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Period: 1830s
19th Century English Folk Art portrait of a Bull in Maple frame
Located in Woodbury, CT
Anonymous (English School)
Prize Bull Portrait, mid-19th century
Oil on canvas, housed in a figured maple frame
This striking and endearing portrait of a prize bull stands as a test...
Category
Folk Art 1830s Art
Materials
Canvas, Oil
Robert Macaire Dentiste, French dentistry dentist caricature lithograph
Located in Melbourne, Victoria
'Robert Macaire Dentiste'
Lithograph by Honore Daumier after Charles Philipon. 1837. Plate 57 from the Robert Macaire 'Caricaturana' series.
Translation of the French text below th...
Category
French School 1830s Art
Materials
Lithograph
19th century English landscape with two setters flushing birds during a shoot
By Samuel Raven
Located in Woodbury, CT
Samuel Raven (British, 19th Century)
Setters Flushing Game in an Upland Landscape
Oil on panel, circa 1830
Presented in a deeply moulded and carved giltwood frame of the period
This...
Category
Victorian 1830s Art
Materials
Oil, Board
W.S. Cooper, A Bay Hunter & Groom In A Landscape
Located in Cheltenham, GB
This early 19th-century oil painting by English artist W.S. Cooper (act. 1832-1834) depicts a bay hunter and groom in a landscape with a hunt beyond.
Once hanging in a proud English...
Category
Victorian 1830s Art
Materials
Canvas, Oil
19th Century German School, Gentleman with Top Hat, 1839
Located in Beachwood, OH
19th Century German School
Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839
Oil on canvas
Signed lower left
25.5 x 20 inches
30.5 x 24.75 inches, framed
The gentleman is Johann ...
Category
1830s Art
Materials
Oil
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Art
Materials
Engraving, Mezzotint
Antique English 19th century Horse, Hunter with terrier in a landscape.
Located in Woodbury, CT
Barenger was born in Kentish Town, London, the son of James Barenger Snr., a metal chaser and artist who exhibited paintings of insects at the Society of Artists and Royal Academy, a...
Category
Victorian 1830s Art
Materials
Canvas, Oil
$10,500 Sale Price
40% Off
Thomas Gainsborough (Follower), Portrait Of Miss Sparrow
By Thomas Gainsborough
Located in Cheltenham, GB
This exceedingly charming early 19th-century half-length portrait by a follower of Thomas Gainsborough RA FRSA (1727-1788) depicts a lady traditionally identified as ‘Miss Sparrow’. ...
Category
1830s Art
Materials
Oil, Canvas
The Fair Skipper: boating on a mountain lake ca 1830 the Swiss Alps painting
Located in Norwich, GB
Here is an almost two hundred year old painting which is so irresistibly charming that it's crazy! You may have seen painted landscapes, portraits, genre scenes - but how many pretty...
Category
Romantic 1830s Art
Materials
Canvas, Oil
Portrait of baron de Roisin - Gendarmerie general
Located in BELEYMAS, FR
Flemish school of the 19th century
Armorial portrait of Baron Henri de ROISIN (1787-1846)
in the uniform of a general of the gendarmerie (1835)
Oil on canvas
H. 108 cm; W. 90 cm
Bar...
Category
French School 1830s Art
Materials
Canvas, Oil
A young poet or artist, French Romantic period portrait of a sensitive figure
Located in Norwich, GB
You will find this young man good company! It is a pleasure to study his thoughtful, sensitive face. He has a benevolent and real presence. To my mind, he certainly has an artistic nature - he looks like a thinker, poet and/or musician.
Dating from what the French call the Romantic Period, the early 1800s, our painting is monogrammed AG and may be attributed to Auguste Glaize.
Born in Montpellier, Auguste Glaize studied under the painters Achille Devéria and Eugène Devéria.
He came to be one of the great French Romantic painters of the early 19th century, marking his career with important history paintings and cycles of monumental religious...
Category
Romantic 1830s Art
Materials
Oil, Wood Panel
Dutch Winter landscape with children playing on the ice by Per Wickenberg, 1839
Located in Stockholm, SE
Per Wickenberg was a Swedish artist active in the early 19th century.
He was only 34 when he died of tuberculosis; thankfully for the art history - at that point, he had practised the art of painting for more than 20 years.
After his art studies at the Royal Academy of Art in Stockholm, he left Stockholm and travelled to Paris in 1837.
In Paris, he finally received the well-deserved success for his landscapes; he won golden medals at the Salon de Paris both in 1838 for his painting "Nordiskt vinterlandskap" and in 1839 for a painting called "Vinterfiske".
Per received a travel scholarship from Sweden and used that money for trips to Belgium and the Netherlands.
Our painting is from that time, the time after his success in Paris, and in this magnificent painting, we see his talent in capturing the cold winter mood with meticulous care of details.
Notice how nicely painted the children are on the ice, the sledge filled with hay to provide comfort and insulation against the cold.
In the background, we can see an ice skater, a detail that gives the painting depth and three-dimensionality.
This is a wonderful painting by a talented artist - who devoted almost his entire life to the art of painting.
Artist: Per (Pehr) Wickenberg (1812-1846) Swedish
Title: Dutch Winter landscape with children...
Category
Realist 1830s Art
Materials
Canvas, Oil
Bijinga - Woodcut by Utagawa Kunisada - 1830s
Located in Roma, IT
Bijinga is an original artwork realized in 1833-1835 by Utagawa Kunisada (1786-1865).
Chuban. From the series "Tokaido gojusan tsugi no uchi" (The 53 Tokaido Stations). Courtesan i...
Category
Modern 1830s Art
Materials
Woodcut
$522 Sale Price
25% Off
Antique 19th Century Maritime Seascape War Ship Oil Painting HMS Britannia 1835
Located in Portland, OR
A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835.
The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean.
In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings.
To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting.
There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington.
The painting is in very good condition, this investment quality antique maritime painting...
Category
English School 1830s Art
Materials
Oil, Canvas
Landscape with deer by James Gant - oil on canvas 42x53 cm
Located in Geneva, CH
James Y. Gant was an active British artist during the early 19th century, primarily known for his landscape paintings. His career spanned from 1827 to 1841, a period in which he prod...
Category
Realist 1830s Art
Materials
Oil
$3,592 Sale Price
20% Off
Birds of Europe by John and Elisabeth Goult, 1832
By John Gould and Elizabeth Gould
Located in Paris, FR
Rare Set of 6 beautiful Naturalistic hand-colored lithograph prints by John Gould from his work Birds of Europe, embelished with gum arabic in vibrant colors. Published 1832 - 1837 by Hullmandel, Walter and Walton. Presented in gold leaf wood frames. Very charming .
The price includes the set of 6 framed ones.
John Gould (18041881) is the most prolific publisher of ornithological subjects of all time. In 19th-century Europe, his name was as well known as Audubons was in North America. Unlike Audubon, whose lifes work focused on one region, Gould traveled widely and employed other artists to help create his lavish, hand-colored lithographic folios. John Goulds love of natural history was fostered in the gardens of King George III where his father was chief gardener at Windsor Castle. Although trained as a gardener, Goulds interests quickly evolved, and at the age of 20, he was appointed taxidermist to the Zoological Society of London. After three years, he progressed to the position of curator of birds and chief taxidermist. In 1830, newly married, Gould and his artist wife, Elizabeth Gould...
Category
Naturalistic 1830s Art
Materials
Lithograph
Eared Grebe /// John James Audubon Ornithology Havell Edition Bird Animal Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81)
Portfolio: The Birds of America, Havell Edition
Year: 1838
Medium: Original Ha...
Category
Victorian 1830s Art
Materials
Watercolor, Engraving, Aquatint, Intaglio
Real Life - Lithograph by Auguste Raffet - 1850
Located in Roma, IT
Real Life is a Lithograph realized by Auguste Raffet (1804-1860).
Good condition on a yellowed paper.
Hand signed by the artist on the lower left corner.
Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...
Category
Modern 1830s Art
Materials
Lithograph
$225 Sale Price
25% Off
Neapolitan Vesuvius Gouache
Located in New York, NY
Original hand-painted Neapolitan gouache entitled "Eruz de Gennajo 1839." An excellent example of the classic Neapolitan School view. Unsigned. Displayed in an archival mat with an o...
Category
1830s Art
Materials
Paper, Gouache
$1,250 Sale Price
28% Off
Mid-19th-Century English School, Rural Scene With Family, Cattle & Cottage
Located in Cheltenham, GB
This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage.
A mother and child pause to observe a drover, perhaps f...
