1990s Art

Andy Warhol (After) Vintage Large Rosenthal Bowl (Blue Horse), ca. 1991 Large Silkscreen Glass bowl (authorized signature fired onto plate) Warhol's signature is printed on the plate...

Male Nude in Bathroom (29 Palms, CA), - 1999, Edition 1/10, plus 2 Artist Proofs, 20x20cm, digital C-Print, Not mounted, based on a Polaroid, Signature label and Certificate, Art...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure

Frank Stella challenges the narrative possibilities of abstraction in this tribute to the literary work “Moby-Dick”. Rather than plainly depicting scenes of the novel, Stella instead...

Artist: Dan May (American, 1955-) Title: "Devil" *Signed and numbered by May in pencil lower left Year: 1999 Medium: Original Linocut on white Hosho handmade paper Limited edition: 1...

Christo The Wrapped Reichstag at Night (Hand Signed), 1993 Offset Lithograph Hand signed by Christo on lower right front 40 × 25 1/2 inches Unframed and affixed to matting (as it ha...

Brainstorming. 6/450, poster, K. Hayes Fine Arts 1998, 69x49 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 Art Academy of Latvia, Painting Department, specialism in scenography. Solo shows: 1981- Baiba & Leo Benias Gallery, West Berlin (as part of the Skulme family exhibition) 1984- Museum of Foreign Art , Riga; Cēsis Exhibition Hall; 1986- Firebird Gallery, Alexandra; International Images, Pittsburgh, USA. 1987- Exhibition Hall, Jurmala. 1987- Exhibition Hall, Stockholm, Sweden (as part of the Skulme family exhibition) 1989- Delta Art Gallery, Nijmegen (The Netherlands). 1992- Maya Polsky Gallery, Chicago, USA. 2000- State Tretyakov Gallery, Moscow and State Museum of Art , Riga. 2004- Riga Museum of History and Navigation. 2007- Imagine Gallery, Riga. 2007- Art gallery Laipa, Valmiera. 2007- Moscow house, Riga. 2009- Zurab Tsereteli Gallery, Moscow. 2009- Riga Museum of History and Navigation. 2012- Paintings about Love at Happy Art Museum, Gallery Riga. Awards: 1981- 2nd Prize, International Poster Biennial, Lahti, Finland. 1982- Faber Castell, International Triennial of Drawings by Young Artists, Nurnberg, Germany. 1982 - 1st Prize, Fort Collins, Colorado, USA. 1983- 3rd Prize, International Poster Biennial, Lahti, Finland. 1983- 1st Prize, Colorado International Poster Exhibition, USA. 1985- 1st Prize, Stage Design Triennial of the Baltic Republics. 1987- Certificate of Honor, honorary diploma Artists Society International Art Achievement Awards Exhibition San Francisco, Ca, USA. 1987- Honorable Mention, Artist Liaison Competition, Santa Monica, Ca, USA. 1988- 1st Prize, Social Poster Section at the exhibition Best Poster in Riga. 1989- Certificate of Honour, International Poster Biennial, Lahti, Finland. 1989- Meritorious Artist of the Latvian SSR. Museums and Collections: Art Collection of the nascent Latvian Museum of Contemporary Art, Riga, Latvia. Museum of the Artists’ Union of Latvia, Riga, Latvia. State Tretyakov Gallery, Moscow, Russia. Museum Ludwig, Cologne, Germany. Cremona Fund, Maryland, USA. New Orleans Museum of Art, USA Norton and Nancy Dodge Collection, Zimmerli Art Museum, New Brunswick, USA Private collections in Latvia, USA, Russia, Germany, Sweden. Literature: J. Dimitrers, J. Borgs“Juris Dimiters. Plakāti” – R.: Iespiests Jelgavas tipogrāfijā, Rīga, 2014. Juris Dimiters is among the most intellectual and witty artists of his generation. The characters of his works – paintings and posters – mostly are anthropomorphized fruits and objects. Placed within games of mutual interrelationships, they have become actors in the theatre directed by the artist. Over time the personages of the still-life have constantly transformed and migrated both among groups of work and media, embodying new roles in each of them. Nevertheless, they have always actively commented on one of three subjects – power, society and the everyday. J. Dimiters’ paintings and posters strike...

