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1830s Art

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Period: 1830s
Industry and Idleness Plate 2: The Industrious 'Prentice Performing: Duty
Industry and Idleness Plate 2: The Industrious 'Prentice Performing: Duty

Industry and Idleness Plate 2: The Industrious 'Prentice Performing: Duty

By William Hogarth

Located in Bournemouth, Dorset

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Category

1830s Art

Materials

Engraving

Impatiens puberula (Soft Pink Balsam) /// Antique Botanical Flowers Plant Print
Impatiens puberula (Soft Pink Balsam) /// Antique Botanical Flowers Plant Print

Impatiens puberula (Soft Pink Balsam) /// Antique Botanical Flowers Plant Print

By Nathaniel Wallich

Located in Saint Augustine, FL

Artist: Nathaniel Wallich (Danish, 1786-1854) Title: "Impatiens puberula (Soft Pink Balsam)" (Plate 193) Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants Year: 1830-1832 Medium: Original Hand-Colored Lithograph on J. Whatman paper Limited edition: 254 Printer: Engelmann, Graf, Coindet & Co., London, UK Publisher: Richard Taylor for Treuttel & Würtz, London, UK Sheet size: 21.13" x 14.13" Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326 Condition: Has been professionally stored away for decades. In excellent condition with strong colors Rare Notes: Provenance: private collection - Aspen, CO. Lithography by Maltese artist...

Category

Victorian 1830s Art

Materials

Watercolor, Lithograph

19th century color lithograph indigenous portrait figure feathers bison red
19th century color lithograph indigenous portrait figure feathers bison red

19th century color lithograph indigenous portrait figure feathers bison red

By McKenney & Hall

Located in Milwaukee, WI

"Kish-Ke-Kosh, A Fox Brave (Sauk-Fox)" is an original hand-colored lithograph by McKenney & Hall. This piece features a Native American man. Reference: Page 200 of The North American Indian Portfolios in the Library of Congress. 13 1/4" x 9 3/4" art 27 1/4" x 22 3/8" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

Category

Academic 1830s Art

Materials

Lithograph

19th century color lithograph portrait indigenous male subject feathers signed
19th century color lithograph portrait indigenous male subject feathers signed

19th century color lithograph portrait indigenous male subject feathers signed

By McKenney & Hall

Located in Milwaukee, WI

"Wa-Em-Boesh-Kaa, A Chippeway Chief," is an original hand-colored lithograph by McKenney & Hall. It features a portrait of a notable Native American chief, with informational text below. 13 1/2" x 18 3/4" paper 25 5/8" x 20 1/2" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

Category

Academic 1830s Art

Materials

Lithograph

Bust of a Child in Carrara Marble, 1837, Signed by Francesco Stanga
Bust of a Child in Carrara Marble, 1837, Signed by Francesco Stanga

Bust of a Child in Carrara Marble, 1837, Signed by Francesco Stanga

Located in Milano, IT

Francesco Stanga Bust Of Child In Marble Of Carrara 1837 signed and dated on the back of the bust. The sculpture depicts a four-year-old and nine-month-old child with a joyful dispos...

Category

Romantic 1830s Art

Materials

Marble

Elizabeth Gordon Duchess of Gordon
Elizabeth Gordon Duchess of Gordon

Elizabeth Gordon Duchess of Gordon

By William Fisk

Located in Douglas, Isle of Man

William Fisk 1796 -1872, was an English born portrait and history painter. Although born in 1796 he didn't start his artistic career until after 1826, after the birth of his son Will...

Category

1830s Art

Materials

Canvas, Oil

French Romantic School, Le Baiser (The Kiss) Study, charcoal and Ink drawing
French Romantic School, Le Baiser (The Kiss) Study, charcoal and Ink drawing

French Romantic School, Le Baiser (The Kiss) Study, charcoal and Ink drawing

Located in Paris, FR

French Romantic School circa 1830 "Le Baiser" The Kiss, A hunter and a girl flirting, study of the girl in the upper register pencil, pen and black ink 19.5 x 13 cm (view) Framed ...

Category

Romantic 1830s Art

Materials

Charcoal, Ink

Military Drawing 19th Ink on paper Souvenir barrack officers 1830 July Monarchy
Military Drawing 19th Ink on paper Souvenir barrack officers 1830 July Monarchy

Military Drawing 19th Ink on paper Souvenir barrack officers 1830 July Monarchy

By Richard de Querelle

Located in PARIS, FR

Richard de QUERELLES Neuviller (Bas-Rhin), 1808 - Paris, 1846 Drawing Pen and ink 17.5 x 19 cm (28 x 37.5 cm with the frame) Signed "R. de Querelles ” and untitled“ Barraque ” Henri...

Category

French School 1830s Art

Materials

Ink

Balliol College, Oxford - Joseph Murray Ince (attributed)

Balliol College, Oxford - Joseph Murray Ince (attributed)

By Joseph Murray Ince

Located in London, GB

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Category

Realist 1830s Art

Materials

Oil

Blashaw Dam - Etching by Joseph Banks - 1837

Blashaw Dam - Etching by Joseph Banks - 1837

By Joseph Banks 1

Located in Roma, IT

Blashaw Dam is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed on plate . Beautiful engraving with contemporary colouring. Edition by  R...

Category

Modern 1830s Art

Materials

Etching

Dup...

Dup...

By Honoré Daumier

Located in New York, NY

Honore Daumier (1808-1879), “Dup…”, lithograph, 1832, from the series Celebrites de la Caricature, plate 171. Reference: Delteil 45, Daumier Register 45, only state. In generally goo...

Category

Realist 1830s Art

Materials

Lithograph

“Cottage”
“Cottage”

“Cottage”

Located in Southampton, NY

Graphite and watercolor on paper stock drawing by the Russian Federation artist, Carl Ivanovitch Kollmann. Circa 1830. Condition: Good. Actual drawing diameter is 6.5 inches. Impr...

Category

Academic 1830s Art

Materials

Paper, Watercolor, Graphite