Category
1830s Art
Materials
Canvas, Oil
French School Landscape BARBIZON Oil painting Signed
Located in Zofingen, AG
➡️Rustic Cottage in a Woodland Clearing⬅️
This painting, signed simply 'Adam,' appears to be the work of an artist closely associated with the Barbizon school—a movement that emerge...
Category
Tonalist 1830s Art
Materials
Gesso, Canvas, Oil, Stretcher Bars
$450 Sale Price
75% Off
Le Soldat Du Chene, Osage Chief: Hand Colored McKenney Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Le Soldat Du Chene, An Osage ...
Category
Naturalistic 1830s Art
Materials
Engraving
Watercolor Paper mid 19th Victor ADAM Zouaves French Infantry soldiers Military
Located in PARIS, FR
Jean-Victor ADAM known as Victor ADAM
Paris, 1801 – Viroflay, 1866
Watercolor on paper
14 x 18.5 cm (30.5 x 34.5 cm with frame)
Signed lower left “V. Adam”
Framed
Very beautiful wat...
Category
Academic 1830s Art
Materials
Watercolor
Dutch Winter landscape with children playing on the ice by Per Wickenberg, 1839
Located in Stockholm, SE
Per Wickenberg, was a Swedish maestro of the brush who left an indelible mark on the world despite his brief life, truncated by tuberculosis at the age of 34. A prodigy who dedicated...
Category
Realist 1830s Art
Materials
Canvas, Oil
Kabuki Actor - Original Woodcut by Utagawa Kunisada - 1830 ca.
Located in Roma, IT
Kabuki actor is a superb colored woodblock print realized around 1830 by one of the most famous Japanese Ukiyo-e artists Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - ...
Category
Modern 1830s Art
Materials
Woodcut
C19th Portrait Princesse de Joinville of Brazil - Spectacular fit for a palace
By Henri d'Ainecy Montpezat
Located in London, GB
Portrait of Princess de Joinville riding a Bay Horse
Henri d’Aincy, Le Comte Monpezat (French 1817-1859)
Painted circa 1837-9
oil on canvas
113 x 92 inches (including frame)
92 x 70 inches (unframed)
Provenance – from a private royal collection
This magnificent portrait depicts Princess de Joinville, the daughter of Pedro I, Emperor of Brazil and the King of Portugal. Through her illustrious family she was directly related Alexander III and Nicholas II of Russia and the Russian royal family, as well as to many of the great ruling families of Europe.
The work clearly confirms Monpezat as one of the most accomplished equestrian portrait painters in France in the early nineteenth century. In terms of scale, quality and dramatic power, it must surely be considered amongst his finest works. The stance of the powerful thoroughbred - in half rear - emphasises the calm nature and courage of the Princess.
Francisca of Brazil (1824-98) married a son of Louis Philippe I, the King of the French, and had three children. Born at the Imperial Palace of Saint Christopher, her youngest brother was the future Pedro II...
Category
Old Masters 1830s Art
Materials
Oil
Resting Bull Lithograph
Located in New York, NY
Original lithograph hand-colored at the time of publication from "Groups of Cattle Drawn from Nature" by Thomas Sydney Cooper. Mounted on artist'...
Category
1830s Art
Materials
Paper
To-Ka-Con, A Sioux Chief: Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...
Category
Naturalistic 1830s Art
Materials
Engraving
George Clint ARA (Attributed), Portrait Of A Lady In A Brown Dress
Located in Cheltenham, GB
This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes.
Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand.
Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood.
But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf.
Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well.
Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.”
Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities.
He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship.
Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839.
Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’.
While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum.
As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery.
“The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854].
Housed in a period gilt frame, which is probably original.
Learn more about George Clint ARA in our directory.
Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...
Category
English School 1830s Art
Materials
Oil, Canvas
Woman - Woodcut by Utagawa Kunisada - 1830 ca.
Located in Roma, IT
Japanese Woman is a beautiful print realized around 1830 by Utagawa Kunisada.
Original colored woodblock print.
This wonderful modern artwork represents a portrait of a Japan woman...
Category
Modern 1830s Art
Materials
Woodcut
$405 Sale Price
25% Off
Oriental Woman - Woodcut by Utagawa Kunisada - 1830 ca.
Located in Roma, IT
Oriental Woman is an original print realized around 1830 by Utagawa Kunisada.
Beautiful colored woodblock print.
Good conditions except for some folds...
