1830s Art

Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...

Dionisio MORETTI View of the Grand Canal, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

'Robert Macaire Dentiste' Lithograph by Honore Daumier after Charles Philipon. 1837. Plate 57 from the Robert Macaire 'Caricaturana' series. Translation of the French text below th...

'Cricket Match' Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter. 340mm by 430mm (sheet)

A stunning portrait of a Parisian beauty from the romantic period by Adele Grasset (active ca 1830-1850). With her intelligent eyes and determined look, doesn't this lady bear great resemblance to Chopin's paramour George Sand? The sitter is Jeanne Marie Vidal, wife of Claude Auguste Seguin, from a prominent family in Avignon, as the family tree attached to the back for the frame indicates. Research in old annals has also revealed that Madame Seguin was a modern and independent lady: she worked in lady's fashion in Paris, and patented wrapping mechanism that protected lady's hats during their transport! As often with woman artists of the 18th and 19th century, there is little biographical information available on the artist, Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

Very good proof belonging to the Charivari Edition. Scattered foxing, otherwise good condition. Customs stamp, penetrating the image. Good margins Ref. Delteil 33

Hand-colour sporting plate by James Pollard (1792-1867) Title: Epsom, The Betting Post Published 1836 by Ackermann & Co Print Sz: 14"H x 19 1/2"W Frame Sz: 20"H x 26"W w/ birds...

The Cat's Paw is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower center). The artwork i...

M M.Pot de Naz is an original lithograph realized by Frenc artist Honoré Daumier in 1832, plate 270 from La Caricature n°130. In good conditions. Included a frame. This lithograp...

French stipple engraving portraying a stately emperor figure, circa 1830. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Ar...

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

Lithograph realized by Raffet in 1838. Signed and dated on plate. Printed by Bertauts, Paris. A fine original lithograph by Auguste Raffet, one of the foremost French lithographers...

Lithograph on wove paper. Signed in the plate. Image dimension: 28.5x21 cm. Moderate foxing around the sheet, mostly in the margins; light edge wear; image area sharp, well-inked,...

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

The Queen's Staircase is an original modern artwork realized in 1836 by the French artist François Alexandre Pernot (1793-1865). Original Lithograph on paper. The sheet is glued on ...

The Crow Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition ...

Lithograph, c. 1830s. Signed in the plate. A finely detailed lithograph by Auguste Raffet, one of the most celebrated French lithographers of military subjects in the 19th century....

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Asagiri is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

Roman Costume is an original etching artwork realized by Bartolomeo Pinelli in 1831. Signed by the artist on the plate, dated lower right. Good conditions. The artwork represents ...

Edition original illustrated by J.J. Grandville. Half leather hardback. Golden letters and decorations spine. Very light foxing on few pages. Language: french. Very good conditions.

This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Ahyouwaighs, Chief of the Six Nat...

This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...

Lithograph on paper, realized by Auguste Raffet in 1833. A masterfully detailed lithograph by the renowned French artist August Raffet, celebrated for his incisive depictions of mil...

Lithograph on paper, realized in 1830s by Auguste Raffet. This historical lithograph by Auguste Raffet captures a stirring moment among French Revolutionary soldiers. A representat...

Oiso, Tora ga ame is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite The Fifty-three Stations of the Tokaido - Oiso. Very good condition.

Actor Arashi Rikan II as Aburaya Yohei - Figurative Woodblock Print on Paper Woodblock print of kabuki actor by Shunbaisai Hokuei (Japanes...

Muff, a favorite Retriever is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colour...

Castle Hill is an artwork, realized by the artist Joseph Banks in 1837. Colore etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition by ...

Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony. Presented in a new off-white mat with foamcore backing. Mat size: 16"H x 20"W Paper size: 9.63"H x 14.5W" Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...

Königliche Porzellan-Manufaktur (KPM), View cup with Berlin veduta of the Altes Museum, circa 1830. Bell-shaped cup with raised handle ending in a shell palmette. The front with gold...

Ce petit bronze très original est l'oeuvre du sculpteur français Christophe Fratin (1801 - 1864). À travers ce petit cochon à la mangeoire, on perçoit le ton humoristique qui caracté...

Dionisio MORETTI Venice, Rialto Bridge, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Ve...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

Okitsu-gawa is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite "The Fifty-three Stations of the Tokaido - Okitsu". Very good condition.

This is an early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat M...

“Fancy Ball Dress” Andre Leon Larue Mansion, French (1785-1834). Published by W. Spooner 259 Regent St.t. Deposé à Paris. Printed by C. Hullmandel. (Circa 1831) Hand-colored lithogra...

Batterie Couverte is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Fuite Des Arabes De Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

A. GUILLAUME (Active in the 1830s) Watercolor on paper 32.5 x 47 cm (60 x 74.5 cm with frame) Signed and dated lower left (on the rock) “A. Guill. / 1838 » Beautiful 19th century fra...

Les Arabes signalent l'approche de l'armée française is a Lithograph realized by Auguste Raffet in the 1860s. Signed in the plate. Good condition

Revue is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition

A Nocturnal Adventure is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower left). The art...

The Battle is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition.

Murat is an original Etching realized by Emile Giroua in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "...

Army gets position is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

The Retreat of Constantine is a Lithograph realized by Auguste Raffet in 1836. Signed on the plate. Good condition with foxing.

Dessins Faits D'Après Nature au Siège de la Citadelle d'Anvers is a Lithograph realized by Auguste Raffet in 1833, as frontispiece of the homonym suite. Signed in the plate. Good c...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

Marche Sur Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition with foxing.

Hull is an engraving on paper realized by W.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Le Mariage de Figaro is an original artwork realized in 1838 by the artist Louis Stanislas Marin-Lavigne. Original black and white lithograph. Printed by Imprimerie de Lemercier, Bernard & Co. in Paris (printed on plate on lower center). The artwork is after an original painting realized by the artist Eugène Deveria...

Napoleon Bonaparte in Toulon is an etching that belongs to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837. Author Jacques Norvins publ...

Miya is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

Bataille de la Moskwa is an Etching realized by Pierre François Tardieu in 1837. It represents one of the most famous battles of Napoleon. Good conditions. The artwork is realized...

Bijinga is an original modern artwork realized by Keisai Eisen in the 1830s. Oban from the series "Keisei dochu Sugoroku, mitate Tokaido gojusan stugi" (...