1830s Art

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

"Funchal, Madeira Franciscans Convent" Antique Drawing on Paper Watkinson Delicate and detailed drawing of Funchal, Madeira by Hartford, Connecticut artist Edward Watkins Wells (181...

Pauvre France is an original litograph, realized by Jean-Jacques Grandville in 1831, plate 164 from La Caricature n°82. Included a wooden frame. In very good conditions. Here the ...

Castle Hill is an artwork, realized by the artist Joseph Banks in 1837. Colore etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition by ...

Rare view of Vaduz in Liechtenstein around 1830 Oil on canvas / stretcher renewed No signature found Size 46 x 58 cm Frame 58 x 70 cm Good condition, fine craquelure Authenticity con...

Utagawa Kuniyoshi Yoshino-san bosetsu 吉野山暮雪 (Lingering Snow on Mount Yoshino) from Yobu hakkei 燿武八景 (Military Brilliance of the Eight Views) 1836 Woodblock print Oban size Sato Tada...

Miya is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

Jean-Charles GRANDJEAN Active between 1833 and 1857 Oil on canvas 33 x 41 cm (46 x 54 cm with frame) Signed and dated lower right “Grandjean / 1835” Beautiful Restoration period fram...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838. The artwork is in good condition except some foxing that doesn't affect the image. Hégé...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

Antique French painting from the first half of the 19th century. Oil on canvas artwork depicting an interior scene with characters, The Marriage Contract, of good pictorial quality. ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

Les Métamorphoses du Jour is an original Modern Artwork realized in the 1830s by the French artist Grandville. Original Lithograph hand watercolored...

John Wilson Carmichael 1799 - 1868 Popular Newcastle painter of coastal maritime subjects and landscape. Regular exhibitor at the Royal Academy and elsewhere, and found in many impor...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

L’amour Croise des Races (Agence matrimoniale) is an original drawing with watercolor, Ink, pencil on paper, realized by Jean-Jacques Grandville in 1833, from provenance by descent...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

US buyers pay no import tariffs on this item. This early 19th-century central European oil painting depicts Christ The Saviour standing atop an orb and carrying a cross over his left shoulder. An unusual composition, Christ’s rather striking posture is perhaps more ‘Saturday Night Fever’ than it is sacramental. However, the iconography is archaic and derived ultimately from New Testament illustrations dating to the Middle Ages. Depictions of orbs are usually symbolic of the universe, while the cross alludes to redemption. Hence, it’s a visual representation of Christ as the Saviour of humanity. Francisco de Zurbarán...

Lithograph on wove paper. Signed and dated in the plate. Image dimension 19-5x28 cm. This finely detailed lithograph by Auguste Raffet captures an Orientalist interior scene, port...

Lithograph on wove paper. Signed and date in the plate. Image dimension: 19.5x28 cm. A fine and atmospheric lithograph by Auguste Raffet, the celebrated French lithographer and pa...

Lithograph on paper realized by Auguste Raffet in 1838. It is part of the suite "Crimée". The scene shows an Islamic funerary monument (türbe), partially in ruins, in the Crimea or...

19th century French school Oil on canvas 33 x 41 cm (53 x 45 cm with the frame) Original canvas with the stamp of the merchant "Vallé & Bourniche / Successeurs de Bellot" active in P...

Unknown Artist (European, nineteenth century) Oil on canvas, 15 x 20 3/4 inches Framed: 23 x 28 inches Signed at lower left: “A.H.” The area around the Arch has changed dramatically over the years. This view is most similar to views taken circa 1835. See, for example, Charles Heath Wilson (1809–1882) The Arch of Titus...

Victor LEFRANC Paris, 1812 - ? Oil on paper 33 x 42 cm (44 x 52 cm with frame) Inscription on the verso 'Tancarville / 1839" and stamp from the Georges Lhoste collection Painter of ...

Honore Daumier (1808-79),La fortune fait oublier les amis,lithograph, plate 31 from the series Caricaturana, published in Le Charivari in 1837; later in Alb...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

The Arrival of General is a lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good conditions. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Title at the center of the lower margin. Signed on the plate "Petrone." in the lower left margin. "Con permis", in lower-right "Lit. D. Festa, 1836". In very good conditions except ...