Category
1830s Art
Materials
Woodcut
Fine 1830's English Sporting Art Country House Painting Shooting Gentlemen Woods
Located in Cirencester, Gloucestershire
A Day Shooting in the Woods
English artist, circa 1830's period
signed with initials "S. E." lower right
oil painting on canvas, framed in period antique gilt frame from the first h...
Category
English School 1830s Art
Materials
Canvas, Oil
Asagiri - Woodcut by Utagawa Hiroshige - 1832
Located in Roma, IT
Asagiri is a woodcut print realized by Utagawa Hiroshige in 1832.
It is part of the suite "The Fifty-three Stations of Tokaido".
Very good condition.
Category
Modern 1830s Art
Materials
Woodcut
$720 Sale Price
25% Off
James Ward The Fisherman's Family
By James Ward
Located in Saint Amans des cots, FR
Precious Watercolor attributed to James WARD (1769-1859) - England, 1830-1840. The Fisherman' S Family. Measurements : View : 20"x14.6" (51x37 cm), With frame : 26.6"x21.5" (67.5x54....
Category
Romantic 1830s Art
Materials
Paper, Watercolor
"West Point from the East Bank of the Hudson" Antique Drawing on Paper Watkinson
Located in Soquel, CA
"West Point from the East Bank of the Hudson" Antique Drawing on Paper
Delicate and detailed drawing by Hartford, Connecticut artist Edward Watkins Wells (1819-1898) The viewer looks out past a gate at the Hudson River, with its characteristic mountain banks. A shepherd is driving a flock of sheep towards the gate and viewer. The scene appears to have been copied from a drawing book published in 1827, based on the inscription at the bottom edge.
Presented in white archival mat
Mat size: 12"H x 12"W
Paper size: 7.5"H x 9.25"W
Notes of interest on Edward Watkinson Wells
Our most significant acquisition this year came from a dealer in Philadelphia. It is a 450-page diary written over 10 years (1841-1851) by Hartford artist and dilettante Edward Watkinson Wells (1819-1898), one of the many nephews of our founder, David Watkinson (1778-1857).
Edward was immersed in Hartford’s cultural life in the 1840s, exhibited his works at local fairs and gave lessons to the locals. He portrays an active involvement with with his large extended family, which often crossed and re-crossed the other prominent families of Hartford (i.e., Barnard, Channing, Dexter, Ely, Gallaudet, Gill, Goodrich, Hudson, Rockwell, Silsbee, Tappan, Terry, Tracy, Trumbull, Van Renselaer, and Wadsworth).
Edward describes dancing and costume parties, soirees, teas, dinners, and receptions in private homes and public venues. He meets Charles Dickens and his wife when they come through Hartford in 1842, and describes brushes with other luminaries, such as Col. Thomas L. McKenney (who lectures on American Indians), and the Unitarian clergyman Rev. Henry Giles, who gave a pro-Irish speech.
Other entertainments included a balloon ascension, exhibitions of mesmerism and hypnotism, parades, and performances by well-known groups. He also chronicles the progression of the construction of the Wadsworth Atheneum, and touches on his father’s far-reaching interests in the business world–canals, railroads, factories, and real estate.
The cost of this valuable document of mid-19thC Hartford was generously underwritten entirely by a member of the Watkinson Trustees.
Trinity College and the Watkinson Virtual Library has content on Edward Watkinson Wells.
Yale College also:
Edward Watkinson Wells also kept a diary, of which three volumes are preserved (folder 32). He describes a trip by steamboat to Florida, ca. 1855-1860, and the social life and customs he observed there. The other two volumes detail his daily life in Hartford during 1856-1860, and record the deaths of his father and David Watkinson in 1857.
Other items contained in the William Wells...
Category
Romantic 1830s Art
Materials
Laid Paper, Pencil
The History of Amelia - Rare Book Illustrated by George Cruikshank - 1832
Located in Roma, IT
The History of Amelia is an original modern rare book engraved by George Cruikshank (London, 1792 – London, 1878) and written by Henry Fielding in 1832.
Published by James Cochrane ...
Category
1830s Art
Materials
Paper, Etching
“Bucolic Landscape at Sunset”
By Ramsay Richard Reinagle
Located in Southampton, NY
Beautiful luminous painting of a bucolic rural scene in sunset by the English artist, Ramsey Richard Reinagle. Circa 1930. Condition is good. Sig...
Category
Academic 1830s Art
Materials
Canvas, Oil
$2,240 Sale Price
20% Off
19th century Irish or English Antique portrait of two dogs, waterdogs
Located in Woodbury, CT
Outstanding portrait of two dogs.
