely to have remained in Haarlem, where he paid dues to the Guild in 1661. He probably died from the plague; fees for his expensive funeral at St. Bavo's were paid on 30 August 1664. Among the artists he influenced were Thomas Wijck, Jan Steen, Richard Brakenburg (1650-1702) and Cornelis Dusart. Painters such as R. Oostrzaen ( fl ?1656) and Jacob Toorenvliet...
Category

Old Masters 17th Century Art

Materials

Paper, Etching

17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
"Tempio Della Pace" is an original engraving by Israel Silvestre. The title is printed below the miniature image. It shows a frontal view of the remains of the Temple of Peace in Rom...
Category

Old Masters 17th Century Art

Materials

Paper, Ink, Engraving

17th century etching black and white figures scene
Located in Milwaukee, WI
"The Singer" is an original etching by Cornelis-Pietersz Bega. It depicts a performer and onlookers. Publisher: Pearce #50. 4" x 3" art 16 1/2" x 13 1/2" frame Cornelis Pietersz Be...
Category

Old Masters 17th Century Art

Materials

Etching

MAKING MUSIC IN AN INTERIOR, Dutch Old Master Oil on Panel
By Jan Olis
Located in New York, NY
Jan Olis was a master best known for his depiction of genre scenes while he also produced a number of portrait paintings. He worked in a style reminiscent of and was surely influence...
Category

Old Masters 17th Century Art

Materials

Oil, Panel

Portrait Of Identified as Topal Osman Pasha (1663–1733), 18th Century
Located in Blackwater, GB
Portrait Of Identified as Topal Osman Pasha (1663–1733), 18th Century Italian School Large 19th Century Italian School Ottoman portrait identified as Total Osman Pasha, oil on canvas. Circa 1730 profile portrait of the Ottoman military...
Category

17th Century Art

Materials

Canvas, Oil

17th Century Portrait in Period Frame
Located in Los Angeles, CA
A beautifully painted Baroque style oil on board portrait of a lady wearing an embroidered top with ruffled collar. Her bonnet edged in delicate lace. Dated 1619 on the top left fron...
Category

Baroque 17th Century Art

Materials

Board, Oil

Abraham Bloemaert, Bacchus
By Abraham Bloemaert
Located in Tricase, IT
ATTRIBUTED TO ABRAHAM BLOEMAERT - GORINCHEM, 1564 - 1651, UTRECHT Bacchus oil on panel 60 x 45 cm. Abraham Bloemaert is a Dutch Golden Age artist, born in Gorinchem in 1564, initial...
Category

Baroque 17th Century Art

Materials

Oil, Board

Jan & Caspar Commelin: 17th Century Botanical Engravings, 1st Edition
Located in Richmond, GB
""Horti Medici Amstelodamensis Rariorum"" (Rarities of the Amsterdam Physic Garden), 1st edition, 1697 - 1701. ( Ref: Dunthorne: 81) Jan Commelin (1629-1692) was Director of the Am...
Category

17th Century Art

Materials

Silver

Carte Particular Des Costes De Bretagne Depuis le Cap de Frehel, Jusques a Perros
Located in Paonia, CO
Carte Particulaire Des Costes De Bretagne Depuis Le Cap de Frehel, Jusques a Perros, & L’Isle Tome. This large sea scale chart shows part of the northwestern co...
Category

17th Century Art

Materials

Engraving

Figures with Autumnal Still Life, 17th century
Located in Milan, IT
Oil on Canvas. On the barrel in the lower left corner is the signature H.Sanders. The scene, set outdoors on a street in a Flemish town, with the canal in the background on the left,...
Category

Other Art Style 17th Century Art

Materials

Oil

17th Century Hunting Scene Flemish School Battle Dogs Horses Oil on Canvas Red
Located in Sanremo, IT
Painting, oil on canvas, measuring 75 x 103 cm without frame and 82 x 110 cm with frame, of the Flemish school depicting a hunting scene. The confident outline of the almost drawn a...
Category

Flemish School 17th Century Art

Materials

Canvas, Oil

17th century etching black and white figure table tobacco pipe scene
Located in Milwaukee, WI
"The Pipe Smoker" is an original etching by Cornelis-Pietersz Bega. It depicts a man sitting at a table with his pipe. Publisher: Pearce #38. 3 1/2" x 3 1/4" art 13 5/8" x 11 3/4" f...
Category

Old Masters 17th Century Art

Materials

Etching

The Fishmonger Painted by Giacomo Francesco Cipper known as the Todeschini
Located in Milan, IT
Giacomo Francesco Cipper, called the Todeschini (Feldkirch, 1664 - Milan, 1736) The fishmonger Oil on canvas, 64 x 83 cm - Framed, 85 x 101 cm The crisp harbor air that saturates ...
Category

17th Century Art

Materials

Canvas, Paint, Oil

Cleopatra Queen of Egypt 17' century Painting Oil on Canvas
Located in Rome, IT
Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subje...
Category

Academic 17th Century Art

Materials

Oil

Roy Lichtenstein 'Entablature II' (Corlett 139) Signed Screenprint 1976
Located in Miami, FL
ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Entablature II' is a Screenprint, lithograph and collage in colors with embossing on Rives BFK paper. Signed, dated and numbered in ...
Category

Contemporary 17th Century Art

Materials

Screen

Hendrick Bloemaert, Allegory of Justitia, Justice, signed, dated, Old Master
Located in Greven, DE
Hendrick Bloemaert An Allegory of Justitia protecting Innocence from Calumny, Treachery and Deceit signed and dated 'HBloemaert fc. 1638' (HB linked, lower right, on the pedestal) oil on canvas 85.5 x 110.3 cm Provenance H. Hoogers, Nijmegen, 7 June 1816, lot 6, as Cornelis Bloemaert. J. Brolsma, Ede, 1957. with Baer, The Hague, 1960. Collection Hirschberg, The Hague. Anonymous sale; Heerlen, 10 April 1962, lot 121 (as measuring 68 x 108 cm.) Sale of Christie's Amsterdam: Tuesday, November 25, 2014 [Lot 00045] Old Masters, 19th Century and Impressionist Art Literature Marcel Roethlisberger, Abraham Bloemaert...
Category

Baroque 17th Century Art

Materials

Canvas

17th Century Still Life Nicolas Baudesson Natura Morta Oil on Canvas Red White
By Nicolas Baudesson
Located in Sanremo, IT
Painting, oil on canvas, measuring 82 x 67.5 unframed and 98 x 82 cm with frame, by the painter Nicolas Baudesson ( Troyes 1611 - Paris 1680 ). Born in Troyes to a family of artists ...
Category

French School 17th Century Art

Materials

Canvas

Landscape with the penitent St. Jerome, XVIIth - XVIIIth century
Located in Milan, IT
Oil painting on canvas. Northern Italian school of the 17th-18th century. In a large, rather barren hilly landscape, which widens and fades to the right, there is a high rock, shaped...
Category

Other Art Style 17th Century Art

Materials

Oil

Ritratto figurativo maschile scuola toscana del XVII secolo olio su tela
Located in Florence, IT
Dipinto di scuola toscana della seconda metà del XVII secolo raffigurante un ritratto maschile di tre quarti, immerso nell'eleganza e nella maestosità proprie dell'epoca. La figura è...
Category

Baroque 17th Century Art

Materials

Canvas, Oil

Portrait of a Man, 17th Century Dutch Oil on Panel Portrait
Located in London, GB
Circle of Cornelis Dusart Dutch 1660 - 1704 Portrait of a Man Oil on panel Image size: 7¾ x 5¼ inches Giltwood frame Cornelis Dusart Cornelis ...
Category

Old Masters 17th Century Art

Materials

Oil, Panel

David Loggan: Hertford College, "Magdalen Hall" Oxford, 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Realist 17th Century Art

Materials

Engraving

David Loggan: St Alban Hall, Merton College, Oxford 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) St. Alban Hall, Aula St Albani, Merton College...
Category

Realist 17th Century Art

Materials

Engraving

David Loggan: Oriel College, Oxford (1674 engraving)
Located in London, GB
David Loggan (1634-1692) Engraving of Oriel College, Oxford Engraving, 1674 40 x 26.7cm To see our other views of Oxford and Cambridge, scroll down to "...
Category

17th Century Art

Materials

Engraving, Etching

View Of Posillipo from the Riviera di Chiaia, circa 1695 by ANGELO MARIA COSTA
Located in Blackwater, GB
View Of Posillipo from the Riviera di Chiaia, circa 1695 by ANGELO MARIA COSTA (1670-1721) Huge 17th Century Italian Neapolitan School view of Posillipo from the Riviera Di Chiaia,...
Category

17th Century Art

Materials

Canvas, Oil

Entablature II, from Entablature Series
Located in London, GB
Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil, 1976, on Rives BFK paper, signed and dated in pencil, numbered from edition of 30 (there...
Category

American Modern 17th Century Art

Materials

Screen

Theodoor Galle Martin de Vos 17th Century Engraving Jesus Before Pilate
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle...
Category

Realist 17th Century Art

Materials

Engraving

Theodoor Galle Martin de Vos 17th Century engraving The Widow's Mite (Offering)
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category

Realist 17th Century Art

Materials

Engraving

Theodoor Galle Martin de Vos Engraving The Suffering Servant
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle...
Category

Realist 17th Century Art

Materials

Engraving

Theodoor Galle 17th Century Engraving Suffer the Little Children Martin de Vos
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle (1571 – 1633), Iacob de Bye (1581-1640) after Maerten de Vos (1532 - 1603) 29. Sinite paruulos, et nolite eos prohibere ad me venire : talium est enim reguum coelorum 19. Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 16.5x21.8cm Hand-finished black wooden frame available From the Gospel of Matthew, chapter 19 "Suffer the little children...
Category

Realist 17th Century Art

Materials

Engraving

Adrian Collaert Martin de Vos 17th Century engraving Healing Touch of Jesus
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category

Realist 17th Century Art

Materials

Engraving

Portrait of a Girl holding a Posy
Located in Taunton, GB
Portrait of a Girl holding a Posy. Oil on Panel 17 1/2 x 13 inches 44.4 x 33 cm ABOUT THE ARTIST:  Jacques d'Agar  was a French portrait painter born i...
Category

Romantic 17th Century Art

Materials

Oil

John Speede Map The Countye Palatine of Chester with that most ancient citie
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category

Realist 17th Century Art

Materials

Engraving

David Loggan Cambridge portrait Charles Duke of Somerset 1690
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Charles Duke of Somerset...
Category

Realist 17th Century Art

Materials

Mezzotint

David Loggan St Catharine's College Cambridge engraving 1690
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Realist 17th Century Art

Materials

Engraving

David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Wadham College...
Category

Realist 17th Century Art

Materials

Engraving

David Loggan St John's College Oxford Canterbury Quad engraving 1675
Located in London, GB
David Loggan (1634-1692) St John's College Oxford - Canterbury Quad Engraving 1675 31x50cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University. Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College). Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708. Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...
Category

Realist 17th Century Art

Materials

Engraving

David Loggan Frontispiece Public Schools Oxford engraving 1675
Located in London, GB
David Loggan (1634-1692) Frontispiece Public Schools Engraving 33x42cm Baptised in Danzig in 1634 his parents were English and Scottish. Studying engrav...
Category

Realist 17th Century Art

Materials

Engraving

David Loggan Hall of the Blessed Virgin Oxford Engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Hall of the Blessed Virgin...
Category

17th Century Art

Materials

Engraving

New College, Oxford, engraving, 1690 David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) New College...
Category

Realist 17th Century Art

Materials

Engraving

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