1830s Art

La Poursuite is a Lithograph realized by Auguste Raffet in the 1830s. Signed on the plate. Good condition with foxing.

Trait of Humanity of Capitaine Peyronny is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Unknown Artist (European, nineteenth century) Oil on canvas, 15 x 20 3/4 inches Framed: 23 x 28 inches Signed at lower left: “A.H.” The area around the Arch has changed dramatically over the years. This view is most similar to views taken circa 1835. See, for example, Charles Heath Wilson (1809–1882) The Arch of Titus...

Retour de l'ile d'Elbe is an etching that belongs to the suite AtlasBatt realized for Jacques Norvins Histoire de Napoleon, published in 1837. Author Jacques Norvins published one o...

Voilà.... is an original colored lithograph, realized in 1839 by Honoré Daumier (1808-1879). The artwork is from the portfolio Types Parisiens composed of caricatures of the immense...

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Jean-Victor ADAM known as Victor ADAM Paris, 1801 – Viroflay, 1866 Watercolor on paper 14 x 18.5 cm (30.5 x 34.5 cm with frame) Signed lower left “V. Adam” Framed Very beautiful wat...

William Fisk 1796 -1872, was an English born portrait and history painter. Although born in 1796 he didn't start his artistic career until after 1826, after the birth of his son Will...

Pauvre France is an original litograph, realized by Jean-Jacques Grandville in 1831, plate 164 from La Caricature n°82. Included a wooden frame. In very good conditions. Here the ...

Cantagalli-manufactured ceramics measuring 125 x 67 cm depicting a sweet Madonna adoring the Child Jesus and the Holy Spirit. At the beginning of the 19th century, Ulisse Cantagalli...

The Incurables is an Original Lithograph realized by Auguste Raffet in 1836. Hand-Signed by the artist on the lower right corner. Fair conditions on a cream colored cardboard: sign...

MOA-NA-HON-GA. GREAT WALKER. AN IOWAY CHIEF., from History of the Indian Tribes of North America Artist:Charles Bird King Publisher:McKenney and Hall hand-colored engraving on paper ...

State Major is an original Lithograph realized by Denis Auguste Marie Raffet in 1837. Signature on the lower right corner. Good condition, included a white cardboard passpartout (3...

Margaret Sarah Carpenter 1793-1872, was an English portrait painter. She was one of the foremost portrait painters in the 19th Century, she ex...

Parade is an Original Lithograph realized by Auguste Raffet in 1831. Hand-Signed by the artist on the lower right corner. Good conditions on a cream colored cardboard. Denis Augus...

The Caricature is an Original Lithograph realized by Auguste Raffet in 1831. Not signed. The original work is glued to a white card, good condition. Denis Auguste Marie Raffet (18...

The Last Youngs of July of 1830 is original lithography artwork on paper realized in 1836 by Camille Roqueplan (1802 - 1855) artist of the XIX centu...

" Sacred to the Memory of the Illustrious Champion of Liberty General George Washington First President of the United States of America" engraved and published by John Donlevy . The artist lists himself as an "intaglio-chromographic and Electrographic Engraver". This is a fine example of American calligraphic and stipple engraving. The face of the portrait is based on Stuart's " Antheaeum " painting surrounded by swirls and elaborate calligraphic design typical of this artist. This is the second state, according to Charles Hart's "Catalogue of the Engraved Portraits of Washington...

"Wa-Em-Boesh-Kaa, A Chippeway Chief," is an original hand-colored lithograph by McKenney & Hall. It features a portrait of a notable Native American chief, with informational text below. 13 1/2" x 18 3/4" paper 25 5/8" x 20 1/2" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

US buyers pay no import tariffs on this item. This early 19th-century central European oil painting depicts Christ The Saviour standing atop an orb and carrying a cross over his left shoulder. An unusual composition, Christ’s rather striking posture is perhaps more ‘Saturday Night Fever’ than it is sacramental. However, the iconography is archaic and derived ultimately from New Testament illustrations dating to the Middle Ages. Depictions of orbs are usually symbolic of the universe, while the cross alludes to redemption. Hence, it’s a visual representation of Christ as the Saviour of humanity. Francisco de Zurbarán...

Jules Coignet (1798-1860) Lago di Guarda, 1837, Inscribed "Lago di Guarda 9 8bre 1837" Graphite on paper 24 x 35 cm Framed : 37 x 48 cm Provenance : Galerie Paul Prouté, Autumn 1...

Artist: Robert Huish (English, 1777-1850) Title: "The Alligator (In the Gardens of the Zoological Society)" (Plate 26) Portfolio: The Wonders of the Animal Kingdom; Exhibiting Deline...

Jules Boilly (1796-1874) Portrait of a young man, in uniform, signed and dated 1837 on the lower left charcoal and heightenings of blue, red and white chalk on paper 27.5 x 21.5 cm Framed : 41.8 x 36 cm This drawing is a good illustration of Jules Boilly's own style, obviously very different from his father's realistic acuity. There is something softer, more velvety, lighter, and we can see it clearly in the way he renders the features of this young man. Julien-Léopold Boilly (30 August 1796 – 14 June 1874), also known as Jules Boilly, was a French artist noted for his album of lithographs Iconographie de l'Institut Royal de France (1820–1821) and his booklet Album de 73 portraits-charge aquarellés des membres de l'Institut (1820) containing watercolor caricatures...

Norfolk School English, circa 1830–1840 Extensive Landscape with Figure on a Path Oil on wooden panel Unsigned A finely composed early 19th-century English landscape, painted circa...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Wa-Bish-Kee-Pe-Na, The White ...