Sam Spode was an Irish painter of horse and dog portraits from the late 18th century through the early 19th century. His dog portraits are very rar...
Category
Folk Art 1830s Art
Materials
Canvas, Oil
$9,200 Sale Price
20% Off
Salvia cana (Woolly Sage) /// Botanical Botany Flowers Plants Science Art Print
Located in Saint Augustine, FL
Artist: Nathaniel Wallich (Danish, 1786-1854)
Title: "Salvia cana (Woolly Sage)" (Plate 116)
Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants
Year: 1830-1832
Medium: Original Hand-Colored Lithograph on J. Whatman paper
Limited edition: 254
Printer: Engelmann, Graf, Coindet & Co., London, UK
Publisher: Richard Taylor for Treuttel & Würtz, London, UK
Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326
Sheet size: 21.13" x 14.25"
Condition: Some scattered tiny handling creases to sheet. Has been professionally stored away for decades. In excellent condition with strong colors
Rare
Notes:
Provenance: private collection - Aspen, CO. Lithography by Maltese artist...
Category
Victorian 1830s Art
Materials
Watercolor, Lithograph
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Located in Soquel, CA
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...
Category
Impressionist 1830s Art
Materials
Rice Paper, Woodcut
A view of Sebastopol in the Crimea.
Located in Paris, FR
A view of Sebastopol in the Crimea.
Oil on canvas.
In a 19th century gild wood and plaster frame.
This painting can be dated around 1830/1840 given the dresses worn by the women i...
Category
Realist 1830s Art
Materials
Oil
Ahyouwaighs, Chief of Six Nations: Hand-colored McKenney Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Ahyouwaighs, Chief of the Six Nat...
Category
Naturalistic 1830s Art
Materials
Engraving
The Lower Ridding - Etching by Joseph Banks - 1837
Located in Roma, IT
The Lower Ridding is an artwork, realized by the artist Joseph Banks in 1837.
Colore etching, titled and signed in the plate.
Beautiful engraving with contemporary colouring. Editi...
Category
Modern 1830s Art
Materials
Etching
Bijin-ga Woman Kneeling by River Japanese Print
By Kuniyasu
Located in Houston, TX
Japanese woodblock print of a woman kneeling by the river. She is holding a stick making it appear like she is fishing with it. The woodblock print is printed on rice paper. The print is not framed.
Artist Biography: Utagawa Kuniyasu...
Category
Edo 1830s Art
Materials
Woodcut
Oiso Station in the Rain - Woodcut by Utagawa Hiroshige -1833
Located in Roma, IT
Oiso Station in the Rain is an original modern artwork realized by Utagawa Hiroshige (1797 – 12 October 1858) in 1833-1834.
Original Woodcut print Oban yokoe, lifetime impression.
...
Category
Modern 1830s Art
Materials
Woodcut
$1,667 Sale Price
24% Off
French 19th Century Romantic Period 1830s Paris Society Beauty Portrait
Located in Norwich, GB
A astounding portrait of a society beauty by Adele Grasset (active ca 1830-1850). With an open face and and lightly smiling lips, she is wearing a gown typical of the romantic period. Drawn in graphite and heightened with white, the drawing is dated 1836
As often with woman artists of the 18th and 19th century, there is little biographical information available on Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...
Category
Academic 1830s Art
Materials
Paper, Charcoal, Gouache
Hamburg - Amerika Linie original vintage travel poster
By Albert Fuss
Located in Spokane, WA
Original Hamburg - Amerika linie, Hamburg America Line vintage travel by ship antique poster. Art Deco time frame vintage poster for traveling by cruise...
Category
Art Deco 1830s Art
Materials
Lithograph
$1,000 Sale Price
20% Off
830’s French Portrait of a Lady in Brown Jacket White Lace Trim, oil painting
Located in Cirencester, Gloucestershire
French artist of the first half 19th century
oil painting on canvas, unframed
canvas: 12.5 x 9.5 inches
provenance: private collection, France
condition: overall very good - aging signs...
Category
1830s Art
Materials
Oil, Canvas
Elizabeth Gordon Duchess of Gordon
By William Fisk
Located in Douglas, Isle of Man
William Fisk 1796 -1872, was an English born portrait and history painter. Although born in 1796 he didn't start his artistic career until after 1826, after the birth of his son Will...
