1830s Art

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

Seki is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

Castle Hill is an artwork, realized by the artist Joseph Banks in 1837. Colore etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition by ...

Woodcut print realized by Hokusai in 1834. From the Series "One Hundred Views of Mount Fuji". Good condition and little signs of aging.

Tinted lithograph with white highlights, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt. Printed at A Ducote's Lithographic Establishmen...

Edition original illustrated by J.J. Grandville. Half leather hardback. Golden letters and decorations spine. Very light foxing on few pages. Language: french. Very good conditions.

"Funchal, Madeira Franciscans Convent" Antique Drawing on Paper Watkinson Delicate and detailed drawing of Funchal, Madeira by Hartford, Connecticut artist Edward Watkins Wells (181...

Charge of Hussars Republicans is an original Lithograph realized by Denis Auguste Marie Raffet in 1832. Signature on the lower margin, the artwork represent...

The Crow Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition ...

Penwortham Church is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edit...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

Portrait of Petrarque is an original modern artwork realized by Henri Grevedon in 1834. Original Black and White Lithograph on paper. Printed original by Lemercier, Paris, "Paris chez Aumont,rue JJ Rousseau N°10/ et chez Tessari et Cie du cloître Notre Dame N4". Hand-signed and dated on the lower right corner: H. Revedon 1834. Excellent conditions. Excellent black and white lithograph depicting the portrait of the great Italian author and poet Francesco Petrarca. The figure is in pose and express a great magniloquence and monumentality with a refined and elegant stroke. Henri Grévedon (Paris, 1776 - Paris, 1860). Grévedon studied painting in the Parisian workshop of Jean-Baptiste Regnault, professor of painting at the École des Beaux-Arts in Paris. Henri Grévedon exhibited from 1798 to 1806 and received a second medal in 1790. He was a first class gold medal in 1805 and won the first prize of the torso in 1806. He competed without success for the Prix de Rome in 1805 and 1806. According to Henri Beraldi, he "traveled the world, going to seek success in Russia in 1806 where he became an associate of the Academy of Saint Petersburg. He stayed in Stockholm in 1812, then in London, finally retured to Paris in 1816. Soon he devoted himself completely to lithography, and found there a reputation which would not have come to him with painting". He executed many painted portraits, paintings and miniatures, then he drew directly on the lithographic stone, working in particular for the workshop of Charles Motte during the 1820s. At the Salon of 1824, he won for the second time a gold medal for first class. Among the personalities he represented between 1825 and 1845, there were many actresses and dancers of his time such as the Taglioni, Fanny...

A Gathering by a Lake in the Roman Campagna Oil on canvas: 48 x 65 in. Framed: 58 x 74 in. Circa 1840 Samuel James Ainsley (1820-1874) was a British artist recognized especially fo...

This is an early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat M...

Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...

A stunning portrait of a Parisian beauty from the romantic period by Adele Grasset (active ca 1830-1850). With her intelligent eyes and determined look, doesn't this lady bear great resemblance to Chopin's paramour George Sand? The sitter is Jeanne Marie Vidal, wife of Claude Auguste Seguin, from a prominent family in Avignon, as the family tree attached to the back for the frame indicates. Research in old annals has also revealed that Madame Seguin was a modern and independent lady: she worked in lady's fashion in Paris, and patented wrapping mechanism that protected lady's hats during their transport! As often with woman artists of the 18th and 19th century, there is little biographical information available on the artist, Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

The Battle is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition.

Bonaparte in Jaffa is an etching that belongs to to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837. Author Jacques Norvins published one of the most comprehensive and influential histories on the life and military career of Napoleon, trought the works of the most important engravers of the time. 14x22 cm. Good conditions except for some yellow halos on the margins. The capture of Jaffa on March 7, 1799, and its violent sack by the French army, rapidly worsened due to the outbreak of an epidemic of bubonic plague which decimated the army commanded by Napoleon Bonaparte. On March 11...

La Poursuite is a Lithograph realized by Auguste Raffet in the 1830s. Signed on the plate. Good condition with foxing.

Pencil and watercolor portrait of a person in loose period clothing displaying nervous energy and vibrant demeanor by P.B. Faurnier, 1833. Signed lowe...