Serigraph in colors on paper. Hand signed lower right by Peter Max. Hand numbered 55/150 lower left. Published by Tsumura Art Association., Tokyo, Japan and printed by Arabesque S...

Very cool One Cut Cut Commander record with Banksy Artwork on cover. Has large image of Banksy tank on front cover. Released in 1998, this is a very early example of Banksy artwork. ...

Edition of 10 Portrait of the young Monica Bellucci. Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where th...

Deborah Harris is photographed on location in Malaysia wearing a custom-designed mermaid’s tail by Bob Mackie for Town & Country in February of 1990. This story was photographer Norm...

Modern line drawing of female nude from back laying on her left side, circa 1990. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and...

Lithographic reproduction of the Gladiator 1904 original model by French artist Dumont. Recreated on the presses of Arte in Paris and published by Maeght Editeur. Paper Size: 11.25...

Signed & dated verso, 1992 Enrico Donati, a surrealist and abstract expressionist painter, was born in Milan, Italy in 1909 and died in Manhattan on April 25, 2008. He was known for his association with the surrealist movement of the 1940's, but his artwork continued to transform itself through the many trends that have occurred during his long career. In Italy he attended the Universita degli Studi in Pavia where he studied economics. In 1934, he moved to the United States settling in New York where he studied at the New School for Social Research and the Art Students' League. Considered the surviving dean of the Surrealist Movement and a member of the New York School, Donati painted with Ernst, Matta and Tanguy in the thirties and forties, and in particular with Andre Breton, regarded by many to be the grand master of Surrealism. He helped organize the Exposition Internationale du Surrealisme in Paris in 1947 where he exhibited three of his pieces. The Surrealists were known to avoid presenting or representing reality, and put the emphasis on invention and creativity by uncovering the poetic aspect of life with its kaleidoscopic multidimensional images, using reality only to enhance imagination. Donati survived the decline of Surrealism in the late 1940's by adapting his style to current art trends as he worked with new materials and textures throughout the 1950's. One trend with which he became involved was Abstract Expressionism, which originated in the 1940s, and became popular in the 1950s. It was a movement in which artists typically applied paint, rapidly and with force, to large canvases, in an effort to show feelings and emotions. Paint might be applied with large brushes, sometimes dripping or even throwing it onto canvas. Abstract Expressionist work is characterized by a strong dependence on what appears to be accident and chance, although it is actually highly planned. Donati held a retrospective at the Palais des Beaux-Arts in Brussels in 1961 and went on to exhibit at the Betty Parsons Gallery with other forerunners of American Abstract Expressionism: Mark Rothko, Barnett Newman, and Jackson Pollock. It was at this time that Donati created some of his most inventive and extraordinary work, some of which was featured in a survey exhibition at the Alter & Gil Gallery, Beverly Hills, California, in January 2000. He has held many teaching positions and has been an active lecturer, while continuing to add to his artistic repertoire. From 1960 to 1962 he was a Visiting Lecturer at Yale University, and from 1962 to 1972 a Member of the Yale University Council for the Arts and Architecture. He has had seventy-five one-man shows, among them an exhibit of new paintings at the Maxwell Davidson Gallery (57th St., New York) in the fall of 1997. Donati's work is held in collections throughout the world, and his work has appeared in over 300 articles and publications, two hard cover books...

Unicorn (The Last Picture Show - 2005 20x20cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and Signature label. Artist Inventory #1...

From the Nudes portfolio, single sheet titled "Thinkng Nude" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 8.5 x 11 inches ( 22 x 28 cm ) I...

Banya - Signed limited edition archival pigment print, 1998 - Edition of 5 A Basset Hound with her friend in a French café This image was captured on film. The negative was s...

With his unmistakable version of contemporary Surrealism, as comical as it is otherworldly, Marcel Dzama is one of Canada's most internationally successful artists. Born in Winnipeg...

MEDIUM: Limited Edition Hand-Painted Cel SIZE: 16" x 14" EDITION SIZE: 500 SIGNED: Hand-Signed by Patrick Ewing SKU: WB1044 ABOUT THE IMAGE: "Take it to the HOLE!" The inimitable Patrick Ewing takes the challenge of a little "hoop," Looney Tunes Style! Though faced with the otherwise daunting prospect of facing down seven opponents, (not to mention a rocket, a butterfly net...

Luminosa opera di Maya Kopitzeva artista Georgiana Sulla parete crea un effetto trompe l'oeil MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Russian Culture, by various collectors in Europe...

"Boonton Falls" Forest Landscape in Watercolor on Paper Serene landscape by Hedy Pfreundschuh (American, b. 1937). A river is flowing towards the viewer, with a waterfall in the mid...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Original Photograph of the iconic Kate Moss from the 90s by Herb Ritts For the 1994 Pirelli Calendar shot in the Bahamas, photographer Herb Ritts set out to capture in a series of n...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this authorized offset lithograph was issued as part of an informational set that included a title sheet lis...

This piece is one of six image variations from Andy Warhol’s James Dean portfolio, a series exploring the legendary actor as a symbol of youth, fame, and tragic celebrity. The portfo...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this authorized offset lithograph was issued as part of an informational set that included a title sheet lis...

This piece is one of six distinct image variations from Andy Warhol’s James Dean portfolio, a series that captures the legendary actor as an enduring symbol of youth, rebellion, and ...

From the "James Dean" Portfolio of six image variations of James Dean by Andy Warhol. Portfolio and image layout designed and created by the team of Roger L. and Nance Schlaifer, lic...

Offset lithograph from Andy Warhol: Vanishing Animals, a portfolio of six works published by te Neues in 1992 and printed in Germany. This work highlights the Galapagos Tortoise, one...

Offset lithograph from Andy Warhol: Vanishing Animals, a portfolio of six works published by te Neues in 1992 and printed in Germany. This particular image features the Giant Chaco P...

Poster advertising the National Gallery of Art, Washington, featuring Mark Rothko’s Pink, Black, Orange (1953). This iconic work showcases Rothko's signature use of color and depth, ...

This is a single-sheet offset lithograph titled "Nude with Yellow Pillow" from Roy Lichtenstein's iconic Nudes portfolio, published by Tyler Graphics. Framed in a white wood frame ...

Original exhibition poster created for the landmark show Women Impressionists, held at the Academy of Fine Arts, Musée Marmottan, Paris, in 1993. The exhibition celebrated pioneering...

Painter is a b/w photographic print realized by Plinio Martelli in the 1990s. Very good conditions. Hand signed and titled by the artist on the back of the photograph. Original title: Pittrice. Plinio Martelli (1945-2016) After scientific studies he graduated from the Albertina Academy of Fine Arts in Turin with masters such as Enrico Paolucci and Mario Calandri...

Offset lithograph from Andy Warhol: Vanishing Animals, a portfolio of six works published by te Neues in 1992 and printed in Germany. This particular image features the whooping cran...

This work is one of six image variations from Andy Warhol’s celebrated James Dean portfolio, created under license by Roger L. and Nance Schlaifer and published by te Neues Verlag, G...

Original exhibition poster for Les Femmes Impressionnistes, held at the Musée Marmottan in Paris for the Institut de France – Académie des Beaux-Arts from October 13 to December 1993...

Zao WOU-KI Abstract composition, 1996 Original etching and aquatint Unsigned as issued On vellum 34 x 30 cm (c. 14 x 12") Excellent condition REFERENCES : Agerup #380/86 This etch...

This work is one of six image variations from Andy Warhol’s James Dean portfolio, with layout and design created by Roger L. and Nance Schlaifer—official licensees of Warhol’s imager...

This contemporary pastel on paper of a grid in blue and yellow is by Milly Ristvedt. The classic grid pattern becomes more than a ‘container’ for colour in the hands of master colou...

Signed, titled, and dated. Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented the African American neighborhood...

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

California Sunset - Blue, Red & Yellow Modern Abstract Landscape Seascape Painting art on thick washi paper mounted behind glass in a silver leaf frame Art measures 30 x 23 inches ...

Paper Size: 27 x 38 inches ( 68.58 x 96.52 cm ) Image Size: 25 x 38 inches ( 63.5 x 96.52 cm ) Framed: No Condition: A: Mint Additional Details: High quality, elegant capture ...

Maxed Out (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Number ...

Ting Shao Kuang (b. 1939) Harp 1999 color screen print, signed on the lower right side and numbered AP40/50A on the left in pencil, ...

Vagues “Wave” by TOSHIMITSU ÏMAI (1928-2002) Acrylic on paper 127 x 95 cm (50 x 37 3⁄8 inches) Signed in Japanese and English lower right, inscribed and dated 1992 on the reverse Provenance: Studio of the artist Dr Jean-Paul Coussy (Director of MCAP Museum, France), acquired directly from the artist, March 15th 1998 Dr Giorgio Tosetti, Italy, acquired from the above Exhibitions: Paris, Galerie Chozo Yoshii, Hommage à André Malraux - Les voix du Silence, September - November 1997 Literature G. C. Calza, Imaï, Electa, Milan, 1998 (Onde/Waves series) Artist biography: Born in Kyoto, Japan in 1928 Imai was part of the 20th century Japanese avant-garde. He began his formal education at the Tokyo State Art Academy where he took up painting. His early works are characterised by colourful abstractions, reminiscent of Favuism. In 1951 Imai was awarded the Kansai-Shinseisaku Prize and in 1952 the prize for the best new artist at the 15th Shinseisaku Salon. Imai relocated to Paris in 1953, the same and subsequent year he exhibited at the Salon de L’Art Sacré. Meanwhile, he attended the Académie de la Grande Chaumière and the Sorbonne to read medieval history and philosophy. In 1955, Imai completely abandoned representational art in favour of abstraction. After meeting the art critic Michel Tapié via the artist Sam Francis, Imai was the first Japanese artist to join the Art Informel movement. In 1956 Imai was called upon by the Japanese artist Taro Okamoto to curate an exhibition entitled The World: Today’s Art in Tokyo. Artists such as Jean Dubuffet, Jean Fautrier, Lucio Fontana, and Karel Appel gained important exposure in Japan. It was also in 1957, when Imai arranged for Tapié and the artists Georges Mathieu and Sam Francis to travel to Japan, that a connection between Art Informel and Gutai occurred. The Ashiya-based Gutai Art Association formed in 1954 was proclaimed a kindred spirit by Tapié which he subsequently promoted internationally. Founding members included Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo and Shozo...

This Blue Dog work consists of a dark blue background with various sizes of Blue Dog soulful yellow eyes and 3 dogs; 1 white & black, 1 red and one blue. All dogs...

Mary Cassatt, After, American (1844 - 1926) - The Lamp, Year: Date: 1991; Original Published: 1890 - 1891, Medium: Color Etching on Arches Paper, Image Size: 12.25 x 9.5 inches, F...

Signed lower right on border, 'Heather Foster' (American, 20th century), dated 1991 and titled, verso, 'Hamden #2'. Heather Foster was born in Philadelphia and attended art classes ...

Howard Hodgkin Put Out More Flags, 1992 Lift-ground etching and aquatint from one copper plate, with carborundum from three aluminium plates, printed in black and three shades of gr...

Gelatin silver print Signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Paper size: 20 x 16 in., Image size: 19 x 15 in. Earlie Hudnall, who is one of the mos...

Lucien Delarue is known internationally as an artist who faithfully captures the romantic moods of Paris. His famous subject of the ''Rooftops of Montmarte,'' along with other Paris ...

Liu Jian, Chinese (1961 - ) - CII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopr...

Oil measures 46x55 cm. Frameless.

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

"Blue Hillock" California Landscape Lupines Poppies Original Painting on Canvas California mountains stream by San Jose artist S. Ramirez-Renard (American 20th century). Detailed pai...

Love in Brooklyn, painted in baby blue, light pink, and pale green, depicts a stark image of Brooklyn, which had not yet seen the development spreading across Manhattan: “Love in Bro...

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

In Waterwings, Art Werger captures the ever-shifting surface of a swimming pool as a young child is seen seen from above, the child’s blond hair glows in the sun, with red swim trunk...