1830s Art

Miya is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

This powerful nineteenth-century engraving after Horace Vernet depicts a dramatic episode from the First Campaign of Constantine, one of the major military expeditions of France’s co...

This refined 1838 engraving after Alfred Edward Chalon presents an official full-length portrait of the young Queen Victoria, created at the very beginning of her reign. Conceived as...

Etching realized by Gaetano Cottafavi in 1835. Not signed, as issued. Very good condition.

Oiso, Tora ga ame is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite The Fifty-three Stations of the Tokaido - Oiso. Very good condition.

Aberdeen is an Etching on paper realized by S. Bradshaw in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Etching realized by Jean-Baptiste Réviller after a drawing by Martinet. Printed in 1838. Very good condition.

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Kai Pol E Quah, White Nosed F...

Original oil on canvas signed R.S. to lower right, identifying information to verso Provenance purchased from Kennedy Galleries, NY The Collection of Bruce and Barbara Sullivan, B...

A Joseph Nash, ca. 1839-49, hand-colored lithograph on paper, Chapel, Haddon Hall, Derbyshire, plate 25 in the disbound book “The Mansions of England in the Olden Time”, first series...

'Cricket Match' Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter. 340mm by 430mm (sheet)

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...

Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...

Oriental Woman is an original print realized around 1830 by Utagawa Kunisada. Beautiful colored woodblock print. Good conditions except for some folds...

This is an early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat M...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

Costume of Ischia is an original Watercolor drawing on ivory-colored stuck on paper, 1830 c.a. Not-signed. Good Conditions. Image Dimensions: 18.5 x 14 cm. The artwork represent...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

Map of Battle of Rivoli is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs ...

Over 150 year old engraved map of the world as it was known during the antiquities by cartographer Delamarche from 1838. Original hand color. Shows African, European and Asian cont...

French stipple engraving portraying a stately emperor figure, circa 1830. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Ar...

Katsushika Hokusai (Japanese, 1760–1849) Poem by Bunya no Asayasu (Fumiya no Asayasu), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 「百人一首うはか...

Hull is an engraving on paper realized by W.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

A. GUILLAUME (Active in the 1830s) Watercolor on paper 32.5 x 47 cm (60 x 74.5 cm with frame) Signed and dated lower left (on the rock) “A. Guill. / 1838 » Beautiful 19th century fra...

Fuite Des Arabes De Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Bonaparte in Toulon is an Etching realized by H.Bellange in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suit...

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

Very good proof belonging to the Charivari Edition. Scattered foxing, otherwise good condition. Customs stamp. Good margins Ref. Delteil 42

The Old Sporting School is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed on plate . Beautiful engraving with contemporary colouring. E...

A period Joseph Nash ca. 1839-49 hand-colored lithograph Porch and Corridor, Ockwells, Berks. from "The Mansions of England in the Olden Time". Printed by Charles Joseph Hullmandel ...

Humming Birds & Co. is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1835. Published by Mc Lean, London. Original First Edition. Format: oblong 4°. The book includes Eleven hand colored Etchings. Mint conditions. Humming birds & Co. is an original modern rare book engraved by George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz (1836), The Mudfog Papers (1837–38) and Oliver Twist...

Artist: John James Audubon (American, 1785-1851) Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81) Portfolio: The Birds of America, Havell Edition Year: 1838 Medium: Original Ha...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Original Hamburg - Amerika linie, Hamburg America Line vintage travel by ship antique poster. Art Deco time frame vintage poster for traveling by cruise...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

The Crow Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition ...

Paris Landscape, Title Page" Eaus Fortes" is an original etching artwork on paper realized in 1838 by Eugène Bléry (1805-1887). Signed on the plate lower center of the image. The State of preservation is very good except for diffused foxing along the white margin which does not affect the image. The artwork represents in an oval frame the landscape. The artwork is depicted skillfully through confident and precise strokes with harmonious composition.Eugène Stanislas Alexandre Bléry (Fontainebleau, March 3, 1805 - Paris, June 10, 1887) was a French engraver and draftsman.He also made large collections of etchings, such as Forests and landscapes and the surroundings of Fontainebleau, starting from his drawings or from works by Dutch authors such as Meindert Hobbema and Jacob van Ruisdael.

Castle Hill is an artwork, realized by the artist Joseph Banks in 1837. Colore etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition by ...

Marche Sur Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Blashaw Dam is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed on plate . Beautiful engraving with contemporary colouring. Edition by  R...

Oiso Station in the Rain is an original modern artwork realized by Utagawa Hiroshige (1797 – 12 October 1858) in 1833-1834. Original Woodcut print Oban yokoe, lifetime impression. ...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Nah-Et-Luc-Hopie", created by...

Bijinga is an original artwork realized in 1833-1835 by Utagawa Kunisada (1786-1865). Chuban. From the series "Tokaido gojusan tsugi no uchi" (The 53 Tokaido Stations). Courtesan i...

The Battle is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition.

Les Arabes signalent l'approche de l'armée française is a Lithograph realized by Auguste Raffet in the 1860s. Signed in the plate. Good condition

Batterie Couverte is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Prise De Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Napoleonic Battle is an Etching realized by Horace Vernet in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite sui...

Japanese Woman is a beautiful print realized around 1830 by Utagawa Kunisada. Original colored woodblock print. This wonderful modern artwork represents a portrait of a Japan woman...

The Incurables is an Original Lithograph realized by Auguste Raffet in 1836. Hand-Signed by the artist on the lower right corner. Fair conditions on a cream colored cardboard: sign...

Kabuki actor is a superb colored woodblock print realized around 1830 by one of the most famous Japanese Ukiyo-e artists Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - ...

Dionisio MORETTI Venice, Rialto Bridge, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Ve...

Cat's Tail is an original modern rare book engraved by George Cruikshank (London, 1792 - London, 1878) and written by Caroline Anne Southey (1786–1854) in 1831. Published by T. Cadell, London. Original First Edition. Format: in 12°. The book includes 32 pages with an original brochure and three Etchings. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

A Game of Political Shuttlecock is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower cente...

Bataille de la Moskwa is an Etching realized by Pierre François Tardieu in 1837. It represents one of the most famous battles of Napoleon. Good conditions. The artwork is realized...

Dionisio MORETTI Venice, Santa Chiara Island, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inc...

Napoleon is an Etching realized by P.Bellange in 1837 by Pierre-François Tardieu. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs t...