Katsushika Hokusai Shūnen (Memorial Anniversary) from the series Hyaku monogatari (100 Ghost Stories) Circa 1831-1832 A chūban tate-e woodblock print Signed Saki no Hokusai hitsu, ...

A view of Sebastopol in the Crimea. Oil on canvas. In a 19th century gild wood and plaster frame. This painting can be dated around 1830/1840 given the dresses worn by the women i...

The Caricature is an Original Lithograph realized by Pierre Michel Delaporte in 1832. The artwork is window board. Allusion to the attacks against the opposition press early 1832. The title marks the sentence of Louise Philippe "Le cachot sera desormais un verite". Journal n. 70. Good condition included a white cardboard passpartout (49x32.5 cm). Signature stamped on the lower left corner. Pierre Michel Delaporte (5 September 1806 – 30 September 1872) was a 19th-century French playwright, painter, lithographer and political caricaturist. He also created numerous lithographies, illustrations and prints which were published in many newspapers and magazines, such as La Caricature (1830–1843) or Le Figaro.

Königliche Porzellan-Manufaktur (KPM), View cup with Berlin veduta of the Altes Museum, circa 1830. Bell-shaped cup with raised handle ending in a shell palmette. The front with gold...

Vivid and fresh representation of one of the most spectacular and last eruptions of Vesuvium, that of January 1-5, 1839. Wonderful conditions. Framed in walnut and with passepartout...

“Fancy Ball Dress. No.6. Alps.” Andre Leon Larue (Mansion) French (1785-1834) Published by W. Spooner 259 Regent St.t. Deposé à Paris. Printed by C. Hullmandel. (Circa 1831) Hand-col...

Eugène Viollet-le-Duc (1814 - 1879) Walker in a wood, somewhere in the South of Italy (Naples/Sicily) Signed and dated at the bottom right, with the artist's mark (L.2924a) on the m...

Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony. Presented in a new off-white mat with foamcore backing. Mat size: 16"H x 20"W Paper size: 9.63"H x 14.5W" Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...

Signed and dated '1835' center right

Utagawa Kunisada (Toyokuni III) Last performance of the summer theater show, Natsu kyogen issei ichidai Diptych Oban depicting two Kabuki actors Onoe Kikugorō III (尾上菊五郎) on the righ...

19th Century English School. A Young Girl with a Spaniel, Watercolour, framed and glazed Signed with initials and dated 1835 verso, image: 8 inches x 6.5 inches (20.3 x 16.5cm) fr...

Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...

Utagawa Kuniyoshi Yoshino-san bosetsu 吉野山暮雪 (Lingering Snow on Mount Yoshino) from Yobu hakkei 燿武八景 (Military Brilliance of the Eight Views) 1836 Woodblock print Oban size Sato Tada...

Oiso, Tora ga ame is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite The Fifty-three Stations of the Tokaido - Oiso. Very good condition.

Woodcut print realized by Hokusai in 1834. From the Series "One Hundred Views of Mount Fuji". Good condition and little signs of aging.

Precious Watercolor attributed to James WARD (1769-1859) - England, 1830-1840. The Fisherman' S Family. Measurements : View : 20"x14.6" (51x37 cm), With frame : 26.6"x21.5" (67.5x54....

This refined 1838 engraving after Alfred Edward Chalon presents an official full-length portrait of the young Queen Victoria, created at the very beginning of her reign. Conceived as...

This painting presents a winter twilight in Värmland: snow-capped mountains rise in the distance while a foaming rapid cuts through a dense spruce forest. Signed “H. Hertzhoff,” the ...

Seki is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

This remarkable 1837 engraving, based on a composition by Benjamin Robert Haydon, depicts the celebrated Reform Banquet held at the Guildhall in London. The event commemorated the po...

Hand-colour sporting plate by James Pollard (1792-1867) Title: Epsom, The Betting Post Published 1836 by Ackermann & Co Print Sz: 14"H x 19 1/2"W Frame Sz: 20"H x 26"W w/ birds...

William Shayer (1787–1879) & Henry Brittan Willis (1810–1884) Pastoral Landscape with Cattle and Sheep, circa 1830 Oil on canvas, Signed and inscribed on the reverse Presented in a h...

Graphite on buff paper 'Hales Abbey, Gloucestershire' initialled, inscribed and dated 1837 bottom left Image size: 8 x 13 1/2 inches (20 x 34.5 cm) 18th Century Hogarth frame and was...

Original Hamburg - Amerika linie, Hamburg America Line vintage travel by ship antique poster. Art Deco time frame vintage poster for traveling by cruise...

Lithograph realized by Raffet in 1838. Signed and dated on plate. Printed by Bertauts, Paris. A fine original lithograph by Auguste Raffet, one of the foremost French lithographers...

This poetic oil on canvas portrait represents a classic example of sentimental romanticism and dates back to the first half of the 19th century. The scene captures a quiet garden cor...

Dionisio MORETTI View of the Grand Canal, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) ...

This elegant circa 1838 engraving presents a formal portrait of Louis‑Philippe I, based on a composition by the renowned portrait painter Franz Xaver Winterhalter. The work reflects ...

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

“Fancy Ball Dress” Andre Leon Larue Mansion, French (1785-1834). Published by W. Spooner 259 Regent St.t. Deposé à Paris. Printed by C. Hullmandel. (Circa 1831) Hand-colored lithogra...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

Over 150 year old engraved map of the world as it was known during the antiquities by cartographer Delamarche from 1838. Original hand color. Shows African, European and Asian cont...

This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...

Dionisio MORETTI Venice, Rialto Bridge, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Ve...

Tinted lithograph with white highlights, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt. Printed at A Ducote's Lithographic Establishmen...