Category
1830s Art
Materials
Canvas, Oil
19th century English interior barn scene with a family of goats and baby goats.
Located in Woodbury, CT
This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...
Category
Victorian 1830s Art
Materials
Canvas, Oil
Two Botanical Lithographs, Flora Of America
Located in SAINT-OUEN-SUR-SEINE, FR
Étienne DENISSE (1785-1861)
Gombeau Edible and Trompette.
Collection of the most remarkable Flowers and Fruits, natural size.
Two lithographs enhanced with watercolor.
Around 1830.
F...
Category
1830s Art
Materials
Paper, Watercolor
Oiso, Tora ga ame - Woodcut by Utagawa Hiroshige - 1832
Located in Roma, IT
Oiso, Tora ga ame is a woodcut print realized by Utagawa Hiroshige in 1832.
It is part of the suite The Fifty-three Stations of the Tokaido - Oiso.
Very good condition.
Category
Modern 1830s Art
Materials
Woodcut
$720 Sale Price
25% Off
Lepidoptera (Butterflies) /// Scottish Natural History Zoology Animal Engraving
Located in Saint Augustine, FL
Artist: William MacGillivray (Scottish, 1796-1852)
Title: "Lepidoptera (Butterflies)" (Plate XII)
Portfolio: The Edinburgh Journal of Natural History, and of The Physical Sciences
Ye...
Category
Victorian 1830s Art
Materials
Watercolor, Engraving, Intaglio
Shipping Off the Coast
By Thomas Luny
Located in Wiscasett, ME
Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame.
Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...
Category
Victorian 1830s Art
Materials
Oil
French school 19th romantic Historical scene Duke GUISE DURANTI Oil Sketch
Located in PARIS, FR
19th century French school Oil on canvas 33 x 41 cm (53 x 45 cm with the frame) Original canvas with the stamp of the merchant "Vallé & Bourniche / Successeurs de Bellot" active in P...
Category
Romantic 1830s Art
Materials
Oil
$1,441 Sale Price
20% Off
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Located in Soquel, CA
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...
Category
Edo 1830s Art
Materials
Ink, Rice Paper, Woodcut
Antique Horse Study; Legs and Rumps, 1838" Wouterus Verschuur (Dutch, 1812-1874)
Located in SANTA FE, NM
Antique Horse Study
"Legs and Rumps, 1838"
Wouterus Verschuur l (Dutch, 1812-1874)
Pencil on paper
Signed and Dated "W Verschuur 1838"
10 x 6 1/2 (17 1/2 x 14 frame) inches
In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action.
He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens.
Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae.
His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris.
The Verschuur horse revels in its physicality, like a quintessential Baroque horse...
Category
Romantic 1830s Art
Materials
Pencil, Paper
Paul Sandby Munn RWS, Mallevy, Merioneth, North Wales, Watercolour
Located in Cheltenham, GB
This early 19th-century watercolour by British artist Paul Sandby Munn RWS (1773-1845) depicts a riverside view at Mallevy in North Wales.
Amid a hasty world where technology consumes our waking hours, few of us find the time to consider the subtle beauties of quiet watercolours. Yet, during the late 18th century, when Munn began producing his skillfully-rendered views, this style of drawing was considered an act of rebellion. Indeed, to such an extent that, together with several associates, Munn contributed to one of the most vital artistic circles in British history - the “Brothers” sketching club.
Held every Saturday, the sketching club sought to raise the status of landscape watercolours from their lowly position as mere copies of nature. Fellow artists such as John Varley, Thomas Girtin and John Sell Cotman...
Category
Romantic 1830s Art
Materials
Gouache, Paper
Portrait of Berthe Thorwaldsen with bust of Horace Vernet - 1833
Located in Roma, IT
Portrait of Berthe Thorwaldsen with Bust of Horace Vernet is an original modern artwork realized by the Circle of Horace Vernet (30 June 1789 – 17 Januar...
Category
Modern 1830s Art
Materials
Canvas, Oil
Utagawa Kunisada (Toyokuni III) -- Last performance of the summer theater show
Located in BRUCE, ACT
Utagawa Kunisada (Toyokuni III)
Last performance of the summer theater show,
Natsu kyogen issei ichidai Diptych
Oban depicting two Kabuki actors Onoe Kikugorō III (尾上菊五郎) on the righ...
Category
1830s Art
Materials
Woodcut
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