1830s Art

Petits Contes à ma Sœur is Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesen't affect the image. Hé...

Petits Contes à ma Sœur is Lithograph on paperrealized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition . Hégésippe Moreau (1810-1838) was a French lyric poe...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric po...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Honore Daumier (1808-1879), Les Grandes Celebrites de la France, lithograph, 1939, plate 2 from the series Les Saltimbanques, from La Caricature Provisoire (also published later in Le Charivari, 1843). Reference: Daumier Register 620, second state (of 5). With lettering, and the initials (in the plate lower left). Printed on a wove paper. In good condition (formerly folded across the middle, now flattened) , 11 1/2 x 8 7/8, the sheet 13 1/8 x 10 inches. A very good impression. An impression of Les Grande Celebrites de la France was shown in the Metropolitan Museum's show Seurat's Circus Sideshow...

Assaut is a lithograph realized by Auguste Raffet (1804-1860). Good condition included a cream colored cardboard passpartout (36x53 cm). Titled, Dated on plate on the lower margin,...

Woman Dreaming On The Water is an original drawing in pencil and watercolor on cardboard realized by Achille Devezie (1802--1857) in the 1830s. In good conditions. The artwork is d...

The Confrères is an Original Lithograph realized in 1830 by Nicolas Toussaint Charlet (1792-1845). Signed on the plate. Titled on the lower. With t...

The Beautiful singeris an original Lithograph realized by Denis Auguste Marie Raffet in 1832. Signed and dated on the lower left corner. Good condition, included a white cardboard ...

The Artist is an original Lithograph realized by Denis Auguste Marie Raffet in 1836. Signature on the lower margin, the artwork represents a gentleman with an artist. Good conditio...

What Are You Complaining About? is an original Lithograph realized by Denis Auguste Marie Raffet in 1836. Signature in plate on the lower margin, the artwork represents a military t...

Honore Daumier (1808-79),La fortune fait oublier les amis,lithograph, plate 31 from the series Caricaturana, published in Le Charivari in 1837; later in Alb...

The fight scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Jos...

The affection from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef...

The Saint from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

The Murder scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Jo...

The Playing lover scene from" "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also kno...

The refuse scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

The amour scene from" "The Life and Death of Saint Genoveva"is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

Terminally ill from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

Costume Party is an original drawing in pencil on ivory-colored paper realized by a French anonymous artist in 1836. Includs a white passepartout: 49 x 34 cm. Hand-signed at the bo...

Jean-François Joseph LECOINTE Paris 1783 - Versailles 1858 The Temple of Vesta at Tivoli, near Rome Watercolor and brown ink Signed and dated "Lecointe 1833" lower left 56 x 44 cm s...

Ex Libris Alapit is an original woodcut realized in 1838. Original B/W woodcut on ivory-colored paper. Dated on plate on the lower margin: 1838. The work is glued on cardboard. To...

The Adventures of Peregrine Pickle is an original modern rare book written by Tobias George Smollett (Cardross, 1721 – Livorno, 1771) and illustrated by George Cruikshank (London, 1792 - London, 1878) in 1831. Published by J.Cochrane and Co./ J.Andrews, London. Original First Edition. Format: in 12°. The book includes Two Volumes (304 + 340 pages with Eight full page Etchings). Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Comic Poems ("Seven illustrated books in one volume") is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1829/1830. Published by Johnston, London. Original First Edition. Seven books bound in one volume (Tom Thumb, The real Devil’s Walk, Monsieur Tonson, The March of intellect, The Devil’s Walk, Steamers v. Stages and The Epping Hunt). Format: in 12°. The book includes Fortyfive etchings and woodcuts. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Barouche is an original watercolor drawing on ivory-colored stuck on paper, realized in 1830 c.a. Good conditions except for the trace of glue at the four angles. The artwork repre...

The History of Amelia is an original modern rare book engraved by George Cruikshank (London, 1792 – London, 1878) and written by Henry Fielding in 1832. Published by James Cochrane ...

Costume of Bisaccia, from the province of Montefusco is an original drawing in watercolor on paper realized in 1830 ca. by an anonymous artist of the XIX century, it represents a fol...

Landscape is an original drawing in ink on paper applied on cardboard realized by an Anonymous artist of the XX century. The State of preservation is very good with some stain alon...

Guido et Ginevra is a lithograph, realized by C. Deshays in 1838, titled below in the center, from"album de L'opera N.14", from lyrical artwork series. The state of preservation of ...

A Victim of the Old System is an original hand-colored lithograph, realized by Henry Monnier in 1834, plate 1 from La Caricature n°145. Included a fram...

L’échénillement et les Sémailles is an original lithograph, realized by Jean-Jacques Grandville in 1833. Included a frame. In very good conditions. Jean Ignace Isidore Gérard (1803-1847) known by the pseudonym of Jean-Jacques or J. J. Grandville, was a French caricaturist. Grandville's ability for political provocation made his work with great impact. He worked in a wide variety of formats, from his first job illustrating the parlor game...

L’artillerie du Diable is an original lithograph, realized by Jean-Jacques Grandville in 1834, plate 371 from La Caricature n°176. Included a frame. In very good conditions. Jean Ignace Isidore Gérard (1803-1847) known by the pseudonym of Jean-Jacques or J. J. Grandville, was a French caricaturist. Grandville's ability for political provocation made his work with great impact. He worked in a wide variety of formats, from his first job illustrating the parlor game...

Pauvre France is an original litograph, realized by Jean-Jacques Grandville in 1831, plate 164 from La Caricature n°82. Included a frame. In very good conditions. Here the artwork...

Quand le Diable devient vieux il se fai hermite is an original lithograph realized by French artist Honoré Daumier in 1835, plate 476 from La Caricature n°229. Good inking and good ...

L’îvrogne is an original lithograph realized by French artist Honoré Daumier in 1834, plate from Charivari. In good conditions. Included a frame. This lithograph is Representing, a gloomy man, with a desperate and serious look, beside him there is a hat on the ground and in his background, there are a couple hugging each other on the left and a lonely man...

La Jument du Prince et le chien de la Princesse is an original lithograph realized by Frenc artist Honoré Daumier in 1832, plate 424 from La Caricature n°203...

Antoine-Baptiste PETIT Paris, 1800 – Versailles, 1864 Watercolor 18 x 27 cm Antoine-Baptiste Petit was a decorative painter and teacher of perspective. He produced views of Paris in...

Image dimensions: 31.5 x 25 cm. Published on: La Caricature, October 16, 1834 Not Signed. It includes passepartout. Good conditions except some mowings.

Amusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 10, from the series Souvenirs Grotesque...

The original artwork Ponte Mammea oggi Ponte Mammolo is an etching on copper, drawn and engraved by the artist Antonio Acquaroni (signed Aquaroni), for the print series Ponti antichi...

Au Bord d'une Rivière is an original artwork realized by Alexandre Decamps in 1831. Original lithograph on paper. Very good conditions. Original artwork representing a river with ...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

Title at the center of the lower margin. Some visible stains and light abrasions on the margins, an evident rip in the left-margin of center. Interesting colored lithograph which de...

Königliche Porzellan-Manufaktur (KPM), View cup with Berlin veduta of the Altes Museum, circa 1830. Bell-shaped cup with raised handle ending in a shell palmette. The front with gold...

A nicely detailed American School oil on canvas portrait of a New England manufacturer banker sitting at a desk signing bank notes with a mill in the background, unsigned, and housed...

Classic coaching colour plate painted by James Pollard (1792-1867) titled 'The Bedford Times' 'Changing of Horses at the Old White Lion 1830' Print Sz: 11 1/4"H x 16 1/2"W Frame Sz...

MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...

Charming oil on canvas by the painter Dubuisson (1805–1870), depicting a lively pastoral scene with figures and horses in the foreground, and a winding path leading to two ancient to...

Louis-Nicolas CABAT Paris 1802 - 1893 Paris Tuscan Landscape, Civita la Vigna Watercolour on pape r Signed and dated "L Cabat 1837" and located "Civita La Vigna" 23 x 32.5 cm sheet ...

WILLIAM JAMES MÜLLER British, 1812 - 1845 NEAPOLITAN COAST signed "W. J. Muller" (lower right) oil on canvas 23-5/8 x 35-3/4 inches (60 x 91 cm.) ...

To see our other views of Eton College, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Dr William Crotch (1775-1847) Eton College Chapel 13x20cm Pencil and colour wash Extensively inscribed to reverse Dated 10.20am August 1 1832 Provenance: Spink, King Street, London Composer and organist (a child prodigy, playing the organ of the Chapel Royal at the age of three-and-a-half) Crotch is most famous for probably beint the composter of the Westminster Chimes - struck by Big Ben inter alia. In 1797 he became Heatehr Professor of Music at Oxford University, becoming DMus in 1799. John Malchair, the musician and artist, became a friend whilst he was in Oxford, and so with his guidance Crotch took up sketching. He also took Malchair's habit of recording the date and time of his picture passing this habit to John Constable upon meeting him in London in 1805. He became first Principal of the Royal Academy of Music...

RANDOLPH SCHWABE, RWS, NEAC (1885-1948) Giant’s Head Farm, Cerne Abbas Signed with initials, inscribed Giant’s Head Farm, Cerne Abbas and dated 193...

Attributed to Pancrace BESSA (1772-1846) Fruits on a marble entablature Watercolor and graphite on paper H. 31 cm; W. 37 cm