1830s Art

Petits Contes à ma Sœur is a lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poe...

Petits Contes à ma Sœur is a lithographon paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet...

Petits Contes à ma Sœur is a lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poe...

Petits Contes à ma Sœur is a lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poe...

Petits Contes à ma Sœur is a lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poe...

Petits Contes à ma Sœur is Lithograph on paperrealized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition . Hégésippe Moreau (1810-1838) was a French lyric poe...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric po...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric po...

Petits Contes à ma Sœur is Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesen't affect the image. Hé...

Les Jeans-Jeans is a Lithograph realized by Auguste Raffet (1804-1860). Good condition on a yellowed paper. Hand signed by the artist on the lower right corner. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...

Woman Dreaming On The Water is an original drawing in pencil and watercolor on cardboard realized by Achille Devezie (1802--1857) in the 1830s. In good conditions. The artwork is d...

The Confrères is an Original Lithograph realized in 1830 by Nicolas Toussaint Charlet (1792-1845). Signed on the plate. Titled on the lower. With t...

The Beautiful singeris an original Lithograph realized by Denis Auguste Marie Raffet in 1832. Signed and dated on the lower left corner. Good condition, included a white cardboard ...

The Artist is an original Lithograph realized by Denis Auguste Marie Raffet in 1836. Signature on the lower margin, the artwork represents a gentleman with an artist. Good conditio...

What Are You Complaining About? is an original Lithograph realized by Denis Auguste Marie Raffet in 1836. Signature in plate on the lower margin, the artwork represents a military t...

The amour scene from" "The Life and Death of Saint Genoveva"is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

The refuse scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

The Saint from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

The affection from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef...

The fight scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Jos...

The Playing lover scene from" "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also kno...

The Murder scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Jo...

Terminally ill from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

Costume Party is an original drawing in pencil on ivory-colored paper realized by a French anonymous artist in 1836. Includs a white passepartout: 49 x 34 cm. Hand-signed at the bo...

The Adventures of Peregrine Pickle is an original modern rare book written by Tobias George Smollett (Cardross, 1721 – Livorno, 1771) and illustrated by George Cruikshank (London, 1792 - London, 1878) in 1831. Published by J.Cochrane and Co./ J.Andrews, London. Original First Edition. Format: in 12°. The book includes Two Volumes (304 + 340 pages with Eight full page Etchings). Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Costume of Bisaccia, from the province of Montefusco is an original drawing in watercolor on paper realized in 1830 ca. by an anonymous artist of the XIX century, it represents a fol...

The SIege of Rome is an original modern artwork realized in the first decades of the 19th Century by the French artist Denis-Auguste-Marie Raffet (Paris, 1804 - Genoa, 1860). Origin...

Landscape is an original drawing in ink on paper applied on cardboard realized by an Anonymous artist of the XX century. The State of preservation is very good with some stain alon...

Guido et Ginevra is a lithograph, realized by C. Deshays in 1838, titled below in the center, from"album de L'opera N.14", from lyrical artwork series. The state of preservation of ...

A Victim of the Old System is an original hand-colored lithograph, realized by Henry Monnier in 1834, plate 1 from La Caricature n°145. Included a fram...

L’échénillement et les Sémailles is an original lithograph, realized by Jean-Jacques Grandville in 1833. Included a frame. In very good conditions. Jean Ignace Isidore Gérard (1803-1847) known by the pseudonym of Jean-Jacques or J. J. Grandville, was a French caricaturist. Grandville's ability for political provocation made his work with great impact. He worked in a wide variety of formats, from his first job illustrating the parlor game...

L’artillerie du Diable is an original lithograph, realized by Jean-Jacques Grandville in 1834, plate 371 from La Caricature n°176. Included a frame. In very good conditions. Jean Ignace Isidore Gérard (1803-1847) known by the pseudonym of Jean-Jacques or J. J. Grandville, was a French caricaturist. Grandville's ability for political provocation made his work with great impact. He worked in a wide variety of formats, from his first job illustrating the parlor game...

Quand le Diable devient vieux il se fai hermite is an original lithograph realized by French artist Honoré Daumier in 1835, plate 476 from La Caricature n°229. Good inking and good ...

L’îvrogne is an original lithograph realized by French artist Honoré Daumier in 1834, plate from Charivari. In good conditions. Included a frame. This lithograph is Representing, a gloomy man, with a desperate and serious look, beside him there is a hat on the ground and in his background, there are a couple hugging each other on the left and a lonely man...

La Jument du Prince et le chien de la Princesse is an original lithograph realized by Frenc artist Honoré Daumier in 1832, plate 424 from La Caricature n°203...

Portrait of Petrarque is an original modern artwork realized by Henri Grevedon in 1834. Original Black and White Lithograph on paper. Printed original by Lemercier, Paris, "Paris chez Aumont,rue JJ Rousseau N°10/ et chez Tessari et Cie du cloître Notre Dame N4". Hand-signed and dated on the lower right corner: H. Revedon 1834. Excellent conditions. Excellent black and white lithograph depicting the portrait of the great Italian author and poet Francesco Petrarca. The figure is in pose and express a great magniloquence and monumentality with a refined and elegant stroke. Henri Grévedon (Paris, 1776 - Paris, 1860). Grévedon studied painting in the Parisian workshop of Jean-Baptiste Regnault, professor of painting at the École des Beaux-Arts in Paris. Henri Grévedon exhibited from 1798 to 1806 and received a second medal in 1790. He was a first class gold medal in 1805 and won the first prize of the torso in 1806. He competed without success for the Prix de Rome in 1805 and 1806. According to Henri Beraldi, he "traveled the world, going to seek success in Russia in 1806 where he became an associate of the Academy of Saint Petersburg. He stayed in Stockholm in 1812, then in London, finally retured to Paris in 1816. Soon he devoted himself completely to lithography, and found there a reputation which would not have come to him with painting". He executed many painted portraits, paintings and miniatures, then he drew directly on the lithographic stone, working in particular for the workshop of Charles Motte during the 1820s. At the Salon of 1824, he won for the second time a gold medal for first class. Among the personalities he represented between 1825 and 1845, there were many actresses and dancers of his time such as the Taglioni, Fanny...

Image dimensions: 31.5 x 25 cm. Published on: La Caricature, October 16, 1834 Not Signed. It includes passepartout. Good conditions except some mowings.

Amusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 10, from the series Souvenirs Grotesque...

Au Bord d'une Rivière is an original artwork realized by Alexandre Decamps in 1831. Original lithograph on paper. Very good conditions. Original artwork representing a river with ...

Rare print from the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and a...

Rare print from the series "Political Sketches". John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

A stunning pair of original 19th-century hand-colored botanical engravings featuring Ipomoea horsfalliae and Chirita walkeria, attributed to renowned British botanists William Jackso...

KNIP August (1819 - 1859) Starting Fox Hunting day in Baden-Baden Oil on canvas signed low right dated 1837 Old original frame gilded with leaves Dim canvas : 81 X 118 cm Dim frame :...

19th century French school Oil on canvas 33 x 41 cm (53 x 45 cm with the frame) Original canvas with the stamp of the merchant "Vallé & Bourniche / Successeurs de Bellot" active in P...

War Dance Of The Sauks And Foxes Hand Colored Lithograph c.1837 Published by E.C. Biddle, Philadelphia. Beautiful hand colored lithograph from the "History of the Indian Tribes of ...

Antique French painting from the first half of the 19th century. Oil on oak panel artwork of excellent pictorial quality depicting a Neoclassical subject entitled Amintas (Aminta), f...

Jean-François Joseph LECOINTE Paris 1783 - Versailles 1858 The Temple of Vesta at Tivoli, near Rome Watercolor and brown ink Signed and dated "Lecointe 1833" lower left 56 x 44 cm s...

Louis-Nicolas CABAT Paris 1802 - 1893 Paris Tuscan Landscape, Civita la Vigna Watercolour on pape r Signed and dated "L Cabat 1837" and located "Civita La Vigna" 23 x 32.5 cm sheet ...

MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...

Attributed to Pancrace BESSA (1772-1846) Fruits on a marble entablature Watercolor and graphite on paper H. 31 cm; W. 37 cm

Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...

To see our other views of Eton College, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Dr William Crotch (1775-1847) Eton College Chapel 13x20cm Pencil and colour wash Extensively inscribed to reverse Dated 10.20am August 1 1832 Provenance: Spink, King Street, London Composer and organist (a child prodigy, playing the organ of the Chapel Royal at the age of three-and-a-half) Crotch is most famous for probably beint the composter of the Westminster Chimes - struck by Big Ben inter alia. In 1797 he became Heatehr Professor of Music at Oxford University, becoming DMus in 1799. John Malchair, the musician and artist, became a friend whilst he was in Oxford, and so with his guidance Crotch took up sketching. He also took Malchair's habit of recording the date and time of his picture passing this habit to John Constable upon meeting him in London in 1805. He became first Principal of the Royal Academy of Music...