1830s Art

This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...

Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...

Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...

Japanese Woman is a beautiful print realized around 1830 by Utagawa Kunisada. Original colored woodblock print. This wonderful modern artwork represents a portrait of a Japan woman...

Bijinga is an original artwork realized in 1833-1835 by Utagawa Kunisada (1786-1865). Chuban. From the series "Tokaido gojusan tsugi no uchi" (The 53 Tokaido Stations). Courtesan i...

Eugene Delacroix, French (1798 - 1863) - Women of Algiers (color), Year: 1838, Medium: Lithograph, Image Size: 6.25 x 8.75 inches, Size: 7.25 x 10.75 in. (18.42 x 27.31 cm), Publis...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

The History of Amelia is an original modern rare book engraved by George Cruikshank (London, 1792 – London, 1878) and written by Henry Fielding in 1832. Published by James Cochrane ...

Bonaparte in Toulon is an original Etching realized by H.Bellange in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the s...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

Humming Birds & Co. is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1835. Published by Mc Lean, London. Original First Edition. Format: oblong 4°. The book includes Eleven hand colored Etchings. Mint conditions. Humming birds & Co. is an original modern rare book engraved by George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz (1836), The Mudfog Papers (1837–38) and Oliver Twist...

Les Jeans-Jeans is a Lithograph realized by Auguste Raffet (1804-1860). Good condition on a yellowed paper. Hand signed by the artist on the lower right corner. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Artist: William MacGillivray (Scottish, 1796-1852) Title: "Lepidoptera (Butterflies)" (Plate XII) Portfolio: The Edinburgh Journal of Natural History, and of The Physical Sciences Ye...

MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...

Anonymous (English School) Prize Bull Portrait, mid-19th century Oil on canvas, housed in a figured maple frame This striking and endearing portrait of a prize bull stands as a test...

MOA-NA-HON-GA. GREAT WALKER. AN IOWAY CHIEF., from History of the Indian Tribes of North America Artist:Charles Bird King Publisher:McKenney and Hall hand-colored engraving on paper ...

The Queen's Staircase is an original modern artwork realized in 1836 by the French artist François Alexandre Pernot (1793-1865). Original Lithograph on paper. The sheet is glued on ...

The Artist is an original Lithograph realized by Denis Auguste Marie Raffet in 1836. Signature on the lower margin, the artwork represents a gentleman with an artist. Good conditio...

L’amour Croise des Races (Agence matrimoniale) is an original drawing with watercolor, Ink, pencil, realized by Jean-Jacques Grandville in 1833, from provenance by descent from Lou...

Antoine-Baptiste PETIT Paris, 1800 – Versailles, 1864 Watercolor 18 x 27 cm Antoine-Baptiste Petit was a decorative painter and teacher of perspective. He produced views of Paris in...

Original lithograph hand-colored at the time of publication from "Groups of Cattle Drawn from Nature" by Thomas Sydney Cooper. Mounted on artist'...

Wonderful Early Victorian English watercolor of a little girl. The piece is full of quality and precise brushwork giving the painting a great feeling. I think the frame is later poss...

“Orientalist Portrait of an Arab Man” Half-length, turned to the left, oval Jean-Horace Vernet (French 1789-1863) Circa 1830s Watercolor heightened with touches of white on paper Sig...

Non si tratta di uno studio preliminare al dipinto ma di una ulteriore messa a fuoco della fisionomia stravolta del protagonista, un ‘primo piano’ che ben corrisponde a quanto annota...

A hand-colored lithograph by Joseph Nash of the Frontespice "The Mansions of England in the Olden Time", 1839-1849, printed by Charles Joseph Hullmandel (Pub. London: T. M'Lean, 1839...

Watercolour with touches of bodycolour on buff paper, signed lower middle and inscribed and dated '1839' lower left Image size: 8 1/2 x 12 1/4 inches (22 x 31 cm) Acid free mount and period style gilt frame This original watercolour by Roberts depicts the temple at Baalbek with the ruined palace behind, seen from the opposite bank of a brook, where a group of figures are seated and kneeling around a table, with an arched bridge nearby. David Roberts was the first professional British artist to travel independently to the Middle East in 1838. He was the first British artist to draw the ruins of Ancient Egypt and Roberts produced a series of finished watercolours, including the painting, which he had worked up from sketches made during his tour. Like many British artists he used the familiar visual language of European landscapes to capture the unfamiliar scenery. By using architectural motifs to provide structure to compositions like this he is able to present a dramatic scene of classical grandeur, illuminated by sunlight complemented by a large area of shade in the foreground. The dramatic scene is enhanced by the three groups of figures, which convey the sense of scale. The figures also give the picture richer, darker and redder tones that contrast with the sandy colours of the architecture. This painting uses a lot of the essential ingredients that make up a picturesque scene: distant mountains, classical ruins and figures for human interest and to convey motion. Robert's Trip to Baalbek David Roberts visited Baalbek near the end of his travels around Egypt and the Middle East. Roberts and his party rode to the site of Baalbek on 2nd May in a heavy-rain storm. He was miserable, totally drenched and feverish. But the sight of the ancient Roman settlement rallied him. Despite his physical debilitation, 'I was... so much struck with the magnificence of the temple, that I could not resist visiting and examining it'. The storm then continued through the night, pummelling the traveller's tents. In the morning, Roberts felt extremely ill and sought the help of a Greek priest, who found him dry shelter in a cowshed. For the first time on his gruelling journey, Roberts devoted the whole day to bed rest. On May 4th, regaining some strength, Roberts explored the site. With obscure origins connected with the god Baal, the city of Baalbek had grown to importance in Hellenistic times, when it was known as Heliopolis ('The City of the Sun'). In the first century B.C. the Romans had established a cult of the Heliopolitan Jupiter there, and both Josephus Flavius...

French Romantic School circa 1830 "Le Baiser" The Kiss, A hunter and a girl flirting, study of the girl in the upper register pencil, pen and black ink 19.5 x 13 cm (view) Framed ...

HONORE DAUMIER (1808 – 1879) FOR A POOR AMERICAN PLEASE / POUR UN PAUVRE AMERICAIN S’IL VOUS PLAIT, 1835 (DR 108 i/iii:: LD 108) Lithograph as published in La Caricature February ...

Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...

Map of Battle of Rivoli is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

"Caricatura Robert Macaire Negociant" is a lithograph by Honore Daumier. It was published February 24, 1837. Original Text: Robert Macaire, Négociant. Hé bien ! Monsieur Macaire, v...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). This impression was printed in 1831 on laid paper for the "English Landscape" series. Image size: 5 1/2...

Contes a Ma Soeur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The romanti...

Courtesan is an original modern artwork realized by Keisai Eisen in the first half of the 19th Century. Signed and inscribed on plate. Total dimension...

This early 19th-century watercolour by British artist Paul Sandby Munn RWS (1773-1845) depicts a riverside view at Mallevy in North Wales. Amid a hasty world where technology consumes our waking hours, few of us find the time to consider the subtle beauties of quiet watercolours. Yet, during the late 18th century, when Munn began producing his skillfully-rendered views, this style of drawing was considered an act of rebellion. Indeed, to such an extent that, together with several associates, Munn contributed to one of the most vital artistic circles in British history - the “Brothers” sketching club. Held every Saturday, the sketching club sought to raise the status of landscape watercolours from their lowly position as mere copies of nature. Fellow artists such as John Varley, Thomas Girtin and John Sell Cotman...

Honore Daumier (1808-1879), Les Grandes Celebrites de la France, lithograph, 1939, plate 2 from the series Les Saltimbanques, from La Caricature Provisoire (also published later in Le Charivari, 1843). Reference: Daumier Register 620, second state (of 5). With lettering, and the initials (in the plate lower left). Printed on a wove paper. In good condition (formerly folded across the middle, now flattened) , 11 1/2 x 8 7/8, the sheet 13 1/8 x 10 inches. A very good impression. An impression of Les Grande Celebrites de la France was shown in the Metropolitan Museum's show Seurat's Circus Sideshow...

Jules Coignet (1798-1860) Lago di Guarda, 1837, Inscribed "Lago di Guarda 9 8bre 1837" Graphite on paper 24 x 35 cm Framed : 37 x 48 cm Provenance : Galerie Paul Prouté, Autumn 1...

Louis-Nicolas CABAT Paris 1802 - 1893 Paris Tuscan Landscape, Civita la Vigna Watercolour on pape r Signed and dated "L Cabat 1837" and located "Civita La Vigna" 23 x 32.5 cm sheet ...

Honore Daumier (1808-1879), La Fortune Fait Oblier Les Amis, lithograph, from the series Caricaturana, plate 31, 1838. Daumier Register 385, third state (of...

Signed and dated, lower right: EL / Nov 34 Provenance: Barbara and Ernest Kafka, New York.

Artist: Stephen Scott Young Title: Vienna Medium: Watercolor on Paper Year: 1983 Signed: Inscribed Bottom Left and Signed Back of Paper Dimensions: Unframed 13.5 x 7 Framed 18.5 x 17...

KNIP August (1819 - 1859) Starting Fox Hunting day in Baden-Baden Oil on canvas signed low right dated 1837 Old original frame gilded with leaves Dim canvas : 81 X 118 cm Dim frame :...

'Un fiacre a l'heure... (Emotions Parisiennes)' is an excellent example of the satirical caricatures produced by Honoré Daumier. The title, which translat...

Unknown Artist (European, nineteenth century) Oil on canvas, 15 x 20 3/4 inches Framed: 23 x 28 inches Signed at lower left: “A.H.” The area around the Arch has changed dramatically over the years. This view is most similar to views taken circa 1835. See, for example, Charles Heath Wilson (1809–1882) The Arch of Titus...

Hand-colour sporting plate by James Pollard (1792-1867) Title: Epsom, The Betting Post Published 1836 by Ackermann & Co Print Sz: 14"H x 19 1/2"W Frame Sz: 20"H x 26"W w/ birds...

Actor Arashi Rikan II as Aburaya Yohei - Figurative Woodblock Print on Paper Woodblock print of kabuki actor by Shunbaisai Hokuei (Japanes...

Asagiri is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

Signed and dated '1835' center right

L'Ennemi Ne Se Doute Pas Que is a Lithograph realized by Auguste Raffet in the 1830s. Signed on the plate. Good condition with foxing.

La Poursuite is a Lithograph realized by Auguste Raffet in the 1830s. Signed on the plate. Good condition with foxing.

The Battle is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition.

Prise De Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Explosion De La Mine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Explosion De La Mine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Fuite Des Arabes De Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Revue is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition

Marche Sur Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Army gets position is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Le Capitaine De Genie Couverte is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition