1860s Art

Uses and Customs - Magistral Rite is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

Edouard MANET (1832-1883) Exotic flower (or Woman with a Mantilla) 1869 Original etching Signed in the plate On vellum 36 x 26 cm REFERENCES: - Catalogue raisonné Guérin #51 - Cata...

Uses and Customs - Tombs of the Scaligeri in Verona is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

MATHURIN MOREAU French, (1822-1912) Le Rêve du Poète Circa 1860, Patinated bronze; Signed ‘math moreau’ and Inscribed REVE DU POETE par MTH MOREAU, MEDAILL...

Paintings of a Poem in honor of Countess Matilde is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Medium: original etching. This impression on laid paper was printed in 1868 for Philip Gilbert Hamerton's very scarce first volume of "Etching and Etchers". Image size: 4 x 6 1/4 inc...

La Durance a A St. Paul is a black and White etching realized by Paul Guigou in the 1860s.  Titled in the lower. Image size: 24x31. Very good impression with wide margins and a ve...

”Rooster and Hens at Daybreak” is a delightful painting of rural life, created by the Belgian artist Frans van Severdonck (1809-1889). Van Severdo...

Columns of the Temple of Minerva Poliade is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Plate size: 4 7/8 ...

Wonderful, rare and perfect proof on china paper before letter, signed with initials in pencil. First final edition before the letter, in 100 pieces realized for the “Album des pein...

Two hinds on the run in the snow This 1861 painting illustrates a hunting scene of great dramatic and naturalistic intensity, typical of 19th-century animal painting. In the heart o...

Edward Niemann A lovely countryside painting by the highly regarded Edward Niemann. These pretty scenes are not regularly seen on the art market. Often ...

Etching realized by Félicien Rops (1833-1898) for the Novel "L'Initiation Sentimentale" by Joseéphin Péladan.  Published by Edinger, Paris, in 1887. Not signed, as issued. A beauti...

Que Locura is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los Desastres ...

Uses and Customs - Spanish is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governme...

This luminous work depicts the American merchant brigantine E. MILLER. The sun sits low behind the ship, illuminating the sky with colors of yellow and deep rose tones. The sun has just touched the sea at the ship's bow and around her stern, creating a halo of light in the small waves. The E. Miller is in full sail with sailors active on her deck, with her brightly colored name pennant snapping in the wind alongside the American flag and company flag. Though unsigned, this is clearly the work of artist Elisha Tyler Baker. Baker only signed about a third of his paintings, so this is not unusual for the artist. The rendering of the vessel to his touch in the sea and sky all give very clear clues that the work is his. Though little information remains about her voyages we know the ship E. MILLER was built in Virginia by the Surry Company in 1856 and had a weight of 132 tons. Sailing out of Richmond she was also known to frequent the port of Baltimore. From Richmond she would have carried out agricultural goods, lumber, and iron, while importing manufactured goods and guano to fertilize Virginia's tobacco fields. Given that she was built before the Civil War and was ported in Richmond throughout the war, it's likely the E. MILLER was involved in moving goods to supply Confederate forces. Sight Size: 23 3/4 x 32 Inches Vallejo Gallery features the finest in marine and maritime antiques...

Antique Victorian, Impressionist 19th century English oil, Fishings boat at Sea. Adolphus Knell was a superb painter of marine subjects during the middle of the 19th century. His w...

Meishoe is an artwork realized in the 1865 by Utagawa Hiroshige II (Ni-daime Utagawa Hiroshige, 1826 – 17 September 1869). Woodcut Print Oban Format. From the series "Suehiro gojus...

La Servante Indiscrete is a black and White etching realized by Henri Guérard in the 1860s.  Titled in the lower. Image size: 31x24. Very good impression with wide margins and a v...

Ink and watercolor drawing realized by Eugène Lacoste in 1869. Hand signed and dated lower left. Very good condition.

Muertos recogidos is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los Desastres de la...

Departure of the Lombards for the Crusade is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History ...

An antique oil painting in its original ornate gold leaf frame. This tonalist painting depicts figures against a dramatic sunset. The work is signed illegibly lower left. It ap...

Medium: original etching. Printed in 1861 by Auguste Delatre on chine-colle paper and published in Paris by Gazette des Beaux-Arts. Image size: 4 1/2 x 4 5/8 inches (112 x 118 mm). S...

Entrée du Port de Honfleur is a black and white etching realized by Jongkind (1819-1891) in 1863. Titled in the lower. Image size: 30.5cmx22cm. Good condition. Signed and dated o...

ÉTIENNE-HENRI DUMAIGE French, (1830-1888) Avant Le Combat, Apres Le Combat Pair of patinated bronze; signed 'H. Dumaige' and titled ‘AVANT LE COMBAT, APRÈS LE COMBAT, GRENADIER D...

Aux Environs de Paris is a black and White etching realized by Maxime Lalanne in the 1860s.  Titled in the lower Image Size: 32x23 Very good impression. Realized for the "Société...

Customs - Kings of Armenia is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

AFTER - WINSLOW HOMER (1836-1910) THANKSGIVING IN THE ARMY - After Dinner: the Wishbone, 1864 Original wood engraving as published by Harpers Weekly December 3, 1864, after a drawing by Winslow Homer. Image 9 3/4" x 14, Sheet 10 3.\/4 x 15 3/4" . Generally good condition, a small stain in the upper right margin. Homer contributed drawings to Harper's Weekly from 1857 to 1875. They were converted to wood engravings by Harper's craftsman and published in Harper's Weekly. Although after his original drawings, they are now accepted as an important part of his body of work by museums and collectors. They were very large editions. As such, they occur often in the marketplace. Harper's published during the Civil War years as this was, were widely read and kept as people followed the war first hand and its aftermath over the years continuing today as both Homer and Civil War collectables

CURRIER & IVES (LOUIS MAURER) 1860 LINCOLN ELECTION CAMPAIGN THE IMPENDING CRISES - OR CAUGHT IN THE ACT, 1860 (C.3033, G.3270) Lithograph...

Les Vendagnes is an artwork realized by Charles François Daubigny in the 1870s. Etching. Image size:20x33 Good conditions. Realized for the "Société des Aquafortistes. Born on ...

Costumes of the 13th and 14th centuries is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of...

This is a wonderful outstanding quality scene of an English cottage garden scene with a mother and Child looking at the Ducks swimming before them. The piece's quality is amazing with a real understanding of how to make a desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the Bankank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape...

Carl GUTSCH (19th Century) Portrait of a young Boy Oil on canvas signed low right and dated 1865 Old Original frame gilded with Leaves Dim canvas : 127 X 84 cm Dim Frame : 157 X 114 ...

Ferdinand Fagerlin (1825-1907) Sweden Portrait of Alice Ritter, The Artists Wife oil on canvas signed with monogram painted 1862 canvas size 27.95...

Lively Japanese woodblock print featuring street life. Ink on paper, circa 1860. Original artwork on paper displayed on a white mat with a gold ...

Per Daniel Holm (Malingsbo, Dalarna 1835–1903 Stockholm) Attributed to. Landscape from Kvikkjokk, c. 1861 oil on board unframed 39 x 56 cm (15.4 x 22 inches) framed 46.5 x 63 cm (...

Uses and Customs - Robes of Priests is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Le Diable à Paris is an original modern rare book written by Various Authors and illustrated by Paul Gavarni (1804 – 1866) and by Jean Ignace Isidore Gérard (Nancy, 1803 – Vances, 1847) in 1869. Original First Edition. Published by Hetzel & Cie, Paris. Format: 4°. The book includes 816 pages in 4 volumes. Hundreds of lithographs (several are full page Lithographs). Very good conditions. Paul Gavarni (1804 – 1866) and by Jean Ignace Isidore Gérard (Nancy, 1803 – Vances, 1847). Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier (1804 – 1866), a French illustrator, born in Paris. Among his illustrated works were Les Lorettes, Les Actrices, Les Coulisses, Les Fasizionables, Les Gentilshommes bourgeois, Les Artistes, Les Débardeurs, Clichy, Les Étudiants de Paris, Les Baliverneries parisiennes, Les Plaisirs champêtres, Les Bals masqués, Le Carnaval, Les Souvenirs du carnaval, Les Souvenirs du bal Chicard, La Vie des jeunes hommes, and Les Patois de Paris. He had now ceased to be director of Les Gens du monde; but he was engaged as ordinary caricaturist of Le Charivari, and, while making the fortune of the paper, he made his own. His name was exceedingly popular, and his illustrations for books were eagerly sought for by publishers. Le Juif errant, by Eugene Sue (1843, 4 vols. 8vo), the French translation of Hoffman's tales (1843, 8 vo), the first collective edition of Balzac's works (Paris, Houssiaux, 1850, 20 vols. 8 vo), Le Diable à Paris (1844–1846, 2 vols. 4 vo), Les Français peints par eux-mêmes (1840–1843, 9 vols. 8vo), the collection of Physiologies published by Aubert in 38 vols. 18mo (1840–1842), all owed a great part of their success at the time, and are still sought for, on account of the clever and telling sketches contributed by Gavarni. Jean Ignace Isidore Gérard (Nancy, 1803 – Vanves, 1847), generally known by the pseudonym of Jean-Jacques, J. J. Grandville or most commonly simply Grandville, was a French caricaturist. Grandville's ability for political provocation made his work much in demand. He worked in a wide variety of formats, from his first job illustrating the parlor game Old Maid, to illustrated newspaper strips of which he was a master. His illustrations for Le Diable à Paris ("The Devil In Paris"; 1844–46) were used by Walter Benjamin for his study of that city as an urban organism. One of Grandville's supreme achievements, at a time when French printing technology was ascendant, was Les Fleurs Animées, a series of images that are both poetic and satirical. But perhaps his most original contribution to the illustrated book form was Un Autre Monde, which approaches the status of pure...

Uses and Customs - Sacristy of the Cathedral in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Image size: 3 1/2 ...

Uses and Customs - St. Michele Church in Monza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " His...

Olof Arborelius (1842–1915) Sweden Farmstead in Dalarna, 1864 signed with monogram OA and dated “Arb-s 64” inscribed into the wet paint, with the estate’s stamp "OA" on the back. o...

Antique Victorian, Impressionist 19th century English oil, Fishings boat at Sea. Adolphus Knell was a superb painter of marine subjects during the middle of the 19th century. His wor...

Temple of Giove Olimpico is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...

Francisco Goya, Que Guerrero! Etching and Aquatint, from the Series "Los Proverbios, realized in 1815 and printed in 1877. This copy belongs to the edition of "L'Art", 1877. With th...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Image size: 4 1/8 ...

Parc a Moutons is a black and White etching realized by Charles-François Daubigny in 1860s  Titled in the lower Image Size:21x38 Very good impression. Realized by Cadart for the ...

Modesto Faustini (1839-1891), "Portrait of elegant," oil on canvas in gilt frame signed lower right "M. Faustini - Rome." This splendid portrait belongs to one of the most flourishi...

Medium: original lithograph. Catalogue reference: Beraldi 3. Executed in 1822; this impression on cream wove paper was printed in Paris by Bertauts and published in 1869 by Gazette d...

Abeilles is a black and White etching realized by Alfred Emile Méry in the 1866.  Titled in the lower. Image size:24x31. Very good impression with wide margins and a very fresh in...

American School, Portrait of a Blonde Haired Girl, Oil on Canvas, circa 1865, label to verso reading "Annie Budelman Leonard, Gene's Grandmother at the age of about 4 or 5", giltwood...

No. 45, View of Akasaka from "Comical Views of Famous Places in Edo" Woodblock Whimsical woodblock print by Utagawa Hirokage (Japanese, active 1855–1865). Four people are sitting on...

Le General Grant is a black and White etching realized by Louis-Sébastien Mercier in the 1860s.  Titled in the lower. Image size: 32x24. Very good impression with wide margins and...

Funeral Rites is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the la...

Medium: original etching. This impression on laid paper was published in London in 1868 for P. G. Hamerton's "Etching and Etchers". Plate size: 7 1/2 x 5 1/4 inches; 190 x 132mm. Sig...

Uses and Customs - all the peoples of the universe is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Medium: etching (etched by Philip Gilbert Hamerton after Adriaen van Ostade). This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert ...

John CALLOW Picture Size: 26 x 40" (66 x 102cm) Outside Frame Size: 38 x 52" (97 x 132cm) It framed in the original frame chosen by the artist gilded in gold leaf. Free Shipping ...