1860s Paintings

About this work: Painted in 1863, the same year Gabriel Davioud’s fountain in the square was completed, this remarkably early view of Place Pigalle captures this important artist's n...

George Turner 1843 – 1910 Titled on the reverse 'A Lane near Weston-on-Trent, Derbyshire' Signed and dated 1886 A Lane near Weston-on-Trent, Derbyshire Picture Size: 20 x 30" (50 x...

Floral Still Life with Roses, 19th Century Spanish Oil Painting Artist: José María Murillo Bracho Birth / death: Seville, 1827 – Málaga, 1882 Title: Floral Still Life Technique: Oil on canvas Artwork size: 34 × 45 cm / 13.4 × 17.7 in Framed size: 56 × 67 cm / 22 × 26.4 in Signature: Signed lower left Frame: Yes, ornate gilded frame included Condition: Good overall condition, with normal signs of age and conservation consistent with a 19th-century painting. The frame shows wear consistent with age. Subject: Floral still life Style: 19th-century Spanish painting, floral realism, Andalusian school Description Elegant 19th-century floral still life painted in oil on canvas by José María Murillo Bracho, a Spanish artist from Seville especially known for his refined flower paintings, fruit compositions and still lifes. The work presents a horizontal bouquet of flowers arranged on a neutral surface, with white roses, vivid red blossoms, mauve flowers, golden yellow accents and deep green leaves. The composition combines naturalistic precision, delicate color and a carefully balanced sense of light, creating a serene and highly decorative image. The contrast between the luminous white flowers at the center, the intense red blooms and the sober blue-grey background gives the painting great visual richness. The brushwork is detailed and sensitive, particularly in the petals and foliage, where the artist’s almost botanical attention to form and texture can be clearly appreciated. This painting is especially attractive within Murillo Bracho’s production because floral still life was one of the genres most closely associated with his work. The piece also retains an ornate gilded frame, enhancing its classical presence and making it highly suitable for a refined interior. A charming antique Spanish flower painting, ideal for collectors of 19th-century Spanish art, floral still lifes, academic realism, Andalusian painting and decorative European oil paintings. A bouquet that does not fade, which is already more than can be said for most modern enthusiasm. Artist Biography José María Murillo Bracho was a Spanish painter born in Seville in 1827 and died in Málaga in 1882. He is also sometimes referenced as José María Murillo y Bracho or José María Bracho Murillo. He trained at the Academy of Fine Arts of Santa Isabel de Hungría in Seville, one of the most important artistic institutions in Andalusia during the 19th century. His work developed within the Spanish academic tradition, with a particular focus on still lifes, flowers and fruit compositions. Murillo Bracho was connected to both Seville and Málaga, and his painting reflects the refined bourgeois taste of 19th-century Andalusia. His works are appreciated for their careful realism, elegant composition, delicate chromatic range and meticulous treatment of floral subjects. Floral still lifes are among the most representative and desirable aspects of his production, combining decorative beauty with technical precision and a distinctly classical Spanish sensibility. Artistic Inspiration This painting belongs to the long European tradition of floral still life, connecting 19th-century Spanish academic painting with the broader history of flower painting. It may appeal to collectors interested in artists and traditions associated with Henri Fantin-Latour, Jan Brueghel the Elder, Rachel Ruysch, Juan de Arellano and classical European botanical painting. With its serene composition, precise floral detail and elegant color harmony, the work is well suited for collectors of antique still lifes, Spanish School paintings, Andalusian art, academic realism and refined decorative interiors. Spanish 19th Century Painting, Floral Still Life, Antique Flower Painting...

Alfred BENNETT Picture Size: 20 x 30" (50 x 76cm) Framed Size: 27 x 37" (69 x 95) Signed and dated 1865 Titled Staffordshire A wonderful example by the highly collected artist Alf...

Attributed to William McGregor Paxton Hay (William M. Hay) Portrait of Two Young Girls English, circa 1860 Oil on canvas Unsigned ⸻ A sensitive and quietly compelling Victorian ge...

Antique Dog Painting of a Terrier: “The Shah” George Earl (England, 1824-1908) Circa 1870 Oil on canvas. 12 ¾ x 12 ¾ (21 x 21 frame) inches. Orig...

Edwin Loder – son of famous artist James Loder – originally enlisted in the 62nd Regiment of Foot in 1846 at the age of 19, serving mainly in India. After 20 years in the Forces, Ed...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

This beautiful mid-19th-century oil painting by German artist Max Kaltenmoser (1842-1887) depicts a young woman sewing by an open window. Kaltenmoser was an academy-trained master of...

‘On the Arun, Sussex’ by George Vicat Cole RA, RBA (1833-1893). The painting is signed the artist and dated 1869, in which year Vicat Cole was elected an Associate of the Royal Aca...

Ferdinand Fagerlin (1825-1907) Sweden Portrait of Alice Ritter, The Artists Wife oil on canvas signed with monogram painted 1862 canvas size 27.95...

Oil on canvas, framed with a coeval gilded wooden frame. Hand signed and dated lower right. This monumental history painting, signed and dated "F. Hersent 1868", represents an ambi...

About this work: An important Alpine landscape in the Hudson River School style by German American artist Gustavus Frankenstein (1827-1893) “Milky Lake, Alps” was painted during Fra...

Victorian Arrangement, 1864 Oil on canvas 27 x 20 inches (68.6 x 50.8 cm) Framed dimensions: 32 x 24 3/4 inches Signed and dated lower right: G.H. Hall / 1864 Provenance Private col...

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

One wonderful thing about this painting is its light. It’s pitch-perfect: if it were a tad darker, it would be gloomy; a tad lighter, and it there would be less to discover. The joy ...

Signed pastel on grey paper circa 1860 by French impressionist artist Eugene Boudin. The piece is a study of clouds in a blue sky. Signature: Signed with the cachet of the artist's ...

A finely rendered 19th century Hudson River School landscape depicting cattle grazing within an expansive open field, set beneath a softly illuminated sky. The composition is anchore...

Antique Dog Painting of a Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on paper. 8 x 6 (18 1/2 x 15 1/4 frame) inches In Jules Chardigny's signature style, a beloved compa...

A fine impressionist landscape by the 19th century French painter Loouis Boulanger (1806-1867). Oil on canvas 15"x21,3/4" 38cmx 55cm The original giltwood frame: 22"x28" , 56cmx 72cm. A fine plein air study of a stoney outcrop on the edge of a French village circa 1860. Boulanger was famous during his lifetime for his portraits of the intelligentsia of Paris society during the 19th century including Victor Hugo. He was also a great follower of the early impressionist landscape painters this being a fine example of his work. A well balanced composition and an intense study of afternoon light in a French landscape. Signed lower right. Provenance : Estate collection, Paris Good condition. Higher resolution images available on request. Viewing welcome . Worldwide shipping available. Louis Boulanger (11 March 1806, Vercelli, Piedmont - 5 March 1867, Dijon) was a French Romantic painter, lithographer and illustrator. Life He enrolled in 1821 at the École des beaux-arts where he attended the workshop of Guillaume Guillon Lethière and received a solid classical training. Next he made a présentation for the prix de Rome, in 1824, in which he finished logiste. He became the companion of Eugène Devéria...

Oil Painting by Henry Thring Shayer and Charles Waller Shayer "The Ploughmans Lunch" The younger sons of William Shayer senior, Henry (1825 - 1894) painted the landscape and Charles ...

This exceptional antique oil painting on canvas by renowned American artist Henry Peters Gray (1819–1877) depicts W. P. Wright, Esq. in a dignified three-quarter-length portrait painted in 1860. The sitter wears a dark formal coat over a crisp white shirt and brown waistcoat, while his right arm rests against a rich red upholstered surface. His full beard, composed expression, and direct yet contemplative gaze reflect the confidence and refinement associated with mid-19th-century American portraiture. Gray carefully models the sitter’s face through subtle transitions of light and shadow, contrasting the warm flesh tones and reddish-brown beard against the restrained dark background. Finely observed details—including the folded handkerchief, waistcoat chain, and ring—add individuality without distracting from the portrait’s formal presence. An important handwritten inscription on the reverse identifies both the sitter and artist and records the circumstances of the painting: “For W. P. Wright Esq. Portrait from Henry Peters Gray. Painted at Pittsfield, Mass., August 1860.” This period inscription provides valuable direct provenance and securely connects the portrait with Gray’s documented career. The painting is presented in a traditional period gilt frame with a beaded inner border and is ready to hang. 🖼️ Measurements: Painting: 25" W × 30" H Framed: 30" W × 35" H ✍️ Signature: The portrait is identified by a handwritten inscription on the reverse naming Henry Peters Gray, the sitter W. P. Wright, Esq., the location Pittsfield, Massachusetts, and the date August 1860. ✅ Condition: Good antique condition with minor age-appropriate surface wear. The period gilt frame shows light wear consistent with age. Please review all photographs carefully for a complete assessment. 📦 Shipping: Professionally packed and shipped the same business day from Florida. About the Artist Henry Peters Gray (1819–1877) was an important American portrait, genre, and history painter born in New York City. He studied under Daniel Huntington...

