1830s Art
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Period: 1830s
Batterie Couverte - Lithograph by Auguste Raffet - 1837
Located in Roma, IT
Batterie Couverte is a Lithograph realized by Auguste Raffet in 1837.
Signed in the plate.
Good condition
Category
Modern 1830s Art
Materials
Lithograph
Les Arabes Signalent l'Approche de l'Armée - Lithograph by Auguste Raffet - 1837
Located in Roma, IT
Les Arabes signalent l'approche de l'armée française is a Lithograph realized by Auguste Raffet in the 1860s.
Signed in the plate.
Good condition
Category
Modern 1830s Art
Materials
Lithograph
Conrad Martens, Charles Darwin in the Beagle’s Tender, Patagonia, Argentina wc
Located in Rancho Santa Fe, CA
PROVENANCE: Christie’s South Kensington, England, June 10, 1986; Maynards Auction, Vancouver, Canada, December 6, 1994.
This 19th cent wc depicts Charles Darwin in the Beagle’s Tender, Coastal Patagonia, Argentina.
The son of an English mother and the Austrian Consul General in London, Conrad Martens pursued a career in painting following his father’s death in 1816. From the age of sixteen he studied under landscape watercolourist Copley Fielding, absorbing the traditions of the English watercolour school and Joshua Reynolds’ theories on painting. In 1833 Martens joined the HMS Beagle on a scientific survey expedition at Montevideo, South America, as ship’s artist, replacing the ailing Augustus Earle. He befriended the ship’s naturalist, Charles Darwin, whose empirical observation of landscape forms and climatic conditions would influence Martens’ practice.
Martens left the Beagle in Valparaiso in 1834 and travelled to Australia via New Zealand and Tahiti, settling in Sydney in 1835 and setting up a studio in Pitt Street. Patronised by the colonial elite, he fulfilled many commissions for watercolours of the local landscape and Sydney Harbour, including Elizabeth Bay c1838, which features the grand neoclassical edifice of Elizabeth Bay House, built for the former colonial secretary...
Category
Romantic 1830s Art
Materials
Watercolor, Board
French school 19th romantic Historical scene Duke GUISE DURANTI Oil Sketch
Located in PARIS, FR
19th century French school Oil on canvas 33 x 41 cm (53 x 45 cm with the frame) Original canvas with the stamp of the merchant "Vallé & Bourniche / Successeurs de Bellot" active in P...
Category
Romantic 1830s Art
Materials
Oil
Dessins Faits D'Après Nature au Siège... - Lithograph by Auguste Raffet - 1833
Located in Roma, IT
Dessins Faits D'Après Nature au Siège de la Citadelle d'Anvers is a Lithograph realized by Auguste Raffet in 1833, as frontispiece of the homonym suite.
Signed in the plate.
Good c...
Category
Modern 1830s Art
Materials
Lithograph
The Retreat of Constantine - Lithograph by Auguste Raffet - 1836
Located in Roma, IT
The Retreat of Constantine is a Lithograph realized by Auguste Raffet in 1836.
Signed on the plate.
Good condition with foxing.
Category
Modern 1830s Art
Materials
Ink, Pencil
The Board - Lithograph by Auguste Raffet - 1836
Located in Roma, IT
The Board is a Lithograph realized by Auguste Raffet in 1836.
1st edition.
Signed in the plate.
Good condition
Category
Modern 1830s Art
Materials
Lithograph
Marche Sur Constantine - Lithograph by Auguste Raffet - 1837
Located in Roma, IT
Marche Sur Constantine is a Lithograph realized by Auguste Raffet in 1837.
Signed on the plate.
Good condition with foxing.
Category
Modern 1830s Art
Materials
Lithograph
Trait of Humanity of Capitaine Peyronny - Lithograph by Auguste Raffet - 1837
Located in Roma, IT
Trait of Humanity of Capitaine Peyronny is a Lithograph realized by Auguste Raffet in 1837.
Signed in the plate.
Good condition with foxing.
Category
Modern 1830s Art
Materials
Lithograph
St. Helena - Etching - 1837
Located in Roma, IT
St. Helena is an etching that belongs to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837.
Author Jacques Norvins published one of the m...
Category
Surrealist 1830s Art
Materials
Etching
The Board - Lithograph by Auguste Raffet - 1836
Located in Roma, IT
The Board is a Lithograph realized by Auguste Raffet in 1836.
Beautiful proof on chine appliqué.
Signed in the plate.
Good condition
Category
Modern 1830s Art
Materials
Ink, Pencil
Salisbury Cathedral from the Meadows - Etching by David Lucas - 1835
By David Lucas
Located in Roma, IT
Mezzotint with etching, stipple, and roulette work on woven paper.
Good conditions.
Category
Contemporary 1830s Art
Materials
Etching
Oiso, Tora ga ame - Woodcut by Utagawa Hiroshige - 1832
Located in Roma, IT
Oiso, Tora ga ame is a woodcut print realized by Utagawa Hiroshige in 1832.
It is part of the suite The Fifty-three Stations of the Tokaido - Oiso.
Very good condition.
Category
Modern 1830s Art
Materials
Woodcut
Okitsu-gawa - Woodcut by Utagawa Hiroshige - 1832
Located in Roma, IT
Okitsu-gawa is a woodcut print realized by Utagawa Hiroshige in 1832.
It is part of the suite "The Fifty-three Stations of the Tokaido - Okitsu".
Very good condition.
Category
Modern 1830s Art
Materials
Woodcut
Seki - Woodcut by Utagawa Hiroshige - 1833
Located in Roma, IT
Seki is a woodcut print realized by Utagawa Hiroshige in 1833.
It is part of the suite "The Fifty-three Stations of Tokaido".
Very good condition.
Category
Modern 1830s Art
Materials
Woodcut
HUDIBRAS with the Lawyer
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...
Category
1830s Art
Materials
Engraving
Hiroshige Utagawa Night Rain at Karasaki, from the series Eight Views of Ômi
Located in Torino, IT
HIROSHIGE UTAGAWA I, Edo 1797 - 1858
Night Rain at Karasaki (Karasaki yau), from the series Eight Views of Ômi (Ômi hakkei)
Nishiki-e. Color woodcut, signed in plate: Hiroshige ga
Se...
Category
Old Masters 1830s Art
Materials
Woodcut
19th Century Oil on Canvas French Painting Genre Scene with Wedding, 1830
Located in Vicoforte, IT
Antique French painting from the first half of the 19th century. Oil on canvas artwork depicting an interior scene with characters, The Marriage Contract, of good pictorial quality. ...
Category
1830s Art
Materials
Canvas, Oil
Map of Battle of Waterloo - Etching by Pierre François Tardieu - 1837
Located in Roma, IT
Map of Battle of Waterloo is an Etching realized by Pierre François Tardieu in 1837.
Good conditions.
The artwork is realized in a well-balanced composition. the artwork and belong...
Category
Modern 1830s Art
Materials
Etching
Le Vieux Garçon - Lithograph by Honoré Daumier - 1833
Located in Roma, IT
Very good proof belonging to the Charivari Edition.
Scattered foxing, otherwise good condition.
Customs stamp.
Good margins
Ref. Delteil 42
Category
Modern 1830s Art
Materials
Lithograph
Lunar Discovery - Lithograph by Gaetano Dura -- 1836
By Gaetano Dura
Located in Roma, IT
Lunar discovery is a lithograph made by Gaetano Dura.
Title on the lower center. Published by Lithography Fergola, Naples (printed on lower center). On lower right is printed: Museo...
Category
Modern 1830s Art
Materials
Lithograph
Napoleon Visiting the Battlefield of Eylau - Etching by Gros Pina - 1837
Located in Roma, IT
Napoleon visiting the Battlefield of Eylau is an Etching realized by Gros Pina in 1837.
Good conditions.
The artwork is realized in a well-balanced composition. the artwork and bel...
Category
Modern 1830s Art
Materials
Etching
Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category
English School 1830s Art
Materials
Oil, Handmade Paper, Aquatint
1830's Hand-colored Lithograph of a Ground Squirrel
By Thomas Doughty
Located in Soquel, CA
Wonderfully preserved hand-colored 1830's lithograph "Ground Squirrel" by Thomas Doughty (American, 1793 - 1856), circa 1830. From "The Cabinet of Natural History and American Rural Sports." Phila: J.&T. Doughty, 1830-32. Sold previously by Bland Gallery, Early 20th century East Side gallery specializing in miniatures. Presented in frame with new acid-free mat under plexiglass. Image size: 7.25"H x 8.75"W.
Doughty’s short-lived magazine “The Cabinet of Natural History and American Rural Sports” is an important imprint in the history of American printing. It contained the first colored sporting prints made in America. Issued in monthly parts and published from the end of 1830 until the spring of 1834, “The Cabinet” featured articles on hunting, detailed descriptions of newly discovered flora and fauna, and some of the finest examples of early American hand-colored lithography. It was originally the work of the Doughty brothers, Thomas and John, with virtually all of the plates being the work of Thomas, who also founded the Hudson River School. But, by the spring of 1832, the partnership had broken up and Thomas had moved to Boston. An abbreviated third volume lacked Thomas’ touch.
Printed by Childs & Inman, the partnership between Philadelphia engraver and lithographer Cephas G. Childs and New York portrait...
Category
Realist 1830s Art
Materials
Paper, Ink
Byloke, Ghent; From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen...
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...
Category
English School 1830s Art
Materials
Oil, Handmade Paper, Aquatint
The Weighing House
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...
Category
1830s Art
Materials
Engraving
Military Drawing 19th Ink on paper Souvenir barrack officers 1830 July Monarchy
By Richard de Querelle
Located in PARIS, FR
Richard de QUERELLES Neuviller (Bas-Rhin), 1808 - Paris, 1846
Drawing Pen and ink 17.5 x 19 cm (28 x 37.5 cm with the frame) Signed "R. de Querelles ” and untitled“ Barraque ”
Henri...
Category
French School 1830s Art
Materials
Ink
French 19th Century Romantic Period 1830s Parisian Lady Portrait Madame Seguin
Located in Norwich, GB
A stunning portrait of a Parisian beauty from the romantic period by Adele Grasset (active ca 1830-1850). With her intelligent eyes and determined look, doesn't this lady bear great resemblance to Chopin's paramour George Sand?
The sitter is Jeanne Marie Vidal, wife of Claude Auguste Seguin, from a prominent family in Avignon, as the family tree attached to the back for the frame indicates. Research in old annals has also revealed that Madame Seguin was a modern and independent lady: she worked in lady's fashion in Paris, and patented wrapping mechanism that protected lady's hats during their transport!
As often with woman artists of the 18th and 19th century, there is little biographical information available on the artist, Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...
Category
Academic 1830s Art
Materials
Paper, Charcoal
Costume of Napoli - Ink and Watercolor by Michela De Vito - 1830s
Located in Roma, IT
Costume of Napoli is an original Ink and Watercolour drawing on ivory-colored stuck on paper, 1830 c.a.
Signed. Image Dimensions: 24.5 x 15 cm.
The original title is written at the...
Category
Old Masters 1830s Art
Materials
Watercolor, Ink
Fujikawa - Woodcut by Utagawa Kunisada - 1832
Located in Roma, IT
Fujikawa is a woodcut print realized by Utagawa Hiroshige in 1833.
It is part of the suite "The Fifty-three Stations of Tokaido".
Very good condition.
Category
Modern 1830s Art
Materials
Woodcut
Industry and Idleness Plate 7: The Idle 'Prentice Returned From Sea
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...
Category
1830s Art
Materials
Engraving
Views of Rome - Collections of Views of Rome by Bartolomeo Pinelli - 1834
Located in Roma, IT
Views in Rome, drawn and engraved by Bartolomeo Pinelli, of Rome, London, W.B. Cooke, 1834.
In-8° (cm 24x17). Unumered pages with 27 b/w plates out of the text, etchings on copper with tissue paper. Polished speciment, with diffused foxing on margins. Brown Canvas Binding Cover with title marked in gold on wedge in the spine.
Spine ligtly damaged in lower margin. Cover with the Castle Saint Angel...
Category
1830s Art
Materials
Etching
Ahyouwaighs, Chief of Six Nations: Hand-colored McKenney Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Ahyouwaighs, Chief of the Six Nat...
Category
Naturalistic 1830s Art
Materials
Engraving
Jules Boilly (1796-1874) Portrait of a young man, drawing signed and dated
Located in Paris, FR
Jules Boilly (1796-1874)
Portrait of a young man, in uniform,
signed and dated 1837 on the lower left
charcoal and heightenings of blue, red and white chalk on paper
27.5 x 21.5 cm
Framed : 41.8 x 36 cm
This drawing is a good illustration of Jules Boilly's own style, obviously very different from his father's realistic acuity. There is something softer, more velvety, lighter, and we can see it clearly in the way he renders the features of this young man.
Julien-Léopold Boilly (30 August 1796 – 14 June 1874), also known as Jules Boilly, was a French artist noted for his album of lithographs Iconographie de l'Institut Royal de France (1820–1821) and his booklet Album de 73 portraits-charge aquarellés des membres de l'Institut (1820) containing watercolor caricatures...
Category
Romantic 1830s Art
Materials
Charcoal
Le Misantrope - Lithograph by Honoré Daumier - 1833
Located in Roma, IT
Very good proof belonging to the Charivari Edition.
Scattered foxing, otherwise good condition.
Customs stamp, penetrating the image.
Good margins
Ref. Delteil 33
Category
Modern 1830s Art
Materials
Lithograph
Le Predicateur - Lithograph by Honoré Daumier - 1833
Located in Roma, IT
Very good proof belonging to the Charivari Edition.
Scattered foxing, otherwise good condition.
Customs stamp.
Good margins.
Ref. Delteil 41.
Category
Modern 1830s Art
Materials
Lithograph
The Caricature - Lithograph by Pierre Michel Delaporte - 1832
Located in Roma, IT
The Caricature is an Original Lithograph realized by Pierre Michel Delaporte in 1832.
The artwork is window board. Allusion to the attacks against the opposition press early 1832. The title marks the sentence of Louise Philippe "Le cachot sera desormais un verite". Journal n. 70.
Good condition included a white cardboard passpartout (49x32.5 cm).
Signature stamped on the lower left corner.
Pierre Michel Delaporte (5 September 1806 – 30 September 1872) was a 19th-century French playwright, painter, lithographer and political caricaturist. He also created numerous lithographies, illustrations and prints which were published in many newspapers and magazines, such as La Caricature (1830–1843) or Le Figaro.
Category
Modern 1830s Art
Materials
Lithograph
“ Toll House on Back Bay Bridge, Boston, 1836”
Located in Warren, NJ
Original oil on canvas
signed R.S. to lower right, identifying information to verso
Provenance
purchased from Kennedy Galleries, NY
The Collection of Bruce and Barbara Sullivan, B...
Category
1830s Art
Materials
Oil
Industry and Idleness Plate 2: The Industrious 'Prentice Performing: Duty
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses.
A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame
Edward Smith (fl. 1823-49)
The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...
Category
1830s Art
Materials
Engraving
DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint
By John Martin
Located in Santa Monica, CA
JOHN MARTIN (1789 – 1854)
DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...
Category
Old Masters 1830s Art
Materials
Mezzotint
An Emblematical Print on the South Sea Bubble
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...
Category
1830s Art
Materials
Engraving
Self Portrait of William Hogarth - Engraving 1861
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...
Category
1830s Art
Materials
Engraving
Whoever Makes A Design Without the knowledge of Perspective
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...
Category
1830s Art
Materials
Engraving
Asagiri - Woodcut by Utagawa Hiroshige - 1832
Located in Roma, IT
Asagiri is a woodcut print realized by Utagawa Hiroshige in 1832.
It is part of the suite "The Fifty-three Stations of Tokaido".
Very good condition.
Category
Modern 1830s Art
Materials
Woodcut
Vous avez la parole, expliquez-vous, vous etes libre - 1830s - Honoré Daumier
Located in Roma, IT
Not signed. Proof on china paper, for a limited edition of 37 prints. From the satyric newspaper "La Caricature", n.236, May 14th 1835. Cat. Prouté 1974, n.178.
Category
Modern 1830s Art
Materials
Lithograph
Miya - Woodcut by Utagawa Hiroshige - 1833
Located in Roma, IT
Miya is a woodcut print realized by Utagawa Hiroshige in 1833.
It is part of the suite "The Fifty-three Stations of Tokaido".
Very good condition.
Category
Modern 1830s Art
Materials
Woodcut
Industry and Idleness Plate 1: The Fellow 'Prentices at their Looms
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses.
A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame
Edward Smith (fl. 1823-49)
The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...
Category
1830s Art
Materials
Engraving
At Smithfield Market, tinted lithograph of cattle, by Thomas Sydney Cooper, 1837
Located in Melbourne, Victoria
'At Smithfield Market'
Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....
Category
Victorian 1830s Art
Materials
Lithograph
3 Characters 4 Caricaturas
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...
Category
1830s Art
Materials
Engraving
Industry and Idleness Plate 3: The Idle 'Prentice at Play In The Church Yard
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses.
A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame
Edward Smith (fl. 1823-49)
The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...
Category
1830s Art
Materials
Engraving
Painting French school romantic italian bandit 1820 1830 JOLLIVET 19th
Located in PARIS, FR
French school of the 19th century (In the 1820s/1830s) Oil on canvas 46 x 38 cm (61 x 53 cm with frame) Unsigned
Stamp from the collection of the merchant Jules Nicolas Moyon
Beauti...
Category
Romantic 1830s Art
Materials
Oil
Cricket Match, Victorian English sporting lithograph, circa 1850
Located in Melbourne, Victoria
'Cricket Match'
Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter.
340mm by 430mm (sheet)
Category
Victorian 1830s Art
Materials
Lithograph
Voyage de Gulliver - Vol. I - Rare Book Illustrated by J.J. Grandville - 1838
Located in Roma, IT
Edition original illustrated by J.J. Grandville. Half leather hardback. Golden letters and decorations spine. Very light foxing on few pages. Language: french. Very good conditions.
Category
Modern 1830s Art
Materials
Paper
De la Vitesse - Rare Book Illustrated by Paul Morand - 1929
Located in Roma, IT
Edition of 2100 copies. Copy on Velin Blanc paper. Binding unglued. Language: French. Perfect conditions inside. Uncut.
Category
Expressionist 1830s Art
Materials
Paper
View Of A City, Animated Landscape by Jean Victor Bertin
Located in Paris, FR
"View of a city, animated landscape" attributed to Jean Victor Bertin.
Oil on panel VB monogrammed, Circa 1830
Within its original giltwood frame from the same period.
Dimensions without frame Height: 56 cm / 22 inches Width: 90 cm / 35.4 inches
Dimensions with frame Height: 76cm / 30.7 inches Width: 108 cm / 42.5 inches
Depth: 8 cm / 3.14 inches
Certificate of authenticity
Jean-Victor Bertin (1767-1842) was a French landscape painter of the neoclassical school.
Considered as one of the masters of the historical landscape's school, he painted an abundant production influenced by Italy.
Therefore, he is one of the most talented representatives of the landscape "adjusted" Italianate character and elegiac.
He played the role of intermediate between the historical landscape and the romantic movement.
His paintings are found in many museums : Beziers, Fontainebleau, Dijon, Honfleur, Rennes, Versailles, Angers, Autun, Carpentras, Cherbourg, Coutances, Evreux, La Fere, Lille, Quimper, Nantes, Reims, Rouen, Toulouse.
Bibliography:
Dictionary French landscape painters of the nineteenth century, Lydia Harambourg.
Dictionary of the Little Masters...
Category
1830s Art
Materials
Oil, Wood Panel
On the Stour, tinted lithograph of cattle, by Thomas Sydney Cooper, 1837
Located in Melbourne, Victoria
'At Smithfield Market'
Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....
Category
Victorian 1830s Art
Materials
Lithograph
Bonaparte in Jaffa - Etching by Antonie Jean Gros - 1837
Located in Roma, IT
Bonaparte in Jaffa is an etching that belongs to to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837.
Author Jacques Norvins published one of the most comprehensive and influential histories on the life and military career of Napoleon, trought the works of the most important engravers of the time.
14x22 cm.
Good conditions except for some yellow halos on the margins.
The capture of Jaffa on March 7, 1799, and its violent sack by the French army, rapidly worsened due to the outbreak of an epidemic of bubonic plague which decimated the army commanded by Napoleon Bonaparte.
On March 11...
Category
Modern 1830s Art
Materials
Etching
French Engraving Emperor
Located in Houston, TX
French stipple engraving portraying a stately emperor figure, circa 1830.
Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Ar...
Category
1830s Art
Materials
Paper, Ink, Engraving
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