Foetus Politiques Morts-Nés is an original lithograph, realized by Charles Joseph Traviès in 1834, plate 441 from Caricature n°211. Includes a wooden frame. In very good conditi...

Les Arabes signalent l'approche de l'armée française is a Lithograph realized by Auguste Raffet in the 1860s. Signed in the plate. Good condition

Army gets position is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Fuite Des Arabes De Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Explosion De La Mine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Explosion De La Mine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Revue is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition

The Board is a Lithograph realized by Auguste Raffet in 1836. 1st edition. Signed in the plate. Good condition

Trait of Humanity of Capitaine Peyronny is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Marche Sur Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition with foxing.

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

A Game of Political Shuttlecock is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower cente...

Map of Italy is an Etching realized in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "AtlasBatt" realize...

Beautiful luminous painting of a bucolic rural scene in sunset by the English artist, Ramsey Richard Reinagle. Circa 1930. Condition is good. Sig...

Jean-Charles GRANDJEAN Active between 1833 and 1857 Oil on canvas 33 x 41 cm (46 x 54 cm with frame) Signed and dated lower right “Grandjean / 1835” Beautiful Restoration period fram...

French stipple engraving portraying a stately emperor figure, circa 1830. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Ar...

Image dimensions: 31.5 x 25 cm. Published on: La Caricature, October 16, 1834 Not Signed. It includes passepartout. Good conditions except some mowings.

Wonderfully preserved hand-colored 1830's lithograph "Ground Squirrel" by Thomas Doughty (American, 1793 - 1856), circa 1830. From "The Cabinet of Natural History and American Rural Sports." Phila: J.&T. Doughty, 1830-32. Sold previously by Bland Gallery, Early 20th century East Side gallery specializing in miniatures. Presented in frame with new acid-free mat under plexiglass. Image size: 7.25"H x 8.75"W. Doughty’s short-lived magazine “The Cabinet of Natural History and American Rural Sports” is an important imprint in the history of American printing. It contained the first colored sporting prints made in America. Issued in monthly parts and published from the end of 1830 until the spring of 1834, “The Cabinet” featured articles on hunting, detailed descriptions of newly discovered flora and fauna, and some of the finest examples of early American hand-colored lithography. It was originally the work of the Doughty brothers, Thomas and John, with virtually all of the plates being the work of Thomas, who also founded the Hudson River School. But, by the spring of 1832, the partnership had broken up and Thomas had moved to Boston. An abbreviated third volume lacked Thomas’ touch. Printed by Childs & Inman, the partnership between Philadelphia engraver and lithographer Cephas G. Childs and New York portrait...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

Richard de QUERELLES Neuviller (Bas-Rhin), 1808 - Paris, 1846 Drawing Pen and ink 17.5 x 19 cm (28 x 37.5 cm with the frame) Signed "R. de Querelles ” and untitled“ Barraque ” Henri...

Shirasuga, Shiomi -zaka zu (View of Shima Slope) is a superb polychrome woodblock print (nishiki-e, ink and colour on paper) by Utagawa Hiroshige (Japanese, 1797-1858). This is the p...

Ney is an original Etching realized by Tony Goutiere in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "A...

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Title at the center of the lower margin. Some visible stains and light abrasions on the margins, an evident rip in the left-margin of center. Interesting colored lithograph which de...

Miya is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

Okitsu-gawa is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite "The Fifty-three Stations of the Tokaido - Okitsu". Very good condition.

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

St. Helena is an etching that belongs  to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837. Author Jacques Norvins published one of the m...

Map of Spain and Portugal is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belong...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Kai Pol E Quah, White Nosed F...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition with some foxing. Hégésippe Moreau (1810-1838) was a French ...

A hand-colored lithograph by Joseph Nash of the Frontespice "The Mansions of England in the Olden Time", 1839-1849, printed by Charles Joseph Hullmandel (Pub. London: T. M'Lean, 1839...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Original oil on canvas signed R.S. to lower right, identifying information to verso Provenance purchased from Kennedy Galleries, NY The Collection of Bruce and Barbara Sullivan, B...