Les drapeaux d’Austerlitz présentés au Sénat  is an original artwork realized by Adolphe and Emile Roargue in 1835. This is an authentic engraving from the renowned series France Mi...

Cantagalli-manufactured ceramics measuring 125 x 67 cm depicting a sweet Madonna adoring the Child Jesus and the Holy Spirit. At the beginning of the 19th century, Ulisse Cantagalli...

This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...

Signed and dated '1835' center right

Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...

A nicely detailed American School oil on canvas portrait of a New England manufacturer banker sitting at a desk signing bank notes with a mill in the background, unsigned, and housed...

Eugène Viollet-le-Duc (1814 - 1879) Walker in a wood, somewhere in the South of Italy (Naples/Sicily) Signed and dated at the bottom right, with the artist's mark (L.2924a) on the m...

Dionisio MORETTI Venice, Rialto Bridge, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Ve...

Lithograph on paper, published by Gihaut Frères, Paris. Signed and dated in the plate. Very good condition.

A view of Sebastopol in the Crimea. Oil on canvas. In a 19th century gild wood and plaster frame. This painting can be dated around 1830/1840 given the dresses worn by the women i...

This original circa 1830 French educational chart, entitled Cosmographie Générale, was published as plate number two of a universal atlas. Created to explain the principal astronomic...

Jean-Victor, known as Victor Adam Paris, 1801 – Viroflay, 1866 Portraits of Zouaves Watercolor 14 x 18.5 cm (30.5 x 34.5 cm with frame) Signed lower left: "V. Adam" Jean-Victor Adam...

Louis-Auguste LAPITO (Joinville-le-Pont, 1803 – Boulogne-Billancourt, 1874) The Painter in the Forest of Fontainebleau Oil on paper laid down on canvas H. 21 cm; W. 34 cm Signed lowe...

Oiso, Tora ga ame is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite The Fifty-three Stations of the Tokaido - Oiso. Very good condition.

Artist: John James Audubon (American, 1785-1851) Title: "Scarlet Ibis" (Plate CCCXCVII - 397; part No. 80) Portfolio: The Birds of America (Havell Edition) Year: 1837 Medium: Origina...

A stunning pair of original 19th-century hand-colored botanical engravings featuring Ipomoea horsfalliae and Chirita walkeria, attributed to renowned British botanists William Jackso...

'Cricket Match' Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter. 340mm by 430mm (sheet)

Painting with a traveler on a white horse and accompanied by a dog looking up at a road sign in the form of a cross. On the roadsign is ” Arnhem”. (a town at the Rhine river in the E...

A striking 19th-century botanical engraving depicting Ipomoea horsfalliae, also known as Lady Doorly’s Morning Glory. This exquisite floral illustration is attributed to the renowned...

A stunning portrait of a Parisian beauty from the romantic period by Adele Grasset (active ca 1830-1850). With her intelligent eyes and determined look, doesn't this lady bear great resemblance to Chopin's paramour George Sand? The sitter is Jeanne Marie Vidal, wife of Claude Auguste Seguin, from a prominent family in Avignon, as the family tree attached to the back for the frame indicates. Research in old annals has also revealed that Madame Seguin was a modern and independent lady: she worked in lady's fashion in Paris, and patented wrapping mechanism that protected lady's hats during their transport! As often with woman artists of the 18th and 19th century, there is little biographical information available on the artist, Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

Edmund Bristow British, (1787-1876) Mare & Foal in a Meadow, with Windsor Castle in the Distance Oil on canvas, signed & inscribed ‘Windsor’ & indistinctly dated 1830 Image size: 27 ...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

These authentic antique bird prints are original 19th-century hand-colored lithographs from John Gould’s celebrated *The Birds of Europe*, published in London in parts between 1832 a...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Wa-Bish-Kee-Pe-Na, The White ...

Roman Costume is an original etching artwork realized by Bartolomeo Pinelli in 1831. Signed by the artist on the plate, dated lower right. Good conditions. The artwork represents ...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Nah-Et-Luc-Hopie", created by...

French stipple engraving portraying a stately emperor figure, circa 1830. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Ar...

Entrée d'Aoste is an original artwork realized in 1836. Etching on paper. Titled and signed on plate on the right corner. Good conditions.

Départ de Bonaparte pour revenir en France is an original artwork realized in 1830s . Etching on paper. Titled and signed on plate on the right corner. The artwork depicts Napoleon...