This sweet little boy sits quietly like a well brought up child, but you can see in his eyes how much he likes to run and play. In this sensitive portrait painted in circa 1860 by Fé...

Picnic on the Hudson is a significant canvas painted circa 1860 as Whittredge was purposely transitioning his European training and experience into a purely American style and genre....

Ferdinand Heilbuth: 1826-1889. Well listed very important 19th century French painter. He was born in Germany but lived and painted mostly in France becoming a French citizen in 1876...

Original oil painting, signed by Robert Alexander and dated indistinctly, lower right. Fine painting of a mare and two foals in pastoral landscape setting, this work is presented in...

Two Spaniels on Red Cloth by Hilton Lark Pratt (1838-1873) Scottish artist, is in clear rich red, black and white colors with a softer-toned landscape on the side. This 19th century ...

A splendid painting dated 1866 and signed Ed. Hamman, attributed to the great Belgian painter Edouard Jean Conrad Hamman (1819-1888). Specializing in historical scenes, with a partic...

Important framed 19th century Hudson River School landscape. Possibly estate stamped. Housed in an impressive period frame. Oil on canvas.

A wonderful & whimsical 19th century oil on panel painting of puppies in a farm stable, by the celebrated artist George Armfield (1820-1893), the painting circa 1860. This lovely oil...

🎨 Original 1864 Oil Painting by Adolf Jossifowitsch Charlemagne – Russian Imperial Artist – Carriage Scene on Metal Up for sale is a very rare and historically significant 19th-cen...

"MORISOT Edma (1839-1921) Lake Landscape Of Ile De France" Oil on canvas signed lower right Old original frame gilded with leaves Frame size: 86 X 75 cm ...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

Original 1861 Late Romantic Naturalist Landscape Painting This piece features a small countryside cottage and two figures, with the dramatic backdrop of layered mountains and low cl...

PIERRE-AUGUSTE RENOIR (1841-1919) Portrait de femme - Berthe Poret bears signature (lower left) oil on canvas 17 15/16 x 14 3/4 in (45.5 x 37.4 cm) Painted between 1862-1863 Footnotes This work will be included in the forthcoming Pierre-Auguste Renoir Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc. Provenance Berthe Poret Collection, France (acquired from the artist in 1863). Thence by descent to the previous owner. Private collection (acquired from the above in 1947). O'Hana Gallery, London (acquired circa 1955). Michael Mathias Collection, US (acquired through Emmanuel Javogue Fine Arts, Miami in 1998). Simic Galleries, Carmel, by 2000. Private collection, Texas (acquired circa 2007). Private collection, Atlanta. Acquired from the above by the previous owner in February 2019. Exhibited London, O'Hana Gallery, Cezanne to Picasso "Oeuvres de jeunesse," April 12 - May 16, 1956, no. 13 (titled 'Portrait of Mlle. Berthe Poret'). Paris, Galerie Drouot - Provence, Exposition, June 1 - July 31, 1959. Edmonton, The Provincial Museum of Alberta, Edouard Cortes (1882-1969), Paris and French Countryside Revealed, June 9 - September 3, 2001. Literature G-P. & M. Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. I, 1858-1881, Paris, 2007, no. 440 (illustrated p. 453; titled 'Portrait de Mademoiselle Berthe Poret' and dated circa 1863). One of the earliest known paintings by Renoir...

Portrait of Girl with her pets is signed and dated 1861 and exhibited in 1862, by Gourlay Steell, (1819-1894) RSA, appointed as Animal Painter for Scotland to Queen Victoria’s Court ...

William Calcott Knell 1830 - 1879 A Bristol and London painter of coastal marines, he exhibited at the Royal Society and British Institution. In several public collections such as P...

Louis BENTABOLE An artist whose work is quite rare but whose talent is undeniable. His work stands out amongst many of the paintings in the Musée d'Orsay in Paris. An opportunity to...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra con un marco de la época de la pintura en madera dorada (el marco presenta algunas pequeñas faltas) El esta...

This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...

This impressive oil painting on canvas, created in the second half of the 19th century, represents a classic example of European romantic landscape painting. The artwork reveals to t...

Antique Floral Still Life with Tulips and Irises in Gouache on Paper Finely detailed still life by Charlotte Siemers (19th Century). Several flowers are shown in a lush bouquet. Flo...

A delicately-observed, three-quarter length oil portrait of a young woman in society, fashionably dressed in a pinch-waisted, embroidered chiffon ball-gown and wearing a gold pendant...

Gustave Jaquet Jacquet was born on 25th May 1846 in Paris. He was a pupil of Bouguereau and for his debut at the Paris Salon in 1865, he exhibited 'The Reverie' which was very much i...

John Frederick Herring Junior (1815–1907) Farmyard Scene with Horses, Cattle, Sheep, Pigs and Poultry, circa 1860 Oil on canvas Signed lower right: “J. F. Herring” Circa 1860 23.5 ...

John Atkinson Grimshaw 1836 - 1893 Looking across Buttermere Oil on canvas, signed & dated '1868' lower right Image size: 13 ½ x 20 ½ inches (34.2 x 50.5 cm) Hand made gilt frame This work is dated 1868 making it one of his early works, painted during the same period as Grimshaw's other Lake District paintings...

GEORGE (SMITH) ARMFIELD This is a classic example of George Armfield's paintings with terriers. Picture Size: 10 x 14" (25 x 35cm) Outside Frame Size: 16 x 20" (40 x 50cm) Exhibitio...

An important mid-19th century American oil on canvas portrait depicting a seated child, dated October 18, 1864 and attributed to John O’Brien Inman (1828–1896). The work embodies the refined sensibility of period portraiture, where technical discipline and emotional subtlety converge. The composition is elegantly arranged, with the child set against a rich drapery backdrop rendered in deep, warm tones that enhance the luminous modeling of the figure. The artist demonstrates a confident academic hand—visible in the delicate transitions of flesh tones, the softness of expression, and the controlled handling of light. The direct yet gentle gaze captures a fleeting moment of childhood with remarkable intimacy. Executed within the tradition of American portrait painting of the mid-19th century, the work reflects the cultural importance of commissioned portraiture as a means of preserving family legacy. The quality of execution, combined with the presence of a fully written inscription on the reverse in a manner consistent with 19th-century hand, strongly supports the attribution. The painting is presented in an ornate gilt frame that complements its period character. Ready to hang. 📏 Measurements: Framed 41 x 34.5 inches; Painting 30 x 25 inches 🎨 Artist: Attributed to John O’Brien Inman (1828–1896), American School ✍️ Signature: Verso inscription reading “Painted by Jno. O. Inman, Portland, Oct 18th 1864,” executed in period hand 🧾 Condition: Good condition with light age-appropriate surface wear and stable craquelure consistent with age 📦 Shipping: Same day safe packaging from Florida Please read some interesting information about Artist...

A classic and elegant Venetian view with a period Barbizon, gold leaf frame! Sheppard did a series of these and two other American painter is more noted for their Venetian views than...

Ferdinand Alexander Wust 1837-1876, was a Dutch born American painter. Wust learnt to paint from his father Christoffel Wust 1801 -1853, he emigrated to America in the 1850's but ret...

This elegant English 19th-century portrait of a young boy dressed in a Cavalier costume, painted circa 1860, is a striking example of Victorian portraiture that seamlessly combines h...

Modesto Faustini (1839-1891), "Portrait of elegant," oil on canvas in gilt frame signed lower right "M. Faustini - Rome." This splendid portrait belongs to one of the most flourishi...

A student of the great French academic Bouguereau, Lobrichon has done a moving and entrancing depiction of a young girl mid-gaze. Beautifully painted and done in a circular format t...

This atmospheric antique oil painting, signed and dated 1869 by E. Dahlberg, captures a picturesque mountain landscape, likely in the Alps. The composition focuses on a quiet narrati...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

Beautiful original oil on canvas double portrait painting of a young boy and girl with cat (moist likely brother and sister) attributed to the hand of American artist, John Carlin. ...

GEORGE (SMITH) ARMFIELD This is a classic example of George Armfield's paintings with terriers. Picture Size: 10 x 14" (25 x 35cm) Outside Frame Size: 16 x 20" (40 x 50cm) Exhibitio...

Gustave de Jonghe An Afternoon Visit Oil on panel Image Size: 32.8 x 25 inches Framed Dimensions: 41.7 x 33.5 Hand signed in lower left corner

19th century French school, Portrait of a Reading Man, Oil on canvas 36 x 29 cm framed : 40.5 x 33.5 cm Provenance : as indicated on a label on the reverse of the canvas "Collect...

Alexander Charles Stuart The Attack of the Merrimac Signed lower left Oil on artist board 13 3/4 x 23 1/4 inches Alexander Charles Stuart, a Scottish-born painter of